The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Consists of reports, research studies, and surveys created by the company and outside organizations relating to various aspects of the coffee trade and consumer market. Subjects include criteria for label design, packaging, types of coffee consumed, brand images, how advertising affects consumption, and marketing plans. In addition, there is a study investigating the economic and financial aspects of the United States coffee industry created in 1978 and an undated copy of the Brazilian coffee performance marketing plan. The materials are arranged in chronological order.
Collection Restrictions:
Collection is open for research but the negatives and audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Hills Bros. Coffee Company, Incorporated Records, 1856-1989, undated, Archives Center, National Museum of American History, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Modern Multiple records, 1970s-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Gerald and Bente Buck.
Boston Health and Well-being Project --Funded by the Kaiser Family Foundation through the Health Institute at the Tufts New England Medical Center in 1994-95, this study focused on people's ideas of health and well-being in four ethnic groups in the Boston area (Irish, Puerto Rican, African American, and Mandarin-speaking Chinese; a fifth group, Jamaicans, was dropped early on in the project for lack of appropriate interviewers). The data were gathered by means of two open-ended interviews with eight respondents per ethnic group, four each from lower and higher income families within the group. I was leader of the Irish team, with interviews carried out by Ann Rath, Ed.D., and Jamie Saris, Ph.D. The planning group for the study was interdisciplinary (epidemiologists, medical sociologists, a social psychologist, a psychologist, and myself). Except for the social psychologist (Elliot Mischler) and myself, all planners were quantitatively oriented, though the project was supposed to be qualitative in design. Largely for that reason, data analysis proceeded by creating a coding system using categories established before reading and analyzing the interviews, so that the bulk of analysis time for the study was consumed transcribing and coding interviews, rather than digesting what the interviewees' ideas and concerns were. So far as I know, only a few scattered articles, each one treating a single ethnic group, were published from this rich data cache. However, my strong conviction is that nothing valid can be said about any one ethnic group without comparing interviews across groups and across income categories. Thinking I would do such an analysis in about 1999, I requested copies of a complete set of uncoded interviews. However, I never published anything from this project. The bulk of the archive consists of these uncoded interviews. Additional material includes code books, coded interviews from Irish-American respondents, and correspondence regarding the project.
Clearly, the value of this archive is its trove of unanalyzed material on concepts of health and well-being from respondents in the two income and four ethnic groups, with the
consequent possibility of comparing the relative importance of socioeconomic vs. cultural forces in creating different perspectives on these matters. - Alan Harwood
Filed in the beginning of Subseries: Interview Transcripts is the complete set of interview transcripts that Harwood had collected. While most of the interviews in this set are uncoded, some coded interview transcripts are also mixed in. The coded set of interviews with Irish American respondents begins with folder "IA001 #1." Several computer disks that were filed with the coded Irish American interviews have been separated and are restricted. The disks contain the Irish American interview transcripts, all of which exist in hard copy form in this series. The disks also contain files from Ethnograph, the software used to code the interviews. A description of the background and methodology of the study can be found toward the end of the series. To make sense of the folder titles for the interview transcripts, please refer to the key below:
AA = African Americans
CA = Chinese Americans
IA = Irish Americans
JA = Jamaican Americans
PR = Puerto Ricans
M = Male
F = Female
AR = Ann Rath
JS = Jamie Saris
AH = Alan Harwood
Arrangement:
SUBSERIES: INTERVIEW TRANSCRIPTS
SUBSERIES: PROJECT FILES
Collection Restrictions:
Materials that identify the participants in Harwood's Bronx and Boston studies are restricted until 2056.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Alan Harwood Papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of materials for online access has been funded through generous support from the Arcadia Fund.
The collection is open for research use. Viewing film portion of collection requires special appointment. See repository for details.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
American Petroleum Institute Photograph and Film Collection, 1860s-1990 (bulk 1955-1990), Archives Center, National Museum of American History
Collection is open for research but the negatives and audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Hills Bros. Coffee Company, Incorporated Records, 1856-1989, undated, Archives Center, National Museum of American History, Smithsonian Institution.
All should agree that some of the criticism voiced by critics of advertising was justified, and a great deal enacted to protect the consumer did just that. But what started as a trickle became a cascade,and the costs often exceeded the benefit. The political tides have turned, and Congress has now enacted a veto over FTC rules and restricted its use of the "fairness" test. This is a good time to consider whether there is a more cost efficient way of meeting social goals by business means. Cites the ad industry self regulation program.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Fragile original address books are closed to researchers and have been digitized for access. Contact Reference Services for more information.
Collection Rights:
Authorization to publish requires written permission from Robert Panzer, VAGA. The donor has retained all intellectual property rights, including copyright, that they may own. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999. Archives of American Art, Smithsonian Institution.
Physical Access: Researchers must handle unprotected photographs with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
Pete Claussen Collection of American Flag Magazine Covers, Archives Center, National Museum of American History
The collection is open for research. Medical documents, financial materials and some correspondence in Career series are restricted. Use requires an appointment.
Collection Rights:
The Ellis B. Haizlip papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Ellis B. Haizlip papers, Anacostia Communityh Museum Archives, Smithsonian Institution, gift of Doris Sanders.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.Collection is open for research.
Social Security numbers are present and numbers have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Jogbra, Inc. Records, Archives Center, National Museum of American History, Smithsonian Institution
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
The collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Norman Colp papers, circa 1973-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
The collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital and audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Battenberg papers, 1936-2013. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Product Cookbooks Collection, 1874-1990, Archives Center, National Museum of American History.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Product Cookbooks Collection, 1874-1990, Archives Center, National Museum of American History.
