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Alice, Anna-Greta

Collection Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Container:
Box 2, Folder 55
Type:
Archival materials
Date:
1940s-1950s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Lilian Swann Saarinen papers
Lilian Swann Saarinen papers / Series 2: Correspondence / First Names Only
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-saarlili-ref103

T, Illegible, Tom, Val, William (Bill), Willy

Collection Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Container:
Box 2, Folder 67
Type:
Archival materials
Date:
circa 1940s-1950s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Lilian Swann Saarinen papers
Lilian Swann Saarinen papers / Series 2: Correspondence / First Names Only
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-saarlili-ref116

Lambie, Roxane

Collection Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Container:
Box 1, Folder 51
Type:
Archival materials
Date:
circa 1940s-1950s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Lilian Swann Saarinen papers
Lilian Swann Saarinen papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-saarlili-ref57

Saarinen, Eero

Collection Creator:
Saarinen, Lilian Swann, 1912-1995  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
circa 1940s-1950s
Scope and Contents:
Oversized material housed in Box 8, Folder 1
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lilian Swann Saarinen papers, circa 1909-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Lilian Swann Saarinen papers
Lilian Swann Saarinen papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-saarlili-ref85

Leon Berkowitz and Ida Fox Berkowitz papers

Creator:
Berkowitz, Leon, 1919-1987  Search this
Names:
Washington Workshop Center for the Arts  Search this
Burton, Scott  Search this
De Kooning, Elaine  Search this
Fox, Ida  Search this
Kern, Helmuth F.  Search this
Okamura, Arthur  Search this
Ulbricht, John, 1926-  Search this
Extent:
3.02 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1900-1986
Summary:
This collection, which measures 3.02 linear feet and dates from circa 1900 to 1986, documents the lives of painter and educator Leon Berkowitz and his first wife, poet Ida Fox Berkowitz, and provides insight into the cultural and artistic climate in 1940s and 1950s Washington D.C. through correspondence, notes, sketches, photographs, printed material, and audio cassettes.
Scope and Content Note:
The collection measures 3.02 linear feet and dates from circa 1900 to 1986. In addition to documenting the artistic development of Leon Berkkowitz and, to a lesser extent, Ida Fox, the collection provides insight into the cultural and artistic climate in Washington D.C. during the 1940s and 1950s.

The collection includes correspondence, primarily between Leon and Ida Fox Berkowitz, notes, sketches, personal photographs, printed material, and a cassette tape. There are notes on Leon Berkowitz's philosophy of painting, reports from a 1940s U.S. Army art therapy project in which he participated, and scattered correspondence, financial records, and promotional materials from the Washington Workshop Center for the Arts and WCFM radio. Also found here are lecture notes and administrative materials relating to Leon's Berkowitz's teaching career, papers he wrote for several education courses, his master's thesis, sporadic business records concerning shipments and sales of paintings and gallery exhibitions, and drafts of catalogs.
Arrangement:
The collection is arranged into nine series:

Series 1: Biographical Material, 1934-circa 1974, undated (box 1, 3 folders)

Series 2: Correspondence, 1931-1985, undated (boxes 1-2, 27 folders)

Series 3: Teaching Files, 1939-1950s, 1985-1986, undated (box 2, 4 folders)

Series 4: Exhibitions, 1944-1985, undated (box 2, MMs, 10 folders)

Series 5: Washington Workshop Center for the Arts, 1940s-1950s (boxes 2-3, 14 folders)

Series 6: Other Projects, 1944-1985 (box 3, 4 folders)

Series 7: Notes and Writings, 1940s-1971, undated (box 3, 8 folders)

Series 8: Artwork, circa 1950s, undated (box 3, 5 folders)

Series 9: Photographs, circa 1900-1970s (box 3, 5 folders)

Series 10: Interview on Audio Cassette, [1974?] (box 3, 1 folder)
Biographical Note:
Leon Berkowitz (1911-1987), a painter associated with the Washington Color School, was born in Philadelphia (the 1919 birth date given by Berkowitz in Who's Who in American Art is incorrect). He met and married his first wife, Ida Fox, between 1935 and 1937. Berkowitz received a B.F.A. from the University of Pennsylvania in 1942 and an M.A. from George Washington University in 1948.

From 1943 to 1945, he served as a private in the U.S. Army, participating in a psychiatric program involving art therapy at Camp Lee, Virginia. Berkowitz taught art at Eastern and Western high schools in Washington, D.C. from 1945 to 1956 and taught at Western again in the late 1960s. In 1969 Berkowitz became chairman of the Corcoran School of Art's painting department and taught there until his death.

In 1945, the Berkowitzes founded the Washington Workshop Center for the Arts with Helmuth Kern. The Center, an important part of the city's cultural life during the 1940s and 1950s, offered courses in art, music, theatre and dance. Many of the artists who later became prominent in the Washington Color School taught at the center, including Morris Louis, Ken Noland, Gene Davis, Jacob Kainen and Jack Perlmutter. The center also sponsored a retrospective for Willem de Kooning in 1953. The Berkowitzes and Kern were also active in establishing the shortlived (1949-1953) cooperative radio station WCFM.

The center collapsed in 1956, shortly after the Berkowitzes' departure on a sabbatical painting trip to Spain. They spent much of the next decade abroad, including a two-and-a half year stay in Wales and a visit of several months to Jerusalem. During this period, Berkowitz expanded his interest in light, creating paintings by priming canvases with a white ground, then using multiple layers of thin oil paint washes.

Berkowitz had his first one-man museum show at the Corcoran in 1966. Ida Fox died during the 1970s and Berkowitz then married his second wife, Maureen. He continued to paint and exhibit until his death from cancer in 1987.

Poet Ida Fox (1913-197?) was born in Philadelphia. She married Leon Berkowitz between 1934 and 1937 and moved with him to Washington, D.C. where she attended American University from 1942 to 1945. During World War II she worked as a statistician for the U.S. government. In 1945 she cofounded the Washington Workshop Center for the Arts. Fox became its director in 1947, resigning the position in 1955 to accompany her husband to Spain. She published poetry in several literary and artistic periodicals, including a series, "Painting Thru a Poet's Eye," inspired by works of art. In 1970 she published a collection of poetry, In the Wind: An American Poet in Wales (St. David's, Wales: Antiphon Press, 1970), illustrated by Arthur Okamura.
Related Material:
Also available in the Archives of American Art are two audio cassettes of a transcribed oral history interview with Leon and Ida Fox Berkowitz, June 5, 1979.
Provenance:
Leon Berkowitz donated the papers of his first wife, Ida Fox, in 1987. After his death in 1987, his second wife, Maureen Berkowitz, donated his papers to the Archives of American Art. In addition to these two accessions, one folder of material on Leon Berkowitz was donated in 1979. This material was microfilmed on reel 2786.
Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Art -- Philosophy  Search this
Color-field painting  Search this
Art -- Study and teaching  Search this
Works of art  Search this
Genre/Form:
Photographs
Citation:
Leon Berkowitz and Ida Fox Berkowitz papers, circa 1900-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.berkleon
See more items in:
Leon Berkowitz and Ida Fox Berkowitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berkleon

Edward and Rosamond Walling Tirana Corbett papers

Creator:
Corbett, Edward, 1919-  Search this
Corbett, Rosamond Walling Tirana, 1910-1999  Search this
Grace Borgenicht Gallery  Search this
Names:
McChesney, Mary Fuller  Search this
McChesney, Robert Pearson, 1913-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Reveille, Thomas  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
7 Linear feet ((partially microfilmed on 7 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1932-1978
Scope and Contents:
Biographical information, correspondence, scrapbooks, writings, artwork and art-related information, photographic materials, school records, financial materials, miscellaneous items, and printed materials. Also included are papers of Rosamond Corbett's husband, economist Rifat Tirana (3 ft.).
REELS 4376-4382: Biographical information includes personal documents, photographs, clippings, yearbooks, letters and other items. Correspondence, ca. 1940-1978, is with Clay Spohn (1960s), Ad Reinhardt (1940s, 1950s, and 1960s), Clyfford Still (1950s and 1960s), Mary Fuller and Robert McChesney, Grace Borgenicht, Andrew Dasburg, Richard Diebenkorn, Ira Glackens, Gyorgy Kepes, Katharine Kuh, David Leonard, Richard Merkin, Dorothy Miller, Seong Moy, Jerry Nordland, Hassel W. Smith, Earl Stoh, Alan Temko, Tirana Family members, Jack Tworkov, Anna Strunsky Walling (Rosamond's mother), and Adja Yunkers. Scrapbooks, 1948-1978, on Edward, contain photographs, clippings, correspondence (much of it from the Grace Borgenicht Gallery), exhibition catalogs, and printed materials; one is on on Rosamond and her family, 1932-1952 (during her marriage to economist Rifat Tirana).
Other material includes notes and poetry written by the Corbetts; artwork and art-related information primarily of Edward Corbett, including a sketchbook, loan agreements and receipts, information about the sale of his paintings, and exhibition catalogs and reviews; photographs, negatives and slides of the Corbetts and others, and of works of art; teaching files from Mount Holyoke College and the University of California at Santa Barbara; financial records, including statements, contracts, and receipts; exhibition catalogs; clippings; and an engagement calendar (1958) for Edward Corbett. Also included are materials on drug abuse.
UNMICROFILMED: Papers of Rifat Tirana, including resumes; correspondence, 1942-1952; notes, writings, lectures, and printed material on international trade; reports on pre-World War II Albania written while serving in the League of Nations, 1932-1939; manuscript of Tirana's SPOIL OF EUROPE, 1941, published under the pseudonym Thomas Reveille; and clippings.
Biographical / Historical:
Edward Corbett (1919-1971) and his wife Rosamond Walling Tirana Corbett (1910-1999) were painters from Calif., N.M., Mass., and Washington, D.C. Edward Corbett was an early Abstract Expressionist. Married Rosamond Tirana in 1962. Rosamund Tirana was married to Rifat Tirana (d. 1952). Died June 27, 1999.
Provenance:
Donated 1983 by Mrs. Rosamond Tirana Corbett.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Abstract expressionism  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.corbedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-corbedwa

Mildred Moore Collection

Topic:
Famous Personalities and Their Philosophies. 1940. (Book)
Author:
McPherson, Aimee Semple  Search this
Mack, Connie  Search this
Long, Huey  Search this
Lauder, Harry, Sir  Search this
Pons, Lily, 1898-1976  Search this
Mencken, H. L. (Henry Louis), 1880-1956  Search this
Ruth, George Herman (Babe)  Search this
Rockefeller, John D.  Search this
Post, Emily  Search this
Sousa, John Philip, 1854-1932  Search this
Sandburg, Carl, 1878-1967  Search this
Churchill, Winston, Sir, 1874-1965  Search this
Pickford, Mary  Search this
Stein, Gertrude, 1874-1946  Search this
Adams, Maude (actress)  Search this
Allen, Gracie  Search this
Cantor, Eddie, 1892-1964  Search this
Addams, Jane  Search this
Baruch, Bernard M.  Search this
Baer, Max (boxer)  Search this
Brendel, El (actor)  Search this
Borglum, Gutzon, 1867-1941  Search this
Burgess, Gelett, 1866-1951  Search this
Chaplin, Charles (actor)  Search this
Coolidge, Grace  Search this
Cobb, Irvin S.  Search this
Curie, Marie  Search this
Crosby, Harry Lillis (Bing)  Search this
Darrow, Clarence, 1857-1938  Search this
Disney, Walt, 1901-1966  Search this
Durant, William James  Search this
Durante, Jimmy  Search this
Earhart, Amelia, 1897-1937  Search this
Fetchit, Stepin  Search this
Fields, W. C.  Search this
Garner, John N.  Search this
Gibson, Charles Dana, 1867-1944  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Grey, Zane  Search this
Hitler, Adolf, 1889-1945  Search this
Holmes, Oliver Wendell, Jr., 1841-1935  Search this
Hoover, John Edgar  Search this
Keller, Helen, 1880-1968  Search this
Sinclair, Upton, 1878-1968  Search this
Lardner, Ring  Search this
Collector:
Galloway, Mildred (Mildred Galloway Moore)  Search this
Galloway, Mildred (Mildred Galloway Moore)  Search this
Creator:
White, Mary Lou  Search this
Extent:
0.6 Cubic feet (3 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Books
Correspondence
Letters (correspondence)
Place:
Indiana -- 20th century
Date:
1925-1975
Summary:
Collection includes over 200 replies (160 of which comprise the book) to Mrs. Moore's letter requesting a quotation or a bit of poetry important to the recipient; a copy of her book, "Famous Personalities and Their Philosophies," and materials relating to the speeches both Mrs. Moore and her daughter gave about this collection of letters, such as notes, clippings, etc.
Scope and Contents:
The collection documents a book written by Mildred Moore entitled Famous Personalities and Their Philosophies, published in 1940 by the Bookwalter Ball Greathouse Printing Co., Indianapolis. The collection encompasses over 200 replies (160 of which are included in the book) to Mrs. Moore's letter requesting a quotation or a bit of poetry important to them. Also included are a copy of her book, Famous personalities and Their Philosophies, and materials relating to the speeches both Mrs. Moore and her daughter gave about this collection of letters.

2

Series 1 of the collection, the letters received in response to Mrs. Moore's inquiry, has been classified by occupation of the respondent and then arranged alphabetically by name within that classification. Apparently selected at random, the people she contacted were drawn from a wide variety of occupations and interests and include actors, athletes, community leaders, physicians, politicians, royalty, and many others. They are as diverse in background as Babe Ruth and the Prince of Wales, Huey Long and Winston Churchill. Most of the responses are signed by the individuals to whom Mrs. Moore's letter was addressed. Some of these have value as autographs, for example, Helen Keller, Marie of Roumania, and Adolph Hitler.

Series 2 is the book itself, arranged alphabetically with a page devoted to each personality. On each page are brief comments by Mrs. Moore about the person, and his or her favorite quotation and its source. When a second page has been devoted to an individual it is a reproduction of the handwritten response to Mrs. Moore's request (16 out of 160 entries). Sources of the quotations range through the centuries from Confucius to several people alive at the time of the book's publication (1940), but most frequently quoted are the Bible and the works of Shakespeare.

The material in series 3 is devoted largely to notes of Mary Lou White (Mrs. Moore's daughter) relating to the many speeches she made to women's clubs, fraternal organizations, and similar groups concerning her mother's collection, her publicity and that of her mother. There are also a few references to Elizabeth Wenger, who, according to Mary Lou White's notes, was repeating Mildred Moore's endeavor with respect to a later generation.

Series 4 contains replies to a letter requesting a favorite quotation sent to residents of Fort Wayne by Mrs. Moore. Most of these are dated 1932 1933. They have been arranged alphabetically by respondent.
The correspondents include Babe Ruth, the Prince of Wales, Winston Churchill, Huey Long, Helen Keller, Marie of Romania, and Adolf Hitler, and others, such as those listed below.
Arrangement:
The collection is divided into four series.

Series 1: Responses to Mildred Moore's letter to famous personalities

Series 2: Publication developed from responses to letter to famous people (book)

Series 3: Development of speeches by Mary Lou White (notes)

Series 4: Responses to letters to prominent Fort Wayne area residents
Biographical / Historical:
Mildred Moore, the pen name for Mildred Galloway, later Mrs. Forest L. Moore, was born on a farm outside Cromwell, Indiana. She read constantly as a child and often wrote verse to express her feelings. Prior to November 13, 1930, when she began writing a column called "This, That And The Other" for the Cromwell Advance, a Fort Wayne newspaper, and one in Waterloo, Indiana, she had worked for several years as a secretary and bookkeeper for the Fort Wayne YMCA.

In 1931, having become interested in what motivated people and in their philosophies, Mildred Moore began to write to famous people seemingly selected at random requesting a quotation or a bit of verse that had been important to them and the development of their philosophy. The resultant book, Famous Personalities and Their Philosophies, includes 160 responses to over 200 letters to people with some claim to fame during the 1930s. Interestingly, the rate of response and acquiescence was very high with few refusals. A few indicated no favorite verse or quotation.

Mildred Moore made speeches about her collection of letters to several hundred groups in Ohio, Indiana, Michigan, and Illinois. Her daughter, Mary Lou White (Mrs. Charles F. White), also spoke to numerous groups about the letters after her mother's death.
Provenance:
Collection donated by Charles F. White, 1991, April 26.
Restrictions:
Collection is open for research.
Rights:
Probable copyright restrictions on some material in this collection.
Topic:
Celebrities -- 1930-1940  Search this
Poetry  Search this
Genre/Form:
Clippings -- 20th century
Books -- 1940-1950
Correspondence -- 20th century
Letters (correspondence) -- 20th century.
Citation:
Mildred Moore Collection, 1925-1975, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0409
See more items in:
Mildred Moore Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0409

Katherine Schmidt papers

Creator:
Schmidt, Katherine, 1898-1978  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1921-1971
Summary:
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party.
Scope and Content Note:
The papers of painter and arts advocate Katherine Schmidt measure 0.2 linear feet and date from circa 1921 to 1971. Scattered correspondence, speeches, proposals, meeting minutes, and notes focus primarily on Schmidt's advocacy for federal and state government support of the arts. Printed materials includes exhibition catalogs, clippings, press releases documenting Schmidt's painting career and arts advocacy work. Photographs include portrait photos of Schmidt and photographs of Schmidt's drawings. There are two photographs taken by her first husband Yasuo Kuniyoshi of Schmidt with friends at a party. The papers contain little documentation of Kuniyoshi or their marriage.
Arrangement:
The collection is arranged into 4 series:

Series 1: Correspondence, 1939-1951, 1961 (Box 1; 3 folders)

Series 2: Business Records and Writings, 1940-1950 (Box 1; 7 folders)

Series 3: Printed Material, 1925-1971 (Box 1; 4 folders)

Series 4: Photographs, circa 1921-1930 (Box 1; 3 folders)
Biographical Note:
Katherine Schmidt (1898-1978) was born in Xenia, Ohio. She moved with her family to New York City, and around the age of 13 began attending Saturday classes at the Art Students League. She continued her art classes after high school and was taught by F. Luis Mora, Kenneth Miller, and John Sloan. While attending the Art Students League, Schmidt made many friends who would later become prominent members of the New York art community, including Peggy Bacon, Alexander Brook, Reginald Marsh, and Lloyd Goodrich. In 1919 she married fellow art student, Yasuo Kuniyoshi, in Ogunquit, Maine. They lived in Maine during the summers, but settled in Brooklyn, New York. Schmidt began working for Juliana Force at the Whitney Studio Club in 1923, where she also periodically exhibited her artwork. She taught sketching classes for the club and also did various other jobs for Force and Gertrude Vanderbilt Whitney until around 1930. Her work during this period consisted of drawings and paintings of landscapes, still lifes, and the homeless and unemployed.

In 1925 Schmidt and Kuniyoshi took their first trip to Europe, spending a year in Paris and Italy and visiting the studios of their American expatriate friends. After another brief trip to Europe in 1928, she and Kuniyoshi bought a house in Woodstock, New York, where they would spend several summers as part of a very active artists' community. In the late 1920s she exhibited and was represented by the Daniel Gallery in New York. In the early 1930s, she became affliated with Downtown Gallery where she became good friends with owner Edith Halpert. She and Kuniyoshi divorced in 1932 and a year later she married lawyer Irvine Shubert. In the 1930s Schmidt became dissatisfied with her artwork and had her last show at the Downtown Gallery in 1939, taking a hiatus from exhibiting for over twenty years.

During the 1930s and 1940s Schmidt became very active in promoting federal and state government support of the arts. She worked with Juliana Force and others on a New York State art bill in the early 1930s, and in 1941 testified for federal appropriations for the arts in Washington D. C. as part of the Citizens Committee for Government Arts Projects. She was also active in the Artists Equity Association.

Schmidt spent many years experimenting with different painting techniques and subjects, and in the late 1950s found a new motif that she pursued for the rest of her life: still lifes of discarded paper and dead leaves. Schmidt died in Sarasota, Florida in 1978 at the age of 79.
Related Material:
Also found at the Archives of American Art is an Oral History Interview with Katherine Schmidt, December 8-15, 1969, by Paul Karlstrom which includes a transcript available via the Archives of American Art's website.
Separated Material:
Also found at the Archives of American Art are materials lent for microfilming (reel 89) including correspondence concerning exhibitions, a scrapbook containing clippings, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Katherine Schmidt lent material to the Archives of American Art for microfilming in 1971. The papers were donated in 1982 by Irvine J. Shubert, Schmidt's widower.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art and state  Search this
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Katherine Schmidt papers, circa 1922-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schmkath
See more items in:
Katherine Schmidt papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schmkath
Online Media:

Robert Kostka papers

Creator:
Kostka, Robert, 1928-  Search this
Names:
Institute of Design (Chicago, Ill.)  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Gabo, Naum, 1890-1977  Search this
Extent:
14 Items
Type:
Collection descriptions
Archival materials
Date:
1954-1993
Scope and Contents:
Kostka's résumé, 1993; correspondence, 1954-1955, between Kostka, Charles Biederman and Naum Gabo in which they discuss the philosophy of art in relation to Kostka's Institute of Design Master's Thesis topic (the changing concepts of space between 1913-1930); and clippings, 1989-1993.
Biographical / Historical:
Painter, watercolorist, photographer, ceramist; Ashland, Or. Kostka attended the Institute of Design in the late 1940s-1950s. He was influenced at the time by a lecture given in 1948 by painter Naum Gabo, and later included him as a major aspect of his Master's Thesis.
Provenance:
Donated 1994 by Robert Kostka.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Identifier:
AAA.kostrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kostrobe

Lester Burbank Bridaham papers

Creator:
Bridaham, Lester Burbank  Search this
Names:
Art Institute of Chicago  Search this
Colonial Craft Survey for Massachusetts  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Society for Contemporary American Art  Search this
Albright, Ivan, 1897-1983  Search this
Barton, Macena, 1901-1986  Search this
Biesel, Charles, 1865-1945  Search this
Bishop, Isabel, 1902-1988  Search this
De Diego, Julio, 1900-  Search this
Eboli, Jules  Search this
Florsheim, Richard A., 1916-1979  Search this
Krans, Olof, 1838-1916  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Nicolaïdes, Kimon, 1892-1938  Search this
Rickey, George  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Spears, Ethel, 1903-1974  Search this
Extent:
7.4 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Date:
1912-1986
Scope and Contents:
Correspondence, writings, art works, scrapbooks, printed material, photographs, and files on Julio De Diego and Kimon Nicolaides and other topics, related to Bridaham's career as an artist and writer.
REEL 8: Printed material, including articles written by Bridaham for periodicals (1950-1957), 15 exhibition catalogs (1928-1968), clippings by and about Bridaham (1930-1959), 6 press releases (1956-1957), a transcript of a radio discussion which included Bridaham (1951), 2 advertisements, a lecture announcement (1957), instructions on using egg tempera for Bridaham's students, a guide book to the Louisiana State Museum (1956), brochures about Strathmont Museum (1958), and resumes.
REEL 3: Material related to Kimon Nicolaides, including a radio address given by him, 1933; publicity for his book THE NATURAL WAY TO DRAW; exhibition catalogs; clippings; press releases; and a photograph of one of his sculptures. [Microfilm title: Kimon Nicolaides papers]
UNMICROFILMED: Correspondence with Kimon Nicolaides and Henry Schnackenberg (1921-1923), Julio De Diego (1941-1952), Ethel Spears (1961), Isabel Bishop (1975), and George and Edith Rickey. Letters to Mamie Harmon concern a Nicolaides exhibition and book (1938-1941). Writings include nine v. of diaries (1946-1954) kept during his tenure at the Art Institute of Chicago, and notes and drafts for an unpublished book (1938-1982).
Subject files concerning Ivan Albright's poetry, the Colonial Craft Survey for Massachusetts (1935), Olof Krans (1939), the reorganization of the Metropolitan Museum's photographic department (1949), Romanesque and Gothic sculpture and the Society for Contemporary American Art. A file (1921-1983) on Julio De Diego contains Bridaham's research materials, sketches and drawings by the artist, a journal kept by De Diego in New York (1932) and photographs of De Diego, his family including third wife Gypsy Rose Lee, friends and art works. Kimon Nicolaides' file (1921-1986) contains his writings and drawings (1928), drawings by Vivian Gordon and Howard Ahrens (1923-1986), photographs and other research materials.
Printed materials consists of clippings (1930-1972), "The Chicago Artist" newsletter (1938), press releases, a book cover, Artists Equity publications (1952-1953), posters, exhibition catalogs and anouncements and membership cards. Photographs show Bridaham, friends, National Art Week activities with Macena Barton, Charles Biesel, Jules Eboli and Richard Florsheim, his studio and drawings (1928-1949). Other materials include over 150 prints and drawings (1927-1977) of Moroccan scenes, Colorado wildflowers and other subjects, resumes, an illustrated notebook of Bridaham's plans for art works (1931-1932) and a list of his works (1974).
ADDITION: Material concerning the latter part of Bridaham's life, including original works of art, photographs, a dream sketchbook (1945), a notebook devoted to Julio de Diego; Bridaham's letters to Jeanette Fowler, 1989-1990 and other correspondence, 1940s-1950s; and printed material.
Biographical / Historical:
Museum director, art historian, painter, and printmaker; d. 1992. Bridaham received a degree in chemical engineering from M.I.T. and studied art history at Harvard's Fogg Museum from 1936-1937. He received a 1931 American Field Service fellowship for study in France and Morocco, and studied studio art at the Art Students League under Kimon Nicolaides and Kenneth Hayes Miller. Between 1938 and 1954, Bridaham was a staff officer at the Art Institute of Chicago. He was also the director of the Louisiana State Museum, New Orleans, and of the Strathmont Museum, Elmira, N.Y. He is the author of Gargoyles, Chimeras and the Grotesque in French Gothic Sculpture.
Related Materials:
Lester Bridaham photographs and papers relating to gargoyles, 1895-1987, are located at The Getty Research Institute Special Collections.
Provenance:
Donated 1974-1987 by Lester Burbank and Dorothy Bridaham. In 1996, an additional 0.8 ft. was donated from the Jeanette Fowler estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Art historians  Search this
Art teachers  Search this
Museum directors  Search this
Painters -- United States  Search this
Printmakers  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Mural painting and decoration  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Identifier:
AAA.bridlest
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bridlest

[Woman seated at work station gumming down strips of type on telegram form. Black-and-white photoprint]

Collector:
Western Union Telegraph Company  Search this
Collection Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Extent:
1 Item (Silver gelatin on paper., 3.5" x 4.8")
Container:
Box 475, Folder 1
Type:
Archival materials
Date:
Circa 1940's
Local Numbers:
AC0205-0000025.tif (AC Scan)
Restrictions:
Unrestricted research access by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Labor  Search this
Women employees  Search this
Telegraph, Wireless  Search this
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
See more items in:
Western Union Telegraph Company Records
Western Union Telegraph Company Records / Series 12: Patent Materials / 12.5: Contract Department Correspondence Re Patents / February 1933-July 1933
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0205-ref11311

Engineering Records Letter extending cable lending licences by a year. Received in Dublin, Ireland office in 1945

Collector:
Western Union Telegraph Company  Search this
Collection Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Extent:
1 Item (Ink on paper., 10.3" x 7.9")
Type:
Archival materials
Correspondence
Place:
Dublin (Ireland)
Date:
January 20, 1945
Arrangement:
Series ?, Box ?, Folder ?
Local Numbers:
AC0205-0000080 (AC Scan)
Collection Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements must be made to view some of the audio visual materials. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Telegraph, Wireless  Search this
Genre/Form:
Correspondence -- 1940-1950
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
See more items in:
Western Union Telegraph Company Records
Western Union Telegraph Company Records / Series 15: Engineering Department Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0205-ref11383

Colorado Springs Fine Arts Center

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 1, Folder 25
Type:
Archival materials
Date:
1940-1950
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 2: Correspondence / Yasuo Kuniyoshi, Alphabetical Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref1112

Folders 8-9 Virginia Society of Ornithology, 1935, 1940, 1950-1951, 1954, 1958, 1960-1966, 1969-1973. Includes correspondence concerning Wetmore's service on various VSO committees. Also included is a photograph of Wetmore and Joseph James Murray in th...

Collection Creator::
Wetmore, Alexander, 1886-1978  Search this
Container:
Box 119 of 253
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7006, Alexander Wetmore Papers
See more items in:
Alexander Wetmore Papers
Alexander Wetmore Papers / Series 2: Organizational File, 1901-1977 and undated. / Box 119
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7006-refidd1e12858

Folder 9 Carriker, Melbourne Armstrong, Jr., 1939-1940, 1948, 1951-1966, 1976, and undated. Carriker collected birds, primarily in Colombia, for the USNM and Wetmore during the 1940s, 1950s, and 1960s. The correspondence concerns Carriker's field work ...

Collection Creator::
Wetmore, Alexander, 1886-1978  Search this
Container:
Box 10 of 253
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7006, Alexander Wetmore Papers
See more items in:
Alexander Wetmore Papers
Alexander Wetmore Papers / Series 1: General Correspondence, 1901-1977, and undated, with Related Materials from 1879. / Box 10
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7006-refidd1e2247

Blumenthal Brothers Chocolate Company Records and Blumenthal Family Papers

Creator:
Blumenthal Brothers Chocolate Company (Philadelphia, Pa.)  Search this
Illustrator:
Blumenthal, M.L.  Search this
Donor:
Blumenthal, Joseph  Search this
Blumenthal, Barbara B.  Search this
Names:
Blumenthal, Moses Lawrence  Search this
Extent:
2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Family papers
Indentures
Financial records
Legal records
Photographs
Clippings
Business records
Reports
Newsletters
Writings
Correspondence
Contracts
Articles
Advertising
Date:
1856-2010
bulk 1900-1969
Summary:
Records from Blumenthal Brothers Chocolate Company, manufacturers of chocolate and cocoa products, including well-known candies such as Snocaps, Raisinets, and Goobers. They were located in Philadelphia, Pennsylvania. The company was sold to Ward Foods Incorporated in 1969. This collection also includes material collected by and about the Blumenthal family and from M.L. Blumenthal, noted illustrator of the early 20th century.
Scope and Contents:
The collection documents the Blumenthal Brothers Chocolate Company (B*B) business from its founding in 1900. The collection also documents Blumenthal family history and contains material collected by them pertaining to the Blumenthal Brothers Chocolate Company. Family papers also include land indenture and real estate documents; photographs; letters, writings and ephemera relating to various family members, including papers relating to M.L. Blumenthal's (Moses Lawrence Blumenthal) career as an illustrator during the early 20th century.

The collection is organized in two series.

Series 1: Blumenthal Brothers Chocolate Company Records, 1856-2009, undated. This series contains historical writings about the company; advertising; photographs of employees, packaging, machinery, and display of the products and the production process. There are also photographs of the company's buildings. This series also includes business papers such as correspondence, contracts, legal and financial documents; reports and papers relating to production; annual reports; account books, bound volumes of the company's newsletter, "Chocolate Chat"; news clippings, and deeds. There are also annual reports for Ward Foods Incorporated, the successor to Blumenthal Brothers after its purchase of the company in 1969. The series is arranged chronologically.

Series 2: Blumenthal Family Papers, 1902-2010, undated. This series includes material collected by various family members pertaining to Blumenthal Brothers as well as family history. These items include correspondence, photographs, advertising, e-mails, and family information in many forms. This series includes copies of formal histories compiled by Mike Blumenthal. This series also includes material relating to the career of Moses Lawrence (M.L.) Blumenthal as an illustrator, including correspondence with major publications of the early 20th century, travel writings, personal correspondence, and a letter from James Montgomery Flagg, creator of one of the iconic depictions of "Uncle Sam". The series is arranged chronologically.
Arrangement:
The collection is organized in two series.

Series 1: Blumenthal Brothers Chocolate Company, 1856-2007, undated

Series 2: Blumenthal Family Papers, 1902-2010, undated
Biographical / Historical:
According to family research, Samuel Blumenthal entered the United States from Bavaria, Germany in 1849 and his future wife, Henrietta Sternberger, entered the United States in 1859. They married in Philadelphia, Pennsylvania in 1864 and settled in Wilmington, North Carolina where they began a family. They moved to Philadelphia in 1887.

Samuel and Henrietta's son, Joseph, founded the Peerless Extract Company in 1895, and by 1900 the business has become Blumenthal Brothers Extract Company. Brothers Joseph, Abraham, Aaron, Jacob, and Moses signed a partnership agreement in 1905. By 1909 they began cocoa cake and powder production. In 1910 they purchased land in the Bridesburg section of Philadelphia for a new factory and by 1911 the building was in use. This site was expanded over the years and was the main office and plant for the company.

Over the course of the next fifty years, the company developed and introduced well-known chocolate candies such as Goobers (1925), Raisinets (1926) and later Snocaps and Buddy Bars. Blumenthal Brothers products and their logo B*B became familiar to the chocolate-buying public. The brothers ran the company collectively with Joseph Sr. as president and material buyer, Aaron as factory manager, Jacob as coating department sales manager, Meyer as the New York City sales manager, Abraham as the southern states salesman, and Moses as a part-time employee. Moses' primary career was as the illustrator, M.L. Blumenthal, doing work for such publications as The Saturday Evening Post, The National Magazine, Collier's, the Associated Press, and others.

Blumenthal Brothers candies took advantage of the burgeoning motion picture business. One of their early molded chocolates was in the shape of Jackie Coogan who had become famous playing "the Kid". The B*B candies were boxed and portioned perfectly for the sale to and enjoyment of the movie going public. They also produced cocoa and coating products for the industrial and home markets.

In the late 1930s and 1940s the second generation of Blumenthals joined the company, sons of the founding brothers. These were Bernhard "Bud", Samuel, Joseph Jr., Lawrence, Mike, J. Robert, and Jack. Joseph Jr., Bud, and Larry joined the armed forces during World War II. Additional real estate was purchased in 1948 as the company expanded and sales grew. By 1950, the company's Golden Jubilee, sales topped $10,000,000. They began producing holiday specific candies in 1951 and issued public bonds for investors beginning in 1958.

The 1960s saw the company employing television advertisements beginning in 1961 on the National Broadcasting Network (NBC). In 1968 papers for a merger with Ward Foods Incorporated were signed and as of January 30, 1969 the sale was finalized. By May 1969 the company name was changed to Ward Chocolate Company and was out of Blumenthal family control.
Separated Materials:
Materials at the National Museum of American History

The Division of Work and Industry holds the following objects: one metal tin stamped "Sweet Milk Chocolate Raisinets"; one small pasteboard box marked, "Raisinets", circa 1960; and one metal tin stamped, "Sunny South Sweet Milk Chocoate Peanuts", circa 1930. See accession 2015.0112.
Provenance:
Donated to the Archives Center in 2015, by Joseph and Barbara B. Blumenthal.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Real property  Search this
Cocoa  Search this
Chocolate industry -- History -- United States  Search this
Chocolate factories -- Pennsylvania  Search this
Chocolate  Search this
Candy  Search this
Factories -- Pennsylvania  Search this
Genre/Form:
Family papers -- 20th century
Indentures -- 19th century
Financial records -- 20th century
Legal records -- 20th century
Indentures -- 20th century
Photographs -- Black-and-white photoprints -- 20th century
Photographs -- Black-and-white negatives -- 20th century
Clippings -- 20th century
Business records -- 20th century
Reports -- 1910-1940
Newsletters -- 1940-1950
Reports -- 1970-1980
Writings
Family papers -- 19th century
Correspondence -- 20th century
Contracts -- 20th century
Articles -- 20th century
Advertising -- 20th century
Citation:
Blumenthal Brothers Chocolate Company Records and Blumenthal Family Papers, 1856-2010, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1344
See more items in:
Blumenthal Brothers Chocolate Company Records and Blumenthal Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1344
Online Media:

Katherine Schmidt papers, circa 1921-1971

Creator:
Schmidt, Katherine, 1898-1978  Search this
Type:
Photographs
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art and state  Search this
Women painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7239
(DSI-AAA_SIRISBib)209385
AAA_collcode_schmkath
Theme:
Women
Asian American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209385
Online Media:

Oversized General Correspondence, 1940s-1950s, from Box 1, Folder 21

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 21, Folder 1
Type:
Archival materials
Date:
1941-1944
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref252

General

Collection Creator:
Wilde, John, 1919-2006  Search this
Container:
Box 1, Folder 21-26
Type:
Archival materials
Date:
1940s-1950s
Scope and Contents:
Oversized material housed in Box 21
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. One box of letters from Walter Hamady is ACCESS RESTRICTED; use requires written permission. The Walter Hamady letters microfilmed on 2539a, 4710a, and 5661 are also ACCESS RESTRICTED.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Wilde Papers, 1935-2011. Archives of American Art, Smithsonian Institution.
See more items in:
John Wilde papers
John Wilde papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wildjohn-ref38

Lessing, Ada

Collection Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Container:
Box 1, Folder 44
Type:
Archival materials
Date:
1940-1950
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kate Steinitz papers, circa 1910-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Kate Steinitz papers
Kate Steinitz papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-steikate-ref61

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