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Scull family scrapbook

Creator:
Scull family  Search this
Names:
Scull, Haydée  Search this
Scull, Michael, 1953-  Search this
Scull, Sahara  Search this
Extent:
1 Volume (1 volume, circa 300 items on 1 microfilm reel.)
Type:
Collection descriptions
Archival materials
Volumes
Photographs
Scrapbooks
Date:
1953-1996
Summary:
The Scull family scrapbook dates from 1953-1996 and comprises approximately 300 items including photographs, newspaper and magazine clippings, exhibition announcements and catalogs, and other printed material regarding the artwork and public appearances of Haydée, Sahara, and Michael Scull.
Scope and Content Note:
This small collection provides scattered documentation regarding the art and public appearances of Haydée, Sahara, and Michael Scull. The collection comprises a scrapbook, and a small amount of related unbound material, including photographs, news clippings, exhibition announcements and catalogs, and other printed material.
Arrangement:
The collection is arranged as two series:

Series 1: Scrapbook, circa 1983-1996

Series 2: Unbound Materials, 1953-1996, undated
Biographical Note:
Twin sisters Haydée and Sahara Scull were born in Havana, Cuba, and studied painting and sculpture at the Escuela de Bellas Artes de San Alejandro in Havana. They are best known for their humorous three-dimensional paintings and sculptures of Old Havana and trendy South Beach. Haydée's son Michael, born in 1953, collaborated with his mother and aunt as a teenager. He left Cuba in 1967 to study art in Canada, and subsequently settled in Miami. In 1969 Haydée and her daughter Elizabeth (born 1957) joined Michael in Miami and in 1973 Sahara left Cuba for Miami. They established their permanent residence and studio in the art deco district of Miami Beach. Most of their work is commissioned for private collections.
Provenance:
The collection was loaned to the Archives of American Art for microfilming in 1997 by Haydée and Sahara Scull and returned to them after filming.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Artists -- Florida -- Miami  Search this
Works of art  Search this
Sculptors -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Assemblage (Art)  Search this
Cuban Americans -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Scull family scrapbook, 1953-1996. Microfilmed by the Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sculfami
See more items in:
Scull family scrapbook
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sculfami

Baruj Salinas papers

Creator:
Salinas, Baruj  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Rijksmuseum (Netherlands)  Search this
Van Gogh Museum, Amsterdam  Search this
Alejandro, Ramon  Search this
Algaze, Mario Arturo, 1947-  Search this
Armand, Octavio, 1946-  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carulla, Ramón, 1938-  Search this
Cubiles, Miguel  Search this
Cubiles, Miguel -- Photographs  Search this
Cuevas, José Luis, 1934- -- Photographs  Search this
Estopiñán, Roberto, 1921-  Search this
Ferrer, Joaquin  Search this
Fonts, Marilyn  Search this
Fonts, Marilyn -- Photographs  Search this
Franqui, Camilo  Search this
Franqui, Carlos, 1921-  Search this
Franqui, Carlos, 1921- -- Photographs  Search this
Godoy, Gustavo G.  Search this
Gutierrez, Osvaldo -- Photographs  Search this
Kohler, Elizabeth  Search this
Kohler, Peter  Search this
Linder, Gisele  Search this
Lozano Castro, Alfredo  Search this
Lozano Castro, Alfredo -- Photographs  Search this
Macia, Carlos A., 1951-1994  Search this
McBride, Robert H.  Search this
Miró, Joan, 1893- -- Photographs  Search this
Pau-Llosa, Ricardo  Search this
Riverón, Enrique  Search this
Rodríguez, Bélgica, 1941-  Search this
Roel, Guillermo  Search this
Salinas, Isaac  Search this
Salinas, Rosa  Search this
Samelson, Henry  Search this
Serur, David  Search this
Soriano, Rafael, 1920-  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Toonkel, Gail  Search this
Valente, José Angel  Search this
Vidal, Juan -- Photographs  Search this
Ward, Bettie  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1971-1996
Summary:
The papers of Cuban born painter Baruj Salinas measure 0.4 linear feet and date from 1971-1996. The collection documents the artist's prolific painting career and his friendships and professional relationships with a variety of contemporary artist in the U.S. and Europe. The papers of Baruj Salinas are an important addition to the documentation of Cuban-American art and artists.
Scope and Content Note:
The papers of Cuban born painter Baruj Salinas measure 0.4 linear feet and date from 1971-1996. The collection primarily consists of letters from friends and artists. Also found are diary entries, scattered financial and business papers, printed material, and photographs. Of special interest in the last series are photographs taken of a visit to the home and art studio of Spanish artist Joan Miró.
Arrangement:
The collection is arranged as six series.

Series 1: Diary Entries, 1982 (box 1; 1 folder)

Series 2: Letters Received, 1979-1996, undated (box 1; 21 folders)

Series 3: Financial Papers, 1993-1994 (box 1; 1 folder)

Series 4: Printed Material, 1976-1992, undated (box 1; 2 folders)

Series 5: Photographs, 1971-1992, undated (box 1; 3 folders)

Series 6: Miscellany, 1992 (box 1; 1 folder)
Biographical Note:
Born in Havana, painter Baruj Salinas' (b. 1938) career began in the field of architecture. He graduated from the University of Ohio with an architectural degree and left Cuba permanently in 1959. Salinas settled in Miami and later moved to Barcelona where he studied alongside artists Joan Miró and Antoni Tàpies.
Provenance:
Baruj Salinas donated his papers to the Archives of American Art in 1997.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Painters -- Cuba -- Havana  Search this
Topic:
Latino and Latin American artists  Search this
Cuban American art  Search this
Genre/Form:
Photographs
Citation:
Baruj Salinas papers, 1971-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.salibaru
See more items in:
Baruj Salinas papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salibaru

Enrique Riverón papers

Creator:
Riverón, Enrique  Search this
Names:
Wichita State University -- Faculty  Search this
Baker, Josephine, 1906-1975  Search this
Bermúdez, Cundo, 1914-  Search this
Cantinflas, 1911-1993  Search this
Carreño, Mario  Search this
Carreño, Mario -- Photographs  Search this
Cugat, Xavier, 1900- -- Photographs  Search this
De Diego, Julio, 1900-  Search this
García Lorca, Federico, 1898-1936  Search this
Gattorno, Antonio  Search this
Gómez Sicre, José  Search this
Hughes, Langston, 1902-1967  Search this
Kiki, 1901-1953  Search this
Lozano Castro, Alfredo  Search this
Milland, Ray -- Photographs  Search this
Neruda, Pablo, 1904-1973 -- Photographs  Search this
Orozco, José Clemente, 1883-1949 -- Photographs  Search this
Peláez, Amelia, 1897-1968 -- Photographs  Search this
Picasso, Pablo, 1881-1973  Search this
Pidgeon, Walter, 1897-  Search this
Prohias, Antonio  Search this
Rebajes, Pauline  Search this
Reed, Alma M. -- Photographs  Search this
Russell, Rosalind -- Photographs  Search this
Salinas, Baruj  Search this
Sicre, Juan José -- Photographs  Search this
Siqueiros, David Alfaro -- Photographs  Search this
Tamayo, Rufino, 1899- -- Photographs  Search this
Waguermert, Luis Gomez -- Photographs  Search this
Yunkers, Adja, 1900-  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1918-1990s
Summary:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet and date from 1918-1990s. The collection contains correspondence, writings, diary entries, scrapbooks, printed material, and photographs documenting Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, Riverón's teaching career at Wichita University in Kansas.
Scope and Content Note:
The papers of Cuban born painter, sculptor, cartoonist, and illustrator Enrique Riverón measure 3.3 linear feet, date from 1918-1990s and document Riverón's career as an illustrator, cartoonist, painter and sculptor in the United States and Cuba and, to a lesser extent, his teaching career at Wichita University in Kansas. The collection includes correspondence, the majority of which concerns Riverón's exhibitions; writings, primarily Riverón's recollections of his trips to Paris and Madrid and his memories of people he met in Latin America, Europe, and the United States; printed material documenting exhibitions and Riverón's work for magazines such as Cine-Mudial and Bally-Hoo; and photographs.
Arrangement:
The collection is organized into eight series.

Series 1: Biographical Material, circa 1929-1960 (Box 1; 2 folders)

Series 2: Correspondence, 1918-1991 (box 1, 0.6 ft.)

Series 3: Writings, 1923-1980s, undated (box 1, 0.2 ft.)

Series 4: Scrapbooks, 1920s-1990s, undated (boxes 1, 3, and 4, 0.7 ft.)

Series 5: Artwork, 1958-1983, undated (boxes 1 and 5, 0.4 ft.)

Series 6: Printed Material, circa 1930-1992 (boxes 2 and 5, 0.7 ft.)

Series 7: Photographs, 1918-1992, undated (boxes 2, 5 and 6, 0.6 ft.)

Series 8: Miscellany, 1927-1989, undated (box 6, 7 folders)
Biographical Note:
Painter, sculptor, cartoonist, and illustrator Enrique Riverón was born in 1902 in Cienfuegos, Cuba and belonged to the first generation of Cuban modernists, experimenting with Cubism and pursuing abstraction from very early on in his career. During his early twenties Riverón traveled to France, Italy, Belgium, and Spain to study under scholarships and attend the Academia de San Fernando in Madrid. In 1926 Riverón's first major one-man exhibition took place at the Association Paris Amerique Latine where the catalog introduction was written by noted Mexican writer Alfonso Reyes.

In 1927 Riverón returned to Havana and had a one-man show of his European work at the Asociación de Pintores y Escultores, as well as several other shows in Havana and New York. He moved to the United States in 1930 and became a United States citizen in 1943.

In addition to being known for his naturalistic drawings of street life in Paris and Cuba, Riverón began working with collage in the 1930s and was, for a number of years, a cartoonist for newspapers in Havana and other publications such as The New Yorker and Cine Mundial which was published in New York and widely circulated in Latin America. He also worked in Hollywood for a time as an illustrator for Walt Disney Pictures.

From 1940 on, Riverón focused on painting and sculpture. He moved to Miami from Wichita, Kansas, in 1964. Enrique Riverón died in 1998.
Related Material:
The Archives of American Art also has a collection of Enrique Riverón letters to Mario Carreño, 1981-1990, in which Riverón writes of their mutual friends, his memories of Cuba, health issues, politics, pricing paintings, collages, and his longings for Paris and New York.
Provenance:
The Enrique Riverón papers were donated to the Archives of American Art by Patricia Riverón Lee, daughter of Riverón, in 1996.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists  Search this
Topic:
Artists -- Florida -- Miami  Search this
Illustrators  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Magazine illustration  Search this
Caricatures and cartoons  Search this
Sculptors -- Florida -- Miami  Search this
Latino and Latin American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Enrique Riverón papers, 1918-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.riveenri
See more items in:
Enrique Riverón papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-riveenri

Tomás Oliva papers

Creator:
Oliva, Tomás, 1930-1996  Search this
Names:
Díaz Peláez, José Antonio  Search this
Levy-Angulo, Cyndee  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Photographs
Sketches
Date:
circa 1969-1996
Summary:
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
Scope and Contents:
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
Arrangement:
The collection is arranged as 1 series.

Series 1: Tomás Oliva Papers, circa 1969-1996 (Box 1; 0.2 linear feet)
Biographical / Historical:
Tomás Oliva (1930-1996) was a Cuban born sculptor, painter, and printmaker who worked in Havana up to the mid or late 1970s before relocating to Miami, Florida.

Born in 1930 in Havana, Cuba, Oliva graduated from the San Alejandro Academy in Havana in 1952 with a dual degree in painting and sculpture. He also attended the Royal School of Ceramic La Moncloa in Spain and Ecole du Mosaic de Ravene et Ceramique de Faienze in Paris France. He also studied art and film animation with Ivan Zeiler and stage design with Ladislav Vihodil while living in Havana.

Oliva was one of the founding members of the Cuban artists' group Los Once (The Eleven), active in Havana between 1953 and 1955. Los Once consisted of 11 painters and sculptors-Pancho Antigua, René Avila, José Ignacio Bermudez, Agustin Cárdenas, Hugo Consuegra, Viredo Espinosa, Guido Llinás, Fayad Jamís, Tomás Oliva, José Antonio Díaz Peláez, and Antonio Vidal.

In the mid to late 1970s, Oliva relocated to Miami, Florida and regularly exhibited there and across the United States, Canada, Brazil, Mexico, Spain, Europe, and Japan.
Provenance:
The Tomás Oliva papers were donated to the Archives of American Art by Xiomara Almaguer-Levy in 1998.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Cuba -- Havana  Search this
Painters -- Florida -- Miami  Search this
Topic:
Latino and Latin American artists  Search this
Sculptors -- Cuba -- Havana  Search this
Sculptors -- Florida -- Miami  Search this
Cuban American art  Search this
Artists -- Cuba  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Genre/Form:
Sketchbooks
Photographs
Sketches
Citation:
Tomás Oliva papers, circa 1969-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.olivtoma
See more items in:
Tomás Oliva papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-olivtoma

Oral history interview with José Maria Mijares, 1998 Jan. 17

Interviewee:
Mijares Fernández, José María, 1921-2004  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Peláez, Amelia  Search this
Type:
Interviews
Sound recordings
Topic:
Cuban American art  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Record number:
(DSI-AAA_CollID)13560
(DSI-AAA_SIRISBib)216453
AAA_collcode_mijare98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216453
Online Media:

Oral history interview with Arturo Rodríguez, 1997 November 14

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
De Kooning, Willem  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13542
(DSI-AAA_SIRISBib)216456
AAA_collcode_rodrig97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216456
Online Media:

Oral history interview with Ruben Torres-Llorca, 1998 January 31

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Bedia, José  Search this
Rodríguez Brey, Ricardo  Search this
Instituto Superior de Arte (Cuba)  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Record number:
(DSI-AAA_CollID)13547
(DSI-AAA_SIRISBib)216458
AAA_collcode_torres98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216458
Online Media:

Oral history interview with Enrique Guy Garcia, 1998 Mar. 18

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Sound recordings
Interviews
Topic:
Hispanic American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Record number:
(DSI-AAA_CollID)13567
(DSI-AAA_SIRISBib)216454
AAA_collcode_garcia98
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216454
Online Media:

Oral history interview with Demi, 1997 November 20

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Rodríguez, Arturo  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Hispanic American women artists -- Florida -- Miami -- Interviews  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13571
(DSI-AAA_SIRISBib)216455
AAA_collcode_demi97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216455
Online Media:

Oral history interview with Ruben Torres-Llorca

Interviewee:
Torres Llorca, Rubén, 1957-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Instituto Superior de Arte (Cuba)  Search this
Bedia, José, 1959-  Search this
Rodríguez Brey, Ricardo, 1955-  Search this
Extent:
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 January 31
Scope and Contents:
An interview of Ruben Torres-Llorca conducted 1998 January 31, by Juan A. Martínez, in Torres Llora's home/studio, Miami, Florida, for the Archives of American Art.
Torres Llora discusses his early interest in art; his father, whom he never met, who was a talented commercial artist; studying art at San Alejandro Academy of Art, Havana and fellow students Jose Bedia and Ricardo Rodriguez Brey; graduate studies at Havana's Instituto Superior del Arte; participating in the "Volumen I" exhibition in 1981; travels to Mexico, where he began sculpture and installations; returning to Cuba and curating exhibitions of younger artists; moving to Buenos Aires, Mexico City, and since 1993, Miami; artistic influences, including literature, anthropology, sociololgy, film, and other disciplines on him; his mixed media figurative objects of the 1990s which tell a narrative, are socially oriented, and at best, provide a shared experience for the viewer.
Biographical / Historical:
Ruben Torres-Llorca (1957-) is a painter and sculptor in Miami, Florida.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Art, Cuban  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.torres98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-torres98

Oral history interview with Arturo Rodríguez

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Extent:
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 14
Scope and Contents:
An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.
Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.
Biographical / Historical:
Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrig97

Oral history interview with José Maria Mijares

Interviewee:
Mijares Fernández, José María, 1921-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Peláez, Amelia, 1897-1968  Search this
Extent:
107 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1998 Jan. 17
Scope and Contents:
An interview of José Maria Mijares conducted 1998 Jan. 17, by Juan A. Martínez, in Mijares' home/studio, Miami, Fla., for the Archives of American Art.
Mijares discusses his background; his early interest in drawing; attending Cuba's main art school, the San Alejandro Academy of Art, Havana; his professors, Leopoldo Romanach and Armando Menocal; artistic influences of Cuban modernist painters Fidelio Ponce and Amelia Peláez; being awarded the second prize in a national exhibition in Hanava, 1944 for his work Alameda; the art movement in the 1950s "arte concreto," which involved geometric abstraction and art for art's sake; difficulties of being an artist in Cuba due to lack of galleries and collectors; teaching at San Alejandro in the late 1950s; going into exile in the mid-1960s to Miami; his work schedule of drawing and painting about 6 hours daily; favorite medium being oil on canvas, but also works with serigraphy and watercolor; briefly mentions his artistic style; and his nostalgia for Cuba which is a source of inspiration in his work.
Biographical / Historical:
José Maria Mijares (1921-2004) was a painter from Miami, Fla. Born in Cuba.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Cuban American art  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mijare98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mijare98

Oral history interview with Enrique Guy Garcia

Interviewee:
Garcia, Enrique Guy, 1928-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
1 Sound cassette (Sound recording, analog)
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1998 Mar. 18
Scope and Contents:
An interview of Enrique Guy Garcia conducted 1998 Mar. 18, by Juan A. Martinez, in Garcia's studio, Miami, Fla., for the Archives of American Art.
Garcia discusses his early interest in drawing; enrolling in art school as a teenager in Santiago de Cuba; attending Havana's San Alejandro Art Academy and studying painting with Leopoldo Romanach and Domingo Ramos, and modeling for sculpture classes where his interest in sculpture developed; going to Mexico City upon graduation to study fresco painting; returning to Cuba and working in organizing craft workshops; becoming dissatisfied with the political situation in Cuba and accepting an UNESCO grant to study art in Italy; seeking political asylum on his return from Italy; living in New York and working in a foundry; moving to Miami in the mid-1970s; his sculpture, which is primarily bronzes; his abstract expressionist style; his series of works in the 1980s, "Head," and "Icarus"; his current work, "Columns"; and an upcoming exhibition in Venezuela.
Biographical / Historical:
Enrique Guy Garcia (1928-) is a sculptor and painter from Miami, Fla. Born in Havana, Cuba.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Hispanic American artists  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Painters -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Cuban American art  Search this
Cuban American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garcia98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garcia98

Oral history interview with Demi

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Rodríguez, Arturo, 1956-  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 20
Scope and Contents:
An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.
Demi speaks of her birthplace, Camaguey, Cuba; the death of her father in 1960, and being sent to Puerto Rico in 1971; her move to New York, and arrival in Miami in 1978; her theater studies at Miami Dade Community College. She recalls an opening at the Meeting Point Gallery in Coral Gables in 1980, where she met her husband, painter Arturo Rodriguez. She talks about her first painting in 1984, the role Arturo plays in her life, her first exhibition at the Cuban Museum of Arts and Culture in 1987, and the importance of touching the human spirit.
Biographical / Historical:
Demi (1955- ) is a painter from Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Hispanic American women artists -- Florida -- Miami -- Interviews  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demi97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demi97

Oral history interview with Rafael Soriano, 1997 December 6

Interviewee:
Soriano, Rafael, 1920-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)13558
(DSI-AAA_SIRISBib)216452
AAA_collcode_sorian97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216452
Online Media:

Oral history interview with Cundo Bermúdez, 1997 December 13

Interviewee:
BermÔudez, Cundo, 1914-2008  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Florida -- Miami -- Interviews  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Cuban American artists  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Record number:
(DSI-AAA_CollID)5420
(DSI-AAA_SIRISBib)216451
AAA_collcode_bermud97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216451
Online Media:

Oral history interview with María Brito, 1997 October 25

Interviewee:
Brito, María Cristina, 1947-  Search this
Interviewer:
Martínez, Juan A  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)5441
(DSI-AAA_SIRISBib)216457
AAA_collcode_brito97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216457
Online Media:

Oral history interview with Cundo Bermúdez

Interviewee:
Bermúdez, Cundo, 1914-2008  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
2 Items (sound cassettes, analog.)
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 December 13
Scope and Contents:
An interview with Cundo Bermúdez conducted 1997 December 13, by Juan A. Martínez, in Bermudez's home/studio, Miami, Florida, for the Archives of American Art.
Biographical / Historical:
Cundo Bermúdez (1914-2008) was a Cuban American painter. Born in Havana, 1914.
General:
Originally recorded 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 45 min.
Poor sound quality.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Topic:
Painters -- Florida -- Miami -- Interviews  Search this
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Cuban American artists  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bermud97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermud97

Oral history interview with María Brito

Interviewee:
Brito, Maria, 1947-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1997 October 25
Scope and Contents:
An interview of María Brito conducted 1997 October 25, by Juan A. Martínez, in Brito's home/studio, Miami, Florida, for the Archives of American Art.
Brito speaks of her birthplace, Havana, Cuba, and her early art education at the Edison School; her travels to Miami as part of the Peter Pan Project in 1961; her art studies at the Miami-Dade Community College and the University of Miami. She also comments on the Museum of Contemporary Hispanic Art (MOCHA) in New York, The Decade Show, her first exhibition in Miami at Gallery 24 in 1980, and other exhibitions.
Biographical / Historical:
María Brito (1947-) is a sculptor from Miami, Florida. Born in Havana, Cuba.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Sculptors -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Hispanic American artists  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.brito97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brito97

Oral history interview with Rafael Soriano

Interviewee:
Soriano, Rafael, 1920-  Search this
Interviewer:
Martínez, Juan A.  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 December 6
Scope and Contents:
An interview of Rafael Soriano conducted 1997 December 6, by Juan A. Martínez, in Miami, Florida, for the Archives of American Art.
Biographical / Historical:
Rafael Soriano (1920-) is an artist in Miami, Florida.
General:
Originally recorded 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 19 min.
Interview recorded at slow speed.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Smithsonian Institution's Latino Pool Fund.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sorian97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sorian97

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