Buffalo dance (Kiowa)--Lullaby (Flathead)---Cermonial rain song (Wichita)--Girl's Puberty song (Washo)--Flute Love Song (Siuox)--Stealing song (Trot-Horse)--Raid song (Comanche)--War Dance (Kiowa)--Christian hymn (Comanche)--Sun Dance (Kiowa)--Rabbit dance (Sioux)--Quail dance (Cherokee)--Mocassin game (Winnebago)--Counting song (Creek)--Flute melody (Chippewa)--Ribbon dance (Creek)--War song (Winnebgo)--Christian hyymn (Cherokee)--Stomp dance --Ball game (Creek)
Local Numbers:
FW-ASCH-7RR-2131
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Arizona -- Yavapai County -- Congress
Scope and Contents:
The folder includes plans, slide list, plant list, article, garden description and worksheet done by GCA researcher Joan Murphy.
General:
"The Ox Ranch is a working cattle ranch located in high desert terrain, that has been in operation for more than 130 years. It is comprised of 48,000 acres of a combination of private and public land leased from the state, with elevations that range from 3,000 to 6,000 feet. The headquarters of the ranch, where the garden is located, is in a remote valley."
"In the 1860's it was on the main wagon trail leading from the Colorado River to the interior of the Arizona Territory and it's capital in Prescott. The 1,000 gallon per minute spring and the two perennial streams which converge near the ranch headquarters made it an important stopping point for travelers - water being scarce and essential resource in desert climates."
"The abundance of petroglyphs attest to its use by Indian tribes, and from 1864-1875, the United States Army chose it as the location for Camp Date Creek. Indian attacks in the area made the presence of Army troops essential to the safety of miners and settlers as they traveled across the land."
"The first major horticulture endeavor known to occur in the area was the importation of watercress by Major General Corbusier, from the Hassayampa River located near the present town of Wickenburg, Arizona. The watercress thrived and a serious problem of scurvey was resolved. General Corbusier went on to become Surgeon General of the United States."
"The Ox Ranch has been recognized as good cattle country, and it is mentioned in numerous writings since the 1860's. A ten acre lake was constructed in the late 1800's to impound water from the spring to irrigate crops on the fields located at the headquarters."
"The Billingsley family owned the ranch for about 25 years starting in the 1940's and made notable improvements. At that time there was an active farming operation, an orchard, the owner's house was built and the garden was begun."
"The current owners are renovating the ranch buildings, replanted the orchard, undertook to plant hundreds of trees and put in a watering system to sustain them."
"Today, a fence keeps out cattle, horses, deer and javalina (wild pigs). A meandering path is composed of crushed granite lined with rocks from the adjacent desert and there are trees for shade, roses and perennials for color, a combination of drought tolerant and water thirsty plants to match the soil composition and the sun or shade exposures in different areas, and a vegetable and herb garden."
Persons associated with the property include: Cecil Billingsley (former owner from 1955 to approximately 1970); Bill Burris (former owner from approximately 1970 to 1980); Grantham Brothers (former owner from approximately 1980 to 1990); Joe Nimitz (garden consultant in 1990).
Related Materials:
Ox Ranch related holdings consist of 1 folder (13 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Indians of North America -- Great Plains Search this
Indians of North America -- Southern States Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Contents:
1. Myths and customs of the Cherokee, Catawba, and Choctaw, from "Adventures in the Wilds of the United States and British Provinces," by Charles Lanman, 2 volumes, Philadelphia, 1856- 60 pages.
2. Legends of Caddo Paintings by J. M. Stanley, from "Portraits of North American Indians, with sketches of scenery, etc., Washington, 1852. 1 page".
3. Corrections of McNutt's translations of the section on Chicora in Peter Martyr's "De Orbe Novo," by Dr John M. Cooper. 1 page and letter.
4. Memoirs of Berenger, La Harpe's captain on his exploration of the Texas coast. Copied from manuscript in Newberry Library, Chicago. (Linguistic sections omitted but published by Du Terrage and Rivet in Journal de la Societe des Americanistes de Paris. 34 pages.
5. Excerpts from Barcia's "Ensayo Cronologico a la Historia de la Florida." 23 pages.
6. Excerpts from Serrano y Sanz, "Documentos Historicos de la Florida y la Luisiana." 14 pages with additional slips.
7. Excerpts from Eugenio y Caravia, "La Florida." 2 volumes, 12 pages.
8. Extract from the Journal of the Reverend William Capers, printed in the Methodist Magazine for June, 1822, pages 232-236. 4 pages.
9. Extract from Captain Basil Hall's "Travels in North America in the years 1827 and 1828, Philadelphia, 1929. 18 pages (in duplicate.)
10. Notes from Dr Gideon Lincecum's manuscript entitled "Traditional History of the Chahta Nation", owned by the University of Texas, and never published in its entirety though the Choctaw migration legend was primted by the Mississippi Historical Commission. 21 pages.
11. Three pages of Manuscript material from the library of Col. William Preston, in Virginia State Library. 3 pages. Re Cherokee ca. 1780. Cf.Manuscript # 1912, transcript by Mooney, Same ?
12. Notes from Library of Congress copy of French documents by Regis de Roullet; printed also in Journal de la Societe des Americanistes de Paris. 6 pages.
13. Notes on sewan (Wampum) from "Original Narratives of New Netherlands". 2 pages.
14. Notes on Creek Indians from Manuscripts afterward printed by Grant Foreman in "A Traveler in Indian Territory." 23 pages.
15. Excerpts from a Memoir printed at Luxemberg, a copy of which is in the Library of Congress. 5 pages.
16. Excerpts from the "Letters" of Benjamin Hawkins, printed by the Georgia Historical Society. 23 pages.
17. Excerpts from the Narrative of Jean de Ribault from French's Historical Collections of Louisiana, 1875, 159-190. 4 pages.
18. Excerpts from Narrative of Jacques le Moyne translated and printed in Boston, 1875. 3 pages.
19. Excerpt from Oviedo, "Historia General y Natural," volume 3, 630-631. 3 pages.
20. Excerpt from Relation of Penicaut in Margry, V, page 457. 5 pages.
21. Miscellaneous extracts from Barcia's Ensayo (see Number 5). 44 pages and additional slips.
22. Extracts from Rene Gourlaine de Laudonniere, Paris, 1853, "L'Histoire Notable de la Florida." 44 pages.
23. A page on the Natchez language from Le Page du Pratz, "La Louisiane," Paris, 1758; and lists of Natchez and Taensa villages from Margry. 1 page.
24. Relation of Captain Penalosa's voyage to Florida, from Ruidiaz, "La Florida," volume II, pages 473-476. 4 pages.
25. Excerpt from Iberville's Journal in Margry, volume IV, pages 512-514. 2 pages.
26. Excerpt from de Kerelec's Report in Compte Rendu du Congres Internacional des Americanistes, Quebec, 1907. 1 page.
27. Excerpts from Pope's "Tour". 1 page.
28. Excerpt from Journal of Pere du Ru in Journal de la Societe des Americanistes de Paris (N.S.), Volume XVII, pages 119-135. 6 pages.
29. John Smith's version of the "Huskanaw" ceremony, Tyler ed., pages 112-113. 2 pages.
30. Corrections of translations of Fontaneda by an unknown writer and of doubtful value. 23 slips.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.
Content of second interview: Accompanied by Mary Ann Anders, curator of "Folk Art in Oklahoma," Volkersz interviewed Hall's grandson and his wife at their home. They primarily discussed the preservation of Hall's works, as well as Hall's marriage, her husband's baseball career in the early 1900s, her mother's adoption as a member of the Creek Indian tribe, and the artist's psychic abilities.
Interview begins on Side 2 of Irene Hall interview cassette and continues on a second cassette.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Willem Volkersz interviews, 1975-1985. Archives of American Art, Smithsonian Institute.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Drawing fire : a Pawnee, artist, and Thunderbird in World War II / Brummett Echohawk with Mark R. Ellenbarger ; edited by Trent Riley ; foreword by Lt. Col. Ernest Childers
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2017 July 03
Scope and Contents:
Sebi Medina Tayac (presenter); Tom Fong; Alyssa Berrios; Michael Morris; MASPAZ; CHELOVE ;In this session, artists of different traditions and generations discuss the social and symbolic meanings of home sharing the ways in which these ideas inform their sense of identity, community, and creative practices. Participants include CHELOVE (AKA Cita Sadeli), MASPAZ (AKA Federico Frum), Alyssa Berrios, Michael Morris.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
101 Songs of the Delaware Big House / James Jackson, James H. Thompson.
102 Delaware Peyote Songs / Charlton L. Wilson.
103 Delaware War Dance Song / Willie Thomas.
104 Cherokee Lullaby / Tom Handle.
105 Cherokee Stomp Dance Songs / Tom Handle.
106 Cherokee Christian Hymn / Cherokee Singers.
201 Cherokee Horse Dance Song / Tom Handle.
202 Cherokee Quail Dance Song / Tom Handle.
203 Cherokee Pumpkin Dance Song / Tom Handle.
204 Choctow Hymn / Choctaw Singers.
205 Creek Ball Game Songs / Creek Singers.
206 Creek Lullaby / Amanda Wesley.
207 Creek Counting Song / Amanda Wesley, Victor Wesley.
208 Creek Christian Hymns / Marcellus Williams.
209 Creek Ribbon Dance Song / Amanda Wesley.
210 Creek Stomp Dance Songs / John Mulley.
Local Numbers:
FP-RINZ-LP-2240
Library of Congress.37
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Duck dance (Seminole) -- Lullaby (Creek) -- Song (Potawatomi) -- War dance (Sioux) -- Rabbit dance (Sioux) --[Two] squaw dance[s] (Navaho) -- Happiness song (Navaho) -- Basket dance (Tewa) -- Round dance (Picuris pueblo) -- Buffalo dance (San Juan pueblo) -- Modern love song (Kiowa) -- Round dance (Kiowa) -- Buffalo dance (Kiowa) -- Feather dance (Kiowa) -- Two Christian hymns (Cherokee) -- Stomp dance (Cherokee) -- Three modern love songs (Cherokee) -- Paddling song (Tlingit).
Track Information:
101 Seminole Duck Dance.
102 Creek Lullaby.
103 Potawatomi Song.
104 Sioux War Song.
105 Sioux Rabbit Dance.
106 Navaho Squaw Dance.
107 Navaho Squaw Dance.
108 Navaho Song of Happiness.
109 Tewa Basket Dance.
110 Round Dance (Picuris Pueblo).
111 Buffalo Dance (San Juan Pueblo).
201 Modern Love Song.
202 Kiowa Round Dance.
203 Kiowa Buffalo Dance.
204 Feather Dance.
205 Two Cherokee Christian Hymns.
206 Stomp Dance.
207 Three Modern Love Songs.
208 Tlingit Paddling Song.
Local Numbers:
FP-RINZ-LP-2241
Library of Congress.L36
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress
General:
"From the Archive of Folk Culture" -- Program notes, t.p. "First issued on long-playing record in 1954" -- Program notes, t.p. verso. Program notes with English translations of the texts and bibliography (17 p.) in accompanying booklet.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Concerns tribal relations and the identification of a vocabulary by "Hazen" said to be Applegate, but which Dorsey maintains are from an unidentified Athapascan tribe.
Related Materials:
George Gibbs letter referenced by Dorsey is part of MS 154.
Collection Restrictions:
The James O. Dorsey Papers are open for research. Access to the James O. Dorsey Papers requires an appointment
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Manuscript 4800 James O. Dorsey papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Creation of this finding aid was funded through support from the Arcadia Fund.
Digitization and preparation of additional materials for online access has been funded also by the National Science Foundation under BCS Grant No. 1561167 and the Recovering Voices initiative at the Smithsonian's National Museum of Natural History.