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Unidentified Correspondence

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 5, Folder 11
Type:
Archival materials
Date:
1958-1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw929d412f7-5fbc-4a1f-8651-3caf5c181efc
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref836

Unidentified Correspondence - Undated

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 5, Folder 10
Type:
Archival materials
Date:
circa 1958-circa 1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957e2e23c-31e2-40c2-82a5-6e8fd02a087f
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref835

Correspondence, Andrews, Ambrose - Harding, Chester

Creator:
Beal, Gifford, 1879-1956  Search this
Andrews, Ambrose, 1805-1859  Search this
Bates, Edward, 1793-1869  Search this
Bohrod, Aaron  Search this
Cloar, Carroll  Search this
Colman, Samuel, 1832-1920  Search this
Bacon, Josephine Daskam, 1876-1961  Search this
Rogers, Daniel Denison, 1751-1825  Search this
Elliot, William Parker  Search this
Brush, George de Forest, 1855-1941  Search this
Harding, Chester, 1792-1866  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Beach, Ella  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Town, Ithiel, 1784-1844  Search this
Watson, Forbes, 1880-1960  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
14 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Lithographs
Correspondence
Place:
New York (N.Y.)
Date:
1779-1981
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Ambrose Andrews, Edward Bates, Gifford Beal, Aaron Bohrod, Carroll Clear, Samuel Colman, Josephine Daskam, Daniel Denison Rogers, William Elliot, George de Forest Brush, and Chester Harding. The letters' subjects cover a wide range of topics, including the buying and selling of art, invitations to dinner, and general correspondence.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Ambrose Andrews was a portrait, miniature, and landscape portrait who worked throughout New England and the United States. He was born in Stockbridge, Massachusetts in 1801 and studied at the National Academy of Design. He exhibited paintings at many different institutions, including his portraits of Henry Clay and Sam Houston. Andrews's work is now in the New York Historical Society.
Edward Bates was a representative for Missouri in the mid-1800s. He served in the War of 1812 as a sergeant in a volunteer brigade, studied and practiced law, attended the state constitutional convention, was district attorney from 1821 to 1826, and was a member of the state senate. He declined to serve as Secretary of War for President Fillmore, but was appointed Attorney General of the United States by President Lincoln, and served from March 5, 1861 to September 1864. Bates died on March 25, 1869.
Admiral Charles Henry Davis was born on January 16, 1807, and served as Chief of the Bureau of Navigation between 1862 and 1865. He then served as Superintendent of the Naval Observatory. He had three ships named after him.
Forbes Watson was an art critic, lecturer, and administrator in New York City in the early 20th century. He served as art critic for the New York Evening Post. In 1933 he was appointed Technical Director of the first New Deal art program, the Public Works of Art Project, which provided work for artists in the decoration of non-federal buildings. He later worked at the Treasury Department of Painting and Sculpture, which administered funding for decorating federal buildings. Watson finally served in the Treasury Department's War Finance Division, where he organized exhibitions and posters by combat artists to promote the sale of war bonds. Forbes Watson's papers are held in the Archives of American Art.
Gifford Beal was an American artist who worked with many organizations for the advancements of the arts, finding inspiration from a wide variety of sources, including holiday scenes, every-day life, and landscapes. Beal loved spontaneity and was influenced by French Impressionists. He was commissioned by the government to paint two murals: one on the post office in Allentown, Pennsylvania, and one in the Main Interior Building in Washington, D.C. Beal's papers are held in the Archives of American Art.
Aaron Bohrod was born in Chicago, Illinois on November 21, 1907, where he studied art at the Art Institute of Chicago. He worked for a while in the advertising art department at the Fair Department Store in Chicago, but eventually moved to New York City, where he joined the Art Students League. He died on April 3, 1992. During World War II, Bohrod worked as an artist for the United States Army Corps of Engineer and Life magazine in Europe.
Carroll Cloar was an American realist and surrealist who lived from 1913 to 1993. He grew up in Arkansas, but later moved to Tennessee, travelled Europe, and joined the Art Students League in New York City. During World War II, he joined the U.S. Army Air Corps, and although he did complete some artwork during this period, none of it survives. Cloar then settled in Memphis. One of his paintings was chosen to commemorate President Clinton's inauguration in 1993. Cloar died of a self-inflicted gunshot wound on April 10, 1993, after a long battle with cancer.
Samuel Colman was an American painter who belonged to the Hudson River School, and is most well-remembered for his landscapes. He was born in Portland, Maine, in 1832, and began exhibiting at the young age of 18. At 27 he was elected an associate of the National Academy, and later studied abroad in Paris and Spain. He was made a full Academician upon his return to the United States, and both founded and served as the first president of the American Water-color Society. He continued to both study in Europe and exhibit artwork, moving from New York to Rhode Island. Colman is represented in the metropolitan Museum, Chicago Art Institute, and many other collections. He died in New York City in 1920.
Josephine Daskam Bacon was an American writer known for writing about "women's issues" and using female protagonists. She wrote a series of juvenile mysteries and helped pioneer the Girl Scouts movement, writing a guidebook for the organization.
Daniel Denison Rogers is perhaps most widely remembered for the painting that John Singleton Copley completed of his wife, Abigail Bromfield.
Ithiel Town was an American architect and civil engineer who lived from October 3, 1784 to June 13, 1844. He worked in the Federal and revivalist Greek and Gothic styles, and was widely copied. He was born in Connecticut, and built both Center Church and Trinity Church in New Haven. Town patented a wooden lattice truss bridge, which made him quite wealthy. He formed a professional architecture firm with Alexander Jackson Davis. One of Town's most amazing feats was the construction of the Potomac Aqueduct in Washington, D.C., which allowed fully loaded canal boats to cross the Potomac River.
William Parker Elliot designed the old U.S. Patent Office, a very important Greek Revival building, with Ithiel Town.
George de Forest Brush was an American painter who grew up in Connecticut and is typified by his paintings and drawings of Native Americans. Even after moving from Wyoming, where he met the Native Americans, back to the East, Brush still occasionally enjoyed living in a teepee. Brush's artistic style later developed into Renaissance-inspired portraits. He was friends with Abbott H. Thayer, and along with Brush's wife, Mary, and son, Gerome, they all contributed to early camouflage designs. Brush died in New Hampshire in 1941.
Chester Harding was an American portrait painter born in Massachusetts in 1792. He worked in many different professions, finally becoming a self-taught itinerant portrait painter. Harding settled in Beacon Hill, Boston, Massachusetts, in a building that now houses the Boston Bar Association (the Chester Harding House, a Historic National Landmark). He studied at the Philadelphia School of Design, later setting up a studio in London, where he befriended and painted for royalty and nobility. Harding finally returned to Boston, where he died in 1866.
Local Numbers:
FSA A2009.06 4
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Real property  Search this
Drawing  Search this
Genre/Form:
Lithographs -- 1950-2000
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 4
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3fe083cf2-c3ca-489b-b0ee-4f49e62444b0
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref2

Hirashima, Yoshihiro, 1950-2000

Container:
Box 6 of 16
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 02-181, National Museum of Natural History. Department of Entomology, Curatorial Correspondence
See more items in:
Curatorial Correspondence
Curatorial Correspondence / Box 6
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa02-181-refidd1e1823

Correspondence

Collection Creator:
Marcus, Marcia, 1928-  Search this
Extent:
4 Linear feet (Box 1-5)
0.389 Gigabytes (ER01)
Type:
Archival materials
Gigabytes
Date:
1948-2016
Scope and Contents:
Personal and professional correspondence dates from 1953-2016 and includes illustrated letters, postcards, greeting cards, and memoranda. There is correspondence with her husband, children, and close friends, and letters from galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, Robert (Bob) Richenburg, as well as Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. One digital video recording found among the correspondence with Kate Prendergast, Marcus' daughter, documents the storage of Marcus' paintings.
Arrangement:
Marcia Marcus's letter drafts and letters to unidentified recipients are at the beginning of the series. The rest of the series is arranged alphabetically by correspondent. Correspondents with first names only are grouped separately at toward the end of the series, followed by letters from unidentified correspondents, and greeting cards.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marcmarc, Series 2
See more items in:
Marcia Marcus papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92dd2c65e-b7ed-4c27-a896-47d9b75a37a6
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref2

Correspondence

Collection Creator:
Scanga, Italo, 1932-2001  Search this
Extent:
3.4 Linear feet (Box 3-6, 17)
Type:
Archival materials
Date:
circa 1950s-2000s
Scope and Contents:
Italo Scanga's personal correspondence is with family, friends, and colleagues. Some letters between Scanga and his Italian family members are written in Italian. There are many years of greeting and holiday cards. Letters from Elaine Stevens includes one videocassette.

Correspondents include John Anderson, David Askerold, Clayton Bailey, Lois Baron, Larry Becker, Eva Benincasa, Doug Benson, Barbara Boeltcher, Tom and Elaine Bosworth, Benjamin Buchloh, Scott Burton, Richard Calabro, John Campbell, James Carpenter, Neke Carson, M. Castelnuovo-Tedesco, Gerry Cerrome, John F. Clark, E. Claycomb, W.W. Colescolt, Don Corrigan, Randall DeLeeuw, Alessandro De Santiliana, Anne d'Harnoncourt, Grant Drumheller, Margaret and Joe Early, Kate Elliott, Diego Esposito, Bob Eyos, Jim Falconer, Terry Fox, Richard Frankel, Michael Frimkess, Virginia Fritz, Lilian Garcia-Roig, Andrea Gill, Dan Gill, Ron Glowen, Laura Goodwin, Ian Graham, Art Green, Phyllis Green, Hans Haacke, Walt Haas, Allan Hacklin, Jim Harmonie, F. Hasler, H. Hayward, Jeffrey Held, Bruce Helender, James Higginson, Haley Hodnett, Heather Holden, Eddy Hood, Walter Hopps, Colita Humbert, Ulrica Hydman-Vallien, Eileen Jager, Tim Jackson, Ray Johnson, Donald Judd, W. Judy, Steve Juscik, Larry Kahn, Robert Kitchen, L. Kleban, John Knight, Kasper Koenig, Hilton Kramer, Jack Krueker, Herman Leland, Seaver Leslie, Bob Lesnik, Ben Lifson, Tom Lieber, Walter Lippert, George Lloyd, Jake Lovejoy, Margaret Lys, K. Mally, Carlo Matrisciano, Arthur Matuck, Adolfo Mazzotta, Boyd Mefferd, Zesty Meyers, Robert Miller, Rick Mills, John Moore, Fred Nagelbach, J. Napiwocki, Bruce Nauman, Shalom Thomas Neuman, Felice Nittolo, B. Norquist, Jules Olitsky, C. Oman, Wendy Pelayo, Patte Peuguine, Jack Reilly, Terry Rischel, E. Rudam, John Rogers, Bob Rohm, Daphne Ruff, Waine Ryzak, A. Pachner, Guiseppe Padula, Ann Percy, Anne Perrigo, Giancarlo Politi, Nick Posner, P. E. Powers, Lucio Pozzi, Bob Projansky, Joe Sabrina, Joseph Sampson, Art Schade, Anto Sepp, Ann Simon, Linda Simon, Mark Stivers, Sergio Tarantino, Irving Tazan, Paul Tomedy, Linda Trunzo, Preston Tsaro, Elizabeth Tullis, Juris Ubaris, John Udvardy, Barbara Vaessen, Kevin Vavrek, Bob Wade, Jeffrey Wasserman, Bruce Weiss, Donald Wilkins, Christina Williams, Joel Williams, Wolfgang Wittman, Joan Wolcott, Anne Woodson, Su Mei Yu, John Zeeman, and Rudolf Zwirner.
Arrangement:
Correspondence is arranged alphabetically by correspondent, followed by items from unidentified correspondents, or signed with first names only or illegible signatures. Researchers should note that additional correspondence between Scanga and artists may be found in Series 3.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Italo Scanga papers, circa 1930-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scanital, Series 2
See more items in:
Italo Scanga papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw998c45193-5bd4-448f-b928-471dcb540c92
EDAN-URL:
ead_component:sova-aaa-scanital-ref25

Correspondence

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 34, Folder 8
Type:
Archival materials
Date:
circa 1955-1995
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 15: Addition to the Dorothy C. Miller Papers / 15.5: Art Collection and Client Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9692770e8-83d0-424c-8424-d98a3528350d
EDAN-URL:
ead_component:sova-aaa-milldoro-ref1184

Marcia Marcus Letters Drafts and Unidentified Recipients

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
circa 1962-circa 1984
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9de9ecab1-9467-4a1e-bc50-3e9a73d52f85
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref652

Agriss, Pearl

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1986-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw954fd5189-81ce-4ea3-a26b-34d256932866
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref653

Alan, Charles

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
1962-1969
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9626b91a8-06b7-4a42-8e25-764aed7fc774
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref654

American Academy and Institute of Arts and Letters

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 19
Type:
Archival materials
Date:
1981-1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd05e347-8ff1-49eb-850b-45cd12e3c496
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref655

Anderson, Lennart and Mimi

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 20
Type:
Archival materials
Date:
circa 1958-circa 1961
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9258d5e16-60d0-4701-b3c7-42f66831b563
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref656

Archives of American Art

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 21
Type:
Archival materials
Date:
1974-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b4e98d4-3e85-4842-8fd0-5b92b50cc0bf
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref657

Art in Embassies Program, United States Department of State

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 22
Type:
Archival materials
Date:
1990-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97fe01851-c8b2-4633-8555-e2ea14cc9f2f
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref658

Avery, Sally

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 23
Type:
Archival materials
Date:
circa 1960-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d68ce45-c069-48fc-aa81-05147d6b6b24
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref659

Ac-An, Miscellaneous

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 24
Type:
Archival materials
Date:
1973-2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9598eb053-c9b4-4cb1-8e8e-6505042b0819
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref660

Ar-At, Miscellaneous

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 25
Type:
Archival materials
Date:
1974-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ac4cee0-76d6-4e52-a635-49abf07b0a5c
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref661

Barber, Leila

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 26
Type:
Archival materials
Date:
1974-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9792089cb-8d5e-47d0-b655-2fe3acc73045
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref662

Barrell, Terry - Undated

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 27
Type:
Archival materials
Date:
circa 1961-1962
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9717ce2ce-8aba-424d-92d5-4d16ecba25d1
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref663

Barrell, Terry - Undated

Collection Creator:
Marcus, Marcia, 1928-  Search this
Container:
Box 1, Folder 28
Type:
Archival materials
Date:
circa 1970-circa 1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marcia Marcus papers, 1928-2016, bulk 1950-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Marcia Marcus papers
Marcia Marcus papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9214bf6d8-83f7-4f19-9bc9-cb0498f29916
EDAN-URL:
ead_component:sova-aaa-marcmarc-ref664

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