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Joe Mullins - Sites of Ohio's Musical Legacy: Herzog Studio [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-03-31T17:43:43.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_u-O8zeOxUo4

Celebration of Country Music

Maker:
Office of the President of the United States  Search this
Physical Description:
cardstock (overall material)
cream (overall color)
Measurements:
overall: 5 1/2 in x 7 1/2 in; 13.97 cm x 19.05 cm
Object Name:
invitation
Associated Place:
United States: District of Columbia, White House
Date made:
2011-11
Classified:
First Ladies  Search this
General subject association:
Music  Search this
Country (music)  Search this
Credit Line:
Transfer- The White House
ID Number:
2018.0242.074
Catalog number:
2018.0242.074
Accession number:
2018.0242
See more items in:
Political and Military History: Political History, First Ladies Collection
Government, Politics, and Reform
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-4f09-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1914131

NextGen Ozarks Showcase: Pura Coco, Kalyn Fay, MARK Harmony, Sylamore Special with Grace Stormount

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2023-07-02T12:40:53.000Z
YouTube Category:
Entertainment  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_8uo_FpyYrtU

The Seldom Scene - "Little Georgia Rose" [Live at WAMU Bluegrass Country's Black Box Theater 2014]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2014-05-19T19:45:47.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_pHD4zbl71Eg

Joe Mullins - Sites of Ohio's Musical Legacy: Antioch College [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-04-20T17:12:07.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_sRGBqWbsW3g

Joe Mullins - Sites of Ohio's Musical Legacy: Lake Jewelry [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2021-04-22T21:01:45.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_xnu3hqkG24g

American Letterpress: The Art of Hatch Show Print

Creator:
Smithsonian Institution Traveling Exhibition Service  Search this
Type:
YouTube Videos
Uploaded:
2009-09-17T19:15:07.000Z
YouTube Category:
Education  Search this
See more by:
sitesExhibitions
Data Source:
Smithsonian Institution Traveling Exhibition Service
YouTube Channel:
sitesExhibitions
EDAN-URL:
edanmdm:yt_3miEQvKhNXg

Black Journal: 22; The Black G.I.

Directed by:
Kent Garrett, American, born 1941  Search this
Produced by:
William Greaves, American, 1926 - 2014  Search this
National Educational Television, American, 1954 - 1970  Search this
Subject of:
L. Howard Bennett, American, 1913 - 1993  Search this
Sylvester Bracey Sr., American, ca. 1949 - 2019  Search this
Owned by:
Pearl Bowser, American, 1931 - 2023  Search this
Medium:
acetate film
Dimensions:
Duration: 50 Minutes
Length (Film): 1,800 Feet
Type:
sound films
color films (visual works)
16mm (photographic film size)
Place filmed:
H? Chí Minh, Viet Nam, Asia
Camp Hansen, Okinawa, Japan, Asia
Arlington County, Virginia, United States, North and Central America
Date:
1970
Topic:
African American  Search this
Documentary films  Search this
Film  Search this
Gesture  Search this
Mass media  Search this
Military  Search this
Public television  Search this
Race discrimination  Search this
Race relations  Search this
Vietnam War, 1961-1975  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Pearl Bowser
Object number:
2012.79.1.51.1a
Restrictions & Rights:
© National Educational Television
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Pearl Bowser Collection
Portfolio/Series:
Black Journal
Classification:
Media Arts-Film and Video
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd52bd1f8e2-5401-4dc0-9984-bb011645927b
EDAN-URL:
edanmdm:nmaahc_2012.79.1.51.1a

Kudos Affiliates!! Spring 2024

Creator:
Smithsonian Affiliates  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 26 Mar 2024 13:04:33 +0000
Topic:
Exhibition  Search this
See more posts:
Smithsonian Affiliations
Data Source:
Smithsonian Affiliates
EDAN-URL:
edanmdm:posts_b3fa6e920a80dbb1bdfac915be1da619

Country Music Hall of Fame and Museum

Type:
Books
Date:
2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1165819

University of Florida at the 2012 Festival

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2013-04-12T16:28:40.000Z
YouTube Category:
Education  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_Y06lWBZtSrk

One Is My Mother; Two Little Lads

Recording artist:
Four Virginians  Search this
Manufacturer:
Okeh  Search this
Physical Description:
shellac (overall material)
Measurements:
overall: 10 in; x 25.4 cm
Object Name:
sound recording
Place made:
United States
Recording date:
1927
Related Publication:
Russell, Tony. Country Music Records: A Discography, 1921-1942
ID Number:
1996.0320.16355
Collector/donor number:
3936
Maker number:
45163
Accession number:
1996.0320
Catalog number:
1996.0320.16355
See more items in:
Culture and the Arts: Entertainment
Music & Musical Instruments
Popular Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-c0f5-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1297366

Kraft Television Theatre Oral History Project

Creator:
Blocki, Jim  Search this
Cook, Fielder  Search this
Durante, Al  Search this
Green, Chester  Search this
Courtice, Richard  Search this
Dougherty, Marion  Search this
Holland, Dorothy  Search this
Holland, Fran  Search this
Herlihy, Ed  Search this
Hill, George Roy  Search this
Myers, Farlan  Search this
Jeffrey, Tad  Search this
Kraft General Foods, Inc.  Search this
Pratt, Lee  Search this
Powell, Bob  Search this
Wiener, Tom  Search this
Names:
National Broadcasting Company  Search this
Thompson, J. Walter (advertising agency).  Search this
Extent:
4.3 Cubic feet (5 boxes)
Type:
Collection descriptions
Archival materials
Commercials
Interviews
Audiotapes
Audiovisual materials
Date:
1947-1992
Summary:
Oral history interviews with fourteen former Kraft and J. Walter Thompson executives chart the evolution of Kraft's approach to television, from its pioneering efforts in the medium's infancy to the search to maintain identity in an increasingly competitive and fragmented media landscape. Casting, directing, and production of the live dramas and the commercials are discussed at length. Kraft's philosophy of advertising, its relationship with J. Walter Thompson advertising agency and NBC, and consumer outreach are also featured.
Scope and Contents:
Oral history interviews with fourteen former Kraft and J. Walter Thompson executives chart the evolution of Kraft's approach to television, from its pioneering efforts in the medium's infancy to the search to maintain identity in an increasingly competitive and fragmented media landscape. Casting, directing, and production of the live dramas and the commercials are discussed at length. Kraft's philosophy of advertising, its relationship with J. Walter Thompson advertising agency and NBC, and consumer outreach are also featured.

Series 1, Research Files, 1947-1992 contains newspaper and magazine clippings, reports and scholarly articles about the history and development of Kraft, Kraft Radio Music Hall, and Kraft Television Theatre. Folders are arranged alphabetically by subject.

Series 2, Interviewee Files, 1992 contains the abstracts of the oral history interviews and additional information about the interviewee, such as resumes, publications and correspondence, when available. The files are arranged alphabetically by interviewees' last name. Each abstract begins with a brief biographical statement about the interviewee, and a note about the scope and content of the interview. The abstracts correspond to a timed message on track two of the research copy of each audiocassette tape. At the end of each abstract is an index to proper names (people, trade names, KTT episodes, etc.) and to some general themes addresses during the interview. A master index, located in the last folder of this series, combines these individual indices into a comprehensive listing. Complete transciprts are also available for most interviews.

Series 3, Oral History Interviews, 1992 is subdivided into three subseries, representing each of three audio formats: original masters, research copies, and reel-to reel preservation copes. The interviews are arranged alphabetically.

Series 4, Television Commercials, circa 1950 feature comemrcials for a variety of Kraft products. They aired on Kraft Television Theatre between 1947 and 1958.

Series 5, Administrative Files, circa 1950 - 1992 are files created by the Center for Advertising History. Included in this series are bibliographies , briefing books, project proposals and budget, files on project consultants, deeds of conveyance, publicity, and Center publications prepared for the project.
Arrangement:
The collection is divided into five series.

Series 1: Research Files, 1947-1992

Series 2: Interviewee Files, 1992

Series 3: Oral History Interviews, 1992

Subseries 3.1: Original Audio Tapes

Subseries 3.2: Researcher Copies

Subseries 3.3: Preservation Masters

Series 4, Television Commercials, circa 1950

Subseries 4.1: Master Copies

Subsieries 4.2: Researcher Copies

Series 5: Administrative Files, circa 1950 - 1992
Biographical / Historical:
The Kraft Television Theatre Oral History Project is the result of a year-long study undertaken by the former Center for Advertising History. The objective of the project was to create a collection of oral history interviews that documentated the history and development of Kraft Television Theater, especially the relationship between advertising and the origins of commercial sponsorship in the early days of television programming.

Oral history interviews with fourteen former Kraft and J Walter Thompson executives were conducted in 1992 by Tom Wiener, a free-lance writer and oral historian under contract to the former Center for Advertising History. Included were Ed Herlihy, the voice of many of Kraft's memorable commercials; James Blocki, Richard Courtice, Chester Green, and Robert Powell, the architects of Kraft's advertising and marketing strategies in the television era; directors George Roy Hill and Fielder Cook, who launched their successful careers at Kraft Television Theatre; Marion Dougherty, one of Hollywood's leading casting directors who also got her start on KTT; and Dorothy Holland, a veteran of Kraft's Consumer Affairs Department and the company's first female Vice President.

The oral history interviews chart the evolution of Kraft's approach to television, from its pioneering efforts in the mediums infancy to the search to maintain identity in an increasing competitive and fragmented media landscape. Casting, directing and production of the live dramas and the commercials are discussed at length. Kraft's philosophy of advertising, its relationship with J Walter Thompson advertising agency and NBC, and consumer outreach are also featured.

On May 7, 1947, at 7:30 p.m. in New York City, advertising made a first significant step into the television era with the debut of Kraft Television Theatre. The program, which became the first regularly scheduled dramatic series on network TV presented weekly live adaptations of plays featuring performers familiar to New York theater goers. Included in each week's installment were commercials for Kraft Cheese Company products.

Kraft's foray into a new advertising medium grew out of the company's progressive advertising policies and its long running association with its primary advertising agency, J. Walter Thompson. Kraft was founded by James Lewis Kraft, a Canadian-born entrepreneur who in 1903 began buying cheese from Chicago wholesalers and peddling it from a horse-drawn wagon. Through acquisitions of other companies and their established brands, as well as development of new products, Kraft's company steadily grew into a leader in the cheese and dairy products business.

As early as 1911, Kraft began advertising on Chicago elevated trains and billboards. In 1919, Kraft inaugurated a 70-year tradition of advertising in such national magazines as Ladies Home Journal and Good Housekeeping. Fourteen years later, looking for a vehicle to promote its newest product, Miracle Whip Salad Dressing, Kraft entered the electronic era with The Kraft Program, hosted by popular bandleader Paul Whiteman on the NBC Radio Network.

Soon renamed The Kraft Music Hall, the show also acquired a new host, crooner Bing Crosby. Crosby's relaxed style was mirrored in the Music Hall's commercials. As written by J. Walter Thompson staffers, they possessed a relaxed, conversational tone, extolling the practical uses of Miracle Whip, Velveeta and other Kraft products.

The Music Hall continued on the air until 1949, but by that time, Kraft Television Theatre was into its third season, well established as the leading dramatic series on the air. Kraft Television Theatre provided a unique laboratory for both its sponsor and Thompson. As with the Music Hall, Thompson actually produced the program: its staffers adapted the dramas, directed them, and hired the casts. NBC provided only technical facilities and crew. Each week, in effect, was opening night for a play that was performed live in front of bulky cameras, under hot lights. Working with modest budgets, producer-directors Stanley Quinn, Maury Holland, and Harry Herrmann took an important first step toward exploiting the potential of television to inform and entertain.

For its part, Kraft drew on the tradition established in its radio ads. From the start, Kraft acted as if it were a guest in the viewer's home, which led to a remarkably effective means of presenting its products. No human face was ever seen, only a pair of hands demonstrating the uses of the product, as a reassuring voice explained the virtues of Cheez Whiz, Draft Cheddar, or any number of products from Draft's expanding line.

In 1958, after eleven years and over 600 programs, Kraft Television Theatre left the air. The show's ratings had slipped under increased competition from mystery and adventure shows filmed in Hollywood as well as quiz shows. Kraft's single sponsorship didn't end with the demise of the Television Theatre. It revived the Music Hall, quite successfully, with Perry Como, whose relaxed personality was a throwback to Bing Crosby. In later years, Kraft chose to be sole sponsor of several specials a year, including the Country Music Association Awards show. Although these programs were pre-recorded, Kraft continued to produce its commercials live through the 1960's, with those same hands and that same soothing voice. Kraft's place in both television and advertising history is secure. Kraft Television Theatre launched a decade of live televised drama that is still regarded as the cornerstone of TV's Golden Age. And the Kraft "hands" commercials are a reminder of the effectiveness of a low-key, low-tech approach to promoting products as humble as Velveeta and Miracle Whip.

As part of a program to document and study modern advertising, the former Center for Advertising History selected Kraft Television Theatre as the last in a series of case studies of significant American advertising campaigns.
Related Materials:
Materials at the Archives Center

N W Ayer Advertising Collection (AC0059)

Materials at Other Organizations

J. Walter Thompson Archives, Duke University

Kraft General Foods Archives, Glenview, Illinois

The Kraft General Foods Archives was established as an internal information resource for the comanpy. ARchives staff will assist outside researchers whenever time and resources permit by answering questions over the phone or through the mails. Requests for direct access to archival collections will be considered on a case-by-case basis. Source materials documenting Kraft's television advertising efforts include: film and videotape copies of Kraft Television Theatre, Kraft Suspense Theatre, Kraft Mystery Theatre, Kraft Music Hall, and other Kraft-sponsored shows. Videotape copies of these shows can be accessed through the Musuem of Broadcast Communication in Chicago, and through the NBC collection at the Library of Congress. Materials also include film and videotape copies of Kraft commercials, early 1950s-present; publications and magazine/newspaper articles about the various shows; company publications featuring articles about the various shows; NBC listings of production details about the shows (dates, producers, actors/actresses, etc.) Any requests for copies of pages from this listing must be cleared through NBC; photos of scenes from the shows as well as still photos of the actors/actresses who appeared in them; print ads supporting Kraft's televiison advertising efforts; casting lists for Kraft Television Theatre (incomplete); and musical scores for Kraft Television Theatre (incomplete).
Provenance:
Collection donated by Kraft General Foods, Inc., on April 16, 1993. Oral histories created by the Archives Center, National Museum of American History, Smithsonian Institution in 1992.
Restrictions:
Collection is open for research but master tapes are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Copyright restrictions. Contact the Archives Center.
Topic:
Copy writers  Search this
Product demonstrations  Search this
advertising -- Food  Search this
Broadcast advertising  Search this
Television producers and directors  Search this
Actors in the advertising industry  Search this
Television advertising  Search this
Genre/Form:
Commercials
Interviews
Audiotapes
Audiovisual materials
Citation:
Kraft Television Theatre Oral History Project, 1947-1992, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0464
See more items in:
Kraft Television Theatre Oral History Project
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c222bb76-c476-4f1f-a77f-0e08a9ac1eaf
EDAN-URL:
ead_collection:sova-nmah-ac-0464
Online Media:

Texas Country Music (compiled list)

Collection Collector:
McCormick, Mack  Search this
Container:
Box 90, Folder 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 6: Texas Blues Research / 6.5: Music
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89047dd11-4961-4b89-ba02-92831cb418bd
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref1988

Miscellaneous country music/Cajun labels

Collection Collector:
McCormick, Mack  Search this
Container:
Box 93, Folder 33
Type:
Archival materials
Date:
1978
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 6: Texas Blues Research / 6.6: Record Catalogs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8eabd673a-63c4-431d-9b50-d5b23a9ea49a
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref2064

Who Killed Robert Johnson (WKRJ), dictation tape three

Collection Collector:
McCormick, Mack  Search this
Extent:
1 Cassette tape (Total Running Time: 05:36)
Container:
Box 165, Cassette OTC 1485.12
Type:
Archival materials
Audio
Cassette tapes
Date:
2006-04-20
Scope and Contents:
Side A: Dictation notes, 2006.

Side B: Blank.

Side A: Dictation notes, 2006.

Continuation of McCormick's effort to dictate notes for chapters or scenes of the manuscript relating to Robert Johnson known as memoir or Who Killed Robert Johnson (WKRJ). Dictation notes relate to 1115 Larkin Adams and Starkville who he wants to identify. He reflects on the work of previous scholars and collectors who identified artists listed in country music and blues discographies and wishes the work had extended to the identification of Larkin Adams. Much of McCormick's dialogue is a continuation of 1485.11.

Side B: Blank.
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 15: Audio Cassette Tapes and Digital Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fba64ed8-1754-4879-a892-6f8f338251f4
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref2269

Country music

Collection Collector:
McCormick, Mack  Search this
Container:
Box 140, Folder 18
Type:
Archival materials
Date:
undated, 1971-1974
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 13: Subject Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep829d20639-763d-48fb-a37d-76b94ebe905d
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref3297

Brockman, Polk [early country music producer, musician; recorded Fiddlin' John Carson in 1923, first country recording]

Collection Collector:
McCormick, Mack  Search this
Container:
Box 148, Folder 39
Type:
Archival materials
Date:
1968-1975
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 14: People Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84a1549fb-3ead-4b85-9f0b-340710fe8437
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref3547

Carson, John "Fiddlin" [first recorded country music singer, Atlanta, 1923; recorded by Polk Brockman]

Collection Collector:
McCormick, Mack  Search this
Container:
Box 149, Folder 37
Type:
Archival materials
Date:
1960
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 14: People Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88f0c0194-833e-495e-b9df-178e4734d173
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref3593

Cohen, Norman [country music and folk music historian, folklorist]

Collection Collector:
McCormick, Mack  Search this
Container:
Box 150, Folder 10
Type:
Archival materials
Date:
2010
Collection Restrictions:
Collection is open for research. Access to original materials in boxes 76-80 is prohibited. Researchers must use digital copies.

Additional materials have been removed from public access pending investigation under the Smithsonian Institution's Ethical Returns and Shared Stewardship Policy.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Robert "Mack" McCormick Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Robert "Mack" McCormick Collection
Robert "Mack" McCormick Collection / Series 14: People Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ab7fa2b0-7db6-4914-8e9e-6825af75aef5
EDAN-URL:
ead_component:sova-nmah-ac-1485-ref3617

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