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The 1933 Chicago World's Fair a century of progress Cheryl R. Ganz

Author:
Ganz, Cheryl  Search this
Subject:
Weltausstellung Chicago 1933-1934  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.) History  Search this
Century of Progress International Exposition (1933-1934 Chicago, Ill.)  Search this
Physical description:
xi, 206 pages, 46 unnumbered pages of plates illustrations (some color), map 26 cm
Type:
Books
History
Place:
Illinois
Chicago
Date:
2008
Topic:
Exhibitions  Search this
Exhibitions--History  Search this
Världsutställningar--historia  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_902362

2011 Business of Design: Raj Patel - A trend in consumerism?

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2012-02-07T18:48:15.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_u2zXFsATop4

Panel Discussion: Asian Futurisms

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-01-13T00:50:00.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_o5-F2FGy1mQ

The consumer culture and the American home, 1890-1930 : edited proceedings from the second annual McFaddin-Ward House Museum Conference / edited by Glenda Dyer and Martha Reed

Author:
McFaddin-Ward House Museum Conference (2nd : 1988 : Beaumont, Tex.)  Search this
Dyer, Glenda  Search this
Reed, Martha  Search this
Physical description:
iv, 98 p. ; 28 cm
Type:
Congresses
Place:
United States
Date:
1989
C1989
Topic:
Consumer behavior--History  Search this
House furnishings--History  Search this
Popular culture--History  Search this
Social life and customs  Search this
Call number:
HF5415.33.U6M38 1988X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_443014

Edward J. Orth Memorial Archives of the New York World's Fair

Collector:
Orth, Edward J.  Search this
Exhibition Collectors Historical Organization  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Extent:
130 Cubic feet (417 boxes, 25 map-folders)
Type:
Collection descriptions
Archival materials
Souvenirs
Photographs
Pamphlets
Guidebooks
Exhibition posters--1930-1940
Diaries
Ephemera
Film transparencies
Motion picture film
Posters
Place:
Flushing Meadows Park (New York, N.Y.)
New York (N.Y.)
Date:
1835-2000, undated
Summary:
Collection documents the 1939 New York World's Fair in Flushing Meadows, New York. Also includes material relating to other fairs, the Exhibition Collectors Historical Organization (ECHO), New York City tourism and The Walt Disney Company.
Scope and Contents:
Collection primarily documents the conception, planning, construction, management, and operations of the 1939 New York World's Fair located in Flushing Meadows, New York. Materials provide historical context and cultural significance as recorded in publications, artwork, photographs, ephemera, postcards, maps, plans, exhibitor's literature, souvenirs, and motion picture film. Most of the materials were primarily created for people who attended the fair. Some of the materials include scrapbooks created by fair visitors to document their experiences. There is a significant amount of material relating to other fairs, New York tourism, the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society. Other forms of entertainment such as festivals, the Olympic games, and Disney World are also found among these materials. There is little information relating to Edward Orth's personal and professional life as a city planner. The collection is arranged into eleven series.
Arrangement:
The collection is arranged into eleven series.

Series 1, Edward J. Orth Personal Papers, 1915-1989, undated

Subseries 1.1, Correspondence, 1939-1989

Subseries 1.2, Other Materials, 1915-1989, undated

Series 2, Exhibition Collectors Historical Organization (ECHO) and World's Fair Collector's Society, Incorporated Records, 1942-1990, undated

Subseries 2.1, General Information, 1960-1988, undated

Subseries 2.2, Correspondence, 1942-1990, undated

Subseries 2.3, Classified and Wanted Advertisements, 1956-1988, undated

Subseries 2.4, Financial Records, 1976-1989

Subseries 2.5, Newsletters, 1969-1988, undated

Subseries 2.6, Membership Materials, 1970s-1989, undated

Series 3, New York World's Fair, Incorporated Records, 1900-1988, undated

Subseries 3.1, Administrative Files, 1900-1977, undated

Subseries 3.2, Amusement Zone, 1937-1940, undated

Subseries 3.3, Communications and Business Systems Zone, 1939-1965, undated

Subseries 3.4, Community Interest Zone, 1939-1949, undated

Subseries 3.5, Food Zone, 1939-1975

Subseries 3.6, Government Zone, 1939-1940

Subseries 3.7, Production and Distribution Zone, 1939-1940

Subseries 3.8, Transportation Zone, 1939-1940

Subseries 3.9, Ephemera, 1938-1988, undated

Series 4, Photographic Materials, 1939-1968, undated

Subseries 4.1, General, 1939-1940, undated

Subseries 4.2, Amusement Area, 1939-1940, undated

Subseries 4.3, Business Systems Zone, 1939-1940, undated

Subseries 4.4, Communications Zone, 1939-1940, undated

Subseries 4.5, Community Interest Zone, 1939-1940, undated

Subseries 4.6, Food Zone, 1939-1940, undated

Subseries 4.7, Government Zone, 1939-1940, undated

Subseries 4.8, Production and Distribution Zone, 1939-1940, undated

Subseries 4.9, Transportation Zone, 1939-1940, undated

Subseries 4.10, Miscellaneous, 1939-1940, undated

Subseries 4.11, Oversize Photographs, 1939-1940, undated

Subseries 4.12, Color Slides, 1939-1940, undated

Subseries 4.13, Color Transparencies, 1940-1942, undated

Subseries 4.14, Edward Orth, 1967-1968

Series 5, Scrapbooks, 1938-1981

Series 6, Postcards, 1906-1985, undated

Subseries 6.1, Amusement Area, 1939-1940, undated

Subseries 6.2, Business Systems Zone, 1939-1940, undated

Subseries 6.3, Communications Zone, 1939-1940, undated

Subseries 6.4, Community Interest Zone, 1939-1940, undated

Subseries 6.5, Food Zone, 1939-1940, undated

Subseries 6.6, Government Zone, International, 1939-1940, undated

Subseries 6.7, Government Zone, Federal and States, 1939-1940, undated

Subseries 6.8, Production and Distribution Zone, 1939-1940, undated

Subseries 6.9, Transportation Zone, 1939-1940, undated

Subseries 6.10, General, 1940, undated

Subseries 6.11, By Type, 1906-1985, undated

Series 7, Publications Related to World's Fairs, 1922-1989, undated

Subseries 7.1, Magazines, 1922-1988, undated

Subseries 7.2, Newspaper Articles, 1935-1989, undated

Subseries 7.3, Other Publications, 1937-1989, undated

Subseries 7.4, Other Subjects, 1962-1989

Series 8, Materials Relating to Other Fairs, 1851-2000, undated

Subseries 8.1, Great Exhibition of the Works of Industry of All Nations or Crystal Palace Exhibition, 1851

Subseries 8.2, Exhibition of the Industry of All Nations, 1853-1853

Subseries 8.3, International Exhibition of Arts, Manufactures, and Products of the Soil and Mine or Centennial International Exhibition, 1876

Subseries 8.4, World's Columbian Exposition or Chicago World's Fair, 1893

Subseries 8.5, Exposition Internationale D'Anvers, Antwerp, Belgium

Subseries 8.6, Tennessee Centennial and International Exposition, 1897

Subseries 8.7, Trans-Mississippi and International Exposition, 1898

Subseries 8.8, Expositions, 1901

Subseries 8.9, Louisiana Purchase Exposition, 1906

Subseries 8.10, Jamestown Tercentennial Exposition, 1907

Subseries 8.11, Alaska, Yukon, Pacific Exposition, 1909

Subseries 8.12, Panama-California Exposition, 1915-1916

Subseries 8.13, Bronx International Exposition of Science, Arts, and Industries, 1918

Subseries 8.14, Sesquicentennial Exposition, 1926

Subseries 8.15, Barcelona International Exposition, 1929

Subseries 8.16, L'Exposition Coloniale, Paris, 1931

Subseries 8.17, Olympics, 1932

Subseries 8.18, A Century of Progress International Exposition, 1933

Subseries 8.19, Expositions, 1933-1935

Subseries 8.20, Expositions, 1936-1937

Subseries 8.21, Exposition Internationale des Arts et Techniques dans la Vie Moderne, 1937

Subseries 8.22, Golden Gate International Exposition, 1939

Subseries 8.23, Festival of Britain, Britain, London, United Kingdom, 1951

Subseries 8.24, Milan Fair, 1955

Subseries 8.25, Exposition Universelle et venti Internationale de Bruxelles, 1958

Subseries 8.26, American National Exhibition, 1959

Subseries 8.27, New York's World Fair, 1961-1977, undated

Subseries 8.28, Century 21 Exhibition, 1961-1962

Subseries 8.29, International and Universal Exposition or Expo 67, 1967

Subseries 8.30, Long Beach, California, 1967-1968

Subseries 8.31, HemisFair 68, 1968

Subseries 8.32, Expo 70 or Japan World Exposition, 1970

Subseries 8.33, Expo 74 or International Exposition on the Environment

Subseries 8.34, Expo 75 or International Ocean Exposition, 1975

Subseries 8.35, American Revolution Bicentennial, 1776-1976, 1976

Subseries 8.36, Queen's Bicentennial Festival, 1975-1976

Subseries 8.37, Plovdiv International Exhibition of 1981 or Expo 81

Subseries 8.38, Kobe Port Island Exposition or Portopia 81, 1981

Subseries 8.39, Knoxville International Energy Exposition or 1982 World's Fair, 1982

Subseries 8.40, Louisiana World Exposition, 1984

Subseries 8.41, Games of the XXIII Olympiad, 1984

Subseries 8.42, The International Exposition, Tsukuba, Japan or The International Science Technology Exposition, 1985

Subseries 8.43, Queen's Festival, 1985

Subseries 8.44, 1986 World Exposition on Transportation and Communication or Expo 86, 1986

Subseries 8.45, World Expo 88, 1988

Subseries 8.46, Universal Exposition of Seville or Expo 92, 1992

Subseries 8.47, Expo 2000, 2000

Subseries 8.48, Other Events and Celebrations, 1886-1989

Subseries 8.49, Combined Fairs, 1968-1994

Subseries 8.50, General information about world's fairs, 1964-1980

Series 9, Ephemera, 1892-1989, undated

Subseries 9.1, New York and New York World's Fair, 1892-1989, undated

Subseries 9.2, Other States and Countries, 1835, 1939, undated

Subseries 9.3, Motion Picture Film and Entertainment, 1937-1981, undated

Series 10, Audio Visual Materials, 1939, 1964-1965, undated

Subseries 10.1, Moving Images, 1939, 1964-1965, undated

Subseries 10.2, Sound Recordings, undated

Series 11, Oversize, 1835-1992, undated
Biographical / Historical:
Biographical / Historical

Edward Joseph Orth grew up with a strong interest in history, particularly the history of the 1939 New York World's Fair. Orth's visit to the fair as a twelve-year-old boy led to a life-long passion of collecting. At the time of his death, he had amassed enough materials to fill two homes in California. Orth also collected materials from several other fairs. In addition, he saved some of the records of the Exhibition Collectors Historical Organization (ECHO) and the World's Fair Collector's Society.

Orth was born April 19, 1927, to Andrew Joseph Orth and Florence Minnie Gordon Orth in Glendale, New York. In the 1930s, the Orth family lived in several locations in New York including Ridgewood, Brooklyn, Glendale, and Queens. The home that made the most impact in young Orth's life came in 1935 when the family moved to St. Albans, Queens seven miles from Flushing Meadow Park, the future site of the 1939 fair. Sadly in 1939 there were several deaths in the family including three grandparents. The severe loss of life limited family social activities but a drive by the future site of the fair provided Orth a glimpse of the Trylon and Perisphere. He would later remark that the sight appeared to be magic. In the summer of 1939, he went to the fair with his classmates from Public School 136. The next summer Orth and his father purchased a 10-admission ticket from an elementary school in Hollis, Queens, New York. He saved every souvenir and any information he could find about the fair. He filled scrapbooks with images from newspapers and postcards from the Curt Teich and Manhattan Postcard companies. When his family moved from an apartment to a house, he acquired a fair bench which was kept in the backyard.

In 1941, Orth attended Newton High School in Elmhurst, and Queens, New York. The high school offered a college preparatory program with heavy emphasis on mathematics, science, mechanical drawing, and workshop courses. Orth's education and training combined with the knowledge he gained from motion picture films viewed at the fair, including Thomas Edison's "The City of Light," Ford Motor Company's "Road of Tomorrow," "Democracy," and General Motors' "Futurama" provided the foundation and inspiration for a career in architecture and landscaping. He ultimately became a city planner for the state of California. By 1943, Orth was exploring used magazine and bookstores in New York City to acquire more fair materials before enlisting in the United States Army in 1945. Upon his discharge he resumed buying and trading fair postcards. From 1948-1953, Orth attended the University of California and the University of Connecticut where he studied architecture and landscape design. During these years he posted advertisements in various publications in his continued pursue for fair materials.

In March 1953, Mr. Orth moved to Los Angeles, California. There he formed lasting friendships with other collectors. By 1967, Orth and several of his closest friends including Peter Warner, Oscar Hengstler, David Oats, Larry Zim, and Ernest Weidhaas conceived the idea of a fair collector's organization. By the summer of 1968, the group had formally created the Exhibition Collectors Historical Organization (ECHO).

As time passed Orth became increasing concerned about the welfare of his collection. He wanted it to go to a museum rather than be sold in parts. In his will he stipulated that the collection would be given to the Smithsonian Institution upon his death. Jon Zackman, former Smithsonian employee, interviewed Orth's brother George and fair collector Peter Warner. Orth and Warner corresponded and traded objects over many years. Mr. Orth primarily covered the west coast area while Peter Warner was his east coast counterpart. Edward Orth died on September 6,1989 in Los Angeles, California at the age of sixty-two.
Related Materials:
Materials in the Archives Center

New York World's Fair Collection, NMAH.AC.0134

Landor Design Collection, NMAH.AC.0500

Warshaw Collection of Business Americana, Subject Category, World Expos, NMAH.AC.0060

Larry Zim World's Fair Collection, NMAH.AC.0519

Alice R. Hillis World's Fair Film, NMAH.AC.0531

Borden Company 1939 New York World's Fair Collection, NMAH.AC.1063

Memories of the New York World's Fair, NMAH.AC.0592

Archives Center World Expositions Collection, NMAH.AC.0825

Daniel H. Meyerson World's Fair Collection, NMAH.AC.0745

Division of Community Life World's Fairs Collection, NMAH.AC.1132

Princeton University Posters Collection, NMAH.AC.0433

Hills Bros. Coffee Company, Incorporated Records, NMAH.AC.0395

Smithsonian Speech Synthesis History Project, NMAH.AC.0417

Messmore and Damon Company Records, NMAH.AC.0846

Thomas Norrell Railroad Collection, NMAH.AC.1174

William L. Bird Holidays on Display Collection, NMAH.AC.1288

Wurlitzer Company Records, NMAH.AC.0469

Victor A. Blenkle Postcard Collection, NMAH.AC.0200

Materials at Other Organizations

New York Public Library The New York World's Fair 1939 and 1940 Incorporated Records, 1935-1945, MssCol 2233.

New York City 1939 World's Fair architectural drawings, circa 1935. Museum of the City of New York. Museum of the City of New York.

New York City 1939 World's Fair Collection, 1939-1940. Museum of the City of New York. New York World's Fair 1939/40 Collection. Queens Museum.

1939 New York World's Fair Postcards, Identifier: 1972-320, Audiovisual Collections Repository, Hagley Museum & Library
Separated Materials:
Materials at the National Museum of American History

Artifacts from the collection include several thousand souvenirs and examples of memorabilia commemorating the fair to include buttons and badges, ceramics, glassware, clothing, costume jewelry, coins and medals, commemorative spoons and flatware, toys and games, and philatelic material which are all part of the Division of Home and Community Life's holdings (now Division of Cultural and Community Life).
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special appointment, please inquire. Do not use when original materials are available on reference video or audio tapes. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions -- 1930-1940 -- New York (State) -- New York  Search this
World's fairs  Search this
Amusement parks--History  Search this
Amusement parks--New York (State)--History  Search this
Architecture--Exhibitions  Search this
Architecture--New York (State)--New York  Search this
Architecture--United States--Designs and plans  Search this
Burlesque shows--New York (State)--New York--1930-1940  Search this
Business history Business enterprises--United States--History  Search this
Chicago's Century of Progress  Search this
Construction and civil engineering  Search this
Construction industry--United States--Management--History  Search this
Corporate culture--History  Search this
Corporate culture--United States  Search this
Engineering--History--20th century  Search this
Exhibition buildings – New York (State) – New York  Search this
Exhibition buildings--1920-1940  Search this
Exhibitions -- Design  Search this
Fairs -- New York (State) -- New York -- History  Search this
Fashion--History--20th century  Search this
Flushing Meadows-Corona Park (New York, N.Y.)--History  Search this
Food in popular culture--New York (State)--New York  Search this
Graphic arts--United States--History--20th century  Search this
International exhibitions  Search this
International Exhibitions Bureau  Search this
Lighting, Architectural and decorative--History--20th century  Search this
Technology -- United States -- History -- 20th century  Search this
Transportation--New York Metropolitan Area--Planning  Search this
Transportation--New York (State)  Search this
United States --Foreign relations --1933-1945  Search this
Urban parks--United States--History  Search this
Urban design  Search this
World War, 1939-1945 -- Economic aspects -- United States  Search this
Consumerism  Search this
Consumers--History--20th century  Search this
General Motors Corporation  Search this
Grand Central Parkway extension  Search this
Organizational behavior--United States--History  Search this
Public relations--History  Search this
New York World's Fair Commission  Search this
Queens (New York, N.Y.) Buildings, structures, etc.  Search this
Genre/Form:
Souvenirs -- 1930-1940
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1930-1940
Pamphlets -- 1930-1940
Guidebooks -- 1930-1940
Exhibition posters--1930-1940
Diaries
Ephemera -- 20th century
Film transparencies
Motion picture film
Posters -- 1930-1940
Citation:
Edward J. Orth Memorial Archives of the New York World's Fair, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0560
See more items in:
Edward J. Orth Memorial Archives of the New York World's Fair
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep808504c62-92bb-48b1-8a76-f9d279516c33
EDAN-URL:
ead_collection:sova-nmah-ac-0560
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Charles Rangel, American, born 1930  Search this
The Links, Incorporated, American, founded 1946  Search this
Avon, founded 1886  Search this
Vice President Nelson Aldrich Rockefeller, American, 1908 - 1979  Search this
National Urban League, American, founded 1910  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Association of Negro Musicians, Inc., founded 1919  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Sovereign Military Order of Malta, founded 1099  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Universal Network Television, American, founded 1950  Search this
Freedom National Bank, American, 1964 - 1990  Search this
Jarobin Gilbert Jr., American, born 1946  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Dental Association, American, founded 1913  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Pharmaceutical Association, American, founded 1947  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Dr. Roscoe C. Brown, American, 1922 - 2016  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
New York Yankees, American, founded 1901  Search this
Reggie Jackson, American, born 1946  Search this
The Doll League, Inc., American, founded 1958  Search this
National Urban League Guild, American, founded 1946  Search this
Morehouse Alumni Association, American, founded 1900  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Bar Association, American, founded 1925  Search this
National Business League, American, founded 1900  Search this
National Bankers Association, American, founded 1927  Search this
Alliance for Women in Media, American, founded 1951  Search this
369th Veterans Association, American  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
The Salvation Army, American, founded 1865  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Written by:
Anti-Bakke Decision Coalition, American, founded 1977  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 7/16 in. (27.5 × 21.4 × 1.1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Sag Harbor, Southampton, Suffolk County, New York, United States, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1979
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Radio  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Television  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.13
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5cc6b172d-2d13-4670-95ea-2e52493801a5
EDAN-URL:
edanmdm:nmaahc_2012.167.13
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Kenneth A. Gibson, American, 1932 - 2019  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
New York Giants, American, founded 1925  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Howard University Medical Alumni Association, Inc., American, founded 1871  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
Whitney Moore Young Jr., American, 1921 - 1971  Search this
National Urban League, American, founded 1910  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
369th Veterans Association, American  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Council of Negro Women, founded 1935  Search this
President Richard M. Nixon, American, 1913 - 1994  Search this
Roy White, American, born 1943  Search this
Franklin Augustine Thomas, American, born 1934  Search this
Gail Fisher, American, 1935 - 2000  Search this
Hal Christopher Frederick, American, born 1934  Search this
Greg Morris, American, 1933 - 1996  Search this
Joan Murray  Search this
Edie Huggins, American, 1935 - 2008  Search this
National Dental Association, American, founded 1913  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Gladys W. Dixon, American, born 1901  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Negro Business League, American, 1901 - 1966  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
National Association of Market Developers, American, founded 1953  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 11 × 9 1/16 × 5/16 in. (28 × 23 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1971
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Medicine  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.5
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e80a74f0-5c78-4d88-80e0-f11edfdd1eea
EDAN-URL:
edanmdm:nmaahc_2012.167.5
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Amos T. Hall, American, 1896 - 1971  Search this
Subject of:
New York Giants, American, founded 1925  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Prince Hall Freemasonry, founded 1784  Search this
Dr. Ralph Bunche, American, 1903 - 1971  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Adam Clayton Powell Jr., American, 1908 - 1972  Search this
National Black Political Convention, 1971 - 1972  Search this
Logan H. Westbrook, American  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Tufts University, American, founded 1852  Search this
Democratic Party, American, founded 1828  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National Council of Negro Women, founded 1935  Search this
Republican Party, American, founded 1854  Search this
American Bridge Association, American, founded 1932  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
The Drifters, Inc., American, founded 1957  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Patti Austin, American, born 1950  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
National Dental Association, American, founded 1913  Search this
George Leslie Brown, American, 1926 - 2006  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Otha N. Brown Jr., American, 1931 - 2009  Search this
Shriners International, American, founded 1870  Search this
Gladys W. Dixon, American, born 1901  Search this
Daughters of Isis, American, founded 1910  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Shirley Anita Chisholm, American, 1924 - 2005  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
369th Veterans Association, American  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 11 × 8 7/16 × 3/8 in. (28 × 21.5 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Miami, Dade County, Florida, United States, North and Central America
Detroit, Wayne County, Michigan, United States, North and Central America
California, United States, North and Central America
Colorado, United States, North and Central America
Connecticut, United States, North and Central America
Saint Louis, Missouri, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1972
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.6
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd57be2842a-c611-469d-b78d-3ea1f77c7055
EDAN-URL:
edanmdm:nmaahc_2012.167.6
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The Weight of Deferred Gratification

Artist:
David Harper Clemons, born El Paso, TX 1973  Search this
Medium:
sterling silver, stainless steel, brass, glass, and mahogany with corn, wild rice, and wheat
Dimensions:
overall box, closed: 5 7/8 × 12 1/8 × 9 1/8 in. (14.9 × 30.8 × 23.2 cm)
Type:
(not assigned)
Crafts
Date:
2019
Topic:
Object\other\container  Search this
Object\other\flatware  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the James Renwick Alliance in honor of the 50th anniversary of the Renwick Gallery and the 40th anniversary of the Alliance
Copyright:
© 2022, David Harper Clemons
Object number:
2022.22A-M
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Renwick Gallery, 2nd Floor, Room 207
Renwick Gallery, 2nd Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7bb9b1578-71df-4eae-abbc-c8b4e394180d
EDAN-URL:
edanmdm:saam_2022.22A-M

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival / Series 2: China: Tradition and the Art of Living / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ab5b1868-2ba6-4cd9-81df-a8f5761996a0
EDAN-URL:
ead_component:sova-cfch-sff-2014-ref1051
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  • View Audio Log Sheets digital asset number 1

Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Folk and Traditional Arts Program of the National Endowment for the Arts (NEA) joined with the Smithsonian to present the 1994 program on "Masters of Traditional Arts". The Festival program offered an opportunity for retrospection - a look at many of the artists and traditions recognized over the years through the National Heritage Fellowships, a grant program of the National Endowment for the Arts. At the same time, it was an occasion for introspection - a close-up, reflexive view of the National Heritage Fellowships, re-examining their purpose, listening to the insights of the Fellows themselves, and talking with those who conceive and plan such awards.

Each year a small number of artists - a dozen or so - are selected by the NEA to receive a fellowship (amounting to $10,000 in 1994) in recognition of their artistic excellence and their contributions to our nation's cultural life. The National Heritage Fellowships try to strike a balance between recognizing outstanding individuals and ensembles and celebrating the collective achievements of their traditions and cultural groups. These awards are announced each spring through a national press release that is disseminated widely, with particular attention given to the artists' home communities and cultural networks. In the fall, Fellows come to Washington for several days of celebratory and honoring events. They receive award certificates in a lively, congressionally-sponsored presentation on Capitol Hill. They perform at a free concert hosted by a national celebrity known for the breadth of his or her work with American cultures.

Joy and excitement run high during this time, but in more private and informal moments, these representatives of our nation's diverse cultural heritage inevitably turn their thoughts toward more serious matters. This is an all-too-rare occasion for the culturally and geographically distant tradition bearers to exchange views and encourage one another. Their eloquent, insightful, personal statements transcend cultural boundaries and map common cultural concerns. Some are striking tributes to the courage and individual determination it often takes to continue local traditions in a world increasingly driven by consumerism and pop culture. Others are testimonies to the vital role of traditional arts in cultural survival and self-determination. Together the National Heritage Fellows reveal the special beauty and deep meaning that the traditional arts hold for those who understand them, as well as the importance of multiculturalism to the nation.

The 1994 Festival program offered Festival visitors the opportunity to eavesdrop on - and participate in - such conversations, as Fellows from the program's first 13 years held a reunion on the National Mall. In workshops and discussion sessions, they spoke of their experiences maintaining their traditions within their communities, and the encouragement that was manifested in the Heritage Fellowship. And they demonstrated their crafts and performed their music and dance for the delight of Festival audiences.

Marjorie Hunt was Curator and Arlene Reiniger was Program Coordinator; Bess Lomax Hawes served as Consultant. Collaborators from the National Endowment for the Arts Folk & Traditional Arts Program were Daniel Sheehy (Director), Barry Bergey, Norma Cantú, Terry Liu, Pat Makell, Rose Morgan, Pat Sanders.

Masters of Traditional Arts was made possible with the collaboration of the National Endowment for the Arts Folk & Traditional Arts Program, with support from The Recording Industries Music Performance Trust Funds.
Presenters:
JoAllyn Archambault, Betty Belanus, Barry Bergey, Paddy Bowman, Norma Cantú, Anna Chairetakis, Walter Murray Chiesa, Amy Chin, Andrew Connors, Gladys-Marie Fry, Bess Lomax Hawes, Marjorie Hunt, Rita Moonsammy, Ann Rynearson, Howard Sacks, Daniel Sheehy, Amy Skillman, Nick Spitzer, Craig Stinson, Joe Wilson
Participants:
CRAFTS

Juan Alindato, 1925-, Puerto Rican mask maker, Ponce, Puerto Rico

Eppie Archuleta, 1922-, Hispanic weaver, Capulin, Colorado

Jerry Brown, southern potter, Hamilton, Alabama

Sandra Brown, southern potter, Hamilton, Alabama

Sonia Domsch, Czech American bobbin lace maker, Atwood, Kansas

Marie McDonald, Hawaiian lei maker, Kamuela, Hawai'i

Norma Medina, 1941-, Hispanic weaver, Medanales, New Mexico

Seth Mopope Morgan, Kiowa Indian regalia maker, Anadarko, Oklahoma

Vanessa Paukeigope Morgan, 1952-, Kiowa Indian regalia maker, Anadarko, Oklahoma

Cliff Roller, Pueblo Indian potter, Santa Clara Pueblo, New Mexico

Toni Roller, Pueblo Indian potter, Santa Clara Pueblo, New Mexico

Keoudone Saenphimmachak, Lao American weaver, St. Louis, Missouri

Mone Saenphimmachak, Lao American weaver, St. Louis, Missouri

Vanxay Saenphimmachak, Lao American loom maker, St. Louis, Missouri

Duff Severe, 1925-, saddlemaker, rawhide worker, Pendleton, Oregon

Randy Severe, saddlemaker, rawhide worker, Pendleton, Oregon

Harry V. Shourds, decoy carver, Seaville, New Jersey

Margaret Tafoya, 1904-2001, Pueblo Indian potter, Santa Clara Pueblo, New Mexico

Newton Washburn, 1915-, split ash basket maker, Bethlehem, New Hampshire

Arbie Williams, 1916-2003, African American quilter, Oakland, California

MUSIC

Appalachian String Music

Scott Andersen, upright bass, Washington, D.C.

Clyde Davenport, 1921-, fiddle, Jamestown, Tennessee

Dan Gammon, guitar, Knoxville, Tennessee

Natividad Cano y Los Camperos, -- Mexican American mariachi music -- Natividad Cano y Los Camperos, Mexican American mariachi musicJose Arellano, guitarron, Los Angeles, CaliforniaNatividad Cano, 1933-, director, guitar, vihuela (five-string guitar), Los Angeles, CaliforniaLuis Fuentes Damian, vihuela, Pica Rivera, CaliforniaJesus Guzman, trumpet, Los Angeles, CaliforniaIsmael Hernandez, violin, Los Angeles, CaliforniaSalvador Hernandez, trumpet, Los Angeles, CaliforniaJuan Morales, harp, Phoenix, ArizonaJuan Rodriguez, violin, Los Angeles, California

Chinese Music

Liang-xing Tang, 1948-, pipa (lute), Bayside, New York

Jennifer Tang, pipa (lute), Bayside, New York

Jessica Tang, pipa (lute) Bayside, New York

Jack Coen & Friends, -- Irish traditional music -- Jack Coen & Friends, Irish traditional musicCharles Coen, 1934-, concertina, Red Hook, New YorkJack Coen, flute, Bronx, New YorkJames Coen, guitar, Bronx, New YorkWillie Kelly, fiddle, Parsippany, New JerseyRegan Wick, step dancer, Washington, D.C.Jesse Winch, bodhran (Irish drum), Silver Spring, Maryland

Joe Cormier & Friends, -- Cape Breton music -- Joe Cormier & Friends, Cape Breton musicEdmund Boudreau, guitar, mandolin, Waltham, MassachusettsJoseph Cormier, fiddle, Waltham, MassachusettsChristine Morrison, step dancer, Tewksbury, MassachusettsMargaret Morrison, piano, Tewksbury, Massachusetts

The DeFranco Family with Frank Cofone, -- Southern Italian music & dance -- The DeFranco Family with Frank Cofone, Southern Italian music & danceFrank Cofone, tambourine, vocals, Belleville, New JerseyFaust DeFranco, triccaballacca (clappers), Belleville, New JerseyGiuseppe DeFranco, 1933-, organetto (button accordion), ciaramella (wood oboe), zampogna (bagpipes), Belleville, New JerseyRaffaela DeFranco, 1935-, vocals, dance, Belleville, New Jersey

Fairfield Four, -- a cappella gospel music -- Fairfield Four, a cappella gospel musicIsaac Freeman, Nashville, TennesseeRobert Hamlett, Nashville, TennesseeJames Hill, 1915-2000, Nashville, TennesseeWalter Settles, 1928-1999, Nashville, TennesseeWilson Waters, 1931-2005, Nashville, Tennessee

Richard Hagopian & Ensemble, -- Armenian music -- Richard Hagopian & Ensemble, Armenian musicHarold Hagopian, kanun (zither), Brooklyn, New YorkRichard Avedis Hagopian, 1937-, oud (lute), Visalia, CaliforniaHagop Jack Zarzatian, Jr., dumbeg (Armenian drum), Hudson, New Hampshire

Halau 'O Kekuhi, -- Hawaiian hula dance -- Halau 'O Kekuhi, Hawaiian hula danceHokulani Kaikaina, dancer, Hilo, Hawai'iKekuhi Kanahele, 1966-, dancer, Hilo, Hawai'iPualani Kanaka'ole Kanahele, 1937-, kumu hula, chanter, Hilo, Hawai'iNalani Kanaka'ole, kumu hula, chanter, Hilo, Hawai'iMalie Rea, dancer, Hilo, Hawai'i

Valerio Longoria y su Conjunto, -- Mexican-American conjunto music -- Valerio Longoria y su Conjunto, Mexican-American conjunto musicKent Bearry, drums, San Antonio, TexasFlavio Guillen, bass guitar, San Antonio, TexasValerio Longoria, 1924-, accordion, San Antonio, TexasValerio Longoria, III, guitar, San Antonio, Texas

Piedmont blues

John Cephas, guitar, vocals, Woodford, Virginia

Phil Wiggins, harmonica, Washington, D.C.

James Jackson, guitar, Fairfax Station, Virginia

John Jackson, 1924-2002-, guitar, vocals, Fairfax Station, Virginia

Savoy Cajun Band -- Savoy Cajun BandAnn Savoy, 1952-, guitar, triangle, Eunice, LouisianaJoel Savoy, fiddle, Eunice, LouisianaMarc Savoy, accordion, Eunice, LouisianaKen Smith, fiddle, Kinder, LouisianaGinny Snowe, upright bass, Hyattsville, Maryland
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1994, Series 4
See more items in:
Smithsonian Folklife Festival records: 1994 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ac091603-3705-4055-b10b-962c6ed0b024
EDAN-URL:
ead_component:sova-cfch-sff-1994-ref34

Brownie Wise Papers

Inventor:
Wise, Brownie Humphrey, 1913-1991  Search this
Names:
Stanley Home Products  Search this
Tupperware Home Parties  Search this
Vivian Woodward Cosmetics  Search this
Extent:
15 Cubic feet (42 boxes, 33 sound recordings)
Type:
Collection descriptions
Archival materials
Personal papers
Business records
Speeches
Audiovisual materials
Photographs
Date:
circa 1928-1968
Summary:
The papers consist of business records documenting the history of Tupperware from 1951-1958, during which Brownie Wise served as vice president of the Tupperware Company. Also, personal papers and business records documenting her marketing activities for Stanley Home Products, Vivian Woodard Cosmetics, and others.
Scope and Contents:
The Brownie Wise Papers constitute an essential complement to the Earl Tupper Papers, acquired in 1992, and to the museums rich collections of Tupperware products. Together these collections document not only the founding and early business history of Tupperware, but also significant areas of American history in which the museum has a demonstrated interest. The Brownie Wise Papers illuminate aspects of an American consumer culture which achieved its apex in the post-World War II years; in many ways, Tupperware and the Tupperware party reflect the key defining elements of the fifties. Of special significance is the story these papers tell of a successful woman business executive and working mother, in an era whose women have more often been characterized by June Cleaver and Harriet Nelson. The Tupperware story offers rich insights into the society and culture of the era, illuminating issues of gender, consumerism, and technological development.

There are approximately 15 cubic feet of materials, including photographic and audiovisual materials. The collection is organized into eight series.
Arrangement:
The collection is arranged into eight series.

Series 1: Personal Papers, circa 1928-1968

Series 2: Stanley Home Products, Patio Parties, circa 1947-1959

Series 3: Tupperware Home Parties, circa 1951-1959

Series 4: Direct Sales consulting, circa 1958-1969

Series 5: Other Direct Sales Consulting, circa 1958-1971

Series 6: Other Business ventures, circa 1958-1967

Series 7: Photographs, 1930-1968

Series 8: Audiovisual Materials, 1953-1957; 1977
Biographical Note:
Brownie Humphrey was born in Buford, Georgia in 1913, the daughter of Rosabelle Stroud Humphrey and Jerome Humphrey, a plumber. According to longtime friend Kay Robinson, Brownie knew that there were few business opportunities for women in the South, and that "unless she wanted to work in sales, she would have to leave the South." After meeting Robert Wise at the Texas Centennial in 1936, where the couple saw an exhibition highlighting a bright future at Ford Motors, Brownie and Robert married and moved to the Detroit area where he worked as a machinist, later opening a small machine shop. The couple divorced in 1941, about three years after the birth of their only child, Jerry. Brownie Wise never remarried.

During the late 1930s and early 1940s, Brownie contributed to a correspondence column of the Detroit News under the pen name "Hibiscus." Her columns were largely autobiographical, but used elements of fantasy and romance to address a uniquely female urban community. In Detroit, Wise worked briefly at an ad agency and in a millinery shop. During World War II, Wise got a job as an executive secretary at Bendix. After the war, Brownie and her mother, Rose Stroud Humphrey, began selling Stanley Home Products. When Jerry became ill in 1949, they followed a doctor's advice and moved to Miami where they began a direct selling business they called Patio Parties. Through this business, the mother daughter team distributed Poly-T (Tupperware), Stanley Home Products, West Bend, and other household goods through an innovative home party plan adopted by Brownie.

Thomas Damigella in Massachusetts, and Brownie Wise in South Florida, quickly became among the fastest movers of Tupperware products, attracting the attention of Earl Tupper, who was still searching for a profitable outlet for his plastic containers. Because Americans were still skeptical of plastics and because the Tupper seal required demonstration, early attempts at department store sales had been unsuccessful. Some independent dealers had more success selling through demonstrations at state fairs or door-to-door, but sales and distribution remained low. The experiences of Damigella and Wise convinced Tupper to offer the products on a home party plan. He partnered with Norman Squires, the originator of Hostess Home Parties, to pursue this strategy.

In 1951, Tupper recruited Brownie to develop the Hostess party plan for Tupperware, and named her vice president of the company. She is credited with developing the party plan and sales organization, and with creating the annual Jubilee, a pep-rally and awards ceremony for dealers and distributors; it was her idea to locate company headquarters in Kissimmee, and she oversaw the design and construction of the campus. With the company's meteoric success came national recognition. Her public role was all the greater because Earl Tupper shunned all public exposure; Wise was the public head of the company throughout the 1950s. She was both honored guest and invited speaker at national sales and marketing conferences, where she was often the only woman in attendance. Scores of laudatory articles about her appeared in the sales industry and general business press, and she became the darling of the women's magazines, including features in McCalls, Charm and Companion.

Tupper and Wise clashed over the management and direction of the business in late 1957 and the board of directors forced her out in January, 1958. She filed a $1,600,000 suit against the company for conspiracy and breach of contract, but settled out of court for a year's salary -- about $30,000. Shortly thereafter, Tupper sold the company to Dart/Rexall and relinquished all involvement with it.

Beginning in 1958 and through the 1960s, Brownie co-founded three direct sales cosmetics companies, Cinderella (1958-59), Carissa (1963) and Sovera/Trivera (1966-69). She also was president of Viviane Woodard Cosmetics (1960-62), and consulted for Artex and others. In addition, she undertook a real estate development venture in Kissimmee with Charles McBurney and George Reynolds (both former Tupperware executives). She seems never to have achieved the same level of success in these later business ventures. Wise continued to live in the Kissimmee area, moving from Waters' Edge, the spectacular 1920s mansion she occupied during the Tupperware years, to a home George Reynolds designed for her in. She was active in her church and as an artist, working in clay and textiles. During the last eight years of her life she was in declining health. She died in December 1992.
Provenance:
The collection was donated to the Archives Center, National Museum of American History in March 1994 by Brownie Wise's son, Jerry Wise, of Kissimmee, Florida.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Direct selling  Search this
Women in marketing  Search this
Sales promotion  Search this
Product demonstrations  Search this
Plastics  Search this
Genre/Form:
Personal papers -- 20th century
Business records -- 20th century
Speeches
Audiovisual materials
Photographs -- 20th century
Citation:
Brownie Wise Papers, 1938-1968, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0509
See more items in:
Brownie Wise Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cb6c92b9-bbc8-44e3-9570-0d5bd7fede8e
EDAN-URL:
ead_collection:sova-nmah-ac-0509
Online Media:

Speech on acceptance as chairman of the 4A's, White Sulphur Springs, West Virginia

Collection Creator:
Ayer (N W) Incorporated.  Search this
Cummings, Barton A., 1914-1994 (advertising executive)  Search this
Brower, Charles H.  Search this
Bolte, Brown  Search this
Bond, Edward L., Jr.  Search this
Bernbach, William  Search this
Ogilvy, David  Search this
O'Toole, John  Search this
Seaman, Alfred J.  Search this
Schultz, Arthur W.  Search this
Matthews, Len  Search this
Marsteller, William  Search this
O'Conner, Neal W.  Search this
Mithun, Raymond O.  Search this
Meyer, Ed  Search this
Harper, Marion, 1916-1989 (advertising executive)  Search this
Healy, Robert  Search this
Hagopian, Lewis T.  Search this
Jacoby, Robert F.  Search this
Fatt, Arthur  Search this
Fitzgerald, Clifford  Search this
Foote, Emerson  Search this
Gilliatt, Neal  Search this
Foley, Paul  Search this
Thiele, Edward  Search this
Tinker, Jack  Search this
Container:
Box 1, Folder 13B
Type:
Archival materials
Date:
1969-04-24
Scope and Contents:
Lists the achievements of his predecessor, Ed Bond, and cites eight problems ahead: Diversification; Consumerism; Media; People; Prompt Payment; Client Relations; Taxes; and Changing Nature of Agencies.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
See more items in:
Barton Cummings Papers
Barton Cummings Papers / Series 1: Speeches and Publicity
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85dfdf15d-f097-4b92-966b-014108198e72
EDAN-URL:
ead_component:sova-nmah-ac-0421-ref579

Notes recording his thoughts about Consumerism

Collection Creator:
Ayer (N W) Incorporated.  Search this
Cummings, Barton A., 1914-1994 (advertising executive)  Search this
Brower, Charles H.  Search this
Bolte, Brown  Search this
Bond, Edward L., Jr.  Search this
Bernbach, William  Search this
Ogilvy, David  Search this
O'Toole, John  Search this
Seaman, Alfred J.  Search this
Schultz, Arthur W.  Search this
Matthews, Len  Search this
Marsteller, William  Search this
O'Conner, Neal W.  Search this
Mithun, Raymond O.  Search this
Meyer, Ed  Search this
Harper, Marion, 1916-1989 (advertising executive)  Search this
Healy, Robert  Search this
Hagopian, Lewis T.  Search this
Jacoby, Robert F.  Search this
Fatt, Arthur  Search this
Fitzgerald, Clifford  Search this
Foote, Emerson  Search this
Gilliatt, Neal  Search this
Foley, Paul  Search this
Thiele, Edward  Search this
Tinker, Jack  Search this
Container:
Box 1, Folder 16B
Type:
Archival materials
Date:
1972
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
See more items in:
Barton Cummings Papers
Barton Cummings Papers / Series 1: Speeches and Publicity
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81ea87401-7d6b-4e62-810d-d9fe97fa5ad2
EDAN-URL:
ead_component:sova-nmah-ac-0421-ref593

Untitled, Advertising Club of Metropolitan Washington, DC

Collection Creator:
Ayer (N W) Incorporated.  Search this
Cummings, Barton A., 1914-1994 (advertising executive)  Search this
Brower, Charles H.  Search this
Bolte, Brown  Search this
Bond, Edward L., Jr.  Search this
Bernbach, William  Search this
Ogilvy, David  Search this
O'Toole, John  Search this
Seaman, Alfred J.  Search this
Schultz, Arthur W.  Search this
Matthews, Len  Search this
Marsteller, William  Search this
O'Conner, Neal W.  Search this
Mithun, Raymond O.  Search this
Meyer, Ed  Search this
Harper, Marion, 1916-1989 (advertising executive)  Search this
Healy, Robert  Search this
Hagopian, Lewis T.  Search this
Jacoby, Robert F.  Search this
Fatt, Arthur  Search this
Fitzgerald, Clifford  Search this
Foote, Emerson  Search this
Gilliatt, Neal  Search this
Foley, Paul  Search this
Thiele, Edward  Search this
Tinker, Jack  Search this
Container:
Box 1, Folder 17A
Type:
Archival materials
Date:
1973-04-10
Scope and Contents:
He warns that the ultimate issue in the confrontation with consumerism may be the survival of the free enterprise system.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
See more items in:
Barton Cummings Papers
Barton Cummings Papers / Series 1: Speeches and Publicity
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e2c6aec6-447b-445c-bc58-b8fc96469f6f
EDAN-URL:
ead_component:sova-nmah-ac-0421-ref595

"The Over-Regulation of Business. How Consumerism Gave Birth to a $100 billion expense to American Consumers", for Advertising Age

Collection Creator:
Ayer (N W) Incorporated.  Search this
Cummings, Barton A., 1914-1994 (advertising executive)  Search this
Brower, Charles H.  Search this
Bolte, Brown  Search this
Bond, Edward L., Jr.  Search this
Bernbach, William  Search this
Ogilvy, David  Search this
O'Toole, John  Search this
Seaman, Alfred J.  Search this
Schultz, Arthur W.  Search this
Matthews, Len  Search this
Marsteller, William  Search this
O'Conner, Neal W.  Search this
Mithun, Raymond O.  Search this
Meyer, Ed  Search this
Harper, Marion, 1916-1989 (advertising executive)  Search this
Healy, Robert  Search this
Hagopian, Lewis T.  Search this
Jacoby, Robert F.  Search this
Fatt, Arthur  Search this
Fitzgerald, Clifford  Search this
Foote, Emerson  Search this
Gilliatt, Neal  Search this
Foley, Paul  Search this
Thiele, Edward  Search this
Tinker, Jack  Search this
Container:
Box 2, Folder 20G
Type:
Archival materials
Date:
1980-09
Scope and Contents:
All should agree that some of the criticism voiced by critics of advertising was justified, and a great deal enacted to protect the consumer did just that. But what started as a trickle became a cascade,and the costs often exceeded the benefit. The political tides have turned, and Congress has now enacted a veto over FTC rules and restricted its use of the "fairness" test. This is a good time to consider whether there is a more cost efficient way of meeting social goals by business means. Cites the ad industry self regulation program.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Barton Cummings Collection, 1938-1990, Archives Center, National Museum of American History.
See more items in:
Barton Cummings Papers
Barton Cummings Papers / Series 1: Speeches and Publicity
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8295baa59-3c27-418c-b1c4-e119a88ed2b1
EDAN-URL:
ead_component:sova-nmah-ac-0421-ref608

Clement Greenberg papers

Creator:
Greenberg, Clement, 1909-1994  Search this
Names:
American Committee for Cultural Freedom  Search this
Avedisian, Edward, 1936-2007  Search this
Bannard, Walter Darby, 1934-  Search this
Baziotes, Ethel  Search this
Bush, Jack, 1909-  Search this
Caro, Anthony, 1924-  Search this
Connolly, Cyril, 1903-1974  Search this
Davis, Gene, 1920-1985  Search this
Diebenkorn, Richard, 1922-1993  Search this
Dorazio, Piero, 1927-  Search this
Dzubas, Friedel, 1915-  Search this
Emmerich, André  Search this
Feeley, Paul, 1910-1966  Search this
Francis, Sam, 1923-1994  Search this
Frankenthaler, Helen, 1928-2011  Search this
Fuller, Peter, 1947-1990  Search this
Goodnough, Robert, 1917-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hofmann, Hans, 1880-1966  Search this
Hosaisson, Philippe  Search this
Kainen, Jacob  Search this
Krauss, Rosalind E.  Search this
Moffett, Kenworth  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-  Search this
O'Faolin, Nuala  Search this
Olitski, Jules, 1922-2007  Search this
Pepper, Beverly  Search this
Rothko, Mark, 1903-1970  Search this
Sander, Ludwig, 1906-  Search this
Smith, David, 1906-1965  Search this
Smith, Kimber, 1922-1981  Search this
Solomon, Deborah  Search this
Still, Clyfford, 1904-  Search this
Truitt, Anne, 1921-2004  Search this
Waddington, Leslie  Search this
Wisenski, Kurt  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Etchings
Photographs
Reports
Date:
1937-1983
Summary:
The papers of art critic, author, and lecturer Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the collection consists of letters from art critics, artists, family, friends, galleries, and museums. Notable correspondents include Jack Bush, Anthony Caro, Richard Diebenkorn, Friedel Dzubas, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Morris Louis, Robert Motherwell, Charles Pollock, Jules Olitski, David Smith, and Anne Truitt among others. Also found are biograpical materials, personal business and financial records, an etching by Kurt Wisneski, printed materials, and two reports by Greenberg concerning his travels.
Scope and Content Note:
The papers of influential New York art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers (7 feet) consists of letters from art critics, artists, family, friends, galleries, and museums, with some letters from Greenberg. Correspondents include Edward Avedisian, Darby Bannard, Ethel Baziotes, Jack Bush, Anthony Caro, Gene Davis, Richard Diebenkorn, Piero Dorazio, Friedel Dzubas, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, and Leslie Waddington.

Biographical materials include a transcript of an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence regarding his lectures and seminars, requests for his writings, student queries, documents regarding his television and radio appearances, royalty statements, and receipts for gifts of works of art. Also found within business records are documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski entitled "Spring." The papers contain very few of Greenberg's writings about art. Found are lists of artists, and reports written by Greenberg on the state of art in Japan and India in 1967, likely related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of ACCESS RESTRICTED papers contains documents relating to Greenberg's role as a trustee in the David Smith estate; correspondence between Greenberg with Andre Emmerich and Peter Fuller, Nuala O'Faolain, and the Greenberg family; and some financial materials regarding the sale and loan of Greenberg's art collection.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Information, circa 1950s-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1940-1983 (Box 1; 12 folders)

Series 3: Correspondence, 1937-1983 (Boxes 1-8; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: David Smith Estate Materials (Boxes 9-11; 1.2 linear feet)
Biographical Note:
Clement Greenberg was a highly influential art critic working in New York City from the 1940s through the 1960s. He was an advocate of modern art, particulary the abstract expressionist movement, and one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerism and capitalist culture.

In 1940, Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write and, in his essays and articles, he promoted the work of Abstract Expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the 20th century. "Greenberg on Collage" was one one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with Abstract Impressionism, particularly the second generation. However, he became very interested in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he had too much of an influence on the world of art. In time, Greenberg's antagonism to Postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg died at the age of eighty-five in 1994.

Since his death, letters edited by his widow, Janice Van Horne and a re-evaluation of his writings have helped to restore his reputation within the art world.
Related Material:
The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.
Provenance:
Clement Greenberg initally lent material for microfilming in 1968-1969. He donated most of this material with additional papers in several accretions between 1984 to 1991.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Art -- Japan  Search this
Art -- India  Search this
Modernism (Art)  Search this
Art -- Economic aspects  Search this
Genre/Form:
Transcripts
Interviews
Etchings
Photographs
Reports
Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greeclep
See more items in:
Clement Greenberg papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313
EDAN-URL:
ead_collection:sova-aaa-greeclep
Online Media:

Brian Jungen: Strange Comfort

Publisher:
National Museum of the American Indian  Search this
Language:
English
Object type:
Lesson Plan
Date created:
2003-01-01 00:00:00
Topic:
Arts  Search this
Visual Arts  Search this
Artists  Search this
American History  Search this
Heritage Groups  Search this
Native Americans  Search this
Typical age range 8-10  Search this
Typical age range 10-12  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Educational alignment:
CCSS.ELA-Literacy.RI.K.1
CCSS.ELA-Literacy.RI.K.2
CCSS.ELA-Literacy.RI.K.4
CCSS.ELA-Literacy.RI.K.8
CCSS.ELA-Literacy.RI.K.10
CCSS.ELA-Literacy.RF.K.4
CCSS.ELA-Literacy.SL.K.2
CCSS.ELA-Literacy.L.K.6
CCSS.ELA-Literacy.RI.1.1
CCSS.ELA-Literacy.RI.1.2
CCSS.ELA-Literacy.RI.1.4
CCSS.ELA-Literacy.RI.1.6
CCSS.ELA-Literacy.RI.1.7
CCSS.ELA-Literacy.RI.1.8
CCSS.ELA-Literacy.RI.1.10
CCSS.ELA-Literacy.RF.1.4a
CCSS.ELA-Literacy.RF.1.4c
CCSS.ELA-Literacy.SL.1.2
CCSS.ELA-Literacy.L.1.4a
CCSS.ELA-Literacy.RI.2.1
CCSS.ELA-Literacy.RI.2.2
CCSS.ELA-Literacy.RI.2.4
CCSS.ELA-Literacy.RI.2.8
CCSS.ELA-Literacy.RI.2.10
CCSS.ELA-Literacy.RF.2.4a
CCSS.ELA-Literacy.RF.2.4c
CCSS.ELA-Literacy.SL.2.1c
CCSS.ELA-Literacy.SL.2.2
CCSS.ELA-Literacy.L.2.4a
CCSS.ELA-Literacy.RI.3.1
CCSS.ELA-Literacy.RI.3.2
CCSS.ELA-Literacy.RI.3.4
CCSS.ELA-Literacy.RI.3.10
CCSS.ELA-Literacy.RF.3.4a
CCSS.ELA-Literacy.RF.3.4c
CCSS.ELA-Literacy.SL.3.2
CCSS.ELA-Literacy.L.3.4a
CCSS.ELA-Literacy.L.3.6
CCSS.ELA-Literacy.RI.4.1
CCSS.ELA-Literacy.RI.4.2
CCSS.ELA-Literacy.RI.4.3
CCSS.ELA-Literacy.RI.4.4
CCSS.ELA-Literacy.RI.4.8
CCSS.ELA-Literacy.RI.4.10
CCSS.ELA-Literacy.RF.4.4a
CCSS.ELA-Literacy.RF.4.4c
CCSS.ELA-Literacy.SL.4.3
CCSS.ELA-Literacy.L.4.4a
CCSS.ELA-Literacy.L.4.6
CCSS.ELA-Literacy.RI.5.2
CCSS.ELA-Literacy.RI.5.4
CCSS.ELA-Literacy.RI.5.8
CCSS.ELA-Literacy.RI.5.10
CCSS.ELA-Literacy.RF.5.4a
CCSS.ELA-Literacy.RF.5.4c
CCSS.ELA-Literacy.SL.5.1d
CCSS.ELA-Literacy.SL.5.3
CCSS.ELA-Literacy.L.5.4a
CCSS.ELA-Literacy.L.5.6
CCSS.ELA-Literacy.RI.6.1
CCSS.ELA-Literacy.RI.6.2
CCSS.ELA-Literacy.RI.6.3
CCSS.ELA-Literacy.RI.6.4
CCSS.ELA-Literacy.RI.6.7
CCSS.ELA-Literacy.SL.6.1d
CCSS.ELA-Literacy.L.6.4a
CCSS.ELA-Literacy.L.6.4d
CCSS.ELA-Literacy.L.6.6
CCSS.ELA-Literacy.RI.7.1
CCSS.ELA-Literacy.RI.7.2
CCSS.ELA-Literacy.RI.7.3
CCSS.ELA-Literacy.RI.7.4
CCSS.ELA-Literacy.L.7.4a
CCSS.ELA-Literacy.L.7.4d
CCSS.ELA-Literacy.L.7.6
CCSS.ELA-Literacy.RI.8.1
CCSS.ELA-Literacy.RI.8.2
CCSS.ELA-Literacy.RI.8.4
CCSS.ELA-Literacy.RI.8.8
CCSS.ELA-Literacy.L.8.4a
CCSS.ELA-Literacy.L.8.4d
CCSS.ELA-Literacy.L.8.6
CCSS.ELA-Literacy.RL.9-10.7
CCSS.ELA-Literacy.RI.9-10.1
CCSS.ELA-Literacy.RI.9-10.2
CCSS.ELA-Literacy.RI.9-10.4
CCSS.ELA-Literacy.RI.9-10.5
CCSS.ELA-Literacy.RI.9-10.8
CCSS.ELA-Literacy.SL.9-10.1d
CCSS.ELA-Literacy.SL.9-10.3
CCSS.ELA-Literacy.L.9-10.4a
CCSS.ELA-Literacy.L.9-10.4d
CCSS.ELA-Literacy.L.9-10.6
CCSS.ELA-Literacy.RI.11-12.1
CCSS.ELA-Literacy.RI.11-12.2
CCSS.ELA-Literacy.RI.11-12.4
CCSS.ELA-Literacy.SL.11-12.1d
CCSS.ELA-Literacy.SL.11-12.3
CCSS.ELA-Literacy.L.11-12.4a
CCSS.ELA-Literacy.L.11-12.4d
CCSS.ELA-Literacy.L.11-12.6
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_1556

Paint By Number: Accounting for Taste in the 1950's

Publisher:
National Museum of American History, Kenneth E. Behring Center  Search this
Language:
English
Object type:
Lesson Plan
Topic:
American History  Search this
World War II  Search this
Arts  Search this
Visual Arts  Search this
Typical age range 8-10  Search this
Typical age range 10-12  Search this
Typical age range 12-14  Search this
Typical age range 14-16  Search this
Typical age range 16-18  Search this
Educational alignment:
CCSS.ELA-Literacy.RI.K.1
CCSS.ELA-Literacy.RI.K.2
CCSS.ELA-Literacy.RI.K.8
CCSS.ELA-Literacy.RF.K.4
CCSS.ELA-Literacy.RI.1.1
CCSS.ELA-Literacy.RI.1.2
CCSS.ELA-Literacy.RI.1.6
CCSS.ELA-Literacy.RI.1.7
CCSS.ELA-Literacy.RI.1.8
CCSS.ELA-Literacy.RI.1.10
CCSS.ELA-Literacy.RF.1.4a
CCSS.ELA-Literacy.RI.2.1
CCSS.ELA-Literacy.RI.2.2
CCSS.ELA-Literacy.RI.2.8
CCSS.ELA-Literacy.RI.2.10
CCSS.ELA-Literacy.RF.2.4a
CCSS.ELA-Literacy.SL.2.2
CCSS.ELA-Literacy.RI.3.1
CCSS.ELA-Literacy.RI.3.2
CCSS.ELA-Literacy.RI.3.10
CCSS.ELA-Literacy.RF.3.4a
CCSS.ELA-Literacy.SL.3.2
CCSS.ELA-Literacy.RI.4.1
CCSS.ELA-Literacy.RI.4.2
CCSS.ELA-Literacy.RI.4.3
CCSS.ELA-Literacy.RI.4.8
CCSS.ELA-Literacy.RI.4.10
CCSS.ELA-Literacy.RF.4.4a
CCSS.ELA-Literacy.RI.5.2
CCSS.ELA-Literacy.RI.5.8
CCSS.ELA-Literacy.RI.5.10
CCSS.ELA-Literacy.RF.5.4a
CCSS.ELA-Literacy.RI.6.1
CCSS.ELA-Literacy.RI.6.2
CCSS.ELA-Literacy.RI.6.3
CCSS.ELA-Literacy.RI.6.7
CCSS.ELA-Literacy.RI.7.1
CCSS.ELA-Literacy.RI.7.2
CCSS.ELA-Literacy.RI.7.3
CCSS.ELA-Literacy.RI.8.1
CCSS.ELA-Literacy.RI.8.2
CCSS.ELA-Literacy.RI.8.8
CCSS.ELA-Literacy.RI.9-10.1
CCSS.ELA-Literacy.RI.9-10.2
CCSS.ELA-Literacy.RI.9-10.5
CCSS.ELA-Literacy.RI.9-10.8
CCSS.ELA-Literacy.RI.11-12.1
CCSS.ELA-Literacy.RI.11-12.2
Data source:
SI Center for Learning and Digital Access
EDAN-URL:
edanmdm:SCLDA_433

Marisol

Artist:
Judith Shea, born 1948  Search this
Sitter:
Marisol Escobar, 22 May 1930 - 30 Apr 2016  Search this
Medium:
Polystyrene foam, balsa wood, felt, paper clay, paint, steel and synthetic hair
Dimensions:
Without Base: 162.6 × 50.8 × 33cm (64 × 20 × 13")
With Base: 176.8 × 62.2 × 33cm (69 5/8 × 24 1/2 × 13")
Type:
Sculpture
Date:
2013
Topic:
Marisol Escobar: Female  Search this
Marisol Escobar: Visual Arts\Artist\Sculptor  Search this
Portrait  Search this
Credit Line:
Owner: The Paul and Rose Carter Foundation
Object number:
L/NPG.10.2014
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c581b853-d08d-42e9-9575-65032c7fe3bb
EDAN-URL:
edanmdm:npg_L_NPG.10.2014

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