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Oral history interview with Charles Linder, 1999 July 10

Interviewee:
Linder, Charles K., 1967-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Refusalon Gallery  Search this
San Francisco Art Institute  Search this
University of California, Berkeley. Department of Art  Search this
Art Schools in California Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art students -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13108
(DSI-AAA_SIRISBib)221765
AAA_collcode_linder99
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_221765
Online Media:

Oral history interview with Tom Marioni, 2017 December 21-22

Interviewee:
Marioni, Tom, 1937-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Type:
Interviews
Sound recordings
Topic:
Performance artists -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17535
(DSI-AAA_SIRISBib)392052
AAA_collcode_marion17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_392052
Online Media:

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

Tom Marioni papers, 1970-2017

Creator:
Marioni, Tom, 1937-  Search this
Subject:
Crown Point Press (Oakland, Calif.)  Search this
Type:
Sound recordings
Video recordings
Topic:
Performance art  Search this
Conceptual art  Search this
Record number:
(DSI-AAA_CollID)17561
(DSI-AAA_SIRISBib)394150
AAA_collcode_mariotom
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_394150

Assorted Material

Collection Creator:
Alexander, Robert  Search this
Temple of Man (Venice, Calif.)  Search this
Container:
Box 1, Folder 27
Type:
Archival materials
Date:
circa 1960-2010
Scope and Contents:
Includes correspondence related to exhibitions, photographs of artwork, exhibition announcements and brochures, and clippings.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Alexander papers and Temple of Man records
Robert Alexander papers and Temple of Man records / Series 3: Correspondence and Artists Files / Berman, Wallace
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93af7d9a0-0e85-4206-aeb3-39be2a3784c0
EDAN-URL:
ead_component:sova-aaa-alexbob-ref93
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David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927567772-c71f-4f30-a427-adbd535e1009
EDAN-URL:
ead_collection:sova-aaa-ireldavi

[Robert Howard Studio opening] [videorecording] / created by Terry Fox, produced by Paule Anglim

Creator:
Anglim, Paule  Search this
Names:
Fox, Terry, 1943-  Search this
Howard, Robert Boardman, 1896-1983  Search this
Extent:
1 Item (videocassette (33 min.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Date:
1976
Scope and Contents:
A video of the opening of sculptor Robert Howard's studio, November 23, 1976, created by conceptual artist Terry Fox, produced and commissioned by gallery owner Paule Anglim. Appearing in the video are Howard, Anglim, and friends, relatives, and artists Dick Faralla, Cherie Raciti, Sally Lilienthal, Florence Allen, Phil Lanhares, Josephine Stauffacher and Ellen Howard.
General:
Very poor sound and image quality.
Provenance:
Donated 1986 by Paule Anglim, owner of Paule Anglim Gallery.
Function:
Artists' studios -- California -- San Francisco
Identifier:
AAA.foxterr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cb68ea2f-e587-4152-a72e-9785e4b99747
EDAN-URL:
ead_collection:sova-aaa-foxterr

Tom Marioni papers

Creator:
Marioni, Tom, 1937-  Search this
Names:
Crown Point Press (Oakland, Calif.)  Search this
Extent:
6.7 Linear feet
7.37 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Date:
1970-2017
Summary:
The papers of conceptual and performance artist Tom Marioni measure 6.7 linear feet and 7.37 GB and date from 1970-2017. The collection documents Marioni's career through photographs, address and appointment books, visitor books from performances, exhibitions, and other gatherings, printed material, and digital sound and video recordings of exhibitions and events.
Scope and Contents:
The papers of conceptual and performance artist Tom Marioni measure 6.7 linear feet and 7.37 GB and date from 1970-2017. The collection documents Marioni's career through photographs, address and appointment books, visitor books from performances, exhibitions, and other gatherings, printed material, and digital sound and video recordings of exhibitions and events.

The bulk of the collection consists of photographs that document Marioni's weekly performances of "The Act of Drinking Beer with Friends is the Highest Form of Art," which were held in his San Francisco studio in the 1990s and early 2000s, and digital video recordings of one series of performances at the Hammer Museum in 2010. Also found are snapshots taken at exhibitions, museums, and galleries, and photos of artwork by Marioni.

Printed material includes editions 1-5 of Vision, an art journal published by Crown Point Press for which Marioni served as editor.
Arrangement:
The collection is arranged as four series.

Series 1: Address and Appointment Books, 1970-2011 (Box 1; 11 folders)

Series 2: Guest Books, 1991-2017 (Box 1-2; 1 linear foot)

Series 3: Printed Material, 1991-2006 (Box 2, OV 13; 11 folders)

Series 4: Photographs, 1970-2012 (Box 2-3, 5-12; 4.5 linear feet, ER01-ER05; 7.37 GB)
Biographical / Historical:
Tom Marioni (1937- ) is a conceptual and performance artist in San Francisco, California, known for his role in the emergence of the conceptual art movement in the 1960s to the mid-1970s.

Marioni was born in Cincinnati, Ohio and from an early age had an interest in music, particularly jazz, and played the violin. He attended the Art Academy of Cincinnati before moving to San Francisco where his art was included in a juried exhibition at the San Francisco Museum of Modern Art. Marioni served in the U.S. Army between 1960-1963 and was stationed in Germany, before returning to pusue a career as an artist and educator.

Through his works "One Second Sculpture" (1969) and "The Act of Drinking Beer with Friends is the Highest Form of Art" (1970), and his role in the founding of the Museum of Conceptual Art in 1970, Marioni played a key role in the conceptual art movement, and held several art shows at the Museum of Conceptual Art before its closure in 1984. In weekly Cafe Wednesdays, Marioni's renditions of "The Act of Drinking Beer with Friends is the Highest Form of Art" were performance art shows in which guests were both participants and observers who were asked to follow several rules, drink beer, and interact. The show was held at the San Francisco Museum of Modern Art in 1979, and renditions of the performance have since occurred in museums around the world. In 1989, Marioni established an artists club in his San Francisco studio and began holding Cafe Wednesdays again. In 1999 the name "Cafe Wednesday" was changed to the Society of Independent Artists.

Marioni has had many solo shows throughout his career including exhibitions at the Yerba Buena Center for the Arts in San Francisco, de Young Museum, and Kunstsaele in Berlin, Germany. Retrospectives of Marioni's work have been held at the Contemporary Art Center in Cincinnati and Mills College Art Museum in Oakland, and he has completed installations and participated in group exhibitions internationally, including at Y1 Gallery in Stockholm, Sweden, Demarco Gallery in Edinburgh, Scotland, the Lyon Biennale in France, Secession Gallery in Vienna, Austria, and many others. Marioni's work can be found in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and elsewhere.
Provenance:
The collection was donated by Tom Marioni in 2018.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California -- San Francisco  Search this
Performance artists -- California -- San Francisco  Search this
Topic:
Performance art  Search this
Conceptual art  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Tom Marioni papers, 1970-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mariotom
See more items in:
Tom Marioni papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ceb21e42-e53f-4ce6-ad28-4bb1c2bd7994
EDAN-URL:
ead_collection:sova-aaa-mariotom

Betty Klausner research material on David Ireland

Creator:
Klausner, Betty  Search this
Names:
Anglim, Paule  Search this
Barlow, Francis Hill  Search this
Berkson, Bill  Search this
Bourne, Agnes  Search this
Brandt, Damon  Search this
Dunn, Douglas  Search this
Garrels, Gary.  Search this
Gorney, Jay, 1896-1990  Search this
Hatch, Ann  Search this
Ireland, Barbara  Search this
Ireland, David, 1930-2009  Search this
Ireland, Judy  Search this
Ireland, Marsha  Search this
Ireland, Shaun  Search this
Koss, PierPaolo  Search this
Levy, Leah  Search this
Lewallen, Constance  Search this
Linhares, Philip E.  Search this
Melchert, Jim, 1930-  Search this
Myers, Jeannie  Search this
Pinegar, Richard  Search this
Reed, Jane  Search this
Reynolds, Jock  Search this
Storr, Robert  Search this
Tanner, Marcia  Search this
Thompson, Mark, 1952-  Search this
Tingle, Alta  Search this
Tsujimoto, Karen.  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1987-2004
Scope and Contents:
Research material including interviews, writings, photographs of works of art and printed material regarding conceptual artist David Ireland for the book "Touching Time and Space: A Portrait of David Ireland" by Klausner. Interviews are with Ireland as well as Paule Anglim, Robert Atkins, Bill Berkson, Frances Hill Barlow, Agnes Bourne, Damon Brandt, Douglas Dunn, Gary Garrels, Jay Gorney, Ann Hatch, Barbara Ireland, Judy Ireland, Marsha Ireland, Shaugn Ireland, P. Koss, Leah Levy, Connie Lewallen, Phil Linhares, James Melchert, Jeannie Myers, Richard Pinegar, Jane Reed, Jock Reynolds, Robert Storr, Marcia Tanner, Mark Thompson, Alta Tingle, and Karen Tsujimoto. Most, but not all, are transcribed. Writings include drafts and notebooks. Printed material includes exhibition catalogs and newspaper clippings.
Biographical / Historical:
Betty Klausner: Art historian, San Francisco, Calif. David Ireland: Conceptual and installation artist, San Francisco, Calif. b. 1930
Provenance:
Donated 2007 by Betty Klausner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians -- California -- San Francisco  Search this
Topic:
Conceptual art  Search this
Women art historians  Search this
Identifier:
AAA.klaubett
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991371fab-b516-479b-bf24-e9ec85ccefd0
EDAN-URL:
ead_collection:sova-aaa-klaubett

Oral history interview with Charles Linder

Interviewee:
Linder, Charles K., 1967-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Refusalon Gallery  Search this
San Francisco Art Institute -- Students.  Search this
University of California, Berkeley. Department of Art -- Students.  Search this
Extent:
25 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 July 10
Scope and Contents:
An interview of Charles Linder conducted 1999 July 10, by Paul Karlstrom, for the Archives of American Art as part of the Art Schools in California Oral History Project, in Linder's home, San Francisco, Calif.
Linder focuses on his experiences at the San Francisco Art Institute (BFA, sculpture and video, 1990) and University of California, Berkeley (MFA, new genres program, 1997). He discusses the art programs at the two institutions in terms of the benefits provided to students facing careers in a highly competitive and commercial art world; his particular interests in the contrasting philosophies of the fine arts training with romantic bohemian individuals on one hand and the careerist (market and/or teaching) goals on the other;
his admiration of certain faculty members at both institutions and savoring the bohemian atmosphere of the SFAI especially; the efficacy of formal training for artists who need to prepare to make a living; founding the avant-garde Refusalon Gallery in 1990, created in part as his conceptual art piece investigating the often conflicting worlds of creative idealism and business realities; and turning the gallery over to his partner in early 1999 when finding that, as an artist, he could not reconcile the two.
Biographical / Historical:
Charles K. Linder (1967- ) is a conceptual artist and gallery owner from San Francisco, Calif.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Gallery owners -- California  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Art students -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.linder99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989798557-22b4-4ecb-be70-c1209847b62c
EDAN-URL:
ead_collection:sova-aaa-linder99
Online Media:

Oral history interview with Tom Marioni

Interviewee:
Marioni, Tom, 1937-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 32 min.), digital, wav)
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 December 21-22
Scope and Contents:
An interview with Tom Marioni conducted 2017 December 21-22, by Mija Riedel, for the Archives of American Art, at Marioni's studio, in San Francisco, California.
Biographical / Historical:
Tom Marioni (1937- ) is an artist in San Francisco, California. Mija Riedel (1958- ) is a writer and editor in San Francisco, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and audio recording are open for research. Contact Reference Services for more information.
Occupation:
Conceptual artists -- California -- San Francisco -- Interviews  Search this
Topic:
Performance artists -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Citation:
Oral history interview with Tom Marioni, 2017 December 21-22. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marion17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91b6a621d-a0fe-4317-944d-d778e294da83
EDAN-URL:
ead_collection:sova-aaa-marion17
Online Media:

In site : five conceptual artists from the Bay Area : Terry Fox, Howard Fried, David Ireland, Paul Kos, Tom Marioni : [exhibition] University Gallery, Fine Arts Center, University of Massachusetts at Amherst, February 2-March 17, 1990

Author:
University of Massachusetts at Amherst University Gallery  Search this
Physical description:
38 p. : ill. (some col.) ; 36 cm
Type:
Exhibitions
Place:
California
San Francisco Bay Area
Date:
1990
C1990
20th century
Topic:
Conceptual art  Search this
Art, American  Search this
Call number:
N6535.S3 I35 1990
N6535.S3I35 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_442759

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