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[Trade catalogs from Ben Pearson Inc.]

Variant company name:
Established 1927  Search this
Company Name:
Ben Pearson Inc.  Search this
Related companies:
Ben Pearson Co. (made archery equipment), Pine Bluff, AK ; Allis-Chalmers Corp., Milwaukee, WI ; Rust Cotton Picker, Pearson-Rust Cotton Picker  Search this
Notes content:
Circa 1950s-1960s trade lit including catalogs and a pair of company-issued histories, for a company that made cotton picking machinery.
Includes:
Trade catalog and histories
Black and white images
Color images
Physical description:
5 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Pine Bluff, Alaska, United States
Date:
1900s
Topic (Romaine term):
Textiles and textile machinery  Search this
Agricultural tools and machinery  Search this
Mills and milling supplies  Search this
Farm equipment and supplies (including dairy and poultry equipment)  Search this
Topic:
Agricultural implements  Search this
Agricultural machinery  Search this
Dairying  Search this
Farm equipment  Search this
Milling machinery  Search this
Textile fabrics  Search this
Textile machinery industry  Search this
Record ID:
SILNMAHTL_29472
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_29472

[Trade catalogs from Whitin Machine Works (Whitinsville, Mass.)]

Variant company name:
Charlotte, NC ; Atlanta, GA  Search this
Company Name:
Whitin Machine Works (Whitinsville, Mass.)  Search this
Notes content:
Cotton yarn machinery: cotton card-room machinery, spinning frames, twisters, combing machines; cotton picking machinery; woolen and worsted machinery and worsted spinning and twisting machinery: spinning frames, woolen card; Buckley cleaner, tension pulleys for spinning frames and twisters, shell top rolls for spinning and roving frames, blending feeder, bunch builder, roving bobbins, automatic filling bobbin winder, Bi-Coil Drawing, and picker room return air condenser. "The Whitin Review"...this comprises the uncataloged portion.
Includes:
Trade catalog
Black and white images
Physical description:
48 pieces; 2 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Whitinsville, Massachusetts, United States
Date:
1900s
Topic (Romaine term):
Textiles and textile machinery  Search this
Topic:
Textile fabrics  Search this
Textile machinery industry  Search this
Record ID:
SILNMAHTL_28179
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_28179

Maid of Cotton Records

Creator:
Cotton Museum (Memphis, Tennessee)  Search this
National Cotton Council  Search this
Extent:
38 Cubic feet (91 boxes)
Type:
Collection descriptions
Archival materials
Videocassettes
Slides (photographs)
Scrapbooks
Reports
Programs
Photographs
Photograph albums
Audiotapes
Place:
Memphis (Tenn.)
Date:
1939-1994, undated
Summary:
The Maid of Cotton (MOC) beauty pageant was sponsored by the National Cotton Council, Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans from 1939-1993. The contest was held annually in Memphis, Tennessee until the National Cotton Council and Cotton Council International moved to Dallas, Texas. Beginning with the 1985 pageant (held December 1984) the competition was held in Dallas. The pageant was discontinued in 1993 due to lack of funds, a sponsor, and changes in marketing strategies. The records include files on contestants, photographs, and scrapbooks.
Scope and Contents:
The collection contains the records for the Maid of Cotton pageant (1939-1993) sponsored by the National Cotton Council (NCC), Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans. The collection consists of approximately 38 cubic feet of records created by the NCC in the course of operating the Maid of Cotton contest from 1939 to 1993. The records form the complete archive of this fifty-four year program. The records include administrative files, scrapbooks, photographs, slides, and videotapes.

"One of the main values of the Maid of Cotton collection is its completeness. These are all of the official records of the program, documenting all of its activities throughout its entire existence from 1939 to 1993. As such, it represents a truly unique documentary record and opportunity for research.

Beauty contests have been the subject of serious scholarly study for many years. A search of WorldCat reveals over fifty books on the topic. Scholars have found the subject to be a fruitful springboard from which to study a wide variety of topics, primarily centered around issues of beauty, femininity, culture values, national identity, racism, and feminism.

Beauty pageants serve as symbols that reflect the values of American culture. For example, pageant winners have symbolized the advances made by formerly disenfranchised groups. Vanessa Williams, the first African American to win the Miss America crown (1983), rewrote the definition of beauty in America, and Heather Whitestone, the first deaf Miss America (1995), proved that physical handicaps need not hold anyone back from their dreams. Pageants can provide a focus for the re-examination of our society and culture. The tragic murder of six-year-old Jonbenet Ramsey in 1996 provided a window into what author Susan Anderson calls "the extravagant world of child beauty pageants," that led to public debate about issues of motherhood and adolescence.

In addition, beauty pageants can be viewed in advertising terms: they are the ultimate expression of the tried and true adage that sex sells. All pageants have sponsors and all sponsors want their products to be seen in a positive light. Some sponsors are content to contribute goods and services to the contestants --a new car, a trip to the Caribbean, a fur coat, etc. --so that their generosity can be noted in the publicity surrounding the contest. Others prefer to sponsor the entire program. The Miss Universe contest, for example, was created in 1952 by the Jantzen Company specifically to enable the company to showcase pretty girls wearing its swimsuits. Jantzen abruptly withdrew its previous support of the Miss America pageant when Yolande Betbeze refused to wear a bathing suit during her reign as Miss America 1951. The Maid of Cotton pageant is a highly organized, year-long, very visible public relations program that allows the National Cotton Council to showcase the wonders of cotton through the wonders of young beauty queens. Attractive young women are the perfect vehicle for promoting fashionable fabrics made from cotton.

Cotton --the product at the heart of the Maid of Cotton program --has been central to American economic and political history. NMAH's collecting and research interests reflect this. The Division of Work & Industry contains numerous cotton-related objects and much documentation on the subject. The Archives Center holds several cotton-related collections, including the Peter Paul Haring Papers, 1897-1935, documenting Haring's development of cotton picking machinery; the Lockwood Greene collection of thousands of engineering drawings, many of which were for textile mills; the Robert L. Shurr Script and Scrapbook for a 1939 biographical motion picture on Dr. George Washington Carver; and the Southern Agriculture Oral History Project Records, 1985-1992, which documents modern cotton farming through photography and oral history interviews. In addition, all aspects of cotton production, from farm to factory to finished goods, are documented in several hundred photos in the Underwood & Underwood Agricultural Photonegative Collection, the Underwood & Underwood Glass Stereograph Collection, the Division of Work & Industry Lantern Slide Collection, and the Donald Sultner-Welles Photograph Collection. Cultural aspects of cotton can be discovered in both the Warshaw Collection of Business Americana and in the DeVincent Collection of Illustrated American Sheet Music." (Orr, Craig. "NMAH Collections Committee", memorandum, 2009)

Series 1, Organizational and Pageant Files, 1939-1993, undated., is arranged chronologically by year. Files may contain correspondence, photographs, news clippings, radio commercial scripts, tear sheets, itineraries, trip reports, sheet music, legal documents, waivers, and permissions, and other material related to the Maid of Cotton pageant for that year. Files may also contain subsequent personal information on the Maid of Cotton for that year, for example change of address, news clippings, and the like. This series contains finalist files, trip files and tour report files.

Series 2, Photographs, Slides, and Transparencies, 1939-1994, undated., is arranged chronologically by year. This series contains photographs, slides, and transparencies related to the Maid of Cotton and her travels throughout the United States and overseas. It also contains photographs of the fashions worn by each Maid.

Series 3, Scrapbooks, 1951-1988, contains the scrapbooks created by the National Cotton Council office as well as scrapbooks created by the Maids themselves or others for her. Scrapbooks most often contain news clippings, ephemera, and sometimes correspondence.

Series 4, Audio-Visual, 1991-1993. This series contains video and audio related to the Maid of Cotton. It is currently unprocessed.
Arrangement:
This collection is arranged into four series.

Series 1: Organizational and Pageant Files, 1939-1993, undated

Subseries 1.1: Maid of Cotton files, 1939-1993

Subseries 1.2: Little Miss Cotton, 1956-1963, undated

Series 2: Photographs, Slides, and Transparencies, 1939-1994, undated

Subseries 2.1: Photographic Negatives and Transparencies, 1939-1993, undated

Subseries 2.2: Slides, 1939-1993, undated

Series 3: Scrapbooks, 1951-1988

Series 4: Audio-Visual, 1991-1993, undated
Biographical / Historical:
The Maid of Cotton pageant began in 1939. The annual pageant was sponsored by the National Cotton Council (NCC), Memphis Cotton Carnival, and the Cotton Exchanges of Memphis, New York, and New Orleans. The pageant was held in Memphis, Tennessee, in conjunction with the Carnival until the 1980s.

In mid-December every year the NCC released a list of contestants. Contestants were required to have been born in one of the cotton-producing states: Alabama, Arizona, Arkansas, California, Florida, Georgia, Kentucky, Louisiana, Mississippi, Missouri, New Mexico, North and South Carolina, Oklahoma, Tennessee, Texas or Virginia. They might have also been born in the cotton-producing counties of Alexander, Jefferson, Massac, Pulaski, Williamson or Madison, Illinois or in Clark or Nye counties of Nevada. There were usually twenty contestants each year.

Contestants were judged on personality, good manners, intelligence, and family background as well as beauty and an ability to model. A Top Ten were chosen and then a Top Five, and finally second and first runners up and a winner. Winners served as goodwill and fashion ambassadors of the cotton industry in a five-month, all-expense tour of American cities. In the mid-1950s the tour expanded globally. In the late 1950s a Little Miss Cotton pageant was begun but lasted only until 1963 before being discontinued. In the mid-1980s Dallas,Texas took over the pageant, in conjunction with the NCC and its overseas division, Cotton Council International. In 1986, to bolster interest and participation, the NCC eliminated the rule requiring contestants to be born in a cotton-producing state. The pageant was discontinued in 1993, one of the reasons being that Cotton Inc. stopped contributing scholarship money as well as waning public interest and changing marketing strategies. (pageantopolis.com website accessed April 2012.)

"The National Cotton Council is the official trade association of the cotton industry. The NCC was founded in 1939 to promote the interests of cotton farmers, ginners, brokers, and manufacturers from the Southern, cotton-growing states. Its mission evolved over the years as new uses for cotton and its byproducts have been found; as competition from synthetic fibers developed; as fashion tastes changed; as government regulation increased; and in response to foreign competition in both farming and manufacturing . The NCC website states that its modern-day mission is "to ensure the ability of all U.S. cotton industry segments to compete effectively and profitably in the raw cotton, oilseed and U.S.-manufactured product markets at home and abroad." Throughout its existence, the NCC has been the contact point for issues affecting its members, legislators in Congress, allied agribusiness, and consumers.

One of the first NCC programs undertaken by to promote the versatility and value of cotton to consumers was the Maid of Cotton program, begun in 1939. This consisted of a beauty pageant open to young women born in one of the seventeen southern cotton growing states. The contestants were evaluated on the basis of beauty, personality, poise, good manners, and intelligence; a family background in cotton production was especially helpful. The girls had to apply for selection to compete in the program. At first this was done directly to the Memphis-based program but eventually a system of state Maid of Cotton programs were established, whose winners went on to compete in the national Maid of Cotton contest. The Maid of Cotton received numerous prizes, whose value and variety tended to increase over the years. In the late 1940s, the program added a scholarship prize, probably in emulation of the Miss America contest. The Maid of Cotton pageant was held each December in Memphis as part of that city's Cotton Carnival festivities. The winner was featured prominently on her own float in the Cotton Carnival parade, was feted at prestigious Carnival events, and was treated as royalty wherever she went. Selection as the Maid of Cotton carried a high degree of status and mature ladies in the South to this day proudly identify themselves as such.

The Maid of Cotton's main function, once crowned, was to serve as a goodwill and fashion ambassador for cotton; any publicity she gained was automatically positive publicity for the cotton industry. Accompanied by an NCC-appointed manager, the Maids embarked on an all-expenses-paid tour. The Maids appeared in full regalia at public events such as county fairs, parades, and holiday events; starred in fashion shows featuring all-cotton outfits; gave speeches to local chambers of commerce and other groups; and in general were the attractive personification of the cotton industry wherever they went. At first, the tours concentrated on the cotton states but they were later extended to major cities outside the cotton belt and came to include visits to legislators on Capitol Hill. Beginning in the mid-1950s, the Maids began touring internationally and in the 1970s and 1980s they frequently headed up fashion shows in Asia.

Over time, however, the publicity value of an industry-anointed beauty queen lost its attraction both to the public and --more importantly --to the press. In addition, the role of cotton in the South, particularly in Memphis, declined. In 1986 the contest was moved from Memphis to Dallas. Eventually the cotton industry withdrew its support for the program's scholarships; the 1993 Maid of Cotton was the last to be crowned." (Orr, Craig. "NMAH Collections Committee", memorandum, 2009)
Related Materials:
Materials in the Archives Center

National Cotton Council Records, circa 1960s-1980s (AC1177)

Southern Agriculture Oral History Project Records, 1986-1991 (AC0773)
Provenance:
This collection was donated by the Cotton Museum at the Memphis Cotton Exchange on October 14, 2009.
Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Cotton textile industry  Search this
Cotton industry  Search this
Beauty contests -- United States  Search this
Genre/Form:
Videocassettes
Slides (photographs)
Scrapbooks -- 20th century
Reports
Programs -- 20th century
Photographs -- 20th century
Photograph albums -- 20th century
Audiotapes
Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1176
See more items in:
Maid of Cotton Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f53d73b9-ea20-46d7-a006-fb4122e3ad71
EDAN-URL:
ead_collection:sova-nmah-ac-1176
Online Media:

Peter Paul Haring Papers

Creator:
Haring, Peter Paul, -1935  Search this
Names:
Haring Cotton Machine Company.  Search this
Collector:
National Museum of American History (U.S.). Division of Mechanisms  Search this
National Museum of American History (U.S.). Division of Work and Industry  Search this
Donor:
Haring, Grace  Search this
Extent:
1 Cubic foot (4 boxes)
Type:
Collection descriptions
Archival materials
Articles
Business records
Correspondence
Financial records
Legal records
Patents
Photographs
Date:
1895-1977
Summary:
Papers relating to Haring's development of cotton picking machines, 1894-1930.
Scope and Contents note:
Papers relating to Haring's development of cotton picking machines, and to the cotton industry overall: correspondence, photographs, patents, legal records, financial records, articles and printed material, and trade literature.
Arrangement:
The collection is arranged into three series.

Series 1: Haring Cotton Machine Company, 1897-1935

Series 2: Patents

Series 3: Publications
Biographical/Historical note:
Peter Paul Haring (-1935) was an inventor, based in Texas, who created, improved, and patented several cotton picking machines between 1897-1935. He was head of Haring Cotton Machine Company.
Provenance:
The collection was donated by Grace Haring in 1973.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cotton  Search this
Cotton picking  Search this
Cotton picking machinery  Search this
Inventors  Search this
Genre/Form:
Articles
Business records -- 20th century
Correspondence -- 19th century
Correspondence -- 1900-1950
Financial records
Legal records
Patents
Photographs -- 20th century
Citation:
Peter Paul Haring Papers, 1895-1977, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1014
See more items in:
Peter Paul Haring Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep862e9f20c-78da-4028-8da5-64cb6d8ce781
EDAN-URL:
ead_collection:sova-nmah-ac-1014
Online Media:

Warshaw Collection of Business Americana Subject Categories: Textiles

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
12.77 Cubic feet (consisting of 26.5 boxes, 1 folder, 7 oversize folders, 2 map case folders, 1 flat box (partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Print advertising
Periodicals
Publications
Advertising cards
Advertising mail
Printed ephemera
Patterns
Catalogues
Designs (textile)
Sales catalogs
Business cards
Legal records
Contracts
Textiles
Trade catalogs
Exhibition catalogs
Advertising
Advertisements
Mail order catalogs
Business records
Designs
Printed material
Labels
Instructional materials
Trademarks
Legal documents
Trade cards
Legislation (legal concepts)
Ephemera
Samples
Manuals
Sample books
Design patents
Advertising fliers
Illustrations
Catalogs
Sales letters
Business letters
Correspondence
Manufacturers' catalogs
Commercial correspondence
Letterheads
Invoices
Photographs
Sales records
Printed materials
Fabrics
Trade literature
Business ephemera
Receipts
Commercial catalogs
Date:
1784-1970
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material is concentrated on the 19th century United States textile manufacture and trade, and the sale of textiles in the form of bale, bolt, roll, and fabric to commercial vendors or consumers as source material to make other goods. The first series contains day-to-day records of dealers and vendors, plus advertising and marketing material. Artisan and home production of goods are virtually not covered but are a couple of incidental publications related to arts, crafts (rugs, weaving, looms), and more refined work such as tapestry. The import/export of textiles is well represented with a large volume of records, which may also provide some insight into the shipping industry.

There is not much on the infrastructure of the industry in the way of directories, trade journals, trade associations, along with manufacturing and plants, though there are a few examples of each. There are virtually no catalogues, except for a few thin ones that were filed by company name. While not extensive, the sample books and swatches offer a glimpse into product lines. Material types offers limited, specific information on certain varieties such as cotton, wool, linen, rayon, etc. Thread might be incidentally present but is not specifically included since there is already a dedicated subject category for it.

There is a healthy sampling of product labels. A handful of intellectual property related documents cover protections of designs, plus patents and trademarks. There is a small bulk of publications related to tariffs and the wool industry.

Clothing patterns, home economics, sewing and seamstresses, household use of textiles (furniture covering, as a cleaning tool, bedding/pillows, etc.) are not covered within this category. Researchers should also look at any of a number of other Warshaw categories, particularly those related to clothing, hosiery, dry goods, furniture, curtains, etc. for period popularity of certain materials and patterns.
Arrangement:
Textiles is arranged in three subseries.

Missing Title

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Textiles is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trade associations  Search this
Patents  Search this
Cotton textile industry  Search this
Fabrics, including spinning and weaving  Search this
Tapestry  Search this
Cotton  Search this
Textile manufacture  Search this
Textile design -- United States -- History -- 20th century -- Sources  Search this
Textile crafts  Search this
Textile  Search this
Retail trade  Search this
Tapestry -- Design  Search this
Textiles -- India  Search this
Labels -- Design  Search this
Textile fabrics in art  Search this
Textile fibers, Synthetic -- Equipment and supplies  Search this
Cotton picking machinery  Search this
Wool, Artificial  Search this
Cotton manufacture  Search this
Textile fabrics  Search this
Cotton picking  Search this
Textile fabrics -- 20th century  Search this
Textile fibers, Synthetic  Search this
Trademarks -- Design  Search this
Silk industry  Search this
Textile fibers, Synthetic Dyeing  Search this
Textile industry  Search this
Cotton industry  Search this
Tapestry -- Technique  Search this
Cotton growing  Search this
Cotton -- 1890-1910  Search this
Textile mills  Search this
Synthetic fabrics  Search this
Consumer goods -- Catalogs  Search this
Textile industry -- 1900-1910  Search this
Genre/Form:
Print advertising
Periodicals
Publications
Advertising cards
Advertising mail
Printed ephemera
Patterns
Catalogues
Designs (textile)
Sales catalogs
Business cards
Legal records
Contracts
Textiles
Trade catalogs
Exhibition catalogs
Advertising
Advertisements
Mail order catalogs
Business records
Designs
Printed material
Labels
Instructional materials
Trademarks
Legal documents
Trade cards
Legislation (legal concepts)
Ephemera
Samples
Manuals
Sample books
Design patents
Advertising fliers
Illustrations
Catalogs
Sales letters
Business letters
Correspondence
Manufacturers' catalogs
Commercial correspondence
Letterheads
Invoices
Photographs
Sales records
Printed materials
Fabrics
Trade literature
Business ephemera
Publications -- Business
Receipts
Commercial catalogs
Citation:
Warshaw Collection of Business Americana Subject Categories: Textiles, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Textiles
See more items in:
Warshaw Collection of Business Americana Subject Categories: Textiles
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8452a33db-9793-45c0-890c-a0dc6c7e8893
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-textiles
Online Media:

[Trade catalogs on Thurman vacuum cotton harvester ... ]

Author:
Vacuum Cotton Harvester Co  Search this
Smithsonian Libraries American History Trade Literature Collection DSI  Search this
Physical description:
<1> v. : ill
Type:
Catalogs
Trade catalogs
Date:
1922
1922-
Topic:
Cotton-picking machinery  Search this
Call number:
054376
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_743917

The second great emancipation : the mechanical cotton picker, Black migration, and how they shaped the modern South / Donald Holley

Author:
Holley, Donald 1940-  Search this
Physical description:
xvi, 284 p. : ill. ; 24 cm
Type:
Books
Place:
Southern States
United States
Date:
2000
20th century
Topic:
Cotton farmers--History  Search this
African American agricultural laborers--History  Search this
Farm mechanization--Social aspects--History  Search this
Cotton-picking machinery--History  Search this
Migration, Internal--History  Search this
African Americans--Employment--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_616168

[Trade catalogs on cotton yarn machinery: cotton card-room machinery, spinning frames, twisters, combing machines; cotton picking machinery; woolen and worsted machinery and worsted spinning and twisting machinery: spinning frames, woolen card; Buckley cleaner, tension pulleys for spinning frames and twisters, shell top rolls for spinning and roving frames, blending feeder, bunch builder, roving bobbins, automatic filling bobbin winder, Bi-Coil Drawing, and picker room return air condenser]

Author:
Whitin Machine Works (Whitinsville, Mass.)  Search this
Smithsonian Libraries American History Trade Literature Collection DSI  Search this
Physical description:
<48> v. : ill. (some col.)
Type:
Catalogs
Trade catalogs
Date:
1901
1901-
Topic:
Cotton yarn--Manufactures--Catalogs  Search this
Cotton yarn--Manufactures--Equipment and supplies--Catalogs  Search this
Cotton-picking machinery  Search this
Combing machines--Catalogs  Search this
Cotton carding--Equipment and supplies--Catalogs  Search this
Spining machinery--Catalogs  Search this
Twisting machines (Textile machinery)  Search this
Woolen and worsted machinery  Search this
Whitin-Schweiter (Brand name)  Search this
Knowlton & Newton (Brand name)  Search this
Whitin (Brand name)  Search this
Call number:
48588
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_486040

HUMAN-AID COTTON HARVESTER

Author:
HUMANAID HARVESTER CO  Search this
Type:
Books
Trade catalogs
Date:
1928
CA 1928
Topic:
Cotton-picking machinery  Search this
Call number:
007174
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_219410

The new revolution in the cotton economy; mechanization and its consequences

Author:
Street, James H (James Harry) 1915-  Search this
Physical description:
xvi, 294 p. illus. 24 cm
Type:
Books
Place:
United States
Date:
1957
[1957]
Topic:
Cotton-picking machinery  Search this
Cotton growing  Search this
Farm mechanization  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_247020

New one-row cotton pickers

Author:
International Harvester Co  Search this
Type:
Books
Trade catalogs
Date:
1961
Topic:
Cotton-picking machinery  Search this
Call number:
29259
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_262710

New Allis-Chalmers tow row cotton picker

Author:
Allis-Chalmers Mfg. Co Tractor Division  Search this
Type:
Books
Trade catalogs
Date:
1950
Topic:
Cotton-picking machinery  Search this
Call number:
37891
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_289295

The KhVS-1, 2M cotton-picking machine operator's manual. (Khlopkouborochnaya mashina KhVS-1, 2M rukovodstvo po ekspluatatsii) [By] I. I. Gurevich, I. P. Panov, and A. N. Prikhodʹko. Edited by V. I. Plyushchik. Translated from Russian [by V. Shtofman. Edited by IPST staff]

Author:
Gurevich, I. I  Search this
Panov, I. P  Search this
Prikhodʹko, Aleksandr Nikolaevich  Search this
Physical description:
v, 154 p. illus. 24 cm
Type:
Books
Date:
1966
Topic:
Cotton-picking machinery  Search this
Call number:
TS1583 .G97 E1966
TS1583.G97 E1966
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_2711

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