Search Results

Collection Creator:

James Graham & Sons  Search this

Container:

Box 14, Folder 40

Type:

Archival materials

Date:

1977

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref503

Collection Creator:

Hrdlička, Aleš, 1869-1943  Search this

Container:

Box 76

Type:

Archival materials

Date:

1935-1943

Collection Restrictions:

The Aleš Hrdlička papers are open for research.

Access to the Aleš Hrdlička papers requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Aleš Hrdlička papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

The Repatriation Office, Department of Anthropology, National Museum of Natural History, provided funds for the arrangement and description of the Aleš Hrdlička papers

See more items in:

Aleš Hrdlička papers

Aleš Hrdlička papers / Series 5: Financial Papers

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-1974-31-ref1906

Collection Creator:

Hrdlička, Aleš, 1869-1943  Search this

Container:

Box 114

Type:

Archival materials

Date:

undated

Collection Restrictions:

The Aleš Hrdlička papers are open for research.

Access to the Aleš Hrdlička papers requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Aleš Hrdlička papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

The Repatriation Office, Department of Anthropology, National Museum of Natural History, provided funds for the arrangement and description of the Aleš Hrdlička papers

See more items in:

Aleš Hrdlička papers

Aleš Hrdlička papers / Series 16: Bone Studies / Crania:

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-1974-31-ref2450

Collection Creator:

Hrdlička, Aleš, 1869-1943  Search this

Container:

Box 117

Box 295

Type:

Archival materials

Date:

undated

Scope and Contents:

Includes measurements on or from Illinois, Kansas, Maryland, Winnebago, Wisconsin, Oklahoma, Ohio, Algonkin, Maine, Massachusetts, Rhode Island, Connecticut, Iroquois, New York, Delaware, Pennsylvania, Virgina, Kentucky, Indiana, Michigan, Iowa, Missouri, Montana, Cheyenne, Chippewa, Caddoan, Bannock, Blackfeet, Piegan, Shoshonean, South Dakota, and Wyoming.

Collection Restrictions:

The Aleš Hrdlička papers are open for research.

Access to the Aleš Hrdlička papers requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Aleš Hrdlička papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

The Repatriation Office, Department of Anthropology, National Museum of Natural History, provided funds for the arrangement and description of the Aleš Hrdlička papers

See more items in:

Aleš Hrdlička papers

Aleš Hrdlička papers / Series 16: Bone Studies / Crania:

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-1974-31-ref2496

Creator:

Wood & Brooks Company  Search this

Names:

International Association of Machinists  Search this

Pratt, Read and Company  Search this

United Furniture Workers of America  Search this

Extent:

3 Cubic feet (10 boxes)

Type:

Collection descriptions

Archival materials

Business records

Correspondence

Specifications

Date:

1889-1959

Summary:

Collection documents the activities of Wood & Brooks, a manufacturer of piano keys and actions.

Scope and Contents:

The collection conists primarily of correspondence Charles R. Wood, M.S. Brooks and Hilton C. Brooks, financal and sales records, and some photographs documenting the company's work as manufacturer's of ivory piano keys and piano actions.

Arrangement:

The collection is arranged into six series.

Series 1: Executive Records, 1889-1949 Series 2: Correspondence, 1890-1932 Series 3: Financial Records, 1891-1932

Series 4: Photographs, 1902-1959 Series 5: Piano Action and Specification Materials, 1927-1959

Series 6: Miscellaneous, 1958

Biographical / Historical:

Charles Raymond Wood founded Wood and Brooks Company in 1901, in North Tonawanda, New York with financial help from Connecticut entrepreneur, M.S. Brooks. The company manufactured piano keys and piano actions. In 1905, Wood and Brooks acquired Seavern Piano Action Company of Cambridge, Massachusettts and in 1910 purchased Kurtz Action Company of Rockford, Illinois.

Source

Dolge, Alfred. Pianos and Their Makers. Development of the piano, Volume II, 1913.

Related Materials:

Materials in the Archives Center

Pratt, Read and Corporation Records (NMAH.AC.0320)

Warshaw Colletion of Business American, Series: Ivory (NMAH.AC.0060)

Warshaw Colletion of Business American, Series: Pianos (NMAH.AC.0060)

Ernest D. Moore Papers (NMAH.AC.0321)

Otto Gerdau Collection (NMAH.AC.0363)

Sohmer & Co. Records (NMAH.AC.0349)

Steinway & Sons Records and Family Papers (NMAH.AC.0178)

Chickering & Sons Piano Company Collection (NMAH.AC.0264)

Provenance:

Collection donated by Lawrence G. Brady, 1994.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Collective labor agreements  Search this

Factory workers  Search this

Factories  Search this

Ivory  Search this

Ivory industry  Search this

Keyboard instruments  Search this

Photographs  Search this

Piano  Search this

pianos  Search this

stock certificates  Search this

Genre/Form:

Business records

Correspondence -- 19th-20th century

Specifications

Specifications

Citation:

Wood and Brooks Company Records, 1925-1966, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0457

See more items in:

Wood and Brooks Company Records

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0457

Collector:

Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this

Printer:

Janus, Allan  Search this

Interviewee:

Hanfstaengl, Erna  Search this

Names:

Baltimore Symphony Orchestra  Search this

Chautauqua Institute  Search this

Colonial Williamsburg Foundation  Search this

Holland-America Cruises  Search this

Hitler, Adolf, 1889-1945  Search this

Extent:

87.6 Cubic feet (331 boxes, 2 map-folders)

Type:

Collection descriptions

Archival materials

Passports

Photographs

Travelogs

Receipts

Ephemera

Files

Filmstrips

Lecture notes

Personal papers

Silver-dye bleach process

Contracts

Notebooks

Prints

Press releases

Ships' passenger lists

Project files

Magnetic tapes

Posters

Postcards

Vertical files

Dye destruction process

Travel diaries

Letters (correspondence)

Professional papers

Bank statements

Correspondence

Audiotapes

Series 12.

Clippings

Card files

Concert programs

Dye destruction photoprints

Biography files

Awards

Business records

Birthday cards

Date:

circa 1790-1981

bulk 1945-1980

Scope and Contents:

This collection is primarily the work of one individual, Donald Harvey Sultner, known professionally as Donald Sultner-Welles (1914-1981). The collection forms a written and visual record of Sultner's family, life, and career from 1913-1980. Its major strength is Sultner's photographic documentation of the world during his travels, ca. 1950-1980. Work by other photographers and artists, correspondence, greeting cards, and contemporary memorabilia and ephemera are included, along with fewer than fifty examples of earlier materials, ca. 1790-1900, collected by Sultner.

The entire collection reflects Sultner's lifework and interests. Housed in boxes the collection is organized into eleven series: Personal Papers; Professional Papers; Lecture Materials; Biographical Materials; Transparencies; Photoprints; Photonegatives; Prints, Drawings, Mixed Media; Audio Tapes; Miscellaneous; and Steve Eyster Addenda. The arrangement within each series is based as closely as possi-ble on Sultner's own organization of the materials. However, in several instances similar materials were found separated and have been placed together. In addition, obvious filing mistakes and spelling errors have been corrected. The spelling of geographic place names is based on Official Standard Names prepared by the U.S. Board on Geographic Names, Office of Geography, U.S. Department of the Interior. Not all names given by Sultner were found in the gazetteers, so there may be errors.

The bulk of the collection consists of 2-1/4-inch by 2-1/4-inch color transparencies (Series 5). However, the manuscript materials (Series 1-4) provide a detailed complement to the transparencies. For example, from the mid-1950s until the late 1970s, Sultner kept a travel diary (Se-ries 1). Written on the backs of postcards, this stream-of-consciousness journal reflects not only his daily trips, but his impressions of the countries and thoughts on his photography. A juxtaposition of cards with images is especially useful in understanding what Sultner photographed as well as why and how he photographed it. Sultner's professional corre-spondence (Series 2) documents the various types of groups before which he performed and equipment manufacturers dealt with for cameras, projectors, and so on. Notes, drafts, and final lectures (Series 3) present the performance side of Sultner. This material, when viewed with tapes of concerts and slides, begins to recreate the photo-concert as Sultner presented it. Scrapbooks (Series 4), kept by Sultner from the 1940s to the 1980s, present Sultner's life and career in chronological fashion.

The transparency portion of the collection (Series 5), containing over 87,000 images, is especially rich because of its documentation of the countries of the world. People are seen at their daily tasks, such as washing clothes, marketing, shopping, and eating. Cities are documented as they changed over the years. Two areas in particular will be of spe-cial interest to European and Asian researchers. The first is Sultner's USIS Asian tour in 1959. He visited Japan, Java, India, Korea, the Phil-ippines, Laos, Cambodia and Vietnam. The serene, prewar cities and coun-tryside of Laos, Cambodia, and Vietnam evince nothing of the devastation to come in the 1960a and 70s.

The second area of interest is Sultner's passion for documenting archi-tecture. As a guest of the German government in 1954, Sultner documented the devastation of World War II and photographed both the reconstruction of bombed buildings and the construction of buildings reflecting "new" postwar architectural styles. In addition to photographing post-WW II styles, throughout his career Sultner documented Palladian, baroque and Rococo architecture. This interest manifested itself in several of his lectures.

A third subject area of interest to Sultner was gardens. Among his first lectures following his USIS tour was "Gardens of the World." Sultner de-veloped this theme into an ongoing commitment to ecology, culminating in a filmstrip, "The Time is Now" (Series 10), prepared for the Hudson River Conservation Society in the 1960s. Carl Carmer, a noted author, wrote the text for the filmstrip. Sultner's taped interviews, lectures, and program music (Series 9) complement the transparencies. During his USIS-sponsored Asian tour in 1959, Sultner recorded impressions of his trip on tape. Interviews with people living in the countries he visited, radio interviews, and his own personal reflections are included. Of particular interest are his "No Harm Asking" interviews in Manila (tape #2), his interview of two French hotel managers in Saigon discussing post-French control conditions (tape #9), and--perhaps the most unusual--his discussion with Erna Hanfstaengl about her personal relationship with Adolf Hitler (tape #107). Scripts for lectures (Series 3) round out the documentation of Sultner's profes-sional work.

Because of the arrangement of the transparencies, it is necessary to check several areas for the same subject. For example, Vietnam images are in the "World" section alphabetically under Vietnam (box 81). Sult-ner also lectured on Vietnam, so there are Vietnamese images in the "framed subjects" (Boxes 137-138). Another example, perhaps more compli-cated, but more common to Sultner, was his distinguishing between images of unidentified "People" and identified "Portraits." Transparency stud ies of human beings will be found under the subseries "People." "Subjects --Portraits," various countries in the subseries "World," and "Lectures." There are also individuals in the black-and-white photoprints (Series 6), and photonegatives (Series 8). The painter and print-maker Charles Shee-ler appears in a number of locations, as does tenor Roland Hayes. Another area of complexity with regard to people concerns the transparencies and negatives. Sultner interfiled his transparencies and negatives of iden-tified individuals. For appropriate storage, these two different formats have been arranged in separate series. Therefore, instead of container lists for the two series, there is a combined alphabetical index to both (pp. 166-206).

Of tangential interest are the photoprints (Series 6), etchings, wood-cuts, and other prints (Series 8) collected by Sultner. One particular subseries of interest contains photographs presented to Sultner by Asian photographers during his 1959 tour. Over 45 images were given to Sultner and represent the standards of camera-club photography in the 1950s. Thesecond subseries consists of over 25 prints by the Italian-American art-ist Luigi Lucioni (1900- ). For further information on this artist,see The Etchings of Luigi Lucioni, -A Catalogue Raisonne', by Stuart P.Embury (Washington, 1984). Lucioni also painted Sultner's portrait in1952 and the "People" section of the transparencies contains a number of images of Lucioni at work. Another significant category is the Japanese prints, including two by a major nineteenth-century artist, Ando Hiro-shige (1797-1858).

Arrangement:

The collection is arranged into eleven series.

Series 1: Personal Papers, 1923-1981

Series 2: Professional Papers, 1954-1980

Series 3: Lecture Materials, 1952-1980

Series 4: Biographical Materials, 1954-1980

Series 5: Transparencies, 1947-1980

Series 6: Photoprints, 1913-ca. 1980

Series 7: Photonegatives, 1929-1981

Series 8: Prints, Drawings, Mixed Media, ca. 1790-1979

Series 9: Audio Tapes, 1947-1980

Series 10: Miscellaneous, 1947-1980

Series 11: Steve Eyster Addenda, 1937-1980

Biographical / Historical:

Donald Harvey Sultner was bom in York, Pennsylvania, on April 13, 1914, the son of Lillian May Arnold Sultner and Harvey A. Sultner. In 1923 Sultner attended the Lewis Institute in Detroit, Michigan, to overcome a speech impediment. He entered the Wharton School of the University of Pennsylvania in 1932 and graduated in 1936. Sultner studied merchandising and sang in the glee club, then under the direction of composer Harl MacDonald. Sultner, a baritone, continued his interest in music and studied voice with Reinald Werrenrath and with Florence Benedict and Bruce Benjamin in New York City. In the late 1940s and early 1950s he appeared in concert with accompanists at schools, clubs, and resort hotels along the East Coast. It appears that photography was always an important part of Sultner's life. Using a small format (120) camera, he recorded his vacation travels around the United States and Canada, parties, and his family. While living in New York, Sultner continued photographing friends and family and began photographing the famous people he encountered on his concert tours. In the early 1950s he began taking 2-1/4-inch by 2-1/4-inch color transparencies (slides) of landscapes and architecture as he traveled giving concerts.

Sultner, who had taken the stage name of "Sultner-Welles," began what was to be his lifework as a professional "photo-lecturer" in 1952. He illustrated his talks on nature, art, architecture, and the environment with his color slides. In 1954 Sultner toured West Germany as a guest of the Bonn government, and in 1959 he lectured in Asia under the auspices of the U.S. State Department. He was dubbed the "camera ambassador." Constantly adding new material to his collection of slides, Sultner traveled extensively throughout the United States, speaking before garden clubs, cultural organi-zations, and schools. He also appeared aboard various ships of the Holland-America line during a number of cruises abroad.

Sultner had established his performance style by the early 1960s. He expanded his lectures to include a combination of art, words, and music. The expanded presentation resulted in the "photo-concert," a unique synthesis of light and sound that Sultner frequently per-formed with a symphony orchestra. The Baltimore Symphony Orchestra commissioned "Concertino for Camera and Orchestra" by Eric Knight with Sultner in mind. The world premiere was in Baltimore in March 1979. While he spoke on many art, garden, and architectural topics, Sultner specialized in subjects relating to the baroque and rococo periods and Palladian architecture.

Sultner died of cancer in York, Pennsylvania, on March 25, 1981, at the age of 67.

1914 -- April 13, born York, Pennsylvania.

1929 -- In Detroit at Lewis Institute to overcome a speech impediment.

1932 -- To University of Pennsylvania.

1935 -- Summer trip to Roanoke (VA), Picketts, Hershey (PA); fall trip to New England for fraternity (AXP) convention.

1936 -- Spring glee club trip; graduated from the Wharton School of the University of Pennsylvania; summer trips to Newport News (VA), northern trip to Canada, Picketts (PA).

1937 -- Fall trip to Williamsburg (VA), Duke University (NC); Sultner family begins building "Glen Hill" (Dover, PA).

1938 -- Summer at home, and Picketts (PA), Camp Pratt.

1939 -- Spring trip to Washington, D.C.; September trip to The Homestead (WV), Hot Springs (WV), Virginia; Lake Mohonk (NY).

1940 -- Summer trip to New Orleans, Blowing Rock (NC); winter trip to Skytop Club (NY); fall trip to Atlantic City (NJ), Philadelphia (PA), Annapolis (MD).

1941 -- Winter 1941-42 appearance in "Hit the Deck." Lake Mohonk (NY) with Ted Walstrum (Sept. 22-23); Skytop Club (NY) (February); summer trip to Canada, Lake Chazy (NY) (Aug. 17-23).

1942 -- Spring in Atlantic City (NJ); summer to Buck Hill Falls, Lakes Chazy and Mohonk.

1943 -- Summer trip to Mohonk (NY).

1944 -- Summer: To Toronto (Ontario), Muskoka Lake, Bigwin Island, Montreal (Quebec), Mohonk (NY).

1945 -- Summer: To Winnepesauke (ME), Woodstock (NY), Ogunquit (ME), Bridgeport (CT).

1946 -- To Mohonk (NY), Ogunquit (ME), Old Saybrook (CT), Nantucket (RI).

1947 -- Singing tour of Canada and New England; winter-spring tour to Georgia and Florida.

1948 -- To Florida and Nassau, Feb.-Mar., Vermont, July-Aug.; Nassau-Havana-Miami-Bermuda, October.

1949 -- Singing tour of North and South Carolina.

1950 -- Summer trip to South.

1951 -- To District of Columbia, Massachusetts, New Hampshire, [New Jersey?], New York, Vermont.

1952 -- January 9: first public photo-concert, Pennsylvania Academy of the Arts, Philadelphia; trips to Connecticut, Florida, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, South Carolina, Vermont.

1953 -- To Connecticut, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, South Carolina, Vermont.

1954 -- Guest of German government for a study tour in the fall. To District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Pennsylvania, South Carolina, Virginia.

1955 -- To Holland; Connecticut, District of Columbia, Florida, Massachusetts, New Hampshire, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1956 -- To California, District of Columbia, Florida, Georgia, Illinois, Indiana, Massachusetts, New Jersey, New York, North Carolina, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia.

1957 -- Holland-America Cruise to Germany, Austria, Italy. To Connecticut, Illinois, Massachusetts, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Vermont, Virginia.

1958 -- Holland-America Cruises to Germany, Austria, Holland, Italy, Switzerland. To Connecticut, Florida, Georgia, Illinois, Massachusetts, Minnesota., Missouri, New Hampshire, New York, Pennsylvania, Rhode Island, South Carolina, Tennessee, Vermont, Wisconsin.

1959 -- United States Information Service (USIS)-sponsored tour of Asia: Burma, Cambodia, Hong Kong, India, Indonesia, Japan, Korea, Laos, Malaya, Philippines, Singapore, Taiwan, Thailand, Turkey, Vietnam. Also visited Austria, Czechoslovakia, Germany, Greece, Iran, Italy, Spain; Alaska, California, Massachusetts, New York, Pennsylvania.

1960 -- Holland-America Cruise to Austria, Belgium, Caribbean, France, Germany, Holland, Italy, Morocco. To Arizona, California, Florida, Indiana, Massachusetts, Minnesota, Nevada, New Hampshire, New Mexico, New York, Texas, Utah, Virginia, Washington, Wisconsin.

1961 -- To Canada, France, Germany, Switzerland; Alabama, California, Colorado, Connecticut, Florida, Georgia, Idaho, Illinois, Louisiana, Mississippi, Missouri, Montana, New Hampshire, New Jersey, New York, North Carolina, Ohio, Oregon, Pennsylvania, Rhode.Island, South Dakota, Tennessee, Utah, Vermont, Virginia, Washington, Wisconsin.

1962 -- Portfolio, "Autumn in Vermont," with introduction by Carl Carmer, published in Autumn issue of Vermont Life. Holland-America Cruise to Denmark, England, France, Germany, Holland, Italy, Sweden. To Connecticut, District of Columbia, Florida, Illinois, Iowa, Massachusetts, Michigan, New York, North Carolina, Pennsylvania, South Carolina, Vermont, Virginia.

1963 -- Holland-America Cruise to Caribbean, Canada, Sweden, Thailand. To Alabama, California, District of Columbia, Florida, Georgia, Illinois, Louisiana, Massachusetts, Minnesota Mississippi, Missouri, New Hampshire, New Jersey, N;w York, Ohio, Pennsylvania, Texas, Vermont, Virginia, Washington.

1964 -- Holland-America Cruise to Germany, Canada, England, Holland, Wales. To Delaware, District of Columbia, Indiana, Kentucky, Massachusetts, New Hampshire, New York, Ohio, Pennsylvania, Texas, Virginia.

1965 -- Holland-America Cruise to Austria, Czechoslovakia, France, Germany, Holland, Portugal, Wales. To Arkansas, Connecticut, District of Columbia, Indiana, Kentucky, New Hampshire, New York, Pennsylvania, Vermont, Virginia.

1966 -- Holland-America Cruise to Caribbean, Germany, France, Holland, Italy, Portugal, Switzerland. To New Jersey, North Carolina, Pennsylvania, South Carolina, Tennessee, Virginia.

1967 -- Holland-America Cruise to Caribbean, Austria, Denmark, England, Germany, Holland, Italy, Portugal, Sweden, Wales. To Massachusetts, New Jersey, New York, Rhode Island, Vermont, Virginia.

1968 -- To Germany; Massachusetts, New Hampshire, New Jersey, New York, Ohio, Pennsylvania, Vermont, Virginia.

1969 -- To England, France, Germany, Holland, Switzerland; Ohio, Pennsylvania, Virginia.

1970 -- Holland-America Cruise to Caribbean, Denmark, Iceland, Sweden. To Alabama, District of Columbia, Florida, Georgia, Massachusetts, New Hampshire, New York, Pennsylvania, South Carolina, Vermont, Virginia.

1971 -- Holland-America Cruise to Caribbean, Canada, Denmark, Italy, Portugal, Sweden. To Alabama, Georgia, Massachusetts, Nebraska, New Hampshire, New York, North Carolina, Pennsylvania.

1972 -- Holland-America Cruise to Asia, Pacific, Caribbean, Africa, Austria, Italy, Japan, Thailand, Turkey. To California, New Jersey, New York, Pennsylvania, Rhode Island, Virginia.

1973 -- Holland-America Cruise to Austria, Denmark, Germany, Holland, Iceland, Sweden. To California, Connecticut, District of Columbia, Massachusetts, New York, Ohio, Pennsylvania, Vermont.

1974 -- To Germany, Switzerland; California, Illinois, Massachusetts, New Jersey, New York, Ohio, Pennsylvania, Virginia.

1975 -- To Austria; California, Connecticut, District of Columbia, Massachusetts, New Jersey, New York, North Carolina, Pennsylvania, Virginia.

1976 -- To Canada; Connecticut, District of Columbia, Illinois, Iowa, Massachusetts, Missouri, Nebraska, New Mexico, New York, Ohio, Pennsylvania, Utah.

1977 -- To Canada, Germany; New York, Pennsylvania, Vermont, Virginia.

1978 -- To Scotland; Connecticut, Florida, Georgia, Kentucky, Massachusetts, New York, Pennsylvania, Rhode Island, South Carolina.

1979 -- To England; Florida.

1980 -- To Florida.

1981 -- March 25: Sultner dies of cancer, York, Pennsylania.

Introduction:

The Donald H. Sultner-Welles Collection, ca. 1790-1981, came to the National Museum of American History in 1982 from the estate of Mr. Sultner. The collection was created by Sultner over his adult life and represents one of the most extensive collections of color transparencies created by one individual and held in a public repository. Sultner's emphasis was on world culture. He took the majority of his photographs in the eastern United States, western Europe, and Asia. Gardens, architecture, and people are the three major subject areas represented in the collection. Of additional interest are Sultner's taped impressions of his 1959 United States Information Service (USIS)-sponsored Asian tour. The collection occupies 309 boxes and covers more than 83 cubic feet.

The Donald H. Sultner-Welles Collection is open to researchers in the Archives Center, third floor east, of the National Museum of American History, between 12th and 14th Streets, on Constitution Avenue, N.W., Washington, D.C. 20560. The Archives Center is open Monday through Friday from 10:00 a.m. to 5:00 p.m. Written and telephone (202/357-3270) inquiries are welcome and researchers are encouraged to contact the Archives Center before their arrival. The FAX number is 202/786-2453.

This is the eleventh in a series of occasional guides to collections in the Archives Center. Finding aids to other collections are available. The Guide to Manuscript Collections in the National Museum of History and Technology (1978) and an updated compilation contain brief descriptions of all archival holdings in the Museum. All current Archives Center holdings are available for search on the Smithsonian Institution Bibliographic Information System (SIBIS), an online database.

Restrictions:

Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

A small number of letters and photographs are restricted until the year 2031. Identification list in box.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Portraits -- 20th century  Search this

Lecturers  Search this

Photographers  Search this

Gardens -- Photographs -- 1300-1980  Search this

Architecture -- Photographs -- 1300-1980  Search this

Travel photography -- 1950-2000  Search this

Genre/Form:

Passports

Photographs -- Black-and-white negatives -- Acetate film

Travelogs

Receipts -- 20th century

Ephemera

Files

Filmstrips

Lecture notes

Personal papers -- 20th century

Silver-dye bleach process

Contracts

Notebooks

Prints

Press releases

Ships' passenger lists

Project files

Magnetic tapes

Posters

Postcards

Vertical files

Dye destruction process

Travel diaries

Letters (correspondence) -- 20th century.

Professional papers

Bank statements

Correspondence -- 1930-1950

Photographs -- Phototransparencies -- 20th century

Audiotapes -- 1940-1980

Series 12. -- Cibachrome (TM)

Photographs -- 20th century

Clippings

Card files

Concert programs

Dye destruction photoprints

Biography files

Awards

Business records

Birthday cards

Identifier:

NMAH.AC.0145

See more items in:

Donald H. Sultner-Welles Collection

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0145

Photographer:

Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this

Names:

Winterthur Henry Francis du Pont Museum Gardens Greenville, Del. -- Photographs  Search this

Collection Collector:

Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this

Collection Printer:

Janus, Allan  Search this

Collection Interviewee:

Hanfstaengl, Erna  Search this

Extent:

13 Items (slide storage sheets)

Container:

Box 6 (Series 5)

Type:

Archival materials

Photographs

Color slides

Chromogenic processes

Place:

Winterthur Del. -- Photographs -- 1960-1970

Date:

[1964.]

Arrangement:

In sheets 5-17, box 6.

Restrictions:

Unrestricted research use on site. Unprotected photographs must be handled with white cotton gloves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Gardens -- Delaware  Search this

Genre/Form:

Photographs -- 1960-1990 -- Phototransparencies.

Photographs -- 1960-1970 -- Color transparencies

Color slides -- 20th century

Chromogenic processes

See more items in:

Donald H. Sultner-Welles Collection

Donald H. Sultner-Welles Collection / Series 5: Transparencies / 5.1: United States / Connecticut, Delaware, District of Columbia

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0145-ref11661

Collection Collector:

Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this

Collection Printer:

Janus, Allan  Search this

Collection Interviewee:

Hanfstaengl, Erna  Search this

Container:

Box 6 (Series 5)

Box 5 (Series 5)

Type:

Archival materials

Collection Restrictions:

Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

A small number of letters and photographs are restricted until the year 2031. Identification list in box.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

See more items in:

Donald H. Sultner-Welles Collection

Donald H. Sultner-Welles Collection / Series 5: Transparencies / 5.1: United States

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0145-ref346

Collection Collector:

Sultner-Welles, Donald H. (Sultner, Donald Harvey), 1914-1981  Search this

Collection Printer:

Janus, Allan  Search this

Collection Interviewee:

Hanfstaengl, Erna  Search this

Container:

Box 6 (Series 5)

Box 5 (Series 5)

Type:

Archival materials

Collection Restrictions:

Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

A small number of letters and photographs are restricted until the year 2031. Identification list in box.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

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Donald H. Sultner-Welles Collection

Donald H. Sultner-Welles Collection / Series 5: Transparencies / 5.1: United States

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0145-ref347

Collection Creator:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Smithsonian Institution. Department of Anthropology  Search this

Smithsonian Institution. United States National Museum. Department of Anthropology  Search this

Container:

Box 27

Type:

Archival materials

Collection Restrictions:

Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution

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Department of Anthropology records

Department of Anthropology records / Series 24: Antiquities Act Permits / 24.3: Antiquities Act Permits – Post 1960

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-xxxx-0311-ref12918

Collection Creator:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Smithsonian Institution. Department of Anthropology  Search this

Smithsonian Institution. United States National Museum. Department of Anthropology  Search this

Container:

Box 27

Type:

Archival materials

Collection Restrictions:

Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution

See more items in:

Department of Anthropology records

Department of Anthropology records / Series 24: Antiquities Act Permits / 24.3: Antiquities Act Permits – Post 1960

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-xxxx-0311-ref12919

Collection Creator:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Smithsonian Institution. Department of Anthropology  Search this

Smithsonian Institution. United States National Museum. Department of Anthropology  Search this

Container:

Box 79

Type:

Archival materials

Collection Restrictions:

Some materials are restricted.

Access to the Department of Anthropology records requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution

See more items in:

Department of Anthropology records

Department of Anthropology records / Series 24: Antiquities Act Permits / 24.4: Antiquities Act Permits – Series 4

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-xxxx-0311-ref13584

Collection Creator:

Mallery, Garrick, 1831-1894  Search this

Type:

Archival materials

Date:

1886

Collection Restrictions:

Manuscript 2372 is open for research.

Access to Manuscript 2372 requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Manuscript 2372, National Anthropological Archives, Smithsonian Institution

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MS 2372 Garrick Mallery Collection on Sign Language and Pictography

MS 2372 Garrick Mallery Collection on Sign Language and Pictography / Series 3: Materials on Pictographs and Petroglyphs / 3.1: Correspondence, drawings, and photographs filed by U.S. state and county (or other locality)

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-ms2372-ref278

Collection Creator:

Mallery, Garrick, 1831-1894  Search this

Container:

Box 9

Type:

Archival materials

Date:

1886

Scope and Contents:

2 letters, Clifford A. H. Bartlett. Sept 20, 1886; Oct 9, 1886, Petroglyph found on the bank of the Housatonic River.

Collection Restrictions:

Manuscript 2372 is open for research.

Access to Manuscript 2372 requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Collection Citation:

Manuscript 2372, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 2372 Garrick Mallery Collection on Sign Language and Pictography

MS 2372 Garrick Mallery Collection on Sign Language and Pictography / Series 3: Materials on Pictographs and Petroglyphs / 3.1: Correspondence, drawings, and photographs filed by U.S. state and county (or other locality) / Connecticut

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-ms2372-ref325

Creator:

Garrison, Vivian, 1933-2013  Search this

Names:

Arensberg, Conrad M. (Conrad Maynadier), 1910-1997  Search this

Extent:

108.29 Linear feet

Type:

Collection descriptions

Archival materials

Place:

New York (State) -- New York City

New Jersey -- Newark

Date:

circa 1930-2009

bulk 1960-1993

Summary:

Vivian E. Garrison was an applied medical anthropologist who researched the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities of the New York metropolitan area. The Vivian E. Garrison papers document this research and consist of clinical and case files; research policies and protocols; presentations and workshops notes; manuscripts and drafts; publications and working papers; correspondence; grant applications; administrative files; sound recordings and films; annotated scholarly literature; and personal biographical material.

Scope and Contents:

The papers of Vivian E. Garrison, circa 1930-2009 (bulk 1960-1993) document her work as an applied medical anthropologist in the New York metropolitan area. Garrison studied and published on the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities. The collection includes clinical and case files, sound recordings, and films; research policies and protocols; presentations and workshop notes and recordings; manuscripts and drafts; publications and working papers; correspondence; grant applications; administrative files; annotated scholarly literature (reprints and books); and personal biographical material.

The bulk of material in the collection relates to Garrison's research under and administration of different research grants focusing on community mental health care in the greater New York City area. As a research scientist at the Lincoln Hospital Mental Health Services (LHMHS), Garrison undertook anthropological research under the National Institute of Mental Health (NIMH) grant, "Study of Neighborhood Centers and Mental Health Aides" (1965-1969). The research completed at LHMHS was used in her dissertation (1971). Garrison continued her studies of the South Bronx populations at the Columbia-Bronx Research Center as principal investigator under the NIMH grant, "Folk Healers and Community Mental Health Programming" (1972-1975). She built upon that research as the director and principal investigator of the U.S. Public Health Grant "Inner-City Support Systems" (ICSS) from 1976-1982, run through the College (later University) of Medicine and Dentistry of New Jersey (C/UMDNJ). Within the Resource Center for Multicultural Care and Prevention (RCMCP) at UMDNJ (born out of the ICSS program), Garrison administered the NIMH grant "Community Support Systems of Haitian Immigrants," (CSSHI) which transferred to Columbia University in 1984. Garrison's research under these and other grants was typically undertaken in concert with anthropological colleagues, community consultants, and medical professionals. The materials in this collection reflect the collaborative nature of this research process, as well as Garrison's administrative role at the ICSS project at UMDNJ. Some research notes, case files, and manuscript drafts of colleagues and contributors are present in this collection.

The collection also contains personal biographical, medical, and historical material documenting the lives of Vivian Garrison and her husband, anthropologist Conrad M. Arensberg. Much of this material relates to Arensberg's medical history and care in the last years of his life, as meticulously recorded and analyzed by Garrison. Personal material in the collection also relates to the preservation and destruction of her historic home in Rumson, New Jersey (the Morris-Salter-Hartshorn-Tredwell House).

Arrangement:

The Vivian E. Garrison papers are arranged into the following 10 series:

Series 1: Lincoln Hospital Mental Health Services, circa 1960-1973

Series 2: Columbia University Bronx Research Center, circa 1968-1977

Series 3: Inner-City Support System Project, circa 1968-1997

Series 4: Community Support Systems of Haitian Immigrants, circa 1973-1988

Series 5: Publications, manuscripts, and associated research files, circa 1960-2005

Series 6: Presentations, workshops, and conferences, 1969-2000

Series 7: Professional development files, 1955-2008

Series 8: Personal files, circa 1930-2009

Series 9: Scholarly literature and bibliographies, circa 1970s-1980s, undated

Series 10: Unprocessed material

Biographical Note:

Vivian Eva Garrison, known as "Kelly" to friends and colleagues, was an applied medical anthropologist who researched the cultural understandings and community treatment structures surrounding mental illness and mental health care among low-income, minority, and migrant communities the New York metropolitan area. She worked predominantly with African American, Hispanic, and Caribbean migrant populations in the South Bronx and in Newark, New Jersey.

Garrison was born on August 28, 1933 in Butte, Montana. She earned a B.A. in Spanish and psychology from New York University in 1961 and a Ph.D. in anthropology from Columbia University in 1972. Her dissertation, Social Networks, Social Change and Mental Health among Migrants in a New York City Slum, was completed in 1971.

Garrison conducted her research under the purview of various federal and state grants to examine community mental health care. The majority of her research was completed at Lincoln Hospital in the Bronx, at the College/University of Medicine and Dentistry of New Jersey, and at Columbia University.

Throughout her career, Garrison acted as a consultant in matters of folk healing and community health care and published frequently on folk healing, espiritismo, psychiatry, and psychiatric methodology. She taught intermittently, including teaching one semester of Margaret Mead's "Problems and Methods in Anthropology" course at Columbia University (1979). She also contributed to the President's Commission on Mental Health in 1977-1978.

Garrison married anthropologist Conrad M. Arensberg in 1973 and died in April 2013 at the age of 79.

Chronology

1933 August 28 -- Born in Butte, Montana

1961 -- B.A. New York University (Spanish and Psychology)

1962-1963 -- Administrative Assistant, Peace Corps, North Borneo (now Sabah, Malaysia)

1965-1969 -- Research Scientist, National Institute of Mental Health (NIMH) Grant "Study of Neighborhood Centers and Mental Health Aides," Lincoln Hospital Mental Health Services, Yeshiva University Albert Einstein College of Medicine

1969-1972 -- Assistant Professor and Staff Member, Program Information and Assessment Section, Connecticut Mental Health Center, Department of Psychiatry, Yale University School of Medicine

1972 -- Ph.D. Columbia University (Anthropology)

1972-1973 -- Senior Research Associate, Department of Anthropology, Columbia University

1972-1975 -- Senior Research Associate and Principal Investigator, NIMH Grant "Folk Healers and Community Mental Health Programming," Department of Anthropology, Columbia University

1973 -- Married Conrad M. Arensberg

1974-1985 -- Assistant to Associate Professor of Psychiatry and Mental Health Science, University of Medicine and Dentistry of New Jersey (UMDNJ), New Jersey Medical School

1976-1982 -- Principal Investigator, U.S. Public Health Grant "Inner-City Support Systems," UMDNJ

1979 -- Senior Lecturer, Department of Anthropology, Columbia University,

1980-1984 -- Director, Resource Center for Multicultural Care and Prevention, UMDNJ

1982-1984 -- Principal Investigator and Director, NIMH Grant "Community Support Systems of Haitian Immigrants," UMNDJ

1982-1984 -- Project Director, "Culturally Sensitive Case Management Training," State of New Jersey, Division of Mental Health and Hospitals, UMDNJ

1983-1986 -- Associate Research Scholar, Department of Anthropology, Columbia University

1984-1985 -- Principal Investigator, U.S. Public Health Grant "Community Support Systems of Haitian Immigrants," Columbia University

1984-? -- Visiting Associate Professor of Psychiatry, Charles R. Drew Postgraduate Medical School, King/Drew Medical Center

1986-? -- Senior Research Associate, Teachers College, Columbia University, Institute for Urban and Minority Education

2013 April 2 -- Died

Related Materials:

Conrad M. Arensberg papers, National Anthropological Archives, Smithsonian Institution

Separated Materials:

The films in this collection have been transferred to the Human Studies Film Archives, accession number HSFA/NAFC 2017-013. They are described in this finding aid.

Provenance:

These papers were donated to the National Anthropological Archives by the estate of Vivian Garrison Arensberg in 2017.

Restrictions:

The Vivian E. Garrison papers are open for research.

Certain materials in the collection contain personally identifiable information (PII) and personal health information (PHI). These materials are restricted for 80 years from the date of their creation. Restricted materials are noted in the following finding aid and have been removed to boxes 54-61.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original audiovisual material in the Human Studies Film Archives may not be played. Please contact the archives for information on availability of access copies of audiovisual recordings.

Access to the Vivian E. Garrison papers requires an appointment.

Rights:

Contact repository for terms of use.

Topic:

Applied anthropology  Search this

Clinical sociology  Search this

Medical anthropology  Search this

Medical policy  Search this

Traditional medicine  Search this

Espiritismo (Cult)  Search this

Spiritualism  Search this

Women anthropologists  Search this

Citation:

Vivian E. Garrison papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

Funding for the processing of this collection was provided by the Wenner-Gren Foundation.

Identifier:

NAA.2017-19

See more items in:

Vivian E. Garrison papers

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_collection:sova-naa-2017-19

Collection Creator:

Garrison, Vivian, 1933-2013  Search this

Container:

Box 37

Type:

Archival materials

Date:

1969-1970

Collection Restrictions:

The Vivian E. Garrison papers are open for research.

Certain materials in the collection contain personally identifiable information (PII) and personal health information (PHI). These materials are restricted for 80 years from the date of their creation. Restricted materials are noted in the following finding aid and have been removed to boxes 54-61.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Original audiovisual material in the Human Studies Film Archives may not be played. Please contact the archives for information on availability of access copies of audiovisual recordings.

Access to the Vivian E. Garrison papers requires an appointment.

Collection Rights:

Contact repository for terms of use.

Collection Citation:

Vivian E. Garrison papers, National Anthropological Archives, Smithsonian Institution

Sponsor:

Funding for the processing of this collection was provided by the Wenner-Gren Foundation.

See more items in:

Vivian E. Garrison papers

Vivian E. Garrison papers / Series 7: Professional development files / 7.3: CVs, correspondence, and assorted professional files

Archival Repository:

National Anthropological Archives

EDAN-URL:

ead_component:sova-naa-2017-19-ref3489

Collection Creator:

United Telegraph Workers.  Search this

Western Union Telegraph Company  Search this

Container:

Box 866

Type:

Archival materials

Collection Restrictions:

Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Western Union Telegraph Company Records, Archives Center, National Museum of American History

See more items in:

Western Union Telegraph Company Records

Western Union Telegraph Company Records / Series 23: Photographs / 23.14: Addenda (2017)

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0205-ref10648

Collection Creator:

United Telegraph Workers.  Search this

Western Union Telegraph Company  Search this

Container:

Box B-28

Type:

Archival materials

Series Restrictions:

This subseries is in storage off-site. Contact Archives Center for terms of access.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Western Union Telegraph Company Records, Archives Center, National Museum of American History

See more items in:

Western Union Telegraph Company Records

Western Union Telegraph Company Records / Series 11: Law Department Records / 11.2: Law Department Publications

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0205-ref5990

Collection Creator:

United Telegraph Workers.  Search this

Western Union Telegraph Company  Search this

Container:

Box B-39

Type:

Archival materials

Series Restrictions:

This subseries is in storage off-site. Contact Archives Center for terms of access.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Western Union Telegraph Company Records, Archives Center, National Museum of American History

See more items in:

Western Union Telegraph Company Records

Western Union Telegraph Company Records / Series 11: Law Department Records / 11.2: Law Department Publications

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0205-ref6388

Collection Creator:

United Telegraph Workers.  Search this

Western Union Telegraph Company  Search this

Container:

Box 541, Folder 2-3

Type:

Archival materials

Date:

1941

Collection Restrictions:

Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Western Union Telegraph Company Records, Archives Center, National Museum of American History

See more items in:

Western Union Telegraph Company Records

Western Union Telegraph Company Records / Series 15: Engineering Department Records / 15.8: Miscellaneous Materials

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0205-ref8445