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Meet Jaune Quick-To-See Smith

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:39:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_1BtEJqvhosw

Meet John Cederquist

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:40:13.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt__5od79ov9ZE

Interview with Christo

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2010-07-20T16:24:06.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_xo5YpuH2dBs

Meet Consuelo Jimenez Underwood

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-05T14:06:36.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_j25Z8jzqWo0

Katharine Milton on "Smithsonian World," 1984.

Creator:
Smithsonian Institution Archives  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-10T18:45:13.000Z
YouTube Category:
Education  Search this
Topic:
Museum administration  Search this
See more by:
SIArchives
Data Source:
Smithsonian Institution Archives
YouTube Channel:
SIArchives
EDAN-URL:
edanmdm:yt_5_QbLz7MZYg

Charles Cajori papers

Creator:
Cajori, Charles, 1921-2013  Search this
Names:
New York Studio School of Drawing, Painting and Sculpture  Search this
Tanager Gallery (New York, N.Y.)  Search this
Dodd, Lois, 1927-  Search this
Finkelstein, Louis  Search this
Extent:
7.4 Linear feet
0.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Date:
1928-2018
Summary:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.
Scope and Content Note:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.

Biographical material consists of Charles Cajori's high school records, air force records, passports and other travel documents, material related to his 90th birthday celebration, resumes, exhibition lists, a few drawings, obituaries, memorial service information, conservation reports on paintings, and other material.

Correspondence is personal and professional and consists of mostly incoming letters to Cajori from artists, friends, family, art historians, and academic institutions. There are a few letters from Charles Cajori, including draft of his letters. Among the correspondents are Pat Adams, Leland Bell, Bernard Chaet, Cooper Union, Cleve Gray, Barbara Grossman, Louis Finkelstein, Philip Pearlstein, Sidney Simon, Norman Turner, and the University of California at Berkeley. Of interest, are letters from the founders of the Tanager Gallery, such as Lois Dodd, Angelo Ippolito, and William King. Correspondence also documents Cajori's dealings with galleries and museums as well as his involvement in arts organizations; included are letters from American University, Watkins Gallery; Bertha Schaffer Gallery; Colorado Springs Fine Arts Center; Gallery Association of New York; Museum of Modern Art; Roko Gallery; Stable Gallery; and the Whitney Museum of American Art. There are also condolences to Barbara regarding Cajori's death.

Cajori's writings include drafts on painting and drawing that Cajori prepared for classroom lectures and panel discussions; essays on Paul CĂ©zanne and Chaim Soutine; and his account of the founding of the Tanager Gallery. Cajori's writings also include a biographical account and an artist's statement. There are writings by Louis Finkelstein, Andrew Forge, and Mercedes Matter about Cajori's work. Included are several guest registers for Cajori's exhibitions at the David Findlay Gallery, Lohin Geduld Gallery, and the New York Studio School. There are also some class notes and essays that are probably from Cajori's college days, as well as some undated writings that include notes on art and artist statements.

Interviews, talks, and panel discussions include a transcript of an interview with Charles Cajori, audiotaped and videotaped as well as born digital interviews with Charles Cajori, and panel discussions with Cajori and others. Panel discussions with Cajori and others cover such topics as the New York school artists and Chaim Soutine. Many of recordings focus on Cajori's association with the Tanager Gallery, the art scene in New York during the 1950s, and his reflections on art. Also included are miscellaneous videotaped recordings. One panel discussion is digitized.

Printed material contains exhibition catalogs, checklists, announcements, invitations, press releases, clippings, reviews, brochures, and miscellaneous printed material. There are files of printed materials on the New York Studio School as well as Tanager Gallery that include exhibition catalogs and clippings.

Photographic material includes photographs, slides, and negatives of Charles Cajori, his studio, family and friends, black and white and color photographs of works of art, events and exhibition installations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1928-2018 (Box 5; 0.4 linear feet)

Series 2: Correspondence, 1929-2015 (Boxes 1-2, 5-6; 1.8 linear feet)

Series 3: Writings and Notes, 1940-2012 (Boxes 2, 6, 8; 0.4 linear feet)

Series 4: Interviews, Talks, and Panel Discussions, 1983-2012 (Boxes 2-3, 6; 1.3 linear feet, ER01; 0.070 GB)

Series 5: Printed Material, 1943-2018 (Boxes 3-4, 6, 8, OV 9; 2 linear feet)

Series 6: Photographic Material, circa 1928-2015 (Boxes 6-8; 1.6 linear feet)
Biographical Note:
Painter and teacher Charles Cajori (1921-2013) worked in New York City and Connecticut.

Born in Palo Alto, California in 1921, Charles Cajori studied painting at Colorado College and the Cleveland Art School. Cajori served in the United States Air Force during World War II. Upon his return, he attended Columbia University and then spent two years at the Skowhegan School of Painting and Sculpture.

Charles Cajori was one of the founding members of the Tanager Gallery, an early artists' cooperative gallery, originally located at 90 East Tenth Street in New York, which provided a venue for contemporary artists to exhibit their work. Through Tanager Gallery, Cajori became acquainted with Franz Kline, Willem de Kooning, and other Abstract Expressionist artists. In 1956, Charles Cajori had his first solo exhibition at the Tanager Gallery and since then, he continuously showed his work in numerous solo and group exhibitions in the United States and abroad including American University, Bertha Schaeffer Gallery, David Findlay Jr. Gallery, El Museo de Bellas Artes de Caracas, Ingber Gallery, Lohin Geduld Gallery, Mattatuck Museum, New Arts Gallery, Paesaggio Gallery, Sala di Esposizione della Biblioteca Americana, Stable Gallery, and the Whitney Museum of American Art. Charles Cajori's work is represented in a number of public and private collections including the Ciba-Geigy Corporation, the Metropolitan Museum of Art, the National Academy of Design, Walker Art Center, and the Weatherspoon Museum.

In conjunction with his activities as an artist, Charles Cajori taught painting and drawing at major academic institutions and art schools: Colorado Springs Fine Arts Center, Cooper Union, Cornell University, the University of California at Berkeley and Queens College (CUNY) where he taught for 20 years. Cajori was a co-founder of the New York Studio School, where he continued to serve on the faculty and the Board.

Charles Cajori received many honors for his work including the 1959 Distinction in the Arts, Yale University; Benjamin Altman, Figure Prize at the National Academy, 1983, 1987; the Childe Hassam Purchase Award by the Institute of Art and Letters Award, 1975-1976, 1980; and the Louis Comfort Tiffany Award, 1979. Also, Cajori was awarded a Fulbright grant to Italy, 1952-1953, and a grant from the National Endowment for the Arts in 1981, as well as a Guggenheim Fellowship in 2001.

Charles Cajori was married to the painter Barbara Grossman and they lived in Watertown, Connecticut.
Provenance:
The Charles Cajori papers were donated to the Archives of American Art by Charles Cajori in 2011 and by Barbara Grossman in 2015 and 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointments and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Citation:
Charles Cajori papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajochar
See more items in:
Charles Cajori papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4683c60-e4b6-49e4-8bc3-1f44de6b3349
EDAN-URL:
ead_collection:sova-aaa-cajochar

Interviews conducted by Charles Hosmer relating to historic preservation, 1969-1976

Creator:
Hosmer, Charles Bridgham, 1932-  Search this
Subject:
Albright, Horace M. (Horace Marden)  Search this
Alexander, Edward P. (Edward Porter)  Search this
Appleman, Roy Edgar  Search this
Booton, Joseph F.  Search this
Brown, Paul V.  Search this
Bryan, John Albury  Search this
Bullock, Helen Claire Duprey  Search this
Bullock, Orin M.  Search this
Burton, E. Milby  Search this
Cooley, Janet R.  Search this
Covell, William King  Search this
Cox, Elbert  Search this
Downing, Antoinette Forrester  Search this
Drury, Newton Bishop  Search this
Edwards, Emily  Search this
Evison, Herbert  Search this
Fauber, J. Everette  Search this
Ferguson, Finlay  Search this
Fontaine, Jules, Mrs  Search this
Ford, O'Neil  Search this
Grigg, Milton L. (Milton LaTour)  Search this
Harral, Mary  Search this
Harris, Ethel Wilson  Search this
Hosmer, Charles Bridgham  Search this
Jones, Louis C. (Louis Clark)  Search this
Kahler, Herbert E.  Search this
Kane, Harnett Thomas  Search this
Koch, Richard, 1889-1971  Search this
Lawwill, Richard  Search this
Lee, Ronald F.  Search this
Lewis, Ralph  Search this
Lord, Clifford Lee  Search this
Macomber, Walter M.  Search this
Morris, Miriam Hubbard  Search this
Morrison, James J.  Search this
Neasham, V. Aubrey (Vernon Aubrey)  Search this
Palmer, George A.  Search this
Peterson, Erling  Search this
Pitkin, Thomas M.  Search this
Porter, Charles Wesley  Search this
Primm, Philip T.  Search this
Rath, Frederick L.  Search this
Ray, Jerome V.  Search this
Robinson, Martha Gilmore  Search this
Simons, Albert  Search this
Trudell, Clyde Francis  Search this
Van Ravenswaay, Charles  Search this
Warren, Katherine Urquhart  Search this
Watkins, C. Malcolm  Search this
Watson, Elsa  Search this
Webb, Walter P., Mrs  Search this
Weig, Melvin J.  Search this
Wells, George, Mrs  Search this
Whitelaw, Robert N. S.  Search this
Wilson, Samuel  Search this
Woodward, Arthur  Search this
Citation:
Interviews conducted by Charles Hosmer relating to historic preservation, 1969-1976. Archives of American Art, Smithsonian Institution.
Topic:
Historic buildings -- United States -- Conservation and restoration  Search this
Architecture -- United States -- United States -- Conservation and restoration  Search this
Historic preservation  Search this
Theme:
Architecture & Design  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)10606
(DSI-AAA_SIRISBib)214082
AAA_collcode_hosmchar
Theme:
Architecture & Design
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214082

Committee for the Simon Rodia Towers in Watts records, 1953-1989

Creator:
Committee for the Simon Rodia Towers in Watts  Search this
Subject:
Rodia, Simon  Search this
Morgan, Jeanne S.  Search this
Simon Rodia Towers (Los Angeles, Calif.)  Search this
Type:
Interviews
Photographs
Transcripts
Place:
Watts (Los Angeles, Calif.) -- Buildings, structures, etc
Citation:
Committee for the Simon Rodia Towers in Watts records, 1953-1989. Archives of American Art, Smithsonian Institution.
Topic:
Assemblage (Art)  Search this
Sculptors--California--Watts  Search this
Sculpture -- Conservation and restoration  Search this
Towers -- California -- Los Angeles  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)6102
(DSI-AAA_SIRISBib)216296
AAA_collcode_morgjean
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216296

Jack Brogan papers, 1968-2016, bulk 1971-2009

Creator:
Brogan, Jack, 1930-  Search this
Subject:
Benglis, Lynda  Search this
DeLap, Tony  Search this
Irwin, Robert  Search this
Therrien, Robert  Search this
Turrell, James  Search this
Type:
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Citation:
Jack Brogan papers, 1968-2016, bulk 1971-2009. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- Los Angeles  Search this
Theme:
Art instruction and services  Search this
Record number:
(DSI-AAA_CollID)17487
(DSI-AAA_SIRISBib)389170
AAA_collcode_brogjack
Theme:
Art instruction and services
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_389170
Online Media:

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-1979  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Interviews
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Jewelers -- California  Search this
Educators -- California  Search this
Authors -- California  Search this
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9911c74ff-413b-4b54-9280-89c8b0480495
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

Forest Service, Culture, and Community

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Festival program, Forest Service, Culture, and Community, presented occupational traditions from the USDA Forest Service, an organization celebrating its centennial in 2005, as well as other forest-dependent traditions from the cultural communities it serves. Approximately a hundred participants on the National Mall shared their skills, experiences, and traditions with members of the public; they included tree pathologists, wildlife biologists, landscape architects, historic horticulturalists, botanists, bird banders, archaeologists, environmental engineers, firefighters, smokejumpers, recreation specialists, backcountry rangers, woodcarvers, basket makers, quilters, instrument makers, musicians, poets, storytellers, and camp cooks.

As the Forest Service began its second century, it already had a long tradition of caring for the land, serving the public, and meeting the challenges of conservation. For instance, the Forest Service has an ongoing mission to educate teachers and children, connecting people to the land through conservation education. Such education increases public awareness and understanding of the interrelationships in natural systems. Natural resource professionals teach in classrooms or lead field trips. Similarly, Smokey Bear and Woodsy Owl have become national symbols in fire-prevention and conservation campaigns.

As the Festival program vividly demonstrated, the men and women who work in our forests and rangelands have very special connections to the land and its natural resources. They understand the science, the history, the technology, the art, and the traditions of forest service, culture, and community. They also recognize the values inherent in the work they do. Following the example set by Forest Service founder Gifford Pinchot a hundred years before, these men and women are still seeking to provide "the greatest good of the greatest number in the long run."

James Deutsch was Program Curator; Dorey Butter was Program Coordinator, and Tasha Coleman was Research Coordinator. At the USDA Forest Service, the Coordination Team included Linda Feldman, New Century of Service Program Manager; Christine Murray, Festival Program Manager; and Karen Fiore, Research and Oral Histories, Festival Co-Coordinator.

The program was made possible through a partnership with the USDA Forest Service and was produced in collaboration with the National Endowment for the Arts. Major support came from the National Forest Foundation, Honda, and Whole Foods Market, with additional contributions from IBM and The American Chestnut Foundation.
Fieldworkers and interviewers:
Arlena Aragon-Husband, Patricia Asteinza, Christina Barr, Sarah Barsness, Bob Beckley, Cheryl Burgess, Kevin Davis, Bonnie Dearing, Sherri Richardson Dodge, Jill Evans, Maryo Ewell, Kathleen Figgen, Karen Fiore, Sandi Forney, Don Gedney (1918-2005), Andrew Grace, Andrea Graham, Elizabeth Harvey, Teresa Haugh, David Hunt, Don Jensen, Elizabeth Harvey Johnson, Barbara Kenady-Fish, Carrie N. Kline, Connie R. Lee, Terry Livingston, Chris Losi, Jens Lund, Kari Lusk, Michelle Mcanally, Ken McCall, James L. McConnell, June McMillen, Darcy Minter, Sheila Poole, Ben Quick, Mike Ryan, John Schelhas, Cathie Schmidlin, Steve Segin, Ronna Lee Sharpe, George Sibley, Brooke Smith, Stephen Swimmer, Elaine Thatcher, Lee Webb, Janet Werren, Georgia Wier, Carol Winkler, Susan Wright, Pat York
Presenters:
Nancy Groce,

Marjorie Hunt,

Carrie Kline,

Jens Lund,

Bob McCarl,

Peter Seitel
Participants:
Susan B. Adams, 1964-, Protecting Forests and Wildlife Habitats participant, Oxford, Mississippi

Janie Agyagos, 1970-, Protecting Forests and Wildlife Habitats participant, Cornville, Arizona

Berneice Anderson, Law Enforcement participant, Milwaukee, Wisconsin

Kimberly Anderson, Water, Woods, and Mountains participant, Milwaukee, Wisconsin

John Anhold, 1959-, Arizona Camp Foodways/Tree Doctors participant, Flagstaff, Arizona

Matt Arnn, Forest Landscapes participant, New York, New York

Phyllis Ashmead, 1955-, Interactive Forest participant, Mi-Wuk Village, California

Donna Ashworth, 1931-, Fire Lookout Tower participant, Flagstaff, Arizona

Barbara Balen, 1951-, Forest Landscapes participant, Hathaway Pines, California

Ian Barlow, Woodlands Heritage participant, White Bird, Idaho

Joy Barney, 1963-, Protecting Forests and Wildlife Habitats participant, Pinecrest, California

Dan Bauer, 1941-, Community Stage participant, Washington, D.C.

Keith Bear, Arts & Crafts and Sounds of the Forest participant, Drags Wolf Village, North Dakota

Karen Bennett, 1957-, Protecting Forests and Wildlife Habitats participant, Philomath, Oregon

Jeff Bryden, 1966-, Law Enforcement participant, Moose Pass, Alaska

Angie Bullets, 1958-, Arts & Crafts participant, Fredonia, Arizona

Rita CantĂș, Sounds of the Forest participant, Prescott, Arizona

Cindy Carpenter, 1955-, Sounds of the Forest participant, Brevard, North Carolina

G.W. Chapman, 1929-, Fire Camp and Forest Service History participant, Alamogordo, New Mexico

Kevin Cooper, 1959-, Protecting Forests and Wildlife Habitats participant, Santa Maria, California

Andy Coriell, 1969-, Law Enforcement participant, Sandy, Oregon

Al Cornell, 1941-, Call of the Wild participant, Sedona, Arizona

Jim Denney, 1953-, Arts & Crafts participant, McKenzie Bridge, Oregon

Dave Edwards, Water, Woods, and Mountains participant

Tim Eldridge, 1956-, Smokejumper Base participant, Missoula, Montana

Kelly Esterbrook, 1956-, Smokejumper Base participant, Bend, Oregon

The Fiddlin' Foresters, Sounds of the Forest participants -- Jane Leche, 1957-, guitarTom McFarland, 1946-, guitarJim Maxwell, 1949-, banjoLynn Young, 1944-, fiddle

Bill Glass, 1949-, Forest Landscapes participant, Wilmington, Illinois

Gordon Grant, 1955-, Protecting Forests and Wildlife Habitats participant, Corvallis, Oregon

Ed Gross, 1946-, Interactive Forest participant, Brookings, Oregon

Tony Guinn, 1956-, Water, Woods, and Mountains participant, Mountain View, Arkansas

Jim Hammer, 1948-, Call of the Wild participant, Winthrop, Washington

Elizabeth Hawke, 1966-, Interactive Forest participant, Milford, Pennsylvania

Charles Hillary, 1951-, Forest Products participant, Madison, Wisconsin

Jack Holcomb, 1945-, Arts & Crafts participant, Lawrenceville, Georgia

Leslie Hook, 1944-, Camp Foodways participant, Albany, Vermont

Saul Irvin, 1950-, Camp Foodways and Fire Camp participant, Seville, Florida

Dorica R. Jackson, 1950-, Arts & Crafts participant, Ketchikan, Alaska

Nathan P. Jackson, 1938-, Arts & Crafts participant, Ketchikan, Alaska

Patrick Michael Karnahan, Sounds of the Forest participant, Sonora, California

Robert Karrfalt, 1948-, Tree Doctors participant, Lafayette, Indiana

Nova Kim, 1943-, Camp Foodways participant, Albany, Vermont

Beth King, 1946-, Camp Foodways participant, Layton, Utah

Tosh Konya, Water, Woods, and Mountains participant

Samuel Larry, 1958-, Forest Service History participant, Atlanta, Georgia

Pat Lynch, 1939-, Forest Service History participant, Encampment, Wyoming

Wally McRae, 1936-, Community Stage participant, Forsyth, Montana

Nanette Madden, 1951-, Fire Camp participant, Fall River, California

Karen Malis-Clark, 1955-, Family Activities participant, Flagstaff, Arizona

Steve Markofski, Water, Woods, and Mountains participant

Kristen Martine, 1970-, Forest Landscapes participant, Flagstaff, Arizona

Karen Martinson, Sustainable Resource House participant, Madison, Wisconsin

Kirby Matthew, 1957-, Woodlands Heritage participant, Deer Lodge, Montana

Joe Meade, 1958-, Water, Woods, and Mountains participant, Anchorage, Alaska

Bill Meadows, Community Stage participant, Washington, D.C.

Rick Meinzer, 1950-, Canopy Crane participant, Corvallis, Oregon

Warren Miller, 1948-, Woodlands Heritage participant, Peck, Idaho

Kevin Mills, Water, Woods, and Mountains participant

Chuck Milner, 1960-, Sounds of the Forest participant, Cheyenne, Oklahoma

Heather Murphy, 1953-, Protecting Forests and Wildlife Habitats participant, Leavenworth, Washington

Lezlie Murray, 1954-, Call of the Wild participant, Girdwood, Alaska

Hank Nelson, 1933-, Community Stage participant, Wasilla, Alaska

Lavinia B. Nelson, 1921-, Arts & Crafts participant, Mt. Pleasant, South Carolina

Mark Pearlstein, Water, Woods, and Mountains participant

Kelly Pearson, Call of the Wild participant, Jonesboro, Illinois

Leona Pooyouma, 1946-, Arts & Crafts participant, Flagstaff, Arizona

Marvin Pooyouma, 1948-, Arts & Crafts participant, Flagstaff, Arizona

Steve Reed, 1967-, Smokejumper Base participant, Victor, Montana

Rodney Richard, Sr., 1929-, Arts & Crafts participant, Rangeley, Maine

Riders in the Dirt, Sounds of the Forest -- Riders in the Dirt, Sounds of the ForestAnne Alford, 1967-, lead singer, bassistJo Booser, 1950-, fiddle, musical saws, flutesJudy Haigler, 1952-, rhythm guitarGayle Hunt, 1954-, guitar, banjo, mandolin

Michael Ritter, Sustainable Resource House participant, Madison, Wisconsin

William Rosanelli, 1949-, Forest Service History participant, Montague, New Jersey

Michelle Ryan, 1949-, Forest Service History participant, Dillon, Montana

Catherine "Cat" Sampson, 1949-, Law Enforcement participant, Camp Verde, Arizona

Nathan Schiff, 1958-, Tree Doctors participant, Stoneville, Mississippi

Herb Schroeder, 1951-, Forest Landscapes participant, Evanston, Illinois

Dave Shaw, 1955-, Canopy Crane participant, Carson, Washington

The Shawnee Forest New Century Children's Choir, Sounds of the Forest participants, Southern Illinois

Jane E. Smith, 1959-, Tree Doctors participant, Corvallis, Oregon

Stacey Smith, 1960-, Call of the Wild participant, McKenzie Bridge, Oregon

Bill Stafford, 1949-, Camp Foodways participant, Lake Montezuma, Arizona

Jean Szymanski, 1959-, Family Activities participant, Albuquerque, New Mexico

Sidne Teske, 1952-, Arts & Crafts participant, Tuscarora, Nevada

Donna Thatcher, 1939-, Camp Foodways participant, Farmington, New Mexico

Walt Thies, 1942-, Arts & Crafts participant, Corvallis, Oregon

Charmaine Thompson, 1960-, Forest Landscapes participant, Provo, Utah

Lee Thornhill, 1965-, Fire Camp participant, Lakeside, Arizona

Trails Unlimited, Interactive Forest participant, Monrovia, California

Teresa Trulock, 1965-, Forest Service History participant, Pinedale, Wyoming

Gail Tunberg, Water, Woods, and Mountains participant, Albuquerque, New Mexico

Francisco Valenzuela, 1957-, Water, Woods, and Mountains participant, Golden, Colorado

Dennis Vroman, 1943-, Protecting Forests and Wildlife Habitats participant, Grants Pass, Oregon

Linda Wadleigh, 1961-, Camp Foodways, Fire Camp, and Tree Doctors participant, Flagstaff, Arizona

Lee Webb, 1943-, Protecting Forests and Wildlife Habitats participant, Grants Pass, Oregon

Neil Weintraub, 1964-, Forest Landscapes participant, Williams, Arizona

Chuck Williams, 1934-, Forest Service History participant, Albuquerque, New Mexico

Don Wilson, Water, Woods, and Mountains participant

Marta Witt, 1955-, Forest Landscapes participant, Wilmington, Illinois

Keith Wolferman, Smokejumper Base participant, Missoula, Montana

Pat York, 1957-, Community Stage and Water, Woods, and Mountains participant, Jonesboro, Illinois

J.P. Zavalla, Smokejumper Base participant, Santa Ynez, California

Pete Zavalla, 1944-, Community Stage participant, Solvang, California

Tony Zavalla, 1970-, Fire Camp participant, Santa Barbara, Californiab
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2005, Series 3
See more items in:
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c3c43a5b-ed9f-4112-ba75-036421ad96e2
EDAN-URL:
ead_component:sova-cfch-sff-2005-ref25

Festival Recordings: Narrative Stage: Cowboy Culture; Poems & Stories

Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C.  Search this
Artist:
Mitchell, Waddie, 1950-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
sound tape reel
1 Sound recording (sound-tape reel, analog, 7 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Montana
Nevada
Utah
Date:
1985 July 6
Local Numbers:
FP-1985-7RR-0427
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Cowboys -- Songs and music  Search this
Cowboy poetry  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1985-7RR-0427
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55edb104e-6fc3-4beb-8e43-a95ba36892eb
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1249
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Festival Recordings: Narrative Stage: Cowboy Culture; Poems & Stories digital asset number 1

Festival Recordings: Narrative Stage: Cowboys continued: Native American & Hawaiian Music: NEA Folk Arts Program: Kmhmu

Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C.  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 July 7
Local Numbers:
FP-1985-7RR-0431
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 7, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1985-7RR-0431
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c74cfc0e-b8d1-420f-8b57-0c688a7ce262
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1253
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Festival Recordings: Narrative Stage: Cowboys continued: Native American & Hawaiian Music: NEA Folk Arts Program: Kmhmu digital asset number 1

Proschan Fieldwork: SAYAVONG Khamseth: Interview

Field worker:
Woodbury, Anthony  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
Texas
United States
Haltom City (Tex.)
Cambodia
Local Numbers:
FP-1995-CT-0222
Date/Time and Place of an Event Note:
Recorded in: Haltom City (Tex.), United States, Texas, August 9, 1981.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A122
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0222
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5cefe516c-45b0-4ec2-922a-a4762955b876
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1493

Proschan Fieldwork: RATHASACK; RATHASACK; SANTHEVONG; PHONSA VANH; KHOONSRIVONG; interview, music on toot, hroq, sqkuul

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0223
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, January 4, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A123
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0223
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50cdaefe1-220c-47bb-9145-7d5343d6fbd0
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1494

Proschan Fieldwork: SISOWATH Onchanh; PHOUMYNAVONG Mari; KHO ONSRIVONG Boonheuang; song, music on sqkuul, interview

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0224
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, January 4, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A124
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0224
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58cbc9e78-da87-4bb7-86b4-7fe0a3e3b28f
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1495

Proschan Fieldwork: SANTHEVONG Chong; KHOONSRIVONG Boonheuang; sqkuul music, interview

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0234
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, July 23, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A134
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Oral history  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0234
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a547a486-34d5-48c7-9c08-2d4b3fb1ea28
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1504

Proschan Fieldwork: KOUIYOTH Thaen; VONGSA Chan; KHOONSRIVON G Boonheuang; interview, word lists of Thin language

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0237
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, July 23, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A137
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0237
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b9dcdb0c-78cb-4d22-9d57-1d72f7e444a7
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1507

Proschan Fieldwork: KOUIYOTH Thaen; VONGSA Chan; KHOONSRIVON G Boonheuang; interview, word lists of Thin language

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0238
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, July 23, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A138
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0238
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk598477636-fb88-4d60-adce-a722ed6e1f3c
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1508

Proschan Fieldwork: RATHASACK Cheu; RATHASACK Keo; KHOONSRIV ONG Boonheuang; interview about hroq, toot

Field worker:
Proschan, Frank  Search this
Creator:
Smithsonian Institution. Office of Folklife Programs  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Khmu' (Southeast Asian people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
California
Stockton (Calif.)
Cambodia
Local Numbers:
FP-1995-CT-0240
Date/Time and Place of an Event Note:
Recorded in: Stockton (Calif.), California, United States, July 23, 1982.
General:
Recordings in the Kmhmu community in California made by Frank Proschan.

KV-FP-A140
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Oral history  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985, Item FP-1995-CT-0240
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Smithsonian Folklife Festival records: 1985 Festival of American Folklife / Series 2: Cultural Conservation / 2.1: Fieldwork / Proschan Fieldwork: Recordings made in the Khmu Community
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk529496c4b-d3ed-469b-bc93-25d9f95933b7
EDAN-URL:
ead_component:sova-cfch-sff-1985-ref1510

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