Biographical material; cartoons for a WPA mural in Columbus High School, Washington, D.C.; notes on various subjects, including art, industrial design, music and history; miscellaneous writings; study photographs of works of art; clippings, exhibition catalogs and announcements; and printed material about other artists, including Boardman Robinson, Thomas Hart Benton, Dean Cornwell, Frank Brangwyn, George Baller and Chanase's wife, Ausubel Sheva.
Biographical / Historical:
Dane Chanase (1894-1975) was a painter, printmaker, mural painter and sculptor; New York, N.Y. Also known as Richard Dane Chanase, Riccardo Dane Chanase. Chanase was born in Palermo, Italy, October 21, 1894.
Provenance:
Donated in 1977 by Genie and Moshe Szajngarten who occupied Chanase's former residence.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
0.4 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1891-1973
Scope and Contents:
Correspondence; scrapbook; a published biography; photographs; and clippings. Some of the material was compiled by Dodge's daughter, Sara Dodge Kimbrough, in preparation for her biography of her father, "Drawn From Life."
REEL 379: Scrapbook of clippings, announcements, printed material relating to Dodge's career.
REEL 532: Letters from Frederick MacMonnies and George Grey Barnard, Jules Guerin, Dean Cornwell, Katrina Trask, Ruth St. Denis, Charles Keck, Upton Sinclair, Franklin D. Roosevelt, and others associated with Dodge as colleagues or sitters. Also included are: letters from Dodge to his daughter, Sara Dodge Kimbrough, and letters of condolence from colleagues, relatives and friends to his widow; clippings on Dodge's work; a press release concerning his N.Y. State capitol murals; a sketch and a summary of Kimbrough's "Done from Life".
REEL 722: Personal letters to Sara Dodge Kimbrough from her grandparents, Mr. and Mrs. Rogewr A. Pryor, and letters relating to Kimbrough's biography of her father, "Done from Life," from Henry McFee, Blair Niles, Luigi Lucioni, Betty MacMonnies, and other; exhibition catalogs and announcements, clippings, and material relating to Dodge's Venus.
UNMICROFILMED: "Done from Life", published biography of Dodge by his daughter, Sara Dodge Kimbrough; photographs of Dodge murals; and printed material.
Biographical / Historical:
Mural and portrait painter; New York, N.Y.
Provenance:
Material on reels 379, 532 and 722 lent for microfilming 1972-1974 by Sara Dodge Kimbrough, Dodge's daughter; (Portions of the papers were microfilmed twice.) Most were subsequently donated in 2001 by Leftwich D. Kimbrough along with some unmicrofilmed papers.
Occupation:
Muralists -- New York (State) -- New York Search this
Portrait painters -- New York (State) -- New York Search this
Topic:
Mural painting and decoration -- New York (State) -- New York Search this
Biographical material, 1937-1978, including a text for the biography, DEAN CORNWELL: DEAN OF ILLUSTRATORS by Patricia Janis Broder; correspondence with artists and business associates; diaries, ca. 1941-1957; writings and notes; business records, ca. 1949-1961; ten sketches, undated and 1934; five scrapbooks containing reproductions of others' art works; exhibition announcements and catalogs, ca. 1940-1960; clippings, magazines, pamphlets and brochures, ca. 1926-1960; reproductions of art works; photographs, undated and 1920-1960, of Cornwell and of his art works; and slides and transparencies.
Biographical / Historical:
Muralist, painter, illustrator. Cornwell was born in Louisville, Ky. in 1892. He attended the Chicago Art Institute and began his career as a newspaper and magazine illustrator. He painted murals for the lobby of the Eastern Airlines Building at Rockefeller Plaza, the Hotel Warwick's Raleigh Room, and the Los Angeles Public Library. He is also well known for his painting of WWII correspondent Ernie Pyle.
Provenance:
Donated 1984 by Lucy Cornwell, daughter of Dean Cornwell.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Papers relate to Spencer's experiences as an assistant to muralist Dean Cornwell on the Los Angeles Central Library Mural project from 1927-1933 and to his subsequent relationship with Cornwell. Included are 13 letters from Cornwell to Spencer, 1933-1944, in which Cornwell offers criticism of Spencer's sketches and discusses related matters on composition and current art projects; a photo of a cartoon for a mural panel "The Discovery Era" by Cornwell ca. 1930-1931; drawings by Spencer from a lecture on the Los Angeles Central Library Mural by Cornwell; clipping on board of Cornwell and Spencer working on the Los Angeles Library Mural; and a photocopy of a clipping, 1994, regarding the murals.
Biographical / Historical:
Painter; California.
Provenance:
Donated 1994 by John Spencer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Correspondence, including letters from artists Dean Cornwell, Harvey Dunn, Howard N. Cook, and writers Carl E. Freeman, Herbert Ravenel Sass, and Richard Wetjin; six sketchbooks; one notebook on etching; 27 photographs of Allen and his friends, studio, and work, included among the photos is one of Allen sketching; and exhibition catalogs, announcements, clippings.
Biographical / Historical:
Etcher, lithographer; Larchmont, New York.
Provenance:
Donated 1972 by Mrs. James Allen, widow of Allen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Correspondence, articles, clippings, and gallery literature.
Among the correspondents are Charles Avery Aiken, Grace Albee, Ernfred Anderson, John Taylor Arms, Ralph H. Avery, William J. Aylward, Merrill A. Bailey, Vernon Howe Bailey, George Biddle, Louis Bouche, Fiske Boyd, J. Paul Bransom, Charles Burchfield, Clarence H. Carter, Asa Cheffetz, Eliot C. Clark, Howard N. Cook,Dean Cornwell, James H. Daugherty, E. Hubert Deines, Fritz Eichenberg, Ralph Fabri, Robert Fawcett, James D. Havens, Wilmot Emerton Heitland, Peter Helck, J. Lars Hoftrup, Philip Kappel, Rockwell Kent, Julius J. Lankes, Clare Leighton, Warren B. Mack, Roy M. Mason, Leo Meissner, John C. Menihan, Henry C. Pitz, Ogden Pleissner, Grant T. Reynard, William S. Rice, Norman Rockwell, Sven Birger Sandzen, Alice P. Schafer, Eric Sloane, Charles W. Smith, James Swann, Donald Teague, Nora S. Unwin, Robert Von Neumann, Lynd Ward, Herbert O. Waters, Aldren A. Watson, Stow Wengenroth, Frederic Whitaker, Esther Williams, Edward A. Wilson, and others.
Biographical / Historical:
Illustrator, educator, lithographer, engraver, painter and writer; studied at Rochester Institute of Technology and was active in New York State. Former editor of AMERICAN ARTIST.
Related Materials:
Additional Norman Kent papers pertaining to American Artist also located at: George Arent Research Library Syracuse University.
Provenance:
Lent for microfilming 1965 by Norman Kent.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Los Angeles (Calif.) -- Buildings, structures, etc
Date:
1994 September 1
Scope and Contents:
An interview with John Spencer conducted 1994 September 1, by Paul J. Karlstrom, for the Archives of American Art.
Spencer discusses his work assisting Dean Cornwell on the Los Angeles Central Library murals between 1927-1933; his subsequent relationship with Cornwell; and his experience as a young artist in Southern California in the 1930s.
Biographical / Historical:
John Spencer was a painter from Pasadena, California.
General:
Originally recorded 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
