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Somerville -- Four Oaks Farm

Former owner:
Eccles, Mary Hyde, Viscountess, 1912-2003  Search this
Landscape architect:
Weber, Nelva M.  Search this
Geiffert, Alfred, 1890-1957  Search this
Gardener:
Knapp, George  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Four Oaks Farm (Somerville, New Jersey)
United States of America -- New Jersey -- Somerset County -- Somerville
Scope and Contents:
The folders include worksheets, correspondence, a photocopy of a book section about the garden, and other information.
General:
Four Oaks Farm was the home of noted bibliophile Mary Morley Crapo Hyde, Viscountess Eccles. Gardener George Knapp was responsible for much of the five-acre site's design, although Nelva M. Weber and Alfred Geiffert also contributed their expertise. Surrounding an 18th-century farmhouse with an added Greek Revival portico, the garden was started in 1946. Existing brick and cobblestone terraces provided a basis for the overall design, which involved the development of individual garden areas adjacent to the terraces, among other features. Water was highlighted in several locations, including a small pool overlooked by a statue of Shakespeare, a pond made by damming an old creek, and another creek whose banks were planted with Japanese iris, hemlock, and other shrubs. Individual garden areas included a walled garden, a crabapple garden, a vegetable and cutting garden, and the Bear Garden, named for a bear fountain set against the brick wall of this space. Shade trees and views of surrounding sheep and cow pastures and the Raritan River enhanced the rural setting of the site.
Related Materials:
Four Oaks Farm related holdings consist of 2 folders (22 slides (photographs))
See others in:
Maida Babson Adams American Garden Collection, ca. 1960-1994.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New Jersey -- Somerville  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File NJ217
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Jersey
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6a8433d62-7b36-4487-922b-2646bf105d3f
EDAN-URL:
ead_component:sova-aag-gca-ref20229

Washington -- O Street, Georgetown Garden

Former owner:
Little, Louis General USMC  Search this
Thayer, Robert H. Hon.  Search this
Wilmerding, John  Search this
Brown, Carter, Mrs.  Search this
Landscape architect:
Wheeler, Perry H., 1914-1989  Search this
Garden designer:
Garden Gate Landscaping  Search this
Provenance:
Georgetown Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
O Street, Georgetown Garden (Washington, D.C.)
United States of America -- District of Columbia -- Washington
Scope and Contents:
The folder includes worksheets, photocopies of articles and other information. See the Perry Wheeler Collection for correspondence with Thayer.
General:
Around the time of the Civil War, this 18th century property was established by the Tenney sisters as a school for young ladies in the main house; and a kindergarten for boys, attended by the son of General Grant, in the outbuilding that is now an artist's studio. A stone channel leads from the southern wall across the lawn to a cistern in the basement to collect rainwater for use in cleaning and laundry. A pump found on the property was used to obtain drinking water from a private well where the rocky waterfall is now located. By the time the current owners took possession in 2001, a terrace and some low walls had been added, connecting the old house architecturally to the garden. Since then the property has been developed by its current owner into a colorful and vibrant space for entertaining and peaceful enjoyment.
The private areas of the property were divided by the current owner into four discrete sections, all lush with plantings and reflecting the originality of the owner, an artist. A fence and gate screen off the first area, a courtyard with converted artist's studio, from the street. Holly, nandina and vinca minor soften the perimeter, and the studio entry is framed by a stand of bear's breeches. Rounding the corner of the house is the koi waterfall garden with a "natural spring," inspired by the old pump, culminating in a fish pool. There is a Fullmoon maple and various woodland perennials such as Dixie wood fern, cinnamon fern, hellebore, sweet box, astilbe and sedum, grow among the rocks, while the studio is fronted by white camellia japonica.
A short flight of brick steps leads to a larger area with a large lotus pond (unusual in Georgetown) with a simple waterfall. A changing palette of blooming plants such as iris and peony, buddleia, Shasta daisies, black-eyed Susans, and phlox that were originally white have now turned pink, surround the pool. A wide trellis breaks up the expanse of brick wall that forms the rear garden boundary. An abutting wall, forming the garden's western boundary, features a trompe l'oeil mirror and trellis that contribute light and depth, in addition to supporting red honeysuckle and morning glory. Through an entry in a low brick wall parallel to the lotus pond is a terrace and the fourth garden area and the only section that predates the current owner. There a hybrid apple tree presents a magnificent espalier against the wall of the house next door. Dusty Miller billows at the base of the apple tree.
Persons associated with the garden include General Louis Little, USMC, (former owner, circa 1930s); the Hon. Robert H. Thayer, Ambassador to Romania (former owner, circa 1950s-1960s); John Wilmerding (former owner, dates unknown); Mrs. Carter Brown, (former owner, 1990-2001); Garden Gate Landscaping (garden designer, 2001); and Perry H. Wheeler (landscape architect, 1964-1966).
Related Materials:
O Street, Georgetown Garden related holdings consist of 2 folders (9 digital images)
See also the Archives of American Gardens, Perry Wheeler Collection.
See others in:
Perry H. Wheeler Collection, ca. 1880-1984.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- District of Columbia -- Washington  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File DC113
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / District of Columbia
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6b88d3184-4123-4a4d-a4d0-5d68d6dfa898
EDAN-URL:
ead_component:sova-aag-gca-ref5939

Bar Harbor -- Keewaydin

Former owner:
Sherman, Gardiner  Search this
Landscape architect:
Farrand, Beatrix, 1872-1959  Search this
Provenance:
Buckler, James R.  Search this
Garden Club of Mount Desert  Search this
Architect:
Lamb & Rich  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Keewaydin (Bar Harbor, Maine)
United States of America -- Maine -- Hancock County -- Bar Harbor
Scope and Contents:
The folders includes worksheets and photocopies of articles and correspondence.
General:
Keewaydin was a 23 acre property. Beatrix Farrand (1872 - 1953) designed the summer garden for financier Gardiner Sherman's shingle-style "cottage" in Bar Harbor, Maine. The garden featured a formal almond-shaped bed planted with roses and summer blooming flowers with a three-tiered fountain in the center. Other flower beds separated by lawn were augmented with decorative columns and other garden ornaments, stone benches and planted containers. The design included a rock garden and woods beyond the sloping lawns. A folly was modeled on the 18th century Temple of the Winds designed by Sir William Chambers. The house and garden were destroyed in 1947 in a fire that devastated Bar Harbor.
The Bar Harbor Keewaydin should not be confused with another property in Seal Harbor, Maine, also called Keewaydin, with a garden designed by Farrand. The Seal Harbor property was owned by Dr. Edward K. Dunham.
Persons associated with the garden include: Gardiner Sherman (former owner from 1898); Beatrix Farrand (1872-1959) (landscape architect); and Hugh Lamb (1849 - 1903) & Charles Alonzo Rich (1855 - 1943) (architects).
Related Materials:
Keewaydin related holdings consist of 1 folder (5 35 mm. slides; 1 glass lantern slide)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Maine -- Bar Harbor  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File ME045
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Maine
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb613558e8f-3fd5-4162-a64d-31a199a6c41b
EDAN-URL:
ead_component:sova-aag-gca-ref8151

Moses and Frances Asch Collection

Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Names:
Courlander, Harold, 1908-1996  Search this
Guthrie, Woody, 1912-1967  Search this
Jenkins, Ella  Search this
Leadbelly, 1885-1949  Search this
Ramsey, Frederic, 1915-1995  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
841 Cubic feet
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Date:
1926-1986
bulk 1948-1986
Summary:
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scope and Contents:
The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.
Arrangement note:
The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.
Biographical/Historical note:
The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.
Provenance:
Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Folk music  Search this
Folk dance music  Search this
Electronic music  Search this
Oral interpretation of poetry  Search this
Oral interpretation of fiction  Search this
Music -- 20th century  Search this
Music -- 19th century  Search this
Music -- 18th century  Search this
Jazz  Search this
Folk music -- United States  Search this
World music  Search this
Sounds  Search this
Vocal music  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4
EDAN-URL:
ead_collection:sova-cfch-asch
Online Media:

Levy, John

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box Asch_01_019, Folder 58
Type:
Archival materials
Date:
1961
Scope and Contents note:
Publications, 1961; notes for unissued album, "Recordings of Show Organs and Musical Boxes, as well as of 18th Century Clocks and Singing Birds"; photographs of Malabar, Kerala (unknown context); miscellaneous printed ephemera
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_01_019_058
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 1: Correspondence
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5dc4000df-12f3-455a-901c-1ec4605da233
EDAN-URL:
ead_component:sova-cfch-asch-ref2020

Cook Labs records

Creator:
Cook Labs  Search this
Cook, Emory, 1913-2002  Search this
Names:
Cook Labs  Search this
Extent:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Culture:
Afro-Caribbean cults  Search this
10th Naval District Steel Band  Search this
Almerico, Tony, 1905-  Search this
American Indians  Search this
Animal sounds  Search this
Audio Engineering Society  Search this
Ast, Anita  Search this
Bach, Johann Sebastian, 1685-1750  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Big Shell Band  Search this
Boston Chorale  Search this
Brahms, Johannes, 1833-1897  Search this
Brokenshire, Norman, 1898-1965  Search this
Brundage, Al (Alfred)  Search this
Brute Force Band  Search this
Camp, Red  Search this
Carroll, Jimmy  Search this
Crowley, Daniel J., 1921-  Search this
Type:
Collection descriptions
Archival materials
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Place:
Cuba
West Indies -- Lesser Antilles
Caribbean Area
Antigua
Barbuda
Amazon River Region
Benítez (Venezuela)
Baja California (Mexico : Peninsula)
Brazil
Connecticut
Cuba
Haiti
Date:
1908-2002, bulk 1948-1965
Summary:
The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Scope and Contents note:
There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.
Arrangement note:
Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings
Biographical/Historical note:
Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.
COOK RECORDINGS - NUMERICAL LISTING:
001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Popular music -- 20th century -- United States  Search this
Wit and humor  Search this
Calypso (Music)  Search this
Folk music -- Caribbean Area  Search this
Folk music  Search this
Sounds  Search this
Music -- 18th century  Search this
Folk music -- United States  Search this
Jazz -- Louisiana -- New Orleans  Search this
Jazz  Search this
Accordion music  Search this
Airplane sounds  Search this
Audio equipment industry  Search this
Blues (Music)  Search this
Bonfá, Luiz  Search this
Calypso (Music)  Search this
Burlesque (Theater)  Search this
Calliope music  Search this
Calypso (Music)--Trinidad and Tobago  Search this
Campos Parsi, Héctor, 1922-  Search this
Catholicism  Search this
Christianity  Search this
Christmas  Search this
Cimbalom and zither music  Search this
Clavichord  Search this
Clemendore, Rupert  Search this
Drum  Search this
Genre/Form:
Audiotapes
Photographic prints
Business records
Artifacts
Contracts
Phonograph records
Correspondence
Christmas music
Citation:
Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COOK
See more items in:
Cook Labs records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50980aef1-30c4-4f77-9de4-97337007b9f0
EDAN-URL:
ead_collection:sova-cfch-cook
Online Media:

Correspondence

Collection Creator:
Parsons, Betty  Search this
Container:
Box 38, Folder 21
Type:
Archival materials
Date:
circa 1944-1958
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.1: Early Curatorial Files / 7.1.2: Mortimer Brandt Gallery
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94773f35f-4450-412e-ab9b-0635ce591500
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1469
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Baker, Adge

Collection Creator:
Parsons, Betty  Search this
Extent:
(2 folders)
Container:
Box 39, Folder 49-50
Type:
Archival materials
Date:
circa 1932-1982
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers / 7.3: Correspondence / 7.3.1: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90690dca6-1dbc-4ec8-a13e-9ba96f19083a
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1523
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Online Media:

Vol. II, Medieval to 18th century

Collection Collector:
Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this
Collection Printer:
Janus, Allan  Search this
Collection Interviewee:
Hanfstaengl, Erna  Search this
Container:
Box 27 (Series 3), Folder 2
Type:
Archival materials
Series Restrictions:
Some of Sultner's personal correspondence and photographs, placed in this series, are restricted until the year 2031.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Donald H. Sultner-Welles Collection
Donald H. Sultner-Welles Collection / Series 3: Lecture Materials / 3.5: Loose-leaf Notebooks (unbound) / Garden history
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8deb1bc3c-0d30-481b-8850-68556a0841b9
EDAN-URL:
ead_component:sova-nmah-ac-0145-ref233

'"Properties of a Gardener" Clipping from 18th Century Newspaper (reproduction)

Collection Creator:
W. Atlee Burpee Company  Search this
Burpee, W. Atlee (Washington Atlee), 1858-1915  Search this
Burpee, David, 1893-1980  Search this
Wm. Henry Maule (Firm)  Search this
James Vick's Sons (Rochester, N.Y.).  Search this
Extent:
1 Modern reprint
Container:
Box 406
Type:
Archival materials
Modern reprints
Date:
1965
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, W. Atlee Burpee & Company Records
See more items in:
W. Atlee Burpee & Company Records - Accretion 2
W. Atlee Burpee & Company Records - Accretion 2 / Series 2: Business Records / 2.1: Office Files / Customer Correspondence
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb678a0171c-487d-44fd-82bb-1a032436ce61
EDAN-URL:
ead_component:sova-aag-bur2-ref712

Somerville -- Four Oaks Farm

Former owner:
Eccles, Mary Hyde, Viscountess, 1912-2003  Search this
Landscape architect:
Weber, Nelva M.  Search this
Geiffert, Alfred, 1890-1957  Search this
Gardener:
Knapp, George  Search this
Collection Creator:
Adams, Molly, 1918-2003  Search this
Type:
Archival materials
Place:
Four Oaks Farm (Somerville, New Jersey)
United States of America -- New Jersey -- Somerset County -- Somerville
Scope and Contents:
The folders include worksheets, correspondence, a photocopy of a book section about the garden, and other information.
General:
Four Oaks Farm was the home of noted bibliophile Mary Morley Crapo Hyde, Viscountess Eccles. Gardener George Knapp was responsible for much of the five-acre site's design, although Nelva M. Weber and Alfred Geiffert also contributed their expertise. Surrounding an 18th-century farmhouse with an added Greek Revival portico, the garden was started in 1946. Existing brick and cobblestone terraces provided a basis for the overall design, which involved the development of individual garden areas adjacent to the terraces, among other features. Water was highlighted in several locations, including a small pool overlooked by a statue of Shakespeare, a pond made by damming an old creek, and another creek whose banks were planted with Japanese iris, hemlock, and other shrubs. Individual garden areas included a walled garden, a crabapple garden, a vegetable and cutting garden, and the Bear Garden, named for a bear fountain set against the brick wall of this space. Shade trees and views of surrounding sheep and cow pastures and the Raritan River enhanced the rural setting of the site.
Related Materials:
Four Oaks Farm related holdings consist of 2 folders (22 slides (photographs))
See others in:
Garden Club of America Collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- New Jersey -- Somerville  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.
Identifier:
AAG.ADM, File NJ217
See more items in:
Maida Babson Adams American garden collection
Maida Babson Adams American garden collection / Garden Images by Subject / Connecticut
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb69669b2b8-00ef-421a-82d8-2a72271c2844
EDAN-URL:
ead_component:sova-aag-adm-ref1196

Spirit house figure of a seated boy

Medium:
Earthenware
Dimensions:
H x W x D (overall): 6.3 x 5 x 3.7 cm (2 1/2 x 1 15/16 x 1 7/16 in)
Type:
Ceramic
Sculpture
Origin:
Thailand
Date:
16th-18th century
Period:
Ayutthaya period
Topic:
man  Search this
Thailand  Search this
Ayutthaya period (1351 - 1767)  Search this
earthenware  Search this
unglazed  Search this
Southeast Asian Art  Search this
WWII-era provenance  Search this
Credit Line:
Gift of Sarah M. Bekker
Accession Number:
S2005.12
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Ceramics in Mainland Southeast Asia
F|S Southeast Asia
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ccd3d82a-27fe-4f15-9106-bee2db284148
EDAN-URL:
edanmdm:fsg_S2005.12

Spirit house figure of a male servant

Medium:
Earthenware
Dimensions:
H x Diam (overall): 8 x 6 cm (3 1/8 x 2 3/8 in)
Type:
Ceramic
Sculpture
Origin:
Chao Phraya River network, Central Thailand
Klong Sra Bua kilns, Ayutthaya, Central Thailand
Date:
17th-18th century
Period:
Ayutthaya period
Topic:
man  Search this
Thailand  Search this
Ayutthaya period (1351 - 1767)  Search this
earthenware  Search this
unglazed  Search this
Southeast Asian Art  Search this
Bangkok period (1782 - 1932 )  Search this
WWII-era provenance  Search this
Credit Line:
Gift of Sarah M. Bekker
Accession Number:
S2005.8
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Ceramics in Mainland Southeast Asia
F|S Southeast Asia
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ba5214a0-0076-4852-86c6-0d9f5ddcfbbc
EDAN-URL:
edanmdm:fsg_S2005.8

Horse harness frontlet

Medium:
Bronze
Dimensions:
H x W x D: 27.1 x 32.4 x 2.2 cm (10 11/16 x 12 3/4 x 7/8 in)
Type:
Metalwork
Tool and Equipment
Origin:
China
Date:
ca. 10th-9th century BCE
Period:
Western Zhou dynasty
Topic:
horse  Search this
Western Zhou dynasty (ca. 1050 - 771 BCE)  Search this
casting  Search this
mask  Search this
China  Search this
Chinese Art  Search this
WWII-era provenance  Search this
Credit Line:
Gift of The Arthur M. Sackler Foundation
Accession Number:
S2006.3
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye323c224bb-dfb0-4e37-bc81-56c83e20d10a
EDAN-URL:
edanmdm:fsg_S2006.3

Vase, one of a pair with F1982.22

Medium:
Porcelain with cobalt pigment under clear glaze
Dimensions:
H x Diam: 42 × 20.5 cm (16 9/16 × 8 1/16 in)
Style:
Jingdezhen ware
Type:
Ceramic
Vessel
Origin:
Jingdezhen, Jiangxi province, China
Date:
mid 17th-early 18th century
Period:
Qing dynasty
Topic:
landscape  Search this
Jingdezhen ware  Search this
fishing  Search this
Qing dynasty (1644 - 1911)  Search this
China  Search this
porcelain  Search this
cobalt glaze  Search this
Chinese Art  Search this
Credit Line:
Gift of Mr. and Mrs. Myron S. Falk, Jr.
Accession Number:
F1982.21a-b
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
On View:
Freer Gallery 12: The Peacock Room in Blue and White
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3702da09c-a30d-4a12-92e9-e0884e89e7ef
EDAN-URL:
edanmdm:fsg_F1982.21a-b

Competition of Sake Cups of Famous Places (Meisho Sakazuki Awase): Takanawa

Artist:
Chobunsai Eishi 鳥文斎栄之 (1756-1829)  Search this
Medium:
Woodblock print; ink and color on paper
Dimensions:
H x W: 38.2 x 25.1 cm (15 1/16 x 9 7/8 in)
Type:
Print
Origin:
Japan
Date:
late 18th century
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
sake  Search this
Japan  Search this
ukiyo-e  Search this
oban  Search this
Japanese Art  Search this
WWII-era provenance  Search this
Credit Line:
Gift of Alan, Donald, and David Winslow from the estate of William R. Castle
Accession Number:
F1994.31
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye327230443-d6bb-49cc-813b-427ee76a3d38
EDAN-URL:
edanmdm:fsg_F1994.31

Sherd

Medium:
Stone-paste, underglaze painting in black over a white slip under a light blue glaze
Dimensions:
H x W x D: 4.5 x 7.2 x 2 cm (1 3/4 x 2 13/16 x 13/16 in)
Type:
Ceramic
Origin:
Iran
Date:
16th-18th century
Topic:
Islam  Search this
Iran  Search this
white slip  Search this
Arts of the Islamic World  Search this
Myron Bement Smith collection  Search this
Credit Line:
Gift from Mrs. Myron Bement Smith, from the collection of Myron Bement Smith
Accession Number:
FSC-P-6872.1
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3e865d86f-b0d5-4953-b69a-959d74e6ea44
EDAN-URL:
edanmdm:fsg_FSC-P-6872.1

Textile

Medium:
Silk
Dimensions:
H x W: 122.5 x 67 cm (48 1/4 x 26 3/8 in)
Type:
Costume and Textile
Origin:
Turkey
Date:
18th century
Topic:
Turkey  Search this
Arts of the Islamic World  Search this
weft patterning  Search this
brocading  Search this
twill  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1919.3
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye392b73b50-a4c4-4a3e-90ed-d9c493c663e4
EDAN-URL:
edanmdm:fsg_F1919.3

A Girl and a man walking in the snow

Artist:
Katsukawa Shunsho 勝川春章 (1726-1792)  Search this
Medium:
Color, ink, and gold on silk
Dimensions:
H x W (image): 92.7 x 30 cm (36 1/2 x 11 13/16 in)
Type:
Painting
Origin:
Japan
Date:
mid 18th century
Period:
Edo period
Topic:
winter  Search this
Edo period (1615 - 1868)  Search this
man  Search this
snow  Search this
Japan  Search this
umbrella  Search this
ukiyo-e  Search this
kakemono  Search this
Japanese Art  Search this
girl  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1898.10
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3e462214a-f084-426d-949e-753b2ba87194
EDAN-URL:
edanmdm:fsg_F1898.10

Yujo and her understudy (kamuro)

Artist:
Miyagawa Choshun 宮川長春 (1683-1753)  Search this
Medium:
Color on paper
Dimensions:
H x W: 84.7 x 40.5 cm (33 3/8 x 15 15/16 in)
Type:
Painting
Origin:
Japan
Date:
18th century
Period:
Edo period
Topic:
Edo period (1615 - 1868)  Search this
Japan  Search this
ukiyo-e  Search this
kakemono  Search this
Japanese Art  Search this
Credit Line:
Gift of Charles Lang Freer
Accession Number:
F1898.101
Restrictions & Rights:
CC0
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye365d3d66b-c86b-4571-ae62-dca03da59023
EDAN-URL:
edanmdm:fsg_F1898.101

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