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William McGregor Paxton papers

Creator:
Paxton, William McGregor, 1869-1941  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Burdick, Horace Robbins, 1844-1942  Search this
Cox, Kenyon, 1856-1919  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Eakins, Susan Macdowell  Search this
Hale, Philip Leslie, 1865-1931  Search this
Paxton, Elizabeth Okie  Search this
Wales, George Canning, 1868-1940  Search this
Extent:
4.1 Linear feet ((partially microfilmed on 4 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1886-1971
Scope and Contents:
Correspondence; sketchbooks, 1 scrapbook; photographs; drawings; glass negatives; and printing plates.
REEL 640: Sketchbooks, 7 v., 1886, 1888-1920, 1896 & undated, France, Boston, and elsewhere. Most of the sketches are in pencil. [Previously filmed on reel 593.]
REEL 862: Scrapbook, 1 v., 1893-1953, including: clippings,announcements and reviews of Paxton's exhibitions covering most of his career and several years after his death, reproductions of his work, and letters and telegrams with galleries and others. Also included is a letter from Robert Hale Ives Gammell to Elizabeth Paxton, 1953.
REELS 3714-3715: Correspondence of William McGregor Paxton and of his wife, Elizabeth, including letters from Philip Leslie Hale, Kenyon Cox, Maria Oakey Dewing, Edwin Blashfield, Horace Burdick, Susan Eakins, George Wales, from sitters thanking Paxton for their portraits, and from others. Elizabeth Paxton correspondence relates to her own paintings and exhibitions, donations, and sales of her husband's paintings after his death; poems, 2 notebooks and other writings; card files listing portrait information; clippings; exhibition catalogs and announcements; and lists of paintings.
UNMICROFILMED: Undated drawings and a sketchbook; 9 etchings by Paxton, ca. 1918-1938?; photographs, undated and 1896-1941, of works of art, Paxton, and of miscellaneous subjects; and glass negatives, half-tone printing plates, copper and zinc printing plates.
ADDITION: Biographical documentation; family genealogy; sketchbooks, some containing loose sketches done at a later date [most previously filmed on reel 640 as a loan]; photographs of Paxton and his work; reproductions of work by him and of art used as reference by Paxton; clippings; and posthumous exhibition material. ca. 1870s-1979. Also, Elizabeth Okie Paxton (ca. 1878-ca. 1968): biographical information; correspondence; exhibition and sales records; illustrations of her studio/residence, Boston; printed material; photographs of her, her family, and her work; and correspondence regarding William Paxton exhibitions. ca. 1880s-ca. 1968.
Biographical / Historical:
Painter, teacher; Boston, Massachusetts. Paxton was born in Baltimore in 1869. He was raised outside of Boston, Mass., trained in Paris and Boston, and taught at the School of the Museum of Fine Arts, Boston. He was an active participant in several artists' organizations in Boston, Provincetown, and New York City. Elizabeth Okie Paxton was born in Providence, R.I. to Howard Okie, a Baltimore physician who had been brought to Providence by a wealthy patron, Thomas Ives, an uncle of Robert Hales Ives Gammell, painter, writer, and friend of the Paxtons. She met Paxton while studying with with him. After marriage they resided Newton Centre, Mass. Following Paxton's death, she lived in a studio/residence in the Fenway Studios, Boston.
Provenance:
Papers on reels 3714-3715 were donated by Robert Douglas Hunter, executor of Elizabeth Oakie Paxton's estate. He also lent for microfilming the sketchbooks on reel 640 and the scrapbook on reel 862 in l973 & 1974, respectively. The scrapbook was subsequently donated by Hunter in 1997, and the sketchbooks were subsequently donated in 1998 by his wife, Elizabeth Ives Hunter along with additional papers of Paxton and those of Elizabeth Okie Paxton. Additions are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Topic:
Painting, American  Search this
Art -- Study and teaching -- Massachusetts  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.paxtwill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952545dab-b74b-4929-8ea9-61c282121ab6
EDAN-URL:
ead_collection:sova-aaa-paxtwill

Oral history interview with Russell Cowles

Interviewee:
Cowles, Russell, 1887-1979  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Cox, Kenyon, 1856-1919  Search this
Cumming, Charles Atherton, 1858-1932  Search this
Dasburg, Andrew, 1887-1979  Search this
Faulkner, Barry, 1881-1966  Search this
Hatfield, Dalzell, 1893-1963  Search this
Volk, Douglas , 1856-1935  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 April 16
Scope and Contents:
An interview of Russell Cowles conducted 1969 April 16, by Paul Cummings, for the Archives of American Art. Cowles speaks of growing up in Iowa; Iowa landscapes; his education; working in Charles Cumming's studio; his studies at the Art Students League and the National Academy of Design; working as an assistant to Barry Faulkner; his Prix De Rome fellowship, 1915-1920; his travels to China, Japan, Java and elsewhere; the Santa Fe art colony in the 1930s; dealers; his photographs; representational painting; his reaction to the Armory Show of 1913; his reading tastes; painting from memory. He recalls Kenyon Cox, Andrew Michael Dasburg, Dalzell Hatfield, and Douglas Volk.
Biographical / Historical:
Russell Cowles (1887-1979) was a painter, New York, New York.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 41 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cowles69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90997dbbd-e3da-426b-8670-03476c5ce869
EDAN-URL:
ead_collection:sova-aaa-cowles69

Old masters and new essays in art criticism

Author:
Cox, Kenyon 1856-1919  Search this
Physical description:
311 pages illustrations 23 cm
Type:
Books
Art
Œuvres d'art
Works of art
Place:
Art
Date:
1969
1905
Topic:
Art  Search this
Artists  Search this
Artistes  Search this
artists (visual artists)  Search this
Call number:
N7445 .C85 1969X
N7445.C85 1969X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_3343

August Jaccaci papers

Creator:
Jaccaci, Augusto Floriano, 1857-1930  Search this
Names:
Cox, Kenyon, 1856-1919  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
La Farge, John, 1835-1910  Search this
Sickert, Bernard, 1862-1932  Search this
Extent:
7.2 Cubic feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1889-1935
bulk 1904-1914
Summary:
The papers of art historican August Jaccaci measure 7.2 linear feet and date from 1889 to 1935, with the bulk of the material dating from 1904 to 1914. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book Noteworthy Paintings in Private American Collections. More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork.
Scope and Content Note:
The papers of art historican August Jaccaci measure 7.2 linear feet and date from 1889 to 1935, with the bulk of the material dating from 1904 to 1914. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book Noteworthy Paintings in Private American Collections. More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork.

Correspondents include art historians, critic, artists, and art collectors, as well as publishers, photographers, printers, and agents. These letters discuss the research of famous American art collections, writing of essays for the book, and the book production and publication. There is extensive correspondence with his co-editor John La Farge, and with his employee Carl Snyder who was working in Europe. Other correspondence is with magazines, art associations, academic institutions, and French service organizations. Also included is a small amount of personal correspondence with friends and colleagues.

Legal files include contracts and legal agreements for the August F. Jaccaci Company, as well as legal agreements with John La Farge concerning the research and publication of their joint book. Writings and notes include Jaccaci's lists and notes pertaining to the Noteworthy Paintings project, as well as other miscellaneous notes. Also found are writings by John La Farge that include drafts of a book, lectures, and notes about his artwork. Writings by others in this series also include draft essays by many art historians for Jaccaci's book. For the Noteworthy Paintings project, Jaccaci created numerous research files for American art collections and collectors that would be included. These research files include lists of works of art, essays and other notes about the collection written by prominent art historians. Photographs are of works of art supporting the research files. Also found in this collection are photographs of and notes about New England stencil designs. It is unclear what the connection is between Jaccaci and the stencil designs.
Arrangement:
The collection is arranged into 5 series:

Missing Title

Series 1: Correspondence, 1895-1929, undated (Box 1-5; 4.2 linear feet)

Series 2: Legal Files, 1895-1911, undated (Box 5; 4 folders)

Series 3: Writings and Notes, 1903-1914, undated (Box 5; 0.6 linear feet)

Series 4: Art Collection Research Files, 1889, 1892, 1903-1914, undated (Box 5-7; 2.0 linear feet)

Series 5: Photographs, 1904-1912, 1928-1935, undated (Box 7-8; 0.4 linear feet)

Due to re-processing, the order of the collection varies slightly from the order of the collection on microfilm. References to the microfilm reel numbers have been added for researcher access.
Biographical Note:
August Florian Jaccaci was born in Fontainebleau, France in 1856. After traveling extensively in various countries including Mexico and Cuba, he settled in the United States in the early 1880s. He worked briefly as an artist in the Midwest, creating murals on commission, including a mural in the Capitol building in St. Paul, Minnesota. Jaccaci then moved to New York City and worked as art editor for Century magazine. Besides serving as art editor, he also wrote several articles and executed illustrations for the magazine. On the recommendation of artist Will H. Low he became art editor of McClure's magazine at its founding in 1896. A year later he wrote the book on his travels entitled, On the trail of Don Quixote: being a record of rambles in the ancient province of La Mancha [sic]. He left McClure's in 1902 and in 1903 began working on a major multi-volume book entitled Noteworthy Paintings in Private American Collections. Jaccaci envisioned a 15 volume set with essays about American art collections written by distinguished art historians. Though Jaccaci knew many writers, art critics, and artists through his magazine work, he was not a well-known art historian and asked artist John La Farge to be the co-editor of the book. La Farge's reputation provided access to major American collections of artwork. The publishing company Merrill and Baker was to publish the work, but it went bankrupt in 1904. Jaccaci then bought their property for his project and called it the August F. Jaccaci Co. The first volume was published in 1909, and John La Farge died in 1910. Though Jaccaci continued working on the next volume, the project failed in 1912. Besides working on this project, Jaccaci also served as editor of the "Art in America" section of Burlington Magazine from 1907 to 1910.

In 1914 August Jaccaci went to Europe on art related business. With the start of World War I, he decided to stay in France and pursue philanthropic work. He founded the Society for Protection of Children of the Frontier, and established a children's hospital, receiving many honors for his service. He died in Neuf-De-Grasse, France in 1930.
Provenance:
The August Jaccaci papers were purchased by the Archives of American Art from the Metropolitan Museum of Art in 1957 and microfilmed shortly after receipt.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of materials not available on microfilm requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Genre/Form:
Photographs
Citation:
August Jaccaci papers, 1889-1935. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jaccaugu
See more items in:
August Jaccaci papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97692c28d-c0b5-4714-a10d-cbb2b7e728fc
EDAN-URL:
ead_collection:sova-aaa-jaccaugu
Online Media:

Allyn Cox papers

Creator:
Cox, Allyn, 1896-1982  Search this
Names:
American Battle Monuments Commission  Search this
Art Commission of the City of New York  Search this
Art Students League (New York, N.Y.)  Search this
Century Association (New York, N.Y.)  Search this
Cosmos Club (Washington, D.C.)  Search this
Dumbarton Oaks  Search this
George Washington Masonic National Memorial (Alexandria, Va.)  Search this
National Society of Mural Painters (New York, N.Y.)  Search this
Park Club of Kalamazoo  Search this
Smithsonian Institution  Search this
United States Capitol Historical Society  Search this
Bayley, John Barrington, 1914-1981  Search this
Bishop, Warner  Search this
Cassio, Fabrizio  Search this
Conrad, Arthur  Search this
Cox, Ethel  Search this
Cox, Kenyon, 1856-1919  Search this
Cox, Louise Howland King, 1865-1945  Search this
DeWitt, Roscoe, 1894-1975  Search this
Frost, Stuart  Search this
Harbeson, John F. (John Frederick), 1888-1986  Search this
Keally, Francis, 1889-1978  Search this
Keller, Deane, 1901-1992  Search this
Lamb, Adrian  Search this
Laning, Edward, 1906-1981  Search this
Lay, Charles Downing, 1877-1956  Search this
MacDonald, Pirie, 1867-1942  Search this
Schwengel, Fred, 1907-1993  Search this
Shutze, Philip Trammell  Search this
Young, Clifford, 1905-  Search this
Extent:
11 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Diaries
Sketchbooks
Sketches
Date:
1856-1982
Summary:
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.
Scope and Contents:
The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Biographical material includes family birth, death, and marriage certificates, and passports for Cox and his wife Ethel, whom he married in 1927; professional membership cards, awards and certificates; records related to sales of furnishings from the Cox family home in Essex, Massachusetts; and an untranscribed interview of Cox by Tony Janak of NBC TV.

Cox's family correspondence is primarily with his mother, Louise Cox. Also found is correspondence with Cox's sister, Caroline Cox Lansing, and his brother Leonard Cox and Leonard's wife, Sylvia, and letters from Ethel Cox to her mother. Additional correspondence relating to the disposition of Kenyon Cox''s artwork and archives to various institutions, can also be found here.

General correspondence documents Cox's career and professional relationships with artists and architects, including John Barrington Bayley, Fabrizio Cassio, Arthur Conrad, Roscoe DeWitt, Stuart Frost, John Harbeson, Francis Keally, Adrian Lamb, Edward Laning, Charles Downing Lay, Deane Keller, Philip Trammell Shutze, and Cliff Young; art institutions and organizations including the Art Commission of the City of New York, the Art Students League, Dumbarton Oaks, the National Society of Mural Painters, and the Smithsonian Institution; federal, state and local government agencies including the American Battle Monuments Commission, the Architect of the Capitol, and the General Grant National Memorial; members of Congress including founder of the United States Capitol Historical Society, Representative Fred Schwengel; and private social clubs in which Cox was active, including the Century Association, the Cosmopolitan Club and the Cosmos Club. Correspondence documents Cox's most well known commissions including work for the George Washington Masonic National Memorial and the United States Capitol, as well as work for many private clients including banks and residences.

Also found are typescripts, manuscripts and notes for Cox's lectures, as well as Ethel Cox's diary from 1923-1936 and her diary excerpt from 1955. Ten folders of research files, consisting primarily of clippings, comprise Cox's source material. Additional printed material provides scattered documentation of Cox's career through announcements and catalogs, and magazine and newspaper articles written by him or about his work. Also found is one folder of clippings about Kenyon Cox.

Four sketchbooks and circa twenty-two loose animal, figure, architectural and landscape sketches comprise Cox's artwork, in addition to two 1943 sketches Cox entered into a War Department mural competition. Also found is an 1873 sketchbook of Kenyon Cox, with sketches of people and scenes in Ohio.

Photographs are of Cox from childhood to the 1980s; his family, including parents, siblings, and grandparents; friends including Philip Trammell Shutze and Warner Bishop; family residences; artist models; events; and artwork, including many of Cox's commissions. In addition to photographic prints, slides, and negatives, the series includes vintage formats such as an ambrotype, 8 tintypes, 2 cyanotypes, and a platinum print. Of particular note are circa 16 photos of Kenyon Cox, one taken by Pirie MacDonald and three of him teaching a class at the Art Students League, and a series of circa 1906 photos taken in a garden, of Louise and Kenyon Cox with their children and others. Also found are 10 glass plate negatives of artwork by Cox.
Arrangement:
The collection is arranged as 7 series. Glass plate negatives are housed separately and are closed to researchers.

Missing Title

Series 1: Biographical Material, 1916-1982 (0.33 linear feet; Boxes 1, 12)

Series 2: Correspondence, 1878-1982 (6.74 linear feet; Boxes 1-7, 12)

Series 3: Writings and Notes, 1919-1982 (0.58 linear feet; Boxes 7-8)

Series 4: Research Files, circa 1950s-circa 1970s (0.25 linear feet; Box 8)

Series 5: Printed Material, 1920s-1982 (0.5 linear feet; Boxes 8-9)

Series 6: Sketchbooks and Sketches, 1873-circa 1978 (0.25 linear feet; Box 9, OVs 13-14)

Series 7: Photographs, 1856-circa 1980 (2.25 linear feet; Boxes 9-12, OV 13)
Biographical / Historical:
New York, N.Y. and Washington, D.C. painter and muralist, Allyn Cox (1896-1982), was born in New York City to artists Kenyon and Louise Cox. Cox first trained as his father's assistant, serving as an apprentice to Kenyon Cox during the painting of the murals at the Wisconsin State Capitol, circa 1912. He attended the National Academy of Design from 1910-1915, and the Art Student's League with George Bridgman in 1915. In 1916 he was awarded the Prix de Rome and subsequently studied at the American Academy in Rome for 2 years before returning to New York City to begin a career in mural painting.

Cox completed numerous murals and decorative paintings for private residences, businesses, churches, and public buildings. Some of his most famous commissions included murals for the Royal Arch Room and Memorial Hall of the George Washington Masonic National Memorial in Alexandria, Virginia; the Law School at the University of Virginia, Charlottesville; and the William A. Clark Memorial Library at the University of California, Los Angeles; panels for the National City Bank, the Continental Bank, and the Guaranty Trust Company in New York; and glass mosaics and inlaid stone maps for the United States Military Cemetery in Hamm, Luxembourg.

Cox is best known for his work in the United States Capitol, beginning in 1952 when he undertook a congressional commission to restore and complete the murals in in the Capitol rotunda begun by Constantino Brumidi and Filipo Costaggini in 1878. Over the course of the next two decades Cox, now residing in Washington, D.C., restored the Frieze of American History and the Apotheosis of Washington in the Rotunda, and designed murals for three first-floor corridors in the Capitol's House wing, now known as the Cox Corridors. Assisted by Cliff Young, Cox completed painting for two of these corridors before his death. In 1958 Cox also painted a portrait of Henry Clay for the Senate Reception Room and in 1975 completed a mural depicting the 1969 moon landing in the Brumidi Corridor.

Cox taught at the Art Students League in 1940 and 1941, and was active in professional organizations throughout his career. He served as President of the American Artists Professional League and the National Society of Mural Painters, and Vice President of both the Fine Arts Federation and the New York Architectural League. He was a member of the board of the New York Municipal Art Society and served on the the New York City Art Commission.

Cox retired in March 1982 at the age of 86 and died the following September.
Related Materials:
Also found in the Archives of American Art are the Allyn Cox papers relating to U.S. Capitol murals, 1970-1974, donated by the Committee on House Administration, via Cindy Szady in 1981. Papers include a resume; a cost estimate by Cox for designing and executing mural decorations in the U.S. Capitol, 1970; a letter, 1974, from the Office of the Architect of the Capitol to the Capitol Historical Society enclosing photocopies of printed material pertinent to the unveiling and dedication of the Capitol rotunda frieze in 1954; miscellaneous printed material, 1971-1974; and 15 photographs of the murals in the Capitol.
Provenance:
The bulk of the Allyn Cox papers was donated in 1977 and 1983 by the Estate of Allyn Cox, Stephen M. Pulsifer, Exectuor, including material that had been loaned for microfiliming in 1969. Two mural sketches were donated by the Essex County Greenbelt Association in 1984.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Muralists -- Washington (D.C.)  Search this
Muralists -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Diaries
Sketchbooks
Sketches
Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coxally
See more items in:
Allyn Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c9efb57-6d34-4007-ad8a-8ce4b40537fd
EDAN-URL:
ead_collection:sova-aaa-coxally
Online Media:

Kenyon and Louise Cox papers, 1876-1977

Creator:
Cox, Kenyon, 1856-1919  Search this
Subject:
Cox, Louise Howland King  Search this
Type:
Photographs
Illustrated letters
Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- New York (State) -- New York  Search this
Painting, American  Search this
Works of art  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9410
(DSI-AAA_SIRISBib)211608
AAA_collcode_coxkenyl
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211608
Online Media:

Kenyon and Louise Cox papers

Creator:
Cox, Kenyon, 1856-1919  Search this
Names:
Cox, Louise Howland King, 1865-1945  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Illustrated letters
Date:
1876-1977
Summary:
The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.
Scope and Content Note:
The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.
Arrangement:
Due to the small size of this collection, items are categorized into one series. Items are arranged chronologically within each folder.
Biographical Note:
Kenyon Cox was a prominent American painter, lecturer, and art critic. He was born in 1856, in Warren, Ohio, and he studied painting at the Pennsylvania Academy of Fine Arts and in Paris, where he befriended artist Augustus Saint-Gaudens. Cox returned to the United States and made a living illustrating magazines and books, and teaching at the Art Students League in New York. In 1892 he married his student Louise Howland King, born in San Francisco in 1865. Together they became prominent painters and were responsible for the murals that decorated the Liberal Arts Building at the 1893 Columbian Exposition in Chicago. During his career, Cox contributed articles and essays on art subjects to various magazines. He was a member of the Society of American Artists, the National Academy of Design, and the American Academy of Arts and Letters. Kenyon Cox died in 1919 and Louise in 1945. Their son, Allyn, born in 1896, became a successful muralist.
Related Material:
Also found in the Archives of American Art are the Allyn Cox papers, 1870-1982. His papers contain correspondence, biographies, photographs, sketchbooks, writings, and printed material, some of it relating to his father, Kenyon Cox.
Provenance:
The collection was donated by Charles E. Feinberg, 1955-1968, the National Museum of American Art in 1967 and 1984, and the Cooper Hewitt Museum in 1983. The material was microfilmed upon receipt as two separate manuscript collections.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Muralists -- New York (State) -- New York  Search this
Painting, American  Search this
Works of art  Search this
Genre/Form:
Photographs
Illustrated letters
Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coxkenyl
See more items in:
Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91831528b-eca3-461c-998d-5a952326f5d1
EDAN-URL:
ead_collection:sova-aaa-coxkenyl
Online Media:

Thomas Prichard Rossiter and Rossiter Family papers

Creator:
Rossiter, Thomas Prichard, 1818-1871  Search this
Names:
Archipenko, Alexander, 1887-1964  Search this
Beaux, Cecilia, 1855-1942  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Bevan, Edith Rossiter  Search this
Birch, Reginald Bathurst, 1856-1943  Search this
Cadwalader-Guild, Emma Marie, 1843-1911?  Search this
Castaigne, Andre  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Cooper, James Fenimore, 1789-1851  Search this
Cory, Fanny Y.  Search this
Cox, Kenyon, 1856-1919  Search this
Craig, Frank, 1874-1918  Search this
French, Daniel Chester, 1850-1931  Search this
Gibson, Charles Dana, 1867-1944  Search this
Hambidge, Jay, 1867-1924  Search this
Hunt, William Morris, 1824-1879  Search this
Hutt, Henry, b. 1875  Search this
Jay, John, 1817-1894  Search this
Keller, A. J.  Search this
Kensett, John Frederick, 1816-1872  Search this
Kent, Rockwell, 1882-1971  Search this
Kimball, Fiske, 1888-1955  Search this
Low, Will Hicok, 1853-1932  Search this
Melchers, Gari, 1860-1932  Search this
Morris, William, 1834-1896  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Newell, Peter, 1862-1924  Search this
Nicholls, Rhoda Holmes  Search this
Peabody, George, 1795-1869  Search this
Pearson, Ralph M., 1883-1958  Search this
Remington, Frederic, 1861-1909  Search this
Rossiter, Ehrick Kensett, 1854-1941  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Sartain, William, 1843-1924  Search this
Scott-Moncrieff, David  Search this
Soglow, Otto, 1900-1975  Search this
Tack, Augustus Vincent, 1870-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Whitmore, Elizabeth  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Scrapbooks
Date:
1840-1961
Summary:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists and Thomas Prichard Rossiter's sketchbook and loose sketches. Edith Rossiter Bevan's papers include her writings on her grandfather, Thomas Prichard Rossiter; a scrapbook; photographs of the Rossiter family; notes by Bevan; news clippings; and other printed material. Also found is Bevan's collection of artists' letters.
Scope and Content Note:
The Thomas Prichard Rossiter and Rossiter Family papers measure 0.5 linear feet and date from 1840 to 1961. Included are letters to painter Thomas Prichard Rossiter and letters to his son, architect Ehrick Kensett Rossiter, documenting their friendships with many artists. Notable letters are from James Fenimore Cooper, William Morris Hunt, John Jay, J. F. Kensett, William H. Morris, Samuel F. B. Morse, George Peabody, Cecelia Beaux, William A. Coffin, Daniel Chester French, Will H. Low, Gari Melchers, William Sartain, Augustus Vincent Tack, Dwight Tryon, and many others.

The collection contains Thomas Prichard Rossiter's sketchbook drawn while living in Italy in 1943, and three other sketches including a portrait of his family.

Also found are letters to Edith Rossiter Bevan and her writings on her grandfather, Thomas Prichard Rossiter, including a biography and checklist of his paintings. Bevan also compiled a scrapbook on his career and family history which includes drawings by Rossiter, photographs of the Rossiter family and his artwork, notes by Bevan, news clippings, and other printed material.

A collection of Edith Rossiter Bevan's artists' letters is found within the papers. Letters are from Alexander Archipenko, J. Carroll Beckwith, Reginald Birch, Emma M. Cadwalader-Guild, Andre Castaigne, Fanny Cory, Kenyon Cox, Frank Craig, Charles Dana Gibson, Jay Hambridge, Henry Hutt, A. J. Keller, Rockwell Kent, Fiske Kimball, David Scott Moncrieff, H. Siddons Mowbray, Peter Newell, Rhoda Holmes Nicholls, Ralph M. Pearson, Frederic Remington, Otto Soglow, and Elizabeth Whitmore.
Arrangement:
The collection is arranged into 2 series:

Missing Title

Series 1: Thomas Prichard Rossiter and Rossiter Family Papers, 1840-1961 (Box 1-2; 0.4 linear feet)

Series 2: Edith Rossiter Bevan Collection of Artists' Letters, circa 1891-1939, 1951 (Box 1; 2 folders)
Biographical Note:
Thomas Prichard Rossiter (1818-1871) was born in New Haven, Connecticut. He first learned painting as an apprentice for a Mr. John Boyd, and also studied with Nathaniel Jocelyn. In 1838 he exhibited two paintings at the National Academy of Design, and in 1939 moved to New York City and opened a studio.

In 1840, Rossiter traveled to Europe with Asher B. Durand, John Kensett, and John Casilaer, and while there visited Rome with Thomas Cole. He decided to stay in Italy until 1846 when he moved to New York City and shared a studio with Kensett and Louis Lang. During this period he relied on portrait painting for his income, but also painted historical and religious paintings.

In 1851 Rossiter married Anna Ehrick Parmly and they toured Europe in 1853. They settled in Paris where Anna gave birth to twins Ehrick Kensett and Charlotte. Rossiter exhibited at the Exposition Universelle in Paris in 1855. Anna died shortly after the birth of their daughter Anna, and the family moved back to New York.

For a brief period of time Rossiter had an art gallery, exhibiting his work and the work of his friends. In 1860 he married Mary (Mollie) Sterling and moved his family to Cold Spring, New York on the Hudson River. He continued to paint portraits, historical, and religious paintings, and exhibited at the National Academy of Design and the Pennsylvania Academy of the Fine Arts, until his death in 1871.

Ehrick Kensett Rossiter (1854-1941), named after his father's friend John Frederick Kensett, attended Cornell University and became an architect in New York as part of the firm Rossiter & Muller. He was a member of the Architectural League, United States Public Architects' League, and trustee of the American Fine Arts Society. In 1877 he married Mary Heath and they had three sons and a daughter. Their daughter Edith Rossiter Bevan was a historian and avid collector of historical autographs.
Related Material:
Also found in the Archives of American Art is a Thomas Prichard Rossiter letter to Elias Beirs dated January 12, 1840.
Provenance:
A portion of the collection was donated in 1957 by Edith Rossiter Bevan, daughter of Ehrick Kensett Rossiter, and granddaughter of Thomas Prichard Rossiter. Additional material was donated in 2007 by Patti Rossiter Ravenscroft, Rossiter's Great Great Granddaughter.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Scrapbooks
Citation:
Thomas Prichard Rossiter and Rossiter Family papers, 1840-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rossthom
See more items in:
Thomas Prichard Rossiter and Rossiter Family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw972b743d7-b65e-4f8f-adad-58b96811325f
EDAN-URL:
ead_collection:sova-aaa-rossthom
Online Media:

Artists' biographical questionnaires

Creator:
Art League Publishing Co. (Chicago, Ill.)  Search this
Names:
Ballin, Hugo, 1879-1956  Search this
Bartlett, Frederick Eugene, 1852-1911  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Birney, William Verplanck, 1858-1909  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Blashfield, Albert Dodd, 1860-1920  Search this
Blenner, Carle Joan, 1864-1952  Search this
Bridgman, Frederick Arthur, 1847-1928  Search this
Brown, Bolton, 1864-1936  Search this
Brown, Ray, 1865-1944  Search this
Browne, George Elmer, 1871-1946  Search this
Brush, George de Forest, 1855-1941  Search this
Bush-Brown, Henry Kirke, 1857-1935  Search this
Clark, Walter Appleton, 1876-1906  Search this
Cox, Kenyon, 1856-1919  Search this
De Forest, Lockwood, 1850-1932  Search this
Fenn, Harry, 1838-1911  Search this
Fraser, James Earle, 1876-1953  Search this
Granville-Smith, Walter, 1870-1938  Search this
Guérin, Jules Vallée, 1866-1946  Search this
Harrison, Birge, 1854-1929  Search this
Harrison, Thomas Alexander, 1853-1930  Search this
Haskell, Ernest, 1876-1925  Search this
Herter, Albert, 1871-1950  Search this
Hitchcock, George, 1850-1913  Search this
Hitchcock, Lucius Wolcott, 1868-1942  Search this
Hosking, Arthur Nicholas, b. 1874  Search this
Kemeys, Edward, 1843-1907  Search this
Kendall, William Sergeant, 1869-1938  Search this
Kimball, Alonzo M., 1874-1923  Search this
MacCord, Charles William, 1852-1923  Search this
Manley, Thomas R., 1853-1938  Search this
Maynard, Richard Field, 1875-1964  Search this
McCord, George Herbert, 1848-1909  Search this
Meteyard, Thomas Buford, 1865-1928  Search this
Millet, Francis Davis, 1846-1912  Search this
Mills, John Harrison, 1842-1916  Search this
Moran, Percy, 1862-1935  Search this
Mosler, Henry, 1841-1920  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Ochtman, Leonard, 1854-1934  Search this
Opper, Frederick Burr, 1857-1937  Search this
Pape, Eric, b. 1870  Search this
Peixotto, Ernest, b. 1869  Search this
Penfield, Edward, 1866-1925  Search this
Potter, Louis McClellan, 1873-1912  Search this
Redfield, Edward Willis, 1869-1965  Search this
Reuterdahl, Henry, 1871-1925  Search this
Rhead, Louis, 1857-1926  Search this
Sandham, Henry, 1842-1910  Search this
Sartain, William, 1843-1924  Search this
Shepperson, Claude Allin, 1867-1921  Search this
Shinn, Florence Scovel, d. 1940  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Steele, Frederic Dorr, 1873-1944  Search this
Story, Julian, 1857-1919  Search this
Taft, Lorado, 1860-1936  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Taylor, F. Walter (Frank Walter), 1874-1921  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Charles Henry, 1848-1908  Search this
Turner, Charles Yardley, 1850-1918  Search this
Turner, Ross, 1847-1915  Search this
Vedder, Simon Harmon, 1866-  Search this
Wiggins, Carleton, 1848-1932  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Wolf, Henry, 1852-1916  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Zogbaum, Rufus Fairchild, 1849-1925  Search this
Zolnay, George Julian, 1862 or 1863-1949  Search this
Extent:
0.4 Linear feet ((68 items on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1905
Scope and Contents:
Biographical forms completed by artists and illustrators for the Art League Publishing Company's ARTISTS YEAR BOOK. Each contains details written by the artist concerning parentage, exhibitions and collections containing his work, books illustrated, memberships in clubs, etc.
Included are forms from: Hugo Ballin, Frederick E. Bartlett, James C. Beckwith, William V. Birney, Karl Bitter, Albert D. Blashfield, Carle Joan Blenner, Frederick A. Bridgman, Bolton Brown, Ray Brown, George Elmer Browne, George De Forest Brush, Henry Kirke Bush-Brown, Walter A. Clark, Kenyon Cox, Lockwood De Forest, Harry Fenn, James E. Fraser, Walter Granville-Smith, Jules Guerin, Birge Harrison, Thomas A. Harrison, Ernest Haskell, Albert Herter, George Hitchcock, Lucius Wolcott Hitchcock, Edward Kemeys, William S. Kendall, Alonzo Kimball, Charles MacCord, Thomas R. Manley, Richard F. Maynard, George H. McCord, Thomas Meteyard, Francis D. Millet, John H. Mills, Edward P. Moran, Henry Mosler,
Herman D. Murphy, Leonard Ochtman, Frederick B. Opper, Eric Pape, Ernest Peixotto, Edward Penfield, Louis M. Potter, Edward W. Redfield, Henry Reuterdahl, Louis J. Rhead, Henry Sandham, William Sartain, Claude A. Shepperson, Florence Scovel Shinn, George H. Smillie, James D. Smillie, Frederic D. Steele, Julian Story, Lorado Taft, Henry O. Tanner, Frank W. Taylor, Dwight W. Tryon, Charles Henry Turner, Charles Yardley Turner, Ross S. Turner, Simon H. Vedder, Carleton Wiggins, Irving R. Wiles, Henry Wolf, Charles H. Woodbury, Rufus F. Zogbaum, and George J. Zolnay.
Biographical / Historical:
Art publishing house; Chicago, Ill. Published, THE ARTISTS YEAR BOOK: A HANDY REFERENCE BOOK WHEREIN MAY BE FOUND INTERESTING DATA PERTAINING TO ARTISTS, AND THEIR STUDIO, HOME, AND SUMMER ADDRESSES, FOR 1905-1906. Arthur Hosking was the editor.
Provenance:
Donated 1958.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- United States  Search this
Illustrators -- United States  Search this
Topic:
Art publishing -- Illinois -- Chicago  Search this
Identifier:
AAA.artleag
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw979bc5637-bb32-441f-bf21-12e66785db46
EDAN-URL:
ead_collection:sova-aaa-artleag

Philip Martiny papers

Creator:
Martiny, Philip, 1858-1927  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Cox, Kenyon, 1856-1919 -- Photographs  Search this
Gilder, Richard Watson, 1844-1909 -- Photographs  Search this
Linder, Raymond J.  Search this
Millet, Francis Davis, 1846-1912 -- Photographs  Search this
Saint-Gaudens, Augustus, 1848-1907 -- Photographs  Search this
Weir, Julian Alden, 1852-1919 -- Photographs  Search this
White, Stanford, 1853-1906 -- Photographs  Search this
Extent:
2 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1858-1973
Scope and Contents:
Correspondence, photographs, sketchbooks, printed material, and lists of commissions. The material was compiled by Martiny's grandson, Raymond J. Linder.
REEL 2156: Correspondence, mostly xeroxed copies, 1901-1925; research correspondence of Linder concerning Martiny, 1972-1973; a 16 p. list of 75 of Martiny's sculpture commissions executed ca. 1887-1924, with brief biographical notes compiled by Linder; sketches and a sketchbook/schoolbook, 1871-1872; invitations, sculpture dedication programs, clippings, Martiny's birth certificate, and miscellany.
REEL 2223: Photographs, ca. 1883-1905, mostly of Martiny's works of art; and photos of Martiny, his studio, family and friends, home, and other personal photos. Also included are two group photos, one taken in Augustus Saint-Gaudens's studio, ca. 1883, with Kenyon Cox, Richard Watson Gilder, Martiny, Francis Millet, Augustus Saint-Gaudens, Julian Alden Weir, and Stanford White, and one of the painters and sculptors who participated in the Columbian Exposition of 1893.
ADDITION: 138 photographs of Martiny's sculpture and sculpture models; 4 photographs of Martiny with other artists; an inventory of sculpture photographs and a "List of Commissions" (47 p., 1996), both compiled by Linder; printed material about Martiny, ca. 1895-1950, including newspaper and magazine articles, exhibition catalogs, and programs; Martiny letterhead stationery; and a pencil sketch by Martiny for the Richard Watson Gilder monument.
Biographical / Historical:
Sculptor, New York, N.Y. Born in Alsace, France. Studied under Augustus Saint-Gaudens.
Provenance:
Donated 1973-1975 and 1997 by Raymond J. Linder, grandson of Martiny.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Sculpture -- United States  Search this
Artists' studios -- Photographs  Search this
Identifier:
AAA.martphil
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc8fb166-ed38-44cf-b9cd-1bbb395c8026
EDAN-URL:
ead_collection:sova-aaa-martphil

Kenyon and Louise Cox papers

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Extent:
0.3 Linear feet (Box 1, OV 2)
Type:
Archival materials
Date:
1876-1977
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coxkenyl, Series 1
See more items in:
Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910212c88-b911-4b75-8883-0bc606d636ea
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref12

Certificate of Marriage

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1892
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9023259f2-dc1f-43fa-a42c-ea752fdcd255
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref13

Correspondence

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1876-1877
1882
Scope and Contents:
Oversize material housed in OV 2
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9480f39ee-de26-4a2d-81e1-77f00eee931c
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref14

Correspondence

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1893-1929
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bc5da71c-a898-420b-b085-096012bea99f
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref15

Autobiographical Notes by Louise Cox

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1945
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99df9f6f7-a948-48e0-a5f2-b51907bb43a2
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref16

Speech by Kenyon Cox

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1915
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91f1ac12c-9e57-4eb0-8434-afbc6e90ba5b
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref17

Writings, "Artist and Public" by Kenyon Cox

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
undated
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d0a35839-de53-4de5-a065-baf7df051630
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref18

Writings, Miscellaneous

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1892
1933
1967
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938919fe6-400f-4e93-ba41-271e8fd795f5
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref19

Drawings

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1876
undated
Scope and Contents:
Oversize material housed in OV 2
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw926465371-38c4-4940-8dc5-a580ee9f2ad3
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref20

Biographical Material on Jacob Dolson Cox

Collection Creator:
Cox, Kenyon, 1856-1919  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
circa 1929
Collection Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenyon and Louise Cox papers, 1876-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Kenyon and Louise Cox papers
Kenyon and Louise Cox papers / Series 1: Kenyon and Louise Cox papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec8268ce-fb92-4f88-b063-4315be3bfc9c
EDAN-URL:
ead_component:sova-aaa-coxkenyl-ref21

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