Collection includes over 200 replies (160 of which comprise the book) to Mrs. Moore's letter requesting a quotation or a bit of poetry important to the recipient; a copy of her book, "Famous Personalities and Their Philosophies," and materials relating to the speeches both Mrs. Moore and her daughter gave about this collection of letters, such as notes, clippings, etc.
Scope and Contents:
The collection documents a book written by Mildred Moore entitled Famous Personalities and Their Philosophies, published in 1940 by the Bookwalter Ball Greathouse Printing Co., Indianapolis. The collection encompasses over 200 replies (160 of which are included in the book) to Mrs. Moore's letter requesting a quotation or a bit of poetry important to them. Also included are a copy of her book, Famous personalities and Their Philosophies, and materials relating to the speeches both Mrs. Moore and her daughter gave about this collection of letters.
2
Series 1 of the collection, the letters received in response to Mrs. Moore's inquiry, has been classified by occupation of the respondent and then arranged alphabetically by name within that classification. Apparently selected at random, the people she contacted were drawn from a wide variety of occupations and interests and include actors, athletes, community leaders, physicians, politicians, royalty, and many others. They are as diverse in background as Babe Ruth and the Prince of Wales, Huey Long and Winston Churchill. Most of the responses are signed by the individuals to whom Mrs. Moore's letter was addressed. Some of these have value as autographs, for example, Helen Keller, Marie of Roumania, and Adolph Hitler.
Series 2 is the book itself, arranged alphabetically with a page devoted to each personality. On each page are brief comments by Mrs. Moore about the person, and his or her favorite quotation and its source. When a second page has been devoted to an individual it is a reproduction of the handwritten response to Mrs. Moore's request (16 out of 160 entries). Sources of the quotations range through the centuries from Confucius to several people alive at the time of the book's publication (1940), but most frequently quoted are the Bible and the works of Shakespeare.
The material in series 3 is devoted largely to notes of Mary Lou White (Mrs. Moore's daughter) relating to the many speeches she made to women's clubs, fraternal organizations, and similar groups concerning her mother's collection, her publicity and that of her mother. There are also a few references to Elizabeth Wenger, who, according to Mary Lou White's notes, was repeating Mildred Moore's endeavor with respect to a later generation.
Series 4 contains replies to a letter requesting a favorite quotation sent to residents of Fort Wayne by Mrs. Moore. Most of these are dated 1932 1933. They have been arranged alphabetically by respondent.
The correspondents include Babe Ruth, the Prince of Wales, Winston Churchill, Huey Long, Helen Keller, Marie of Romania, and Adolf Hitler, and others, such as those listed below.
Arrangement:
The collection is divided into four series.
Series 1: Responses to Mildred Moore's letter to famous personalities
Series 2: Publication developed from responses to letter to famous people (book)
Series 3: Development of speeches by Mary Lou White (notes)
Series 4: Responses to letters to prominent Fort Wayne area residents
Biographical / Historical:
Mildred Moore, the pen name for Mildred Galloway, later Mrs. Forest L. Moore, was born on a farm outside Cromwell, Indiana. She read constantly as a child and often wrote verse to express her feelings. Prior to November 13, 1930, when she began writing a column called "This, That And The Other" for the Cromwell Advance, a Fort Wayne newspaper, and one in Waterloo, Indiana, she had worked for several years as a secretary and bookkeeper for the Fort Wayne YMCA.
In 1931, having become interested in what motivated people and in their philosophies, Mildred Moore began to write to famous people seemingly selected at random requesting a quotation or a bit of verse that had been important to them and the development of their philosophy. The resultant book, Famous Personalities and Their Philosophies, includes 160 responses to over 200 letters to people with some claim to fame during the 1930s. Interestingly, the rate of response and acquiescence was very high with few refusals. A few indicated no favorite verse or quotation.
Mildred Moore made speeches about her collection of letters to several hundred groups in Ohio, Indiana, Michigan, and Illinois. Her daughter, Mary Lou White (Mrs. Charles F. White), also spoke to numerous groups about the letters after her mother's death.
Provenance:
Collection donated by Charles F. White, 1991, April 26.
Restrictions:
Collection is open for research.
Rights:
Probable copyright restrictions on some material in this collection.
This collection consists of the corporate records of the Curtiss-Wright Corporation. Included in the collection are technical and engineering reports of Curtiss-Wright Airplane Division's operations in St. Louis (Robertson), MO (1935-1945) and Buffalo, NY, (1932-1945), as well as AAS Material Division and AAF Air Technical Services Command memorandum reports collected by Curtiss-Wright's St. Louis and Buffalo technical reference libraries. The collection also contains the files of Curtiss-Wright's Patent Department, which hold records of patents filed by Curtiss-Wright and patent-infringement cases involving Curtiss-Wright. Also included in the collection are specifications issued by and photos commissioned by the Keystone Aircraft Corporation (Huff-Daland Airplanes, Inc. until March 1927), which had been acquired by Wright in 1928 along with Loening Aeronautical Engineering Corp., and formed the Keystone Division of Curtiss-Wright until 1932 when Keystone's Bristol, PA factory closed its doors. The collection also contains financial records of the Curtiss-Wright Airports Corporation, which was liquidated in 1936, as well as an extensive negative collection featuring Curtiss-Wright aircraft from the 1930s and 1940s, concentrated especially on the war years.
Scope and Contents:
The Curtiss-Wright Corporation Records collection contains approximately 212 cubic feet of material. The collection contains the following material:
Army Air Service Material Division & Army Air Force Technical Services Command Memo
Reports & Technical Reports which include testing of various Curtiss-Wright models of aircraft and/or various parts of aircraft
Technical & Engineering Reports from the St. Louis, MO plant [Robertson] & Buffalo, NY plant
Patents, Patent Dockets, Patent Serial numbers, Suits, License Agreements, Patents filed by Curtiss-Wright & Patent Infringement Cases [1800s to 1940s]
Miscellaneous Research Files
Corporate & Financial Records [1923 to 1972]
Correspondence
Blueprint Drawings
Advertisements from Newspapers & Magazines in Scrapbooks
Engine Decals
Photographs
Negatives & Glass Plates
Arrangement:
This collection was arranged into Series and Subseries:
Subseries I: Air Corps Materiel Division, Reports [ACMR]
Subseries II: Buffalo Reports
Subseries III: St. Louis
Series III: Glass Format Photography
Series IV: 1969 Accretion - Listing of Archival Material
Series V: Master Print Books [this part of the collection has not been processed]
Historical note:
An historic event in aviation occurred on June 26, 1929 when two major aircraft companies: the Curtiss Aeroplane and Motor Company merged with the Wright Aeronautical Corporation to form the Curtiss-Wright Corporation. After this merger, the former Wright organization took over all of the engine and propeller manufacture while Curtiss concentrated on airplanes. This merger was completed by organizing two major divisions under their original names, but under the direction of a corporate headquarters located in New York City. However, there was a recognized separation of spirit as well as specialized facilities that was never completely resolved in succeeding years. The election of former Wright personnel to key corporate positions soon led to Wright becoming the dominant division. At the height of the Lindbergh Boom during the 1920s and 1930s, the Curtiss-Wright Corporation was made up of the following identified organizations: The Curtiss Aeroplane & Motor Company; The Curtiss-Caproni Corporation; The Curtiss-Robertson Airplane Manufacturing Company; The Keystone Aircraft Corporation; The Moth Aircraft Corporation; The Travel Air Manufacturing Company; The Wright Aeronautical Corporation; Curtiss-Wright Flying Service; The Curtiss-Wright Sales
Corporation; The Curtiss-Wright Export Corporation. Curtiss-Wright was quickly becoming the 'General Motors of the Air' until the great depression in October 1929. Sales dropped and Curtiss-Wright was forced to close certain satellite plants and transfer some of their product lines to the St. Louis facility. It looked like even the Buffalo plants would also have to close when Curtiss-Wright received an order from Colombia, South America for Hawks and Falcons. This was the largest military order to Curtiss since the war. The Colombia sale saved the Curtiss-Wright organization at this low point in its history. This order kept the production lines going until new military and civil markets began to open up as the depression waned and the build-up for World War II began. During the U.S. military build-up prior to the attack on Pearl Harbor, all existing Curtiss-Wright plants were expanded and new aircraft factories were built at Columbus, Ohio and Louisville, Kentucky. The dropping of the two atomic bombs on Japan resulted in an unexpected early end to World War II. All of the major U.S. airplane builders including Curtiss-Wright were hit by massive contract cancellations because of the Japanese surrender. In 1946 Curtiss-Wright had only two experimental military models at hand for postwar delivery and no assurance of production orders. Curtiss-Wright was forced to shut down all airplane plants and transfer all units of the Aeroplane Division to their Columbus Plant. The eventual sale of the Airplane Division to North American included design rights to the former Curtiss-Wright airplanes. The Curtiss-Wright Airplane Division, which manufactured airframes, finally closed down in 1951.
Provenance:
Curtiss-Wright Corporation, gift, XXXX, 1969
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Architectural League of New York records, 1880s-1974, bulk 1927-1968. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.
Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.
Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.
Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.
Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.
Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.
Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.
A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.
Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:
Missing Title
Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)
Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)
Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)
Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)
Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)
Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)
Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)
Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)
Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)
Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)
Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.
John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.
In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.
Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.
In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.
Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.
Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York, who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
11.39 Cubic feet (consisting of 25 boxes, 2 folders, 4 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Examinations (documents)
Speeches
Catalogs
Trade catalogs
Reports
Sales records
Trade literature
Print advertising
Business cards
Programs
Training manuals
Invoices
Publications
Business records
Advertising cards
Advertising mail
Certificates
Business ephemera
Manuals
Sales letters
Awards
Dance cards
Business letters
Commercial correspondence
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Date:
1745-1973
bulk 1840-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
Most materials present are records and information related to specific schools and institutions and their operations. There are no complete records for any single organization. K-12 public, private schools are represented, as well as colleges, universities, vocational training, plus home study, correspondence courses, Sunday Schools and some religious instruction. HBCUs are not represented, though there may be a general item or two related to one or more of the HBCU schools. There is a sampling of teaching and learning tools such as workbooks, textbooks, and curriculum guides, plus publications for educators. A portion of the material focuses on administration and the profession of education. Student Services and Engagement covers the social aspects of higher education.
Arrangement note:
Schools is arranged in two subseries.
Institutions
By Name
Administration and Records
Genre
Advertisements
Images
Instruction and Learning: Tools and Resources
Post Family Education Records
Serial Publications for Educators and Administrators
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Schools is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Certificates -- School attendance -- 1930-1940 -- Illinois
Ephemera
Illustrations
Photographs
Sermons
Letterheads
Publications -- Business
Advertising
Printed ephemera
Catalogues
Theater programs
Report cards
Receipts
Advertising fliers
Legal documents
Scrapbooks
Correspondence
Lesson books
Periodicals
School records
Citation:
Warshaw Collection of Business Americana Subject Categories: Schools, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.
Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.
Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.
Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.
The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.
Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.
The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.
When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.
Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.
A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.
Ships, Boats, and Vessels is arranged in three subseries.
Business Records and Marketing Material
General Maritime Businesses
Operation Records of Named Vessels
Shipping Lines/Conglomerates
Miscellaneous Business Records and Marketing Material
Genre
Keepsakes
Images
Ledger
Legal
News Clippings
Regulatory
Reports
Serial Publications
Stamps/Cigarette Cards
Associations and Societies
Images, Artwork, Racing, Technical Literature
Subject
Battleships, Warships
Destination Guides
Employment and Licensing
Insurance
Maritime History
Maritime Models and Art
Revue Generale Des Sciences
Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The International Sweethearts of Rhythm Collection focuses on the all-female, racially and ethnically diverse big band group that started in 1937 and disbanded in 1949. The collection contains news clippings, photographs, correspondence, ephemera from USO travels, and newsletters. Also included are books related to the group, as well as a tribute CD and a 33 rpm vinyl sound recording.
Scope and Contents:
The collection consists mostly of photographs and news clippings documenting the International Sweethearts Band of Rhythm's performances, rehearsals, and travels. It also includes tribute materials to the band, including books and audio CDs.
Arrangement:
The collection is divided into three series.
Series 1: Piney Woods School, 1937-1944
Series 2: Rosalind Cron Materials, 1933-2005
Series 3: Dixie Hardy Moon Materials, 1935-1951
Biographical / Historical:
The International Sweethearts of Rhythm were a racially and ethnically mixed swing band, all of whose members were women. They were organized in 1937 by Laurence Clifton Jones, who started the Piney Woods School near Jackson, Mississippi. He formed the band from students at Piney Woods and the band toured to raise money for the school, performing at fairs, dance halls, churches, and theaters. In 1939, the band began to tour outside of Mississippi and traveled across the American South and Midwest. In 1941 they separated from Piney Woods, started out on their own as professional musicians and relocated to Arlington, Virginia. While in Arlington, the band recruited professional musicians to replace the underage students who stayed in school. The band's venues included the Apollo Theatre and Savoy Ballroom in New York and the Howard Theatre in Washington DC They performed frequently at military bases and were quite popular during World War II. In response to requests from GIs serving overseas, the Sweethearts undertook a six month tour of Europe starting in July 1945. The tour was supported by the United Service Organization (USO) Camp Shows. The band played in Paris, France and throughout Germany, including the cities of Heidelberg, Stuttgart, Munich, and Mannheim. The group disbanded in 1949, but reunited for a reunion in 1980 at the Third Annual Women's Jazz Festival in Kansas City.
Rosalin Cron was born in Boston, Massachusetts in 1925 and began playing music at nine years old. She joined the band in 1943 and primarly played the alto saxophone, but was also trained to play the clarinet and flute. Cron was a part of the overseas tour. She was with the band until 1946. Dixie Hardy Moon is the niece of founder Laurence Clifton Jones. Catherine (Cathy) Hughes, was born in 1947 in Omaha, Nebraska. She is the granddaughter of founder Laurence Clifton Jones and her mother, Helen Jones Woods (1923-2020), played the trombone with the Sweethearts. Hughes is considered a media pioneer and founder of Radio One/TV One.
Provenance:
Collection donated to the Archives Center in 2011 by Rosalind Cron.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Letters from students of Japanese-American ancestry to Miss Cox, their former teacher at the Edward Kelley School in Sacramento, California. This teacher has been identified as Mary Aline Cox by Ms. Colleen Zoller, January 13, 2009.
Scope and Contents:
This collection contains six letters dated 1942 1943 from former students of Japanese American ancestry to Miss Cox, a teacher at the Edward Kelley School in Sacramento, California. Three letters were written from inside a camp, while the others were written from outside of camp. The letters are arranged chronologically.
Sanji Sato, a young male not yet out of high school, penned both Letters 1 and 3. The first dated June 12, 1942 was written from Pinedale "A.C." [Assembly Center]. This letter contains a brief description of the center, one of many used to keep internees until the ten more permanent camps were prepared to receive them, and its physical surroundings, as well a mention of the medical examination and vaccinations the evacuees underwent.
Letter 3, more lengthy in nature, covers the dates January 1, 1943, to March 6, 1943. Sent from Poston, Arizona (location of the largest relocation camp), Sato indicated the block and barrack numbers of his lodgings. The camp is defined by the arid surroundings, temperature, flora and fauna, and natural landmarks; its
inhabitants are defined by their New Year's Exhibition and Boy Scout Troops. Pertinent to the historian are
Sato's opinion of the "loyalty" forms, why Japanese Americans should fight in World War II, and the behavior of other Poston residents. Also of interest are his personal discussions of his former life on the farm, his passion for the American flag, and remembrance of his dog.
Letter 2 was written by a student identified as "Kiyo" on December 26, 1942, in Garrett, Indiana while on vacation from college (later identified as Ms. Kiyo Sato). A former internee at Poston Relocation Center, she wrote of her reaction to school and dorm life, as well as her reaction, as a person of Japanese ancestry, to a Midwestern town. She expressed hope of ending any misconceptions and of the evacuees returning home "in one piece."
Letter 4 is signed "R. Satow and family" and dated April 19, 1943. A year after leaving the relocation center, the writer, having reached Keenesburg, Colorado, thanks Miss Cox for her assistance. The writer's surroundings are reported in addition to updates on other former internees' activities.
The Poston Relocation Center was also the home of Susuma Paul Satow, writer of Letter 5. Satow diplayed the belief that his volunteering in the army benefited the government and reflected well on Japanese Americans. Another topic discussed the regret that some "No No Boys" experienced and Satow's personal lack of empathy for them. The writer voiced concern about anti Japanese American discrimination in Sacramento, and, thus, his hesitancy to return.
Letter 6, from Tomi Komata, was undated and meant to inform Miss Cox of his life in college (possibly Downer College). "Released and happy," Komata announced the lack of expected discrimination and the racial tension that did exist, as well as his scorn of those in camp who listened to rumors of prejudice. Mentions of the WRA and how internees should be more willing to embrace its programs are included.
Arrangement:
1 series. Not arranged.
Biographical / Historical:
On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066 to bar "any and all persons" from certain sections of the United States for purposes of national defense. A reaction to the "yellow peril" "demonstrated" by the attack on Pearl Harbor December 7, 1941, the Executive Order would mean that all Japanese immigrants and Americans of Japanese ancestry would be required to "evacuate" the West Coast of the United States. By the end of this policy in 1946, over 120,000 men, women, and children had been forcefully relocated to various types of internment camps.
Not only had the possessions and lives of these people been disrupted, their privacy and Constitutional rights were ignored as the government thoroughly investigated their lives, looking for any signs of disloyalty to America. Early in 1943, tests were made of their "loyalty" as they were asked to forswear allegiance to the emperor of Japan, swear allegiance to the United States, and volunteer for military service.
Through programs established by the War Relocation Authority (WRA), internees were permitted to leave the camps permanently, provided they had a job or attended a college or university and passed additional government investigations. By 1943, 17,000 people had left the camps in this manner. Others left by joining the military. By 1946, the last permanent camp was dismantled.
Materials in Other Organizations:
Materials at Other organizations
War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, National Archives and records Administration
National Headquarters of the Japanese American Citizens League in San Francisco, California
Japanese American National Museum in Los Angeles, California
Materials in the Archives Center, National Museum of American History:
Japanese American Documentary Collection, 1905-1945 (AC0305)
Provenance:
Collection donated by E. Gerald Lamboley, June 2, 1992.
Restrictions:
Collection is open for research.
Rights:
Usage or copyright restrictions. Contact repository for further information.
Topic:
Japanese Americans -- Forced removal and internment -- 1942-1945 Search this
Incarcerees -- Japanese Americans -- 1940-1950 Search this
The papers of Ralph S. and Rose L. Solecki, 1904-2017 (bulk 1951-1999) primarily document their archaeological excavations and subsequent analysis of sites in Southwest Asia including Shanidar Cave and Zawi Chemi Shanidar in northern Iraq; Yabroud, Syria; and Nahr Ibrahim and El Masloukh, Lebanon primarily during the 1950s-1980s. The papers also include their work at other sites throughout the Near East and North America and files relating to the professional careers at the Smithsonian Institution, Columbia University, and Texas A&M University. The collection consists of field notes, data and analysis, manuscript drafts, publications, correspondence, illustrations and maps, photographic prints, negatives, slides, and recorded film.
Scope and Contents:
The papers of Ralph S. and Rose L. Solecki document their archaeological excavations and subsequent analysis of sites in Southwest Asia including Shanidar Cave and Zawi Chemi Shanidar in northern Iraq; Yabroud, Syria; Nahr Ibrahim and El Masloukh, Lebanon primarily during the 1950s-1980s. The papers also reflect their academic careers as students and faculty at Columbia University, staff at the Smithsonian Institution, and adjunct faculty at Texas A&M University.
The bulk of the collection consists of materials relating to the Soleckis' archaeological excavations at Shanidar Cave and Zawi Chemi Shanidar in northern Iraq (1951-1960); Yabroud, Syria and locations in Turkey as part of the Columbia University Near East expeditions (or C.U.N.E.) (1963-1965, 1981, 1987-1988); Nahr Ibrahim and El Masloukh, Lebanon (1969-1973). These materials include field notebooks, excavation catalogs, research notes, data analysis, manuscript drafts, publications, correspondence, illustrations, maps, photographs, slides, sound recordings, and film. Similar materials from other expeditions and projects include aerial photography projects in the 1950s-1960s; expeditions to Alaska in 1949 and 1961; expeditions to Sudan (as part of the Columbia University Nubian Expedition, also abbreviated C.U.N.E.) and Iran in the 1960s-1970s; Rose's work in Peru and Afghanistan in the 1950s; and various archaeological projects elsewhere in North America such as Ralph's work with the River Basin Surveys in the 1940s-1950s contain similar materials.
The papers also contain research and teaching files in the form of annotated publications, course materials, student theses, and other files from their time as students and faculty at Columbia University, staff at the Smithsonian Institution, and adjunct faculty at Texas A&M University. Correspondence and administrative files such as grant applications, daybooks, and departmental forms and files from their professional careers are also within the collection. Personal files, while sparse, are also represented.
Please note that the collection contains images of human remains.
Arrangement:
The Ralph S. and Rose L. Solecki papers are divided into 7 series:
• Series 1: Shanidar Cave and Zawi Chemi Shanidar, Iraq, 1947-2017 (bulk 1951-1990)
• Series 2: Yabroud, Syria and Other Localities, 1950-2017 (bulk 1964-1988)
• Series 3: Nahr Ibrahim and El Masloukh, Lebanon, 1968-2008 (bulk 1969-1973)
• Series 4: Other Expeditions and Projects, 1930-1986, 2006
• Series 5: Research and Teaching Files, 1912-2012 (bulk 1950-2000)
• Series 6: Correspondence and Administrative Files, 1937-2020 (bulk: 1950-2000)
• Series 7: Personal Files, 1902-2014 (bulk: 1950-2000)
Biographical / Historical:
Ralph S. Solecki (1917-2019) and Rose L. Solecki (b. 1925) are archaeologists that worked in the Near East at Shanidar Cave and Zawi Chemi Shanidar in northern Iraq (1951-1960); Yabroud, Syria (1963-1965, 1981, 1987); and Nahr Ibrahim and El Masloukh in Lebanon (1969-1973). Ralph Solecki also conducted archaeological field work in North America at sites in Nebraska, Alaska, and New York as well as with the Smithsonian Institution's River Basin Surveys. From 1958-1988, Ralph Solecki was a professor of anthropology at Columbia University. The Soleckis became adjunct faculty at Texas A&M University.
Stefan Ralph Solecki was born on October 15th, 1917 in Brooklyn, New York. After graduating from Newtown High School in 1936, he attended the City College of New York from 1936-1941 and received a B.S. in Geology in 1942. Solecki then served in the US Army and fought in World War II. He was discharged in 1945. In 1946, Solecki enrolled at Columbia University to study Anthropology, and he received a M.A. degree in 1950. During this time, Solecki worked for the River Basin Surveys at the Smithsonian Institution. He also accompanied a geological survey to northern Alaska in 1949 (and later in 1961). In 1951, he became an associate curator of archaeology at the Smithsonian Institution. In that same year, he traveled to Iraq to survey prehistoric sites and began Season I of excavation at Shanidar Cave. Solecki then received a Fulbright fellowship to return to Iraq in 1953-1954 to continue excavations at Shanidar Cave (Season II) and conduct research at the Iraq Museum in Baghdad. In 1958, he received his PhD in Anthropology from Columbia University and accepted a faculty position within the Department of Anthropology at Columbia University. Following the final two seasons of excavation at Shanidar Cave (see below for details on Season III and IV), Solecki led a number of Columbia University expeditions to various locations around the Middle East, Africa, and Europe. He also spent three seasons (1963-1964, 1981, 1987) surveying and excavating the site of Yabroud in Syria and three field seasons excavating the sites of Nahr Ibrahim (1969, 1970, 1973) and El Masloukh (1969) in Lebanon. Solecki retired from Columbia University in 1988.
Ralph and Rose met at Columbia University as students and married in 1955. In 1956-1957, both Ralph and Rose Solecki travelled to Iraq, where Ralph conducted a third season of excavation at Shanidar Cave and Rose excavated the nearby Zawi Chemi Shanidar village site. In 1960, the Soleckis returned for a fourth and final field season of excavation at Shanidar Cave and Zawi Chemi Shanidar, where they were accompanied by Smithsonian Institution curator of Physical Anthropology, T. Dale Stewart. Ralph and Rose Solecki both held positions at Columbia University until Ralph's retirement in 1988. In 1990, Ralph and Rose served as adjunct professors at Texas A&M University in College Station, Texas. In 2000, they left Texas A&M University and moved to South Orange, New Jersey.
Ralph Solecki died in Livingston, New Jersey on March 20, 2019.
Chronology of the Life of Ralph S. Solecki
1917 October 15 -- Born in Brooklyn, New York, USA
1942 -- B.S. in Geology from City College of New York
1942-1945 -- Served in the United States Army during World War II
1948 -- Started working with the Smithsonian Institution's River Basin Surveys
1948-1949 -- Accompanied a United States Geological Survey party to the upper Kokpowruk and Kokolik rivers at the Brooks Range in northwestern Alaska
1950 -- M.A. in Anthropology from Columbia University
1951 -- First field season at Shanidar Cave, Iraq
1953-1954 -- Fulbright fellowship to conduct fieldwork in Iraq Second field season at Shanidar Cave, Iraq Shanidar Child skeleton discovered
1955 -- Married Rose M. Lilien
1956-1957 -- Third field season at Shanidar Cave, Iraq Shanidar I, II, and III skeletons discovered
1958 -- Appointed Associate Curator of Archaeology at the Smithsonian Institution PhD in Anthropology from Columbia University Accepted post at Columbia University as Associate Professor of Anthropology
1960 -- Fourth field season at Shanidar Cave Shanidar IV, V, VI, VII (or IV-VII), and VIII skeletons discovered
1961-1962 -- Columbia University Nubian Expedition to Sudan
1963 -- Columbia University Near East (C.U.N.E.) Expedition to Seberde, Turkey and Yabroud, Syria
1964-1965 -- Columbia University Near East (C.U.N.E.) Expedition to Yabroud, Syria
1969-1973 -- Three field seasons at Nahr Ibrahim and El Masloukh, Lebanon
1971 -- Authored Shanidar: The First Flower People
1981 -- Archaeological survey at Yabroud, Syria
1987-1988 -- Field season at Yabroud, Syria
1988 -- Retired from Columbia University
1990-2000 -- Served as Adjunct Professor of Anthropology at Texas A&M University
2004 -- Coauthored The Proto-Neolithic Cemetery in Shanidar Cave with Rose L. Solecki and Anagnostis P. Agelarakis
2019 March 20 -- Died in Livingston, New Jersey
Chronology of the Life of Rose L. Solecki
1925 November 18 -- Born in New York City, New York
circa 1945 -- B.S. in Anthropology at Hunter College
1946 -- Enrolled at Columbia University
1950 -- Joined the American Museum of Natural History's Second Archaeological Expedition to Afghanistan
1952-1953 -- Field season in Peru under William Duncan Strong
1956 -- PhD from Columbia University
1956-1957 -- First field season at Zawi Chemi Shanidar, Iraq
1960 -- Second field season at Zawi Chemi Shanidar, Iraq
1990-2000 -- Served as Adjunct Professor of Anthropology at Texas A&M University
2004 -- Coauthored The Proto-Neolithic Cemetery in Shanidar Cave with Ralph S. Solecki and Anagnostis P. Agelarakis
Related Materials:
The Smithsonian Institution's National Museum of Natural History's Department of Anthropology contains archaeological and ethnological collections relating to the work of Ralph and Rose Solecki including accession numbers 187539, 187542, 189439, 202536, 209544, 217009, 220078, 220920, 224347, 224956, 228740, 232170, 242336, 249217, 356696. Accession 220078 contains archaeological and archaeobiological material excavated by Ralph and Rose Solecki at Shanidar Cave and Zawi Chemi Shanidar. An accretion transferred in 2016 was cataloged as part of the Ralph S. and Rose L. Solecki Papers and Artifacts Project (2017-2019) and cross-references excavation and artifact analysis within the Solecki papers.
The NMNH Department of Anthropology's Collections also holds uncatalogued material from the Yabroud sites as well as material from Turkey potentially excavated during the 1963 field season; the Nahr Ibrahim and El Masloukh sitesin Lebanon in 1969, 1970, and 1973; Europe including material from France, Poland, England, Denmark, and Belgium in the 1960s; and from Sudan during the Columbia University Nubian Expedition (CUNE) to Sudan and Egypt in 1961.
The Iraq Museum in Baghdad holds archaeolgical material from the Shanidar Cave and Zawi Chemi Shanidar sites excavated by Ralph and Rose Solecki.
Archaeological material excavated by Ralph Solecki from the Yabroud sites in Syria is held at the National Museum of Damascus in Syria.
Texas A&M University's Anthropology Research Collections holds material excavated by the Soleckis from the Nahr Ibrahim and El Masloukh sites and possibly material from Shanidar Cave.
Records relating to the American Museum of Natural History's Expeditions to Afghanistan may be found in the Special Collections of the American Museum of Natural History's Research Library as well as a collection titled "Field diary, Second Afghan Expedition, American Museum of Natural History, 1950-08 - 1951-02" at the Harvard University Library.
Artifacts and archival material excavated and created by the Soleckis from the 1968 field season at the Tepe Seavan site in Iran can be found at the University of Pennsylvania Museum of Archaeology and Anthropology.
Archaeological and archival material related to the Soleckis work in New York and surrounding localities are housed at the American Museum of Natural History and other local historical societies.
Separated Materials:
Materials containing personally identifiable information (PII) and born digital materials have been separated, and research access is restricted. In some instances, documents have been copied and redacted; however, in other cases, the entire file has been restricted. Please contact the repository for more information about restricted materials.
Photographs of anthropologists were also separated and added to Photo Lot 92-35.
Provenance:
These papers were donated to the National Anthropological Archives by Ralph and Rose Solecki and their sons, John and William, in 2016, 2018, and 2019.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation; and John R. & Barbara Robinson and Deborah Schmidt Robinson & Dr. R. Perry Robinson, The Widgeon Point Charitable Foundation.
Use of original papers requires an appointment and is limited to the Washington D.C. Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ellen Hulda Johnson papers, 1872-2018, bulk 1921-1992. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
3.92 Cubic feet (consisting of 8 boxes, 1 folder, 12 oversize folders, 3 map case folders.)
Type:
Collection descriptions
Archival materials
Business ephemera
Business letters
Reports
Business records
Receipts
Sales letters
Auction catalogs
Catalogues
Advertising
Commercial catalogs
Advertising cards
Trade catalogs
Publications
Print advertising
Sales records
Correspondence
Manufacturers' catalogs
Manuals
Advertising fliers
Exhibition catalogs
Periodicals
Catalogs
Printed ephemera
Illustrations
Ephemera
Mail order catalogs
Sales catalogs
Legal documents
Commercial correspondence
Photographic prints
Invoices
Trade literature
Trade cards
Business cards
Advertising mail
Date:
1788-1955
bulk 1830-1930
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Horses forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Horses covers goods and services for the procurement and maintenance of horses. Riding academies, racing, and breeding are represented. Some resources specifically target health care issues. Images are mostly illustrations with a few photographs. A few general interest pieces are present, but virtually nothing in the way of in-depth research or study. The bulk of the material is catalogues. The Pedigree folders contain some handwritten records, however, the origin/farm name is not readily apparent. A small amount of material is present regarding Warshaw's development of this category and sale of a poster to help generate income.
No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry.
Arrangement:
Horses is arranged in three subseries.
Business Records and Marketing Material
Genre
Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Horses is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Horses, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
