The American Art Association records measure 27.8 linear feet and date from circa 1853-1929, with the bulk of the material dating from circa 1885-1922. The records include auction and sales files, general financial and legal files, inventory and stock records, client files, printed materials, photographic materials, artwork, and the personal papers of founder Thomas Ellis Kirby.
Scope and Contents:
The American Art Association records measure 27.8 linear feet and date from circa 1853-1929, with the bulk of the material dating from circa 1885-1922. The records include auction and sales files, general financial and legal files, inventory and stock records, client files, printed materials, photographic materials, artwork, and the scattered personal papers of founder Thomas Ellis Kirby.
Auction files contain a wide variety of materials regarding auction schedules, auctions, gallery sales, and estate sales. The files primarily contain correspondence, sales statements and ledgers, estate inventories and appraisals, and photographs. Of interest is a handwritten letter from Andrew Carnegie concerning the Second Prize Fund Exhibition.
Records of sales are documented in named files, sales ledgers, client account books, and Blakeslee Gallery sales ledgers. Files are found for specific art collections and estates. Sales ledgers list sales transactions of the Association by collection, department, genre, or named auction and provide the most detailed sales information, often noting title or subject, size, owner, lot number, date, purchaser, and price, and sometimes an index of artists. Other ledgers document consignment and exhibition sales, as well as sales conducted by other galleries or auction houses, both in the United States and in Europe. Exhibition sales documented include those of Alfred Parsons and Frank Millet in 1903, the American Watercolor Society in 1902, and the American Painters and Illustrators in 1905, and others. Client account books provide itemized costs accrued by individuals or estates over the course of a sale or purchase. Many of the ledgers contain name indexes.
General financial and legal files primarily consist of cash and expense ledgers documenting daily, monthly, and yearly costs and expenses related to the production of auction and sales catalogs, costs associated with leasing spaces and equipment, shipping and crating, employee sales commissions, art department expenses, book department expenses, and other costs. Legal files contain scattered forms and contractual documents, as well as correspondence and documents related to two lawsuits.
Inventory and stock records document the Association's inventory through a series of stock books and inventory cards that include sales and provenance information.
Client files consist of cards divided into clients interested in art and clients interested in books. They also include some information on specific client sales and purchases. Also found are numerous client address books. Printed materials include auction catalogs, clippings, and newspapers.
Photographs depict works of art and materials sold and collected. Of interest is a collection of cabinet photographs of French artists collected when the American Art Association was actively involved in the auction sales of thousands of paintings by French artists. Also found are four photo albums depicting auction items for a 1907 auction, prepared for the American Art Association by William H. Crocker. Several unsigned prints, sketches, and drawings are found in the artwork series.
Thomas Ellis Kirby's scattered personal papers include an address book, scattered family and biographical materials, correspondence with clients and associates, writings and speeches, legal material, auction records, and photographs.
Arrangement:
The collection is arranged as 9 series. Folder titles have been retained from the original records, and occasionally devised for clarity.
Series 1: Auctions, circa 1885-1922 (1.9 linear feet; Boxes 1-2, BV23-24)
Series 2: Sales, circa 1884-1923 (8.1 linear feet; Boxes 2-6, 20-21, BV25-39)
Series 3: General Financial and Legal Files, circa 1883-1923 (9.3 linear feet; Boxes 6-11, BV40-62)
Series 4: Inventory and Stock Records, circa 1887-circa 1922 (0.8 linear feet; Box 11, BV63-65)
Series 5: Client Files, circa 1895-circa 1922 (2.1 linear feet; Boxes 11-13)
Series 6: Printed Materials, circa 1853-1923 (1.1 linear feet; Boxes 13-14, 21)
Series 7: Photographic Material, circa 1885-circa 1922 (0.8 linear feet; Boxes 14-15, 21-22)
Series 8: Artwork, circa 1888-circa 1900 (0.1 linear feet; Boxes 15, 22)
Series 9: Thomas Ellis Kirby Personal Papers, circa 1861-1929 (3.6 linear feet; Boxes 15-19)
Biographical / Historical:
The American Art Association was an art gallery and auction house based in New York City, New York, formed in 1883 by James F. Sutton, R. Austin Robertson, and Thomas E. Kirby. It was the first auction house in the United States.
The Association was founded to promote American art and exhibit the work of American artists in its American Art Galleries in New York City. In its first year of operation, the Association exhibited Thomas B. Clarke's collection of American paintings as a benefit for the National Academy of Design. After the successful management of the public sale of the George I. Seney art collection in 1885, with Thomas E. Kirby as auctioneer, the Association continued conducting auctions and managing estate sales. Austin Robertson died in 1892 and Sutton became a special partner in 1895. In 1912 Kirby's son, Gustavus T. Kirby, joined the Association as a general partner and later also acquired Sutton's interest and became a full partner. The Association was sold in 1923 to Cortlandt Field Bishop, and merged with the Anderson Auction Company to form the American Art Association-Anderson Galleries, Inc, in 1929. The firm was taken over by Parke-Bernet Galleries, Inc., in 1938.
Provenance:
A portion of the American Art Association records were donated in 1968 by Thomas Ellis Kirby's daughter, Mrs. Thomas B. Waller. The remaining records were donated by the American Antiquarian Society in 1978 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The American Art Association records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Museum of Natural History (U.S.) Department of Anthropology Search this
Physical description:
4 x 5;
Type:
Black-and-white negatives
Date:
1965
September 13, 1965
Local number:
SIA Acc. 16-126 [MNH-1498D]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
New Place (Hillsborough, California)
United States of America -- California -- San Mateo County -- Hillsborough
Date:
[between 1914 and 1949?]
General:
Historic plate caption: "California."
Historic plate number: "13."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
New Place (Hillsborough, California)
United States of America -- California -- San Mateo County -- Hillsborough
Date:
[between 1914 and 1949?]
General:
Historic plate caption: "California."
Historic plate number: "14."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
New Place (Hillsborough, California)
United States of America -- California -- San Mateo County -- Hillsborough
Date:
[between 1914 and 1949?]
General:
Historic plate caption: "California."
Historic plate number: "15."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
California -- Hillsborough
United States of America -- California -- San Mateo County -- Hillsborough
Date:
[between 1914 and 1949?]
General:
Bruce Porter in 1905 designed New Place. William Crocker's 700 acre estate in Hillsborough was one of the earliest Italianate Gardens in California. A formal garden surrounded the house, designed by Lewis P. Hobart and there were park lands planted with pine and oak specimen trees. A balustrade gravel terrace overlooked a lawn with pools and jet fountains. A stone foot bridge crossed the natural canyon which runs through the property, which also had a palm garden, tree ferns and Russian Maples. Mrs. Crocker was a horticulturist and the seeds from the stone pines came from Hadrian's Villa.
New Place was purchased by the Burlingame Country Club in 1954 and still has notable garden features. Imported urns and planted pots decorate the house terrace and a sarcophagus, shown in early photographs, still remains on th south terrace. A birdbath in a small temple stands between two giant Sequoia in the north-eastern part of the garden. A cutting garden is maintained for decorating the club. Modern additions include putting green, croquet court, tennis courts, and a golf and tennis pro shop. In this picture, Irish Yews flank the stairs to the flower garden. This fountain was moved to Huntington Park, San Francisco. It is called Fountain of the Tortoises.
Historic plate number: "16."
Historic plate caption: "California."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
This collection contains 9 black and white photographs and photocopies of correspondence relating to a visit by Chief Antonio Zarco, a Choco Indian, to the Smithsonian Institution in early 1980s to identify objects in its ethnology collections. Also includes two color prints of Zarco, neighbors and children in Panama, 1963, during the filming of a documentary about U.S. astronauts.
Biographical / Historical:
The Choco Indians live in small tribal groupings in the rainforests of northwestern Colombia and southwestern Panama. Chief Antonio Zarco, a Choco tribal leader, visited the Smithsonian Institution in the early 1970s and was able to identify several objects in its ethnology collections. In the early 1980s, Zarco was invited to return to the Smithsonian to assist with identifying other objects in the collection.
Local Numbers:
NAA MS 1998-33
Genre/Form:
Correspondence
Photographs
Citation:
Manuscript 1998-33, National Anthropological Archives, Smithsonian Institution.
