The Gaines Ruger Donoho papers include certificates of award, including the 1893 Worlds Columbian medal of merit certificate and the 1915 Panama Pacific gold medal certificate; two invitations and two letters; and a clipping. Photographs include two cyanotypes of Donoho, a black and white print of a woman in a wedding gown, and two photographs of artwork by William Stott. Artwork includes graphite, charcoal, and pen and ink sketches of Donoho's work; a wedding dinner sketch in honor of Donoho's wedding in 1894 signed by 19 friends, including Kenyon Cox, William Merritt Chase, Willard Metcalf, and Samuel Isham; and etchings from other artists, including Adolphe Appian, Maxime Lalanne, and Charles Jacque.
Arrangement:
Materials are minimally arranged by document type.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gaines Ruger Donoho papers, 1864-1915. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C., facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Associated American Artists records, circa 1934-1983. Archives of American Art, Smithsonian Institution.
101 Boatbuilding in Abaco / Everett Hart, Joseph Albury, Kingston Brown.
102 Lodges and Friendly Societies / Edna Turner, Wealthy Gomez.
103 Musical Drama / Almeda Campbell, Avis Armbrister.
104 Men in Wood / Joseph Albury, Sheddie Cox, William Colebrooke.
Local Numbers:
FP-1994-CT-0097
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 8, 1994.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Men in Wood / Joseph Albury, Sheddie Cox, William Colebrooke.
102 Bahamian Folktales / Cleveland Eneas.
103 Boatbuilding in Cat Island / Joseph Albury, Everett Hart, Samuel Collie.
Local Numbers:
FP-1994-CT-0098-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 8, 1994.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
General correspondence, 1885-1935, arranged alphabetically, is both personal and professional. Some of the artist friends and colleagues with whom Hale corresponded are Roswell Bacon, Frank W. Benson, James Britton, Theodore E. Butler, Ercole Cartotto, Stephen Codman, Kenyon Cox, William Howard ("Peggy") Hart, Haydon Jones, Dodge MacKnight, William MacGregor Paxton, Henry and Angee Prellwitz, Edward Redfield, and Edmund C. Tarbell. Other correspondents include Anita and Chappie Ashley, critics Philip Hale (no relation) and James Gibbons Huneker, Katharine Kinsella (with whom he was romantically involved during his time in Paris), Ethel Reed (an artist to whom he was engaged briefly), Catherine and Dora Richardson, and Maverette G. Smith.
Among the professional correspondents are current, former, and prospective students; arts institutions, including schools where he taught, and museums where Hale exhibited; and models and publishers. Subjects include sales and commissions, prizes, exhibitions, packing and shipping of paintings, service on art juries, requests for lectures, and renewal of teaching appointments. The subseries includes fan mail regarding both his art and writing. A small number of personal letters, such as congratulations on his engagement, letters of condolence, and thank you notes, also appears in this subseries.
Arrangement note:
Correspondence is arranged alphabetically. Undated letters are filed at the front of each folder.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Philip Leslie Hale papers, 1818-1962, bulk 1877-1939. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
National Air and Space Museum. Archives Division. Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Indians of North America -- Great Plains Search this
Type:
Archival materials
Photographs
Place:
Oklahoma -- Cache (near)
Date:
1909 ?
Scope and Contents:
"Taken 1909 ? / Standing in back row: 1. Nora Cox Davis [granddaughter of Quanah], 2. Nina Quo-haddy-Komah, 3. Walter Komah, 4. Wanada Parker-Komah-Page, 5. Quanah Parker, 6. Bessie Parker Asenak [granddaughter of Quanah], 7. Mrs Laura Parker, 8. Mr White Parker. Seated center row: 1. Mr Edward Emmett Cox [son-in-law], 2. Mrs (Nawmakuh) Parker Cox [daughter], 3. Baby on her lap, William M. Cox, 4. Tokay Quanah wife (Tau pah) last wife, 5. Tonarcy Quanah wife (Too-na-suh) next to last wife, 6. Neda Parker Birdsong [daughter], 7. M. Aubrey Birdsong [son-in-law]. Seated lower row: 1. Ella Coxe Goodin Lutz [granddaughter], 2. Joseph Cox [grandson], 3. Edward Cox [grandson], 4. Kelsey [Parker], 5. Chee Parker, children of Tokay, 6. [Anona Birdsong-Wilkinson], Bass Dean-daughter of Neda," handwritten on reverse of print by Mrs Ella Cox Lutz.Further identification of kinship supplied from Zoe A. Tilghman, Quanah The Eagle of the Comanches, Oklahoma City, 1938, page 195.
Landgren created and maintained extensive research files for writing projects, curatorial work on exhibitions, and general areas of interest. There are files on Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Latin American Art, Charles Logasa, Robert Loftin Newman, Elliot Orr, Albert Pinkham Ryder, and many others. The most extensive files are on artists George Collins Cox, William Morris Hunt, and Robert Loftin Newman (the bulk of the files.) Files often include legal documents, correspondence, exhibition materials, manuscript drafts, photographs, price lists, printed materials, and various writings, among other items.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marchal Landgren papers, 1881-circa 1982, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
