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Scull family scrapbook

Creator:
Scull family  Search this
Names:
Scull, Haydée  Search this
Scull, Michael, 1953-  Search this
Scull, Sahara  Search this
Extent:
1 Volume (1 volume, circa 300 items on 1 microfilm reel.)
Type:
Collection descriptions
Archival materials
Volumes
Photographs
Scrapbooks
Date:
1953-1996
Summary:
The Scull family scrapbook dates from 1953-1996 and comprises approximately 300 items including photographs, newspaper and magazine clippings, exhibition announcements and catalogs, and other printed material regarding the artwork and public appearances of Haydée, Sahara, and Michael Scull.
Scope and Content Note:
This small collection provides scattered documentation regarding the art and public appearances of Haydée, Sahara, and Michael Scull. The collection comprises a scrapbook, and a small amount of related unbound material, including photographs, news clippings, exhibition announcements and catalogs, and other printed material.
Arrangement:
The collection is arranged as two series:

Series 1: Scrapbook, circa 1983-1996

Series 2: Unbound Materials, 1953-1996, undated
Biographical Note:
Twin sisters Haydée and Sahara Scull were born in Havana, Cuba, and studied painting and sculpture at the Escuela de Bellas Artes de San Alejandro in Havana. They are best known for their humorous three-dimensional paintings and sculptures of Old Havana and trendy South Beach. Haydée's son Michael, born in 1953, collaborated with his mother and aunt as a teenager. He left Cuba in 1967 to study art in Canada, and subsequently settled in Miami. In 1969 Haydée and her daughter Elizabeth (born 1957) joined Michael in Miami and in 1973 Sahara left Cuba for Miami. They established their permanent residence and studio in the art deco district of Miami Beach. Most of their work is commissioned for private collections.
Provenance:
The collection was loaned to the Archives of American Art for microfilming in 1997 by Haydée and Sahara Scull and returned to them after filming.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Artists -- Florida -- Miami  Search this
Works of art  Search this
Sculptors -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Assemblage (Art)  Search this
Cuban Americans -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Scull family scrapbook, 1953-1996. Microfilmed by the Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sculfami
See more items in:
Scull family scrapbook
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sculfami

Demi and Arturo Rodríguez papers

Creator:
Rodríguez, Arturo, 1956-  Search this
Demi, 1955-  Search this
Names:
Goldman, Shifra M., 1926-2011  Search this
Hassold, Cris  Search this
Kohen, Helen L.  Search this
Verdecia, Carlos, 1955-  Search this
Wojnarowicz, David  Search this
Extent:
6.42 Linear feet
12.79 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
circa 1957-2016
Summary:
The papers of Cuban born Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.
Scope and Contents:
The papers of Cuban born Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.

Personal and professional correspondence is with artists, curators, galleries, museums, art historians, and collectors, including Shifra M. Goldman, Cris Hassold, Helen L. Kohen, collectors Judith and Bill Ladner, Minuca Villaverde, and others. Interviews include video and sound recordings of Demi and Arturo discussing lives and artwork, as well as one interview with Carlos Verdecia Jr. about Arturo. Writings include statements on artwork and autobiographical essays, lectures and talks, and notes. Project files concern the exhibitions The Rage of Children (1991), Walls & Murals: Mike Glier, Arturo Rodríguez & David Wojnarowitz, and Far from Cuba. Other documentation includes a project overview for the Joan Mitchell Foundation, artwork for music album covers, and plans for a retrospective of Demi and Arturo's work that was cancelled due to lack of support.

Personal business records consist of files for donations, financial investments, gallery consignments, receipts, sales lists, and collector information. Printed material includes clippings, exhibition announcements and catalogs, journal and magazines, posters, programs, and several children's books illustrated by Arturo using the pseudonym Hieronimus Fromm. Artwork includes drawings and comics by Arturo, collages, drawings and sketches, and 30 sketchbooks belonging to Demi and Arturo. Photographic materials depict Demi and Arturo together and with others, Demi and Arturo's home and studio, exhibitions, still lives, travel, and works of art.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, circa 1957-2013 (Box 1; 4 folders)

Series 2: Correspondence, 1978-2015 (Box 1; 0.8 linear feet, ER01; 0.023 GB)

Series 3: Interviews, 1991-2010 (Boxes 1-2; 0.5 linear feet, ER02-ER07; 6.01 GB)

Series 4: Writings, circa 1975-2015 (Box 2; 0.3 linear feet, ER08; 0.012 GB)

Series 5: Project and Exhibition Files, 1986-2015 (Box 2; 0.8 linear feet, ER09-ER11; 0.607 GB)

Series 6: Personal Business Records, 1988-2012 (Boxes 2-3; 0.4 linear feet; ER12; 0.007 GB)

Series 7: Printed Material, 1979-2016 (Boxes 3-4, 7, OV 8; 0.5 linear feet)

Series 8: Artwork, 1963-2016 (Boxes 4-5, 7, OV 8; 1.5 linear feet)

Series 9: Photographic Material, 1977-2012 (Boxes 5-7; 1.5 linear feet, ER13-ER29; 6.13 GB)
Biographical / Historical:
Demi (1955- ) and Arturo Rodríguez (1956- ) are painters in Miami, Florida.

Demi was born in Camagüey, Cuba. In 1961, her father was executed by the Cuban government. Demi's mother struggled to take care of Demi and her sisters alone and Demi was sent to live with relatives in Puerto Rico in 1962. She came to the U.S. in 1971 where she was able to join her sisters and mother. Eventually Demi settled in Miami in 1978. She attended Miami-Dade College where she studied drama with the Prometeo Theater Group. In 1980, she met Arturo at one of his exhibitions. They married in 1984. Demi worked as a bookkeeper before she knew she could draw and paint. Her first attempts at creating art were in 1984 using a wedding photograph of herself and Arturo as her subject. Her first exhibition was in 1987 at the Cuban Museum in Miami. As she developed as an artist, children became the prime subjects in Demi's paintings. She was the recipient of the Florida State Visual Artist Grant for 1992 to 1993.

Arturo Rodríguez was born in Ranchuelo, Cuba, and showed an interest in art as a small child. Arturo and his family were exiled to Spain in 1971. While in Spain, his visits to see the paintings of Goya and Velázquez at the Prado Museum helped solidify his interest in art. Rodríguez settled in Miami with his family in 1973 where he eventually attended Miami Dade College. Arturo's works are often influenced by his relationship with Demi. In 1995, he created a series of collages using images of Demi as a way to deal with her cancer diagnosis. He has been the recipient of numerous awards including the prestigious Cintas Foundation Fellowship, Florida Arts Council Fellowships, and a Joan Mitchell Foundation grant.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Demi conducted on November 20, 1997 and an oral history interview with Arturo Rodríguez conducted on November 14, 1997 at Demi and Arturo's home/studio in Miami, F.L. by Juan A. Martínez for the Archives of American Art.
Provenance:
The papers were donated by Demi and Arturo Rodríguez in increments from 1997 to 2016.
Restrictions:
One folder of samples of payments for sales is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Photograph of Demi by Ramon Guerrero: Authorization to publish, quote or reproduce requires written permission from Demi. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Women artists  Search this
Cuban American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Interviews
Sketchbooks
Sound recordings
Video recordings
Citation:
Demi and Arturo Rodríguez papers, circa 1957-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rodrartu
See more items in:
Demi and Arturo Rodríguez papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrartu

Enrique Riverón papers

Creator:
Riverón, Enrique  Search this
Names:
Wichita State University -- Faculty  Search this
Baker, Josephine, 1906-1975  Search this
Bermúdez, Cundo, 1914-  Search this
Cantinflas, 1911-1993  Search this
Carreño, Mario  Search this
Carreño, Mario -- Photographs  Search this
Cugat, Xavier, 1900- -- Photographs  Search this
De Diego, Julio, 1900-  Search this
García Lorca, Federico, 1898-1936  Search this
Gattorno, Antonio  Search this
Gómez Sicre, José  Search this
Hughes, Langston, 1902-1967  Search this
Kiki, 1901-1953  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray -- Photographs  Search this
Neruda, Pablo, 1904-1973 -- Photographs  Search this
Orozco, José Clemente, 1883-1949 -- Photographs  Search this
Peláez, Amelia, 1897-1968 -- Photographs  Search this
Picasso, Pablo, 1881-1973  Search this
Pidgeon, Walter, 1897-  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
Reed, Alma M. -- Photographs  Search this
Russell, Rosalind -- Photographs  Search this
Salinas, Baruj  Search this
Sicre, Juan José -- Photographs  Search this
Siqueiros, David Alfaro -- Photographs  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Waguermert, Luis Gomez -- Photographs  Search this
Yunkers, Adja, 1900-  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1918-1990s
Summary:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.
Scope and Content Note:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.
Arrangement:
The collection is organized into eight series.

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)
Biographical Note:
Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.
Related Material:
The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.
Provenance:
The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists  Search this
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.riveenri
See more items in:
Enrique Riverón papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-riveenri

Interview with Juan Gonzalez

Creator:
González, Juan, 1942-1993  Search this
Kohen, Helen L.  Search this
Type:
Sound Recording
Date:
1988
Topic:
Cuban American artists  Search this
Record number:
(DSI-AAA)19815
See more items in:
Helen L. Kohen papers, 1978-1996
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19815

Interview with Carlos Alfonzo

Creator:
Alfonzo, Carlos, 1950-1991  Search this
Kohen, Helen L.  Search this
Type:
Sound Recording
Date:
1988
Topic:
Cuban American artists  Search this
Record number:
(DSI-AAA)19816
See more items in:
Helen L. Kohen papers, 1978-1996
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_19816

Tomás Oliva papers

Creator:
Oliva, Tomás, 1930-1996  Search this
Names:
Díaz Peláez, José Antonio  Search this
Levy-Angulo, Cyndee  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Date:
circa 1969-1996
Summary:
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
Scope and Contents:
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
Arrangement:
The collection is arranged as 1 series.

Series 1: Tomás Oliva Papers, circa 1969-1996 (Box 1; 0.2 linear feet)
Biographical / Historical:
Tomás Oliva (1930-1996) was a Cuban born sculptor, painter, and printmaker who worked in Havana up to the mid or late 1970s before relocating to Miami, Florida.

Born in 1930 in Havana, Cuba, Oliva graduated from the San Alejandro Academy in Havana in 1952 with a dual degree in painting and sculpture. He also attended the Royal School of Ceramic La Moncloa in Spain and Ecole du Mosaic de Ravene et Ceramique de Faienze in Paris France. He also studied art and film animation with Ivan Zeiler and stage design with Ladislav Vihodil while living in Havana.

Oliva was one of the founding members of the Cuban artists' group Los Once (The Eleven), active in Havana between 1953 and 1955. Los Once consisted of 11 painters and sculptors-Pancho Antigua, René Avila, José Ignacio Bermudez, Agustin Cárdenas, Hugo Consuegra, Viredo Espinosa, Guido Llinás, Fayad Jamís, Tomás Oliva, José Antonio Díaz Peláez, and Antonio Vidal.

In the mid to late 1970s, Oliva relocated to Miami, Florida and regularly exhibited there and across the United States, Canada, Brazil, Mexico, Spain, Europe, and Japan.
Provenance:
The Tomás Oliva papers were donated to the Archives of American Art by Xiomara Almaguer-Levy in 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Cuba -- Havana  Search this
Painters -- Florida -- Miami  Search this
Topic:
Latino and Latin American artists  Search this
Sculptors -- Cuba -- Havana  Search this
Sculptors -- Florida -- Miami  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Citation:
Tomás Oliva papers, circa 1969-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.olivtoma
See more items in:
Tomás Oliva papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-olivtoma

Carlos A. Maciá papers

Creator:
Macia, Carlos A., 1951-1994  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Video recordings
Date:
circa 1960-1996
Summary:
The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.
Scope and Contents:
The papers of Cuban American painter Carlos A. Maciá measure 1.8 linear feet and date from circa 1960 to 1996. The collection is comprised of biographical materials that includes a video recording of an interview with Maciá conducted by Josh Greenman; correspondence; personal business records; printed materials; artwork that includes paintings, drawings and prints; and photographs, slides, and negatives depicting Maciá, works of art, friends and family, and still lifes photographed by Maciá.
Arrangement:
The collection is arranged as six series.

Series 1: Biographical Materials, 1972-1994 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1981-1996 (Box 1; 5 folders)

Series 3: Personal Business Records, 1977-1996 (Box 1; 0.2 linear feet)

Series 4: Printed Materials, circa 1971-1996 (Box 1, OV 5; 0.2 linear feet)

Series 5: Artwork, circa 1970-circa 1989 (Box 1, OVs 3-4, 6-8; 0.4 linear feet)

Series 6: Photographic Materials, circa 1960-circa 1989 (Box 1-2, OV 5; 0.7 linear feet)
Biographical / Historical:
Carlos A. Maciá (1951-1994) was a painter in Miami, Florida and Barcelona, Spain.

Maciá was born in Havana, Cuba and immigrated to the U.S. at age 11. He attended Miami Springs Senior High School before studying to become a monk at the Convento de Franciscanos in Spain in 1970. He left the convent after a year and went on to study art at the San Fernando Academy in Madrid. In 1972 he returned to Miami to attend Miami Dade Community College. He continued his studies at Barry College where he received a bachelor's degree in theology and philosophy in 1977. In 1983 he received a master's degree in theology. Maciá's interest in theology was a frequent theme in his artwork.

Early in his career Maciá worked with collages and etchings. In 1987, he moved to Barcelona to make a series of handmade books and boxes. He is also known for creating building facades and large-scale works. When in Miami, Maciá worked in the bedroom of his parents' house in Hialeah.

Maciá was awarded the Florida Arts Council Fellowship in 1982 and in 1984 the prestigious Cintas Fellowship. He exhibited his work internationally and has works in permanent museum collections in Boston, Barcelona, and Paris. Maciá died in 1994.
Provenance:
The papers were donated in 1997 by Celinda Maciá, Carlos A. Maciá's mother.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Occupation:
Painters -- Florida -- Miami  Search this
Painters -- Spain -- Barcelona  Search this
Topic:
Cuban American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Interviews
Video recordings
Citation:
Carlos A. Maciá Papers, circa 1960-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macicarl
See more items in:
Carlos A. Maciá papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macicarl

Oral history interview with José Maria Mijares, 1998 Jan. 17

Interviewee:
Mijares Fernández, José María, 1921-2004  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Peláez, Amelia  Search this
Type:
Interviews
Sound recordings
Topic:
Cuban American art  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Record number:
(DSI-AAA_CollID)13560
(DSI-AAA_SIRISBib)216453
AAA_collcode_mijare98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216453
Online Media:

Oral history interview with Arturo Rodríguez, 1997 November 14

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
De Kooning, Willem  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13542
(DSI-AAA_SIRISBib)216456
AAA_collcode_rodrig97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216456
Online Media:

Oral history interview with Ruben Torres-Llorca, 1998 January 31

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Bedia, José  Search this
Rodríguez Brey, Ricardo  Search this
Instituto Superior de Arte (Cuba)  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Record number:
(DSI-AAA_CollID)13547
(DSI-AAA_SIRISBib)216458
AAA_collcode_torres98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216458
Online Media:

Oral history interview with Enrique Guy Garcia, 1998 Mar. 18

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Record number:
(DSI-AAA_CollID)13567
(DSI-AAA_SIRISBib)216454
AAA_collcode_garcia98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216454
Online Media:

Oral history interview with Demi, 1997 November 20

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Rodríguez, Arturo  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Hispanic American women artists -- Florida -- Miami -- Interviews  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13571
(DSI-AAA_SIRISBib)216455
AAA_collcode_demi97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216455
Online Media:

Helen L. Kohen papers, 1978-1996

Creator:
Kohen, Helen L.  Search this
Subject:
Slobodkina, Esphyr  Search this
Shapiro, Joel  Search this
Strasser, Barbara  Search this
Spitzer, David D.  Search this
Scharf, Kenny  Search this
Schaaf, William  Search this
Scull, Sahara  Search this
Scull, Haydée  Search this
Muñoz, Celia Alvarez  Search this
Trasobares, César  Search this
Sullivan, G. L.  Search this
Valdez-Fauli, Dora  Search this
Sanchez, Emilio  Search this
Bedia, José  Search this
Blaine, Michael  Search this
Blazer, Wendy  Search this
Brito, Maria  Search this
Cano, Margarita  Search this
Cano, Pablo  Search this
Carulla, Ramón  Search this
Castagliola, Maria E.  Search this
Corone, Matthew  Search this
Couper, James M.  Search this
Cubiles, Miguel  Search this
De Monte, Claudia  Search this
Delehanty, Suzanne  Search this
Demi  Search this
Duval-Carrié, Edouard  Search this
Eisenstaedt, Alfred  Search this
Alfonzo, Carlos  Search this
Alexander, Jane  Search this
Anthony, Carol  Search this
Algaze, Mario Arturo  Search this
Orr-Cahall, Christina  Search this
Marisol  Search this
Morgan, Andrew Wesley  Search this
Pellon, Gina  Search this
Riverón, Enrique  Search this
Paik, Nam June  Search this
Paparelli, Janet  Search this
Rodríguez, Arturo  Search this
Rojo, Damian  Search this
Riverón, Noella  Search this
Rodriguez, Vivian  Search this
Salinas, Baruj  Search this
Rubell, Jason  Search this
Rubio, Lydia  Search this
Gelfman, Lynn Golub  Search this
García, Fernando A.  Search this
Frohnmayer, John  Search this
Fernández, Agustin  Search this
Gutierrez, M. (Marta)  Search this
Gottlieb-Roberts, Marilyn Patricia  Search this
González, Juan  Search this
Gillman, Barbara Seitlin  Search this
Juarez, Roberto  Search this
Jones, Pat  Search this
Henderson, Shirley  Search this
Leibovitz, Annie  Search this
Lanza, Bianca  Search this
Kuitca, Guillermo  Search this
Kardin, Janet  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Haiti  Search this
Latino and Latin American artists  Search this
Women art critics -- Florida -- Miami  Search this
Cuban American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Artists -- Florida -- Miami  Search this
Art -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)5418
(DSI-AAA_SIRISBib)216314
AAA_collcode_kohehele
Theme:
Latino and Latin American
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216314
Online Media:

Frances Wolfson Art Gallery records, 1973-1994

Creator:
Frances Wolfson Art Gallery  Search this
Subject:
Day, Larry  Search this
Chisolm, Michael  Search this
Bencomo, Mario  Search this
Azaceta, Luis Cruz  Search this
Dionisio, Humberto  Search this
Katzen, Lila  Search this
Larraz, Julio  Search this
McGarrell, James  Search this
Piper, Jane  Search this
Topic:
Art galleries, University and college -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Artists -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Art, Latin American  Search this
Cuban American artists  Search this
Record number:
(DSI-AAA_CollID)5416
(DSI-AAA_SIRISBib)216308
AAA_collcode_franwola
Theme:
Latino and Latin American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216308
Online Media:

Oral history interview with Ruben Torres-Llorca

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Instituto Superior de Arte (Cuba)  Search this
Bedia, José, 1959-  Search this
Rodríguez Brey, Ricardo, 1955-  Search this
Extent:
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 January 31
Scope and Contents:
An interview of Ruben Torres-Llorca conducted 1998 January 31, by Juan A. Martínez, in Torres Llora's home/studio, Miami, Florida, for the Archives of American Art.
Torres Llora discusses his early interest in art; his father, whom he never met, who was a talented commercial artist; studying art at San Alejandro Academy of Art, Havana and fellow students Jose Bedia and Ricardo Rodriguez Brey; graduate studies at Havana's Instituto Superior del Arte; participating in the "Volumen I" exhibition in 1981; travels to Mexico, where he began sculpture and installations; returning to Cuba and curating exhibitions of younger artists; moving to Buenos Aires, Mexico City, and since 1993, Miami; artistic influences, including literature, anthropology, sociololgy, film, and other disciplines on him; his mixed media figurative objects of the 1990s which tell a narrative, are socially oriented, and at best, provide a shared experience for the viewer.
Biographical / Historical:
Ruben Torres-Llorca (1957-) is a painter and sculptor in Miami, Florida.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.torres98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-torres98

Oral history interview with Arturo Rodríguez

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Extent:
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 14
Scope and Contents:
An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.
Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.
Biographical / Historical:
Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrig97

Oral history interview with José Maria Mijares

Interviewee:
Mijares Fernández, José María, 1921-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Peláez, Amelia, 1897-1968  Search this
Extent:
107 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 Jan. 17
Scope and Contents:
An interview of José Maria Mijares conducted 1998 Jan. 17, by Juan A. Martínez, in Mijares' home/studio, Miami, Fla., for the Archives of American Art.
Mijares discusses his background; his early interest in drawing; attending Cuba's main art school, the San Alejandro Academy of Art, Havana; his professors, Leopoldo Romanach and Armando Menocal; artistic influences of Cuban modernist painters Fidelio Ponce and Amelia Peláez; being awarded the second prize in a national exhibition in Hanava, 1944 for his work Alameda; the art movement in the 1950s "arte concreto," which involved geometric abstraction and art for art's sake; difficulties of being an artist in Cuba due to lack of galleries and collectors; teaching at San Alejandro in the late 1950s; going into exile in the mid-1960s to Miami; his work schedule of drawing and painting about 6 hours daily; favorite medium being oil on canvas, but also works with serigraphy and watercolor; briefly mentions his artistic style; and his nostalgia for Cuba which is a source of inspiration in his work.
Biographical / Historical:
José Maria Mijares (1921-2004) was a painter from Miami, Fla. Born in Cuba.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Cuban American art  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mijare98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mijare98

Helen L. Kohen papers

Creator:
Kohen, Helen L.  Search this
Names:
Alexander, Jane  Search this
Alfonzo, Carlos, 1950-1991  Search this
Algaze, Mario Arturo, 1947-  Search this
Anthony, Carol  Search this
Bedia, José, 1959-  Search this
Blaine, Michael  Search this
Blazer, Wendy  Search this
Brito, Maria, 1947-  Search this
Cano, Margarita, 1932-  Search this
Cano, Pablo  Search this
Carulla, Ramón, 1938-  Search this
Castagliola, Maria E., 1946-  Search this
Corone, Matthew  Search this
Couper, James M., 1937-  Search this
Cubiles, Miguel  Search this
De Monte, Claudia, 1947-  Search this
Delehanty, Suzanne, 1944-  Search this
Demi, 1955-  Search this
Duval-Carrié, Edouard, 1954-  Search this
Eisenstaedt, Alfred  Search this
Fernández, Agustin, 1928-  Search this
Frohnmayer, John  Search this
García, Fernando A., 1945-  Search this
Gelfman, Lynn Golub  Search this
Gillman, Barbara Seitlin, 1937-  Search this
González, Juan, 1942-1993  Search this
Gottlieb-Roberts, Marilyn Patricia, 1939-  Search this
Gutierrez, M. (Marta)  Search this
Henderson, Shirley  Search this
Jones, Pat  Search this
Juarez, Roberto, 1952-  Search this
Kardin, Janet  Search this
Kuitca, Guillermo, 1961-  Search this
Lanza, Bianca  Search this
Leibovitz, Annie, 1949-  Search this
Marisol, 1930-2016  Search this
Morgan, Andrew Wesley, 1922-  Search this
Muñoz, Celia Alvarez, 1937-  Search this
Orr-Cahall, Christina, 1947-  Search this
Paik, Nam June, 1932-  Search this
Paparelli, Janet  Search this
Pellon, Gina  Search this
Riverón, Enrique  Search this
Riverón, Noella  Search this
Rodriguez, Vivian  Search this
Rodríguez, Arturo, 1956-  Search this
Rojo, Damian  Search this
Rubell, Jason  Search this
Rubio, Lydia, 1946-  Search this
Salinas, Baruj  Search this
Sanchez, Emilio, 1921-1999  Search this
Schaaf, William  Search this
Scharf, Kenny  Search this
Scull, Haydée  Search this
Scull, Sahara  Search this
Shapiro, Joel  Search this
Slobodkina, Esphyr, 1908-2002  Search this
Spitzer, David D.  Search this
Strasser, Barbara  Search this
Sullivan, G. L.  Search this
Trasobares, César  Search this
Valdez-Fauli, Dora  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1978-1996
Summary:
The papers of Miami art critic Helen Kohen date from 1978 through 1996 and contain letters, postcards, exhibition announcements and invitations, and seventy-four untranscribed interviews of artists, dealers, and collectors in the Miami area.
Scope and Content Note:
The papers of art historian and critic Helen L. Kohen measure one linear foot and date from 1976 through 1996. They consist primarily of letters, postcards, exhibition announcements and invitations from artists in the Miami area. Also found are eighty-two mini cassette tapes of seventy-four interviews Kohen conducted with art dealers, collectors, contemporary artists, and others in the Miami area as research and background for her newspaper column and other articles
Arrangement:
The collection is arranged into five series:

Series 1: Correspondence, 1954, 1984-1993, undated (Box 1, 10 folders)

Series 2: Printed Material, 1979-1996, undated (Box 1, 3 folders)

Series 3: Photographs, 1969, 1974, 1980-1994 (Box 1, 1 folder)

Series 4: Miscellany, 1983-1992, undated (Box 1 , 1 folder)

Series 5: Taped Interviews, 1986-1996, undated (Box 1, 1 folder and 82 micro-cassettes)
Biographical Note:
Art historian and critic Helen L. Kohen has authored numerous articles on contemporary art focusing on the formation of the art culture in Miami since the early 1980s. Helen L. Kohen is art critic emeritus for the The Miami Herald newspaper in Miami, Florida.
Provenance:
Helen L. Kohen donated her papers to the Archives of American Art, Smithsonian Institution in 1997.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- Florida -- Miami  Search this
Topic:
Artists -- Haiti  Search this
Latino and Latin American artists  Search this
Women art critics -- Florida -- Miami  Search this
Cuban American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Artists -- Florida -- Miami  Search this
Art -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Helen L. Kohen papers, 1978-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kohehele
See more items in:
Helen L. Kohen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kohehele

Oral history interview with Enrique Guy Garcia

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
1 Sound cassette (Sound recording, analog)
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1998 Mar. 18
Scope and Contents:
An interview of Enrique Guy Garcia conducted 1998 Mar. 18, by Juan A. Martinez, in Garcia's studio, Miami, Fla., for the Archives of American Art.
Garcia discusses his early interest in drawing; enrolling in art school as a teenager in Santiago de Cuba; attending Havana's San Alejandro Art Academy and studying painting with Leopoldo Romanach and Domingo Ramos, and modeling for sculpture classes where his interest in sculpture developed; going to Mexico City upon graduation to study fresco painting; returning to Cuba and working in organizing craft workshops; becoming dissatisfied with the political situation in Cuba and accepting an UNESCO grant to study art in Italy; seeking political asylum on his return from Italy; living in New York and working in a foundry; moving to Miami in the mid-1970s; his sculpture, which is primarily bronzes; his abstract expressionist style; his series of works in the 1980s, "Head," and "Icarus"; his current work, "Columns"; and an upcoming exhibition in Venezuela.
Biographical / Historical:
Enrique Guy Garcia (1928-) is a sculptor and painter from Miami, Fla. Born in Havana, Cuba.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Hispanic American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garcia98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garcia98

Frances Wolfson Art Gallery records

Creator:
Frances Wolfson Art Gallery  Search this
Names:
Azaceta, Luis Cruz, 1942-  Search this
Bencomo, Mario, 1953-  Search this
Chisolm, Michael  Search this
Day, Larry, 1921-  Search this
Dionisio, Humberto, 1950-1987  Search this
Katzen, Lila  Search this
Larraz, Julio  Search this
McGarrell, James, 1930-  Search this
Piper, Jane, 1916-  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1973-1994
Summary:
The records of the Frances Wolfson Art Gallery measure 5 linear feet and date from 1973 to 1994. The Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Materials document exhibitions held at the Gallery and the general administration of the Gallery through correspondence, business records and printed material.
Scope and Contents:
The records of the Frances Wolfson Art Gallery comprise 5 linear feet of material dating from 1973 to 1994. The collection contains correspondence, routine business records, exhibition files, notes, printed material, and photographs of artists, installations, and works of art, and is arranged into seven series according to material type. The bulk of the material relates to exhibitions held at the Gallery from 1977 to 1992 in exhibition files measuring 4.5 linear feet. The general administration of the Gallery is also partially documented through business records and correspondence files.
Arrangement:
The collection is arranged as six series according to material type. Records are arranged chronologically unless otherwise noted.

Series 1: Correspondence, 1976-1994 (Box 1; 0.2 linear feet)

Series 2: Business Records, 1981-1993 (Box 1; 0.2 linear feet)

Series 3: Notes, 1973-1987 (Box 1; 2 folders)

Series 4: Exhibition Files, 1977-1992, undated (Boxes 1-5; 4.5 linear feet)

Series 5: Printed Material, 1974-1994 (Box 5; 5 folders)

Series 6: Color Transparencies of Artwork, 1983-1990 (Box 5; 10 items)
Biographical / Historical:
The Frances Wolfson Art Gallery was established in 1976 on the Mitchell Wolfson New World Center Campus of the Miami-Dade Community College. It focused on the art of the local Latino community in addition to serving the needs of the College's arts and humanities students. Exhibitions and lectures reflected four major areas of emphasis: the Latino community, the Black community, the relationship of art, architecture and culture to the quality of contemporary urban civilization, and the best of new artists presented in solo or cohesive group exhibitions.

Director from 1978 to 1981, Roberta Griffin was followed in that position by Sheldon Lurie in September 1981 until his death in October 1990.

In the spring of 1987, the Frances Wolfson Art Gallery implemented an active exhibition program at the InterAmerican Center in the form of the InterAmerican Art Gallery. Located in the Little Havana section of Miami, the major thrust of this gallery is Hispanic art, reflecting the interests and needs of the surrounding community.
Provenance:
This collection was donated to the Archives of American Art by the Miami-Dade Community College in 1997
Restrictions:
Use of unmicrofilmed material in the holdings of the Archives of American Art requires an appointment and is limited to the Washington, D.C., facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, University and college -- Florida -- Miami  Search this
Art, Modern -- 20th century -- Florida -- Miami -- Exhibitions  Search this
Artists -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Art, Latin American  Search this
Cuban American artists  Search this
Citation:
Frances Wolfson Art Gallery records, 1973-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.franwola
See more items in:
Frances Wolfson Art Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franwola

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