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Photographs of the James McNeill Whister Memorial Exhibition, Copley Society

Photographer:
Marr, T. E.  Search this
Creator:
Whistler, James McNeill, 1834-1903  Search this
Names:
Copley Society (Boston, Mass.)  Search this
Freer Gallery of Art  Search this
Freer, Charles Lang, 1856-1919  Search this
Whistler, James McNeill, 1834-1903  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
1.5 Linear feet
Type:
Archival materials
Photographs
Place:
Boston (Mass.)
Detroit (Mich.)
Date:
1904
Scope and Contents:
14 Photographic prints depicting the Copley Society's Loan collection in Copley Hall, Boston, 1904.
Arrangement:
Organized by wall in exhibition room.
Local Numbers:
FSA A.01 12.02.2
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Photographs
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Series FSA A.01 12.02.2
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 12: Photographs / 12.2: Whistler / 12.2.2: Whistler Biographical Material and Memorial
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref3168
Online Media:

Copley Society records

Creator:
Copley Society (Boston, Mass.)  Search this
Boston Art Student's Association  Search this
Names:
Gendrot, Felix Albert, b. 1866  Search this
Extent:
4.5 Items (linear feet (on 7 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
1879-1981
Scope and Contents:
A history of the Society; a list of early exhibitions; the constitution and by-laws; minutes of meetings, 1879-1969; annual reports, 1888-1900; recording secretary's reports, 1928-1938; financial reports, 1924-1951; cash books for the building fund, 1893-1954, the decorative art fund, 1921-1953, and operating expenses, 1932-1944; a memorial funds file, 1924-1968, the Felix Gendrot bequest file, 1937-1967; five drawings by member Felix Gendrot, including three undated drawings of early Roman church facades and two 1937 sketches for the title page of a book; general correspondence, 1901-1981, and business correspondence, 1926-1936; files on art classes, 1926-1950, exhibitions, 1879-1979, loans, 1904-1905, and lectures, 1894; a scrapbook containing clippings, 1929-1930; exhibition announcements, clippings and miscellaneous printed items, 1898-1967 and undated; and photographs, 1889-1936 and undated, of Society members, building and exhibitions.
Biographical / Historical:
Art society; Boston, Mass. Founded in 1879 as the Boston Art Student's Association by pupils of the School of Drawing and Painting at the Museum of Fine Arts, Boston. Changed its name to the Copley Society of Boston in 1901. Its purpose is to promote interest in art in Boston and to cultivate a spirit of fraternity among artists and art students.
Provenance:
The Copley Society records were microfilmed as a loan in 1984 and subsequently donated to the Archives of American Art in 1986.
Restrictions:
The collection is being processed and digitized and is temporarily CLOSED to researchers. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
Art -- Societies, etc. -- Massachusetts -- Boston  Search this
Genre/Form:
Drawings
Scrapbooks
Citation:
The Copley Society records. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coplsoci
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coplsoci

Oil paintings, Water Colors, Pastels & Drawings. Memorial Exhibition of the Works of Mr. J. McNeill Whistler

Creator:
Copley Society (Boston, Mass.)  Search this
Subject:
Whistler, James McNeill  Search this
Type:
Printed Materials
Date:
1904
Record number:
(DSI-AAA)3348
See more items in:
James McNeill Whistler collection, 1863-1906
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3348

Walt Kuhn, Boston, Mass. letter to Vera Kuhn, Fort Lee, N.J.

Creator:
Kuhn, Walt, 1877-1949  Search this
Kuhn, Vera  Search this
Subject:
Kuhn, Vera  Search this
Kuhn, Walt  Search this
Copley Society (Boston, Mass.)  Search this
Armory Show (1913 : Boston, Mass.)  Search this
Type:
Correspondence
Place:
Boston, Mass.
Date:
1913 Apr
Record number:
(DSI-AAA)14567
See more items in:
Walt Kuhn Family papers and Armory Show records, 1859-1984, bulk 1900-1949
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14567
Online Media:

Edward Warren letter to Frank Gair Macomber, Boston, Mass.

Creator:
Warren, Edward  Search this
Macomber, Frank Gair  Search this
Subject:
Armory Show (1913 : New York, N.Y.)  Search this
Type:
Correspondence
Date:
1913 Mar. 31
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)8923
See more items in:
Copley Society records, 1879-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8923
Online Media:

Polly Thayer (Starr) papers

Creator:
Thayer, Polly, 1904-2006  Search this
Names:
Copley Society (Boston, Mass.)  Search this
Friends General Conference (U.S.)  Search this
Museum of Fine Arts, Boston  Search this
Nucleus Club (Boston, Mass.)  Search this
Trustees of Reservations (Mass.)  Search this
Vose Galleries of Boston  Search this
Abramson, Doris E.  Search this
Cortissoz, Royal, 1869-1948  Search this
Hofer, Philip, 1898-1984  Search this
Koval, Dorothy  Search this
Sarton, May, 1912-  Search this
Starr, Donald C.  Search this
Thayer, Ethel Randolph, 1870-1953  Search this
Thayer, Ezra Ripley, 1866-1915  Search this
Tudor, Tasha  Search this
Wheelwright, John, 1897-1940  Search this
Yarnall, Agnes  Search this
Extent:
21.6 Linear feet
0.807 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Sketchbooks
Transcripts
Interviews
Sketches
Video recordings
Drawings
Scrapbooks
Date:
1846-2008
bulk 1921-2008
Summary:
The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.
Scope and Contents:
The papers of Boston portraitist and painter Polly Thayer (Starr) (1904-2006) measure 21.6 linear feet and 0.807 GB and date from 1846 to 2008, with the bulk of the materials dating from 1921-2008. The papers document Thayer's personal life and career as a painter, portraitist, and pastel artist. Found within the papers are biographical materials, extensive family papers, correspondence with artists and art venues, interviews, writings, subject files, organization files, exhibition files, art inventory records, printed and digital materials, five sketchbooks, artwork, and photographs.

Biographical material includes a marriage certificate, school records, inventories of possessions, passports, files about the 1923 Great Kanto earthquake in Japan, and a few personal and scattered financial documents such as invoices and receipts for various art related expenses.

Extensive family papers on many of Polly Thayer's immediate and extended family members include obituaries, condolence letters, writings, and printed materials. The most voluminous files are about Polly Thayer's husband Donald Carter Starr, her mother Ethel Randolph Thayer, and her father Ezra Ripley Thayer.

There is limited correspondence with friends and and colleagues, including Royal Cortissoz, Philip Hofer, Tasha Tudor (photocopies), Dorothy Koval, the curator who wrote about Thayer for her first show at Vose Galleries in 2001, as well as two art consultants who helped Thayer inventory her artwork. The bulk of the correspondence is with museums, galleries, and other venues such as the Boston Museum of Fine Arts, Copley Society of Boston, and Vose Galleries.

Interviews with Polly Thayer include transcripts as well as sound and video recordings. There is also a sound recording of poet and professor Doris Abramson discussing Catherine Sargent Huntington.

Writings include typescript and handwritten drafts of essays, notebooks, and notes on assorted topics. The bulk of the material was written by Thayer, with a few writings by others.

Subject files are found for people and general interests. The "People" files are collected documents about Thayer's friends, colleagues, artists, and portrait subjects. The files include short biographies, articles, obituaries, a few photographs, two videocassettes and one sound recording. The most voluminous files are on Francis DeLancey Cunningham, the Howe family, Rose Nichols, May Sarton, John Brooks Wheelwright, and Agnes Yarnall. Thayer's "Interests" files consist of articles and clippings on various topics such as animals, humor, and pacifism.

Organization files contain materials related to Polly Thayer's charitable contributions, club memberships and affiliations, including The Chilton Club, Nucleus Club, Religious Society of Friends, and Trustees of Reservations, among others. These files contain seven sound recordings.

Exhibition files contain exhibition catalogs, reviews, clippings, notes, inventory price lists, and other materials about Thayer's solo and group shows.

Art inventory records consist of dismantled binders of inventories that also include photographs of artwork and descriptive information such as the title, medium, and dimensions. There are also photographic inventories of works of art arranged by subject, and several partial art inventories.

Printed materials include two scrapbooks compiled by Polly Thayer's mother containing articles about Thayer, magazines, journals, exhibition catalogs, brochures, exhibition invitations, postcards, clippings, and miscellaneous materials. Digital materials consist of inventories and digitized audio interviews.

Five sketchbooks include figure drawings, portrait sketches, and landscape sketches. Also found are loose drawings of animals, landscapes, and people.

Disbound binders of photographs contain images of works of art that are grouped by subject, including portraits, landscapes, and "mystical/flowers/animals," as well as personal photographs of Polly Thayer and family members, houses, social events, pets, and friends. There is one small disbound photograph album of houses and properties.
Arrangement:
The Polly Thayer papers were organized and inventoried by curator Dorothy Koval and other art consultants prior to arriving at the Archives of American Art, and most likely do not reflect the original order by Polly Thayer. The Archives has maintained the arrangement imposed by Koval for the bulk of the papers. This collection is arranged as 13 series.

Series 1: Biographical Material, 1921-2007 (0.8 linear feet; Box 1, 22, 0.582 GB; ER01-ER02)

Series 2: Family Files, 1846-2006 (2 linear feet; Box 1-3, 22)

Series 3: Correspondence, 1929-2008 (1.3 linear feet; Box 3-5)

Series 4: Interviews, 1995-2004 (0.2 linear feet; Box 5, 0.196 GB; ER03)

Series 5: Writings, 1922-2006 (1.7 linear feet; Box 5-6)

Series 6: Subject Files, circa 1900-2008 (3.3 linear feet; Box 7-10)

Series 7: Organization Files, 1931-2008 (1 linear feet; Box 10-11, 0.029 GB; ER04)

Series 8: Exhibition Files, 1928-2006 (1.9 linear feet; Box 11-13)

Series 9: Art Inventory, circa 1940-1999 (4.6 linear feet; Box 13-17)

Series 10: Printed Material, 1900-2006 (1.8 linear feet; Box 17-19, 22)

Series 11: Sketchbooks, 1930-circa 1970 (0.3 linear feet; Box 19, 23)

Series 12: Artwork, 1927-circa 1990 (0.4 linear feet; Box 19, 23, OV 25)

Series 13: Photographs, 1898-2006 (2.1 linear feet; Box 19-21, 24)
Biographical / Historical:
Polly Thayer (Starr) (1904-2006) was a Boston painter of portraits, landscapes, and still lifes.

Ethel Randolph Thayer, known as Polly, was born in Boston in 1904, the daughter of Professor Ezra Ripley Thayer, also Dean of the Harvard Law School, and Ethel Randolph Thayer, née Clark. Thayer began her drawing lessons at an early age and later attended the Westover Boarding School in Middlebury, Connecticut. Although she signed some of her early paintings Ethel Thayer, by the end of the 1920s she generally signed her work Polly Thayer. She continued to use Polly Thayer as her brush name after she married, although in 1967 she changed her name legally from Ethel Randolph Starr to Polly Thayer Starr.

After graduating from Westover School, Thayer traveled to China, Korea, and Japan with her brother and mother. While in Japan, the Great Kanto Earthquake of 1923 struck just as their ship was about to leave Yokohama. In the devastation that followed, their ship was used as a hospital and Polly Thayer assisted with nursing the injured.

After returning home, Thayer began her formal studies at the Boston Museum of Fine Arts from 1923 to 1925 where she took painting classes taught by Philip Hale. She eventually left the Boston Museum and began private painting lessons with Hale. While working under Hale, she painted a large nude, Circles, which was awarded the National Academy of Design's coveted Julius Hallgarten Prize in 1929. She also spent the summer of 1924 in Provincetown studying with Charles Hawthorne and traveled to Europe where she studied at the Académie Colarossi in Paris. She later studied in Madrid and, from 1930-1933, at the Art Students League in New York City.

Thayer's first solo exhibition was held on New Year's Eve, 1930 at the Doll & Richards gallery in Boston. The Globe reviewer declared it "surely settles her status as one of the foremost painters in the country." The success of the exhibition led to numerous portrait commissions --any of them exhibited at Wildenstein gallery in New York City --and launched Thayer's career as a portrait artist. Her portrait subjects include Judith Anderson, Jacques Barzun, Maurice Evans, Lewis Galantiere, Robert Hale, May Sarton, John Wheelwright, and Agnes Yarnall, among others. Additional galleries that subsequently gave Thayer solo shows were the Sessler Gallery in Philadelphia; Contemporary Arts and Pietrantonio Galleries in New York; and in Boston the Guild of Boston Artists, Grace Horne Galleries, Child's Gallery, The Copley Society, the St. Botolph Club and the Boston Public Library.

In 1933, Polly Thayer married Donald Starr, a Boston lawyer and avid sailor. They married in Italy and honeymooned in Paris while he took a break from a sailing trip around the world on his schooner "Pilgrim." They had two daughters, Victoria and Dinah. In 1942 Thayer joined the Society of Friends (Quakers) which became an important part of her life and identity. She was active in many educational, charitable and cultural institutions and local clubs. Thayer had long been fascinated by the dynamics, meaning and variety of visual experience. In 1981 the Friends Journal published her essay "On Seeing," a paper she continued to refine until she was ninety-seven.

In the 1950s and 1960s, Polly Thayer began focusing more on landscapes and still lifes and continued to be prolific artist, exhibiting in numerous solo and group exhibits in Boston, New York, and Philadelphia. In her later years she renewed an early affiliation with Vose Galleries which she maintained for the rest of her life. In 2001, she was the only living artist whose work was included in the Boston Museum of Fine Arts exhibition "A Studio of Her Own" and a banner of her portrait of May Sarton hung over the entrance to the Museum.

Polly Thayer (Starr) died on August 30, 2006.
Related Materials:
The Archives of American Art also holds an oral history interview of Polly Thayer conducted May 12, 1995-February 1, 1996, by Robert F. Brown.

The Polly Thayer Starr Charitable Trust holds archival materials and artwork by Polly Thayer.
Provenance:
The Polly Thayer (Starr) papers were donated to the Archives of American Art by Polly Thayer in 1998 and again in 2008 by Thayer via Stephanie S. Wright, executor. A notebook was donated in 2016 by Dinah Starr, daughter of Polly Thayer (Starr) and merged with the rest of the collection.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Portrait painters  Search this
Topic:
Painters -- Massachusetts -- Boston  Search this
Kanto Earthquake, Japan, 1923  Search this
Women artists  Search this
Genre/Form:
Photographs
Sound recordings
Sketchbooks
Transcripts
Interviews
Sketches
Video recordings
Drawings
Scrapbooks
Citation:
Polly Thayer (Starr) papers, 1846-2008, bulk 1921-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thaypoll
See more items in:
Polly Thayer (Starr) papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thaypoll
Online Media:

Virginia Teague papers relating to the Armory Show

Creator:
Teague, Virginia Vanderbilt  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Copley Society (Boston, Mass.)  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Taylor, Henry Fitch, 1853-1925  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1913-1962
bulk 1913-1917
Summary:
The papers of New York historian Virginia Teague measure 0.2 linear feet and date from 1913-1962, with the bulk of materials from 1913-1917. The papers consist of scattered records and papers compiled by Virginia Teague for the intended purpose of writing a history of the 1913 Armory Show, also known as the International Exhibition of Modern Art, organized by the Association of American Painters and Sculptors (AAPS). Documents include correspondence, business records, and printed material mostly in connection with the Copley Society and AAPS.
Scope and Contents:
The papers of New York historian Virginia Teague measure 0.2 linear feet and date from 1913-1962, with the bulk of materials from 1913-1917. The papers consist of scattered records and papers compiled by Virginia Teague for the intended purpose of writing a history of the 1913 Armory Show, also known as the International Exhibition of Modern Art, organized by the Association of American Painters and Sculptors (AAPS). Documents include correspondence, business records, and printed material mostly in connection with the Copley Society and AAPS.

There are a few letters from Elmer MacRae and Vera Kuhn to Virginia Teague recalling the Armory Show. There is one letter from Art Alliance of America Secretary, Elizabeth Grimball, to Henry Fitch Taylor advocating "preparedness" for artists in the event of international hostilities.

Records of the Association of American Painters and Sculptors include meeting minutes, 1913-1915, with agendas, drafts and completed reports of proceedings, checklists of attendees, a hand-written statement by Walt Kuhn, signed by Arthur B. Davies and Elmer McRae, and a mimeograph copy of the AAPS Constitution. Additional correspondence is between Henry Fitch Taylor, George Luks, and James Townsen regarding a review published in American Art News.

Records of the Copley Society are mostly related to the Armory Show. Business records include an exhibition contract and daily sales tallies from the Copley Society, which hosted the Boston venue at Copley Hall. Correspondence is with Walt Kuhn, Arthur B. Davies, John Quinn, Holker Abbott, Edward Warren, L. Flanders, and the law firm of Brandeis, Dunbar & Nutter, and regards a disagreement over sharing revenue generated by the Armory Show exhibition; and letters from General Services Administration and the U.S. Treasury Department regarding customs records for the Armory Show.

Printed material includes catalogs and clippings about the Armory Show.
Biographical / Historical:
Virginia Vanderbilt Teague was a historian in New York, N.Y. and Vermont and was the wife of sculptor and painter R. Lewis Teague. The collection consists of material related to the 1913 Armory Show, also known as the International Exhibition of Modern Art. The exhibition opened at the 69th Street Regiment, in New York City, in February 1913, and traveled to Chicago's Art Institute of Chicago, in March, and Boston's Copley Hall, in April.
Related Materials:
Also found in the Archives of American Art are the Walt Kuhn, Kuhn family and Armory Show records, which contain records of the Association of American Painters and Sculptors kept by Walt Kuhn, Secretary of AAPS. Correspondence (January 1951) between Teague and Vera Kunn in the Walt Kuhn, Kuhn family papers, and Armory Show records in the Archives of American Art shed some light on Teague's intentions to compile a history of the Armory Show and contact she had with others to gather materials.
Provenance:
The Virginia Teague papers relating to the Armory Show were donated to the Archives of American Art in 2010 by Adam and Clover Bergmann, son and daughter of Rudolph Bergmann, Virginia Teague's friend. The papers were found in Bergmann's home after his death in 2009.
Restrictions:
This collection is open for research. Access to orginal papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Citation:
The Virginia Teague papers relating to the Armory Show, 1913-1962. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.teagvirg
See more items in:
Virginia Teague papers relating to the Armory Show
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-teagvirg

Loan collection : oil paintings, water colors, pastels & drawings : Copley Hall, February 1904

Author:
Copley Society (Boston, Mass.)  Search this
Former owner:
Freer, Charles Lang 1854-1919 DSI-F  Search this
Subject:
Whistler, James McNeill 1834-1903  Search this
Physical description:
32, [2] p. 20 cm
Type:
Books
Exhibitions
Date:
1904
[1904]
Call number:
759.1.W57 C7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_860554

Oil paintings, water colors, pastels, & drawings : loan collection

Title:
Loan collection
Memorial exhibition of the works of Mr. J. McNeill Whistler, Boston
Author:
Whistler, James McNeill 1834-1903  Search this
Copley Society (Boston, Mass.)  Search this
Subject:
Whistler, James McNeill 1834-1904  Search this
Physical description:
22 p. ; 20 cm
Type:
Books
Exhibitions
Date:
1904
Call number:
N6537.W4 A4 1904d
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_854382

Etchings, dry points, & lithographs : loan collection, Copley Society of Boston, Copley Hall, February, 1904

Title:
Loan collection
Memorial exhibition of the works of Mr. J. McNeill Whistler
Author:
Whistler, James McNeill 1834-1903  Search this
Copley Society (Boston, Mass.)  Search this
Former owner:
Freer, Charles Lang 1854-1919 DSI-F  Search this
Subject:
Whistler, James McNeill 1834-1903  Search this
Physical description:
31 p. ; 21 cm
Type:
Books
Exhibitions
Date:
1904
Call number:
N6537.W4 A4 1904b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_855564

An historical sketch of nishiki and kinran brocades : with a catalog on one hundred and twenty rare specimens dating from 1400 to 1812 A. D. / collected by Shojiro Nomura, to illustrate the historical development and varieties of weave and design

Title:
Nishiki and kinran brocades
Author:
Nomura, Shojiro  Search this
Sargent, Porter  Search this
Copley Society (Boston, Mass.) (January 18, 1915)  Search this
Physical description:
43, 8 p. illus. 27 cm
Type:
Books
Place:
Japan
Date:
1914
Topic:
Textile fabrics--History  Search this
Textile fabrics--Private collections  Search this
Textile design  Search this
Brocade  Search this
Textile industry--History  Search this
Textile industry--Private collections  Search this
Call number:
746.N8 C7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_859787

An historical sketch of nishiki and kinran brocades : with a catalog on one hundred and twenty rare specimens dating from 1400 to 1812 A. D. / collected by Shojiro Nomura, to illustrate the historical development and varieties of weave and design

Title:
Nishiki and kinran brocades
Author:
Nomura, Shojiro  Search this
Sargent, Porter  Search this
Copley Society (Boston, Mass.) (January 18, 1915)  Search this
Physical description:
43, 8 p. illus. 27 cm
Type:
Books
Place:
Japan
Date:
1914
Topic:
Textile fabrics--History  Search this
Textile fabrics--Private collections  Search this
Textile design  Search this
Brocade  Search this
Textile industry--History  Search this
Textile industry--Private collections  Search this
Call number:
746.N8 C7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_859811

Retrospective exhibition of the decorative arts : under the auspices of the Copley Society

Title:
Copley Society retrospective exhibition of the decorative arts
Illustrated catalogue, retrospective exhibition of the decorative arts
Author:
Copley Society (Boston, Mass.)  Search this
Physical description:
68 p., [12] leaves of plates : ill. ; 26 cm
Type:
Exhibitions
Date:
1911
Topic:
Decoration and ornament  Search this
Call number:
NK512.B7 C67 1911
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_608283

The Copley Society of Boston, 1879-1957

Author:
Copley Society (Boston, Mass.)  Search this
Subject:
Copley Society (Boston, Mass.)  Search this
Physical description:
80 p. : ill. ; 23 cm
Type:
Books
Date:
1957
[1957]
20th century
Topic:
Art, American  Search this
Call number:
N11 .C67 1957
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_507392

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