An interview with Clark Richert conducted 2013 August 20- 21, by Elissa Auther, for the Archives of American Art's, Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists, at the Museum of Contemporary Art in Denver, Colorado.
Richert speaks of deciding to become an artist; his influences; studying art at the University of Kansas; the Wichita Vortex; Droppings: working with geometric art; Drop City; geodesic domes; The Ultimate Painting; Zome Toy; Criss-Cross; using computers in art; being a teacher; the Armory Group; and A.R.E.A. Richert also recalls Bruce Conner, Richard Kallweit, Joan Brown, Gene Bernofsky, Buckminster Fuller, Michael McClure, Alan Kaprow, Nick Sands, Robert Rauschenberg, Mark Rothko, Jay Defeo, Dean Fleming, Linda Fleming, John Fudge, and others.
Biographical / Historical:
Clark Richert (1941- ) is a painter in Denver, Colorado and is head of the painting and drawing department at Rocky Mountain College of Art and Design. Elissa Auther (1966- ) is associate professor of contemporary art in the Department of Visual and Performing Arts at the University of Colorado, Colorado Springs, Colorado.
General:
Originally recorded as 4 sound files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Colorado -- Denver -- Interviews Search this
Painters -- Colorado -- Denver -- Interviews Search this
Topic:
Arts administrators -- Colorado -- Denver -- Interviews Search this
An interview of Larry Jordan conducted 1995 Dec. 19-1996 July 30, by Paul Karlstrom, for the Archives of American Art, at the artist's home, in Petaluma, Calif.
Jordan discusses his family background in Denver; his attraction to contemporary avant-garde; his brief time at Harvard, and his mental breakdown and return to Denver; his move to San Francisco in 1954 because of the artistic and literary atmosphere there; meeting Kenneth Rexroth, Robert Duncan and other poets and his initial introduction to the creative community in San Francisco; his friendships with Jordan Belsen, Michael McClure, Wally Hedrick and Jay DeFeo; the San Francisco Renaissance, the beat era, and what it means to be "beat;" the distinction in intensity between bohemianism and the resurrection of the self during the beat era, the social impact of the anti-establishment movement; and the difference between artists and political activists.
Jordan discusses his influences and important moments in his experimental film career; the surrealist methods for social changes as seen in film; the west coast filmmakers focus on the interior and mystical; the rivalry in the film world; his association with Bruce Conner and their founding a film society together in 1956 and establishing an experimental theater; meeting Joseph Cornell and his invitation to assist him with films, their time spent together, Cornell as a filmmaker, preparing Cornell boxes, and the influence of Cornell on is own art. He discusses his own art; his role as an artist in society; the religious aspect in his art; his place in the avant-garde film world; the major influences in his art; and the concept of death and the celebration of the mind as a major theme in his film and artwork.
He recalls Wallace Berman, Stan Brackage, Bruce Conner, Jay DeFeo, Maya Deren, Robert Duncan, Max Ernst, Allen Ginsberg, Wally Hedrick, George Herms, Jess, Patricia Jordan, Michael McClure, Bruce Nauman, and Kenneth Rexroth.
Biographical / Historical:
Larry Jordan (1934- ) is a filmmaker and collagist from Petaluma, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Filmmakers -- California -- Interviews Search this
Collagists -- California -- Interviews Search this
Five cassettes (60 min. each) of an interview of Connor conducted by Garver, Jan. 10 and April 17, 1974, accompanied by 80 slides of Connor's work (referenced by number during the interview). The Tooker material consists of three cassettes (90 min. each) of an interview conducted with Tooker, Sept. 11, 1973.
Biographical / Historical:
Curator; San Francisco, Calif. Conner is a filmmaker and printmaker; Tooker is a painter and printmaker.
Provenance:
Donated 1974 by Thomas H. Garver, who compiled the material in preparation for exhibitions of paintings by George Tooker, July -Sept. 1974, at the Fine Arts Museums of San Francisco, and of drawings by Bruce Conner, October 1974-January 1975, at the M.H. de Young Memorial Museum, Golden Gate Park, San Francisco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Bruce Conner conducted 1974 August 12, by Paul Karlstrom, for the Archives of American Art.
Conner speaks of the San Francisco art scene at the time of his arrival there in the 1950s; early experiments in art "happenings" and filmmaking; inspirations for his work and the relationships between the various media he uses; his work with found objects, his use of themes of violence in his art, the critics' reactions to his work, and the motivations for the creations of some of his pieces.
Biographical / Historical:
Bruce Conner (1933-2008) was a painter and filmmaker from San Francisco, California.
General:
Originally recorded on 2 sound tape reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- San Francisco -- Interviews Search this
An interview of Bruce Conner conducted 1973 April 16, by Paul Cummings, for the Archives of American Art. Conner speaks of his family background and youth in Kansas; his early interest in art; his education at the University of Nebraska; an early Dada show he participated in; attending the Brooklyn Museum Art School; getting his work in the Charles Alan Gallery; his collages; the influence of music; his interests in magic and the occult; his involvement in filmmaking; and films he has made.
Biographical / Historical:
Bruce Conner (1933-2008) was a painter and filmmaker from San Francisco, California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 7 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Correspondence; business records; teaching contracts; printed material, and material relating to Jay DeFeo.
REEL 1092: Correspondence with museums and galleries; papers related to museum and gallery business; income tax papers; teaching contracts; catalogs and announcements; and clippings.
REEL 911: Working files relating primarily to Jay DeFeo's painting "The Rose," as well as her recent works. The files contain correspondence with DeFeo, and with Thomas Albright, George Neubert, Terry St. John, John Humphrey, Tony Rockwell, and Ed Janss. Also included are photographs of "The Rose" and DeFeo's "telephone series"; business material; and clippings.
REEL 2802: A letter to Alfred Frankenstein, Oct. 2, 1976, asking "Has Christo taken the role of criminal perpetrator of a 'Crime Against Nature'..." Frankenstein replies "How idiotic can you get?" and Conner responds at length.
Biographical / Historical:
Printmaker and filmmaker; San Francisco, Calif.
Provenance:
Material on reel 911 lent for microfilming, 1975 and the remainder donated 1976 by Bruce Conner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
An interview of Bruce Conner conducted 1974 March 29, by Paul Karlstrom and Serge Guilbaut, for the Archives of American Art, in San Francisco, California.
Interview of Bruce Conner, conducted by Paul Karlstrom and Serge Guilbaut for the Archives of American Art, in San Francisco, on March 29, 1974. Conner speaks of his education and move to San Francisco; the art scene in California in the 1960s; the development and theory behind much of his work; his early paintings and collages; his assemblages; the sculpture A Child [1959] and its showing at the de Young Museum in 1959-60; his interaction with Beat writers; about the coining of the words "beatnik" and "hippie" and subsequent commercial exploitation of the Beat generation; and his attitude towards political protest. He also recalls Michael McClure, Wallace Berman, Ed Kienholz, Jay DeFeo, Wally Hedrick, Allen Ginsberg and others.
Biographical / Historical:
Bruce Conner (1933-2008) was a painter and filmmaker from San Francisco, California.
General:
Poor sound quality due to loud background noise.
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 26 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
An interview of Joan Brown conducted 1975 July 1-September 9, by Paul Karlstrom, for the Archives of American Art.
Brown speaks of her family background, childhood, and Catholic education; the influence of Egyptian art, Francis Bacon, Willem De Kooning, and others; her instructors at the California School of Fine Arts including Dorr Bothwell and Elmer Nelson Bischoff; her trips to Europe; abstract expressionism, figurative painting, funk art and regionalism; San Francisco's painters, poets and musicians in the late 1950s; women as professional artists; and her imagery. She recalls Wallace Berman, Bruce Conner, Jay DeFeo, Wally Hedrick, George Herms, Edward Kienholz, Michael McClure, Manuel Neri, George W. Staempfli, and others.
Biographical / Historical:
Joan Brown (1938-1990) is a painter from San Francisco, California. Studied at the California School of Fine Arts 1955-1960 under Elmer Bischoff and others.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 12 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Painters -- California -- San Francisco Search this
Correspondence with artists; general business correspondence, 1953-1969; legal documents (some pertaining to owner Charles Alan's separation from the Downtown Gallery and establishment of the Alan Gallery); business records, including price lists, inventories, loan agreements, purchase and consignment records, receipts for purchases, and general ledgers; a card file of gallery stock; two card files recording purchases; two scrapbooks of printed materials on gallery exhibitions; paid bills, statements, tax and insurance records; and photographs (reel 1400) of Landau-Alan Gallery stock, and of Alan Gallery artists.
Correspondents include: Paul Adkins, Oliver Andrews, Richard Boyce, William Brice, Paul Burlin, Carroll Cloar, George M. Cohen, Bruce Conner, Robert Cremean, Robert D'Arista, David Fredenthal, Louis Guglielmi, Richard Hunt, Herbert Katzman, William King, Jonah Kinigstein, Robert Knipschild, John Latham, Jacob Lawrence, Wesley Lea, Julian Levi, Jack Levine, Edmund Lewandowski, Robert Malaval, Marcia Marcus, Walter Meigs, Edward Millman, George L.K. Morris, Robert C. Morris, Edward Moses, Gastone Novelli, Yutaka Ohashi, Nathan Oliveira, Charles Oscar, Eileen Pendergast, Robert Preusser, Easton Pribble, Mitchell Siporin, Jack Squier, Reuben Tam, John Thomas, Robert S. Titus, Bryan Wilson, and Karl Zerbe.
Included in the collection are photographs of the following artists/and or works of art: Paul Adkins, Aubrey Beardsley, Richard Boyce, Robert Cremean, William Dole, Edwin Hewitt Collection, John Denman Collection, Paul Klee, Gustave Klimt, Jack Levine, E. L. T. Mesens, Elie Nadelman, Charles Oscar, Arnaldo Pomodoro, Eileen Prendergast, Joseph Stella, and Clara McDonald Williamson.
A print of the Bruce Conner film "A Movie" (1958) also available on videocassette (VHS), is also found in the collection.
Arrangement:
Artist correspondence is arranged alphabetically; business correspondence is arranged chronologically.
The gallery stock card file is arranged alphabetically by artist; one of the two card files listing works purchased from the Alan Gallery is arranged alphabetically by artist; the other is arranged alphabetically by purchaser.
Biographical / Historical:
The Alan Gallery was established by Charles Alan in 1952. In 1966, Felix Landau purchased the gallery and renamed it the Landau-Alan Gallery. After Alan left in 1969, the name was changed to the Felix Landau Gallery.
Provenance:
Donated 1971 and in 1973 by Charles Alan the founder of the Alan Gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Photographic negatives, transparencies of works of art, paid bills, statements, and tax and insurance records are not microfilmed.
Function:
Art galleries, Commercial -- New York (State) -- New York
An interview of Charles Alan conducted 1970 August 20-25, by Paul Cummings, for the Archives of American Art.
Alan speaks of studying scene and stage design; attending Yale School of Drama; doing illustrations for various publications; traveling and studying in Europe; working as a set designer for MGM and Warner Brothers; his experiences working at the Downtown Gallery; his thoughts and recollections about Edith Halpert; leaving Downtown Gallery and starting his own gallery; his opinions on the future of small galleries in New York; museum purchases; Edith Halpert's art collection; selling his gallery to Felix Landau; and various thoughts concerning the art world. He recalls Norman Bell Geddes, Edith Halpert, Stuart Davis, Julien Levy, Yasuo Kuniyoshi, Kirk Askew, Raymond Breinin, Ben Shahn, George Washburn, Edward Root, Joe Hirshhorn, John Marin, John Marin Jr., Lawrence Allen, Georgia O'Keeffe, William Harnett, Julian Levi, Jack Levine, Karl Zerbe, Bruce Conner, Richard Baker, Paul Sachs, and many others.
Biographical / Historical:
Charles Alan (1908?-1975) was an art dealer from New York, New York. Alan attended Horace Mann School, graduating in 1924. Attended Yale School of Drama in 1925, then worked as a set designer for MGM and Warner Brothers. In 1930, Alan became a theatrical set designer and director. After serving in the Army in World War II, he worked for Edith Halpert at the Downtown Gallery. In 1952, he opened the Charles Alan Gallery, specializing in contemporary art. Alan closed the gallery in 1970 to become a private dealer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art dealers -- New York (State) -- New York -- Interviews Search this
Set Designers -- United States -- Interviews Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
An interview with Dennis Adrian conducted 2015 October 8-9, by Lanny Silverman, for the Archives of American Art's Chicago Art and Artists: Oral History Project, at Adrian's home in Seaside, Oregon.
Adrian speaks of growing up in Astoria; traveling to Chicago and New York; Cannon Beach; aging and getting older; his origins; curators and curating; visual sensibilities; the Portland Public Library; opera; his parents, grandparents, and family; Finnish sensibility and humor; Portland Art Museum and classes for children; curator as voyeur; credit and accomplishments; hands on experiences; Artforum; art history; attending University of Chicago; homosexuality and coming out; looted European masterworks; Botticelli; exposure to real art; connoisseurship; collectors and collecting; a Robert Louis Stevenson letter; violin making; growing into yourself; Chicago; war; New York University; Frumkin Gallery; New York; the art world; Madison Art Center; Akron Art Museum; friendship and role models; Art Institute of Chicago; meeting Mies van der Rohe; meeting idols; education; Oscar Wilde and Dorothy Parker; Museum of Contemporary Art, Chicago; Monster Roster; traveling; Chicago art politics; writing and critics; Eurocentric curators; Chicago as an undervalued city; Dog Day Afternoon; discovering art; New York sightings; and experiences running into artists. Adrian also recalls Roger Brown, Ruth Horwich, Gilda Buchbinder, Don Baum, Sherman Lee, Victor Carlson, Peter Voulkos, Lawrence Alloway, Rhona Hoffman, Allan Frumkin, June Leaf, Leon Golub, Jeremy Anderson, Robert Barnes, Tom Garver, Bruce Conner, Natasha Nicholson, H. C. Westermann, Franz Schulze, Bertha Harris Wiles, Muriel Newman, Aaron James Spire, Lillian Florsheim, John Maxon, Greg Knight, P.B. Maryan, Philip Pearlstein, Sylvia Sleigh, Nancy Spero, Irving Petlin, John Coplans, Alan Artner, Alice Shaddle, Phyllis Kind, Andy Warhol, Joseph Cornell, Tilda Swinton, Leo Castelli, Philip Guston, Dubuffet, Pussy Pepke, Bumpy Rogers, Barbara Rossi, Christina Ramberg, Philip Hanson, Miyoko Ito, Mark Jackson, Rolf Achilles, and Vito Acconci.
Biographical / Historical:
Dennis Adrian (1937- ) is an art critic, educator, and curator in Chicago, Illinois. Lanny Silverman (1947- ) is a curator at the Chicago Cultural Center in Chicago, Illinois.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- Illinois -- Chicago -- Interviews Search this
An interview of Jay DeFeo conducted 1975 June 3-1976 January 23, by Paul Karlstrom, for the Archives of American Art.
The interviews took place at DeFeo's home, in Larkspur, California. DeFeo speaks of her family background; the influences of her teachers; her education at the University of California at Berkeley; her friendships with Sam Francis and Fred Martin; working in Italy; jewelry making; the San Francisco arts community in the 1950s; her exhibitions; and her painting, "The Rose". She recalls Bruce Conner, Sonia Gechtoff, and Walter Hopps.
Biographical / Historical:
Jay DeFeo (1929-1989) was a painter and photographer from the San Francisco Bay area, California.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 6 digital wav file. Duration is 6 hr., 7 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
