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Senga Nengudi papers

Creator:
Nengudi, Senga, 1943-  Search this
Names:
Banks, Cheryl  Search this
Hammons, David, 1943-  Search this
Hassinger, Maren  Search this
McCullough, Barbara  Search this
Extent:
12.8 Linear feet
11.24 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Scrapbooks
Diaries
Drawings
Sketchbooks
Date:
1947
circa 1962-2017
Summary:
The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.
Scope and Contents:
The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material, including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger and Barbara McCullough; and audio and video recordings, including recordings of performances.
Arrangement:
This collection is arranged as ten series.

Series 1: Biographical Material, 1962-2006, 2017 (Box 1, Box 14; 0.5 linear feet)

Series 2: Calendars and Journals, 1967-2016 (Boxes 1-6; Box 15; 5.7 linear feet)

Series 3: Correspondence, 1966-2017 (Boxes 6-8; 1.7 linear feet)

Series 4: Writings, 1964-2010 (Box 8; 0.3 linear feet)

Series 5: Professional Activities, 1966-2017 (Boxes 8-10, Box 15; 1.9 linear feet, ER01-ER06; 11.10 GB)

Series 6: Printed Material, 1947, 1963-2017 (Boxes 10-12, Box 15; 1.4 linear feet, ER07; 0.143 GB)

Series 7: Scrapbook, 1974-1976 (Box 15; 1 folder)

Series 8: Photographic Material, circa 1962-2007 (Box 12, Box 15; 0.1 linear feet)

Series 9: Artwork, circa 1960s-2004, 2014, undated (Box 12, Box 15; 0.5 linear feet)

Series 10: Audio and Video Recordings, circa 1974-1998 (Boxes 12-13; 0.4 linear feet)
Biographical / Historical:
Senga Nengudi (1943- ) is an African American conceptual and performance artist in Colorado Springs, Colorado. Born Sue Irons in Chicago, Illinois, she earned a bachelor's degree in art with a minor in dance from California State University, Los Angeles. From 1966 to 1967 she studied Japanese culture at Waseda University in Tokyo, Japan. This study deeply influenced her artistic practice. Upon her return from Japan in 1967, she pursued her master's degree in sculpture at California State University, which she received in 1971.

After receiving her master's degree, she moved to New York to continue her career as an artist, showing at Just Above Midtown Gallery and teaching at the Children's Art Carnival in Harlem. Throughout her career, Nengudi has collaborated and shown with Maren Hassinger, David Hammons, Barbara McCullough, Suzanne Jackson, John Outterbridge, and Bettye Saar. Nengudi is best known for "stationary performance objects," particularly her RSVP series, objects composed of nylon mesh and sand that refer to the flexibility of the female figure. The series debuted in the 1970s and Nengudi returned to it, adding on A.C.Q. to exhibit it at the 57th Venice Biennale in 2017. Also in 2017, Senga Nengudi: Improvisational Gestures opened at the DePaul Art Museum. This was the first solo museum survey for the artist and featured work from the 1970s to 2017.
Related Materials:
The Amistad Research Center also holds 4.5 linear feet of the Senga Nengudi papers, 1966-2017.
Provenance:
The Senga Nengudi papers were donated to the Archives of American Art in 2018 and 2019 by Senga Nengudi.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- Colorado -- Colorado Springs  Search this
Performance artists -- Colorado -- Colorado Springs  Search this
Topic:
African American artists  Search this
Women artists  Search this
African American art -- African influences  Search this
Women performance artists  Search this
Genre/Form:
Sound recordings
Video recordings
Scrapbooks
Diaries
Drawings
Sketchbooks
Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nengseng
See more items in:
Senga Nengudi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1e2d273-f8a1-4561-8fd6-633b1e58d2f7
EDAN-URL:
ead_collection:sova-aaa-nengseng
Online Media:

Oral history interview with William Weller Leavitt

Interviewee:
Leavitt, William, 1941-  Search this
Interviewer:
Leddy, Annette  Search this
Extent:
3 Memory cards (9 sound files (3 hrs., 54 min.), digital, wav )
85 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Memory cards
Pages
Interviews
Sound recordings
Date:
2021 May 7-11
Scope and Contents:
An interview with William Weller Leavitt conducted 2021 May 7-11, by Annette C. Leddy for the Archives of American Art, at Leddy's home in Los Angeles, California.
Biographical / Historical:
William Leavitt (1941-) is a Los Angeles-based artist who examines the collision of illusion and reality in Southern California film culture, which he calls "the theater of the ordinary," through painting, photography, performance, and installation. Leavitt is associated with West Coast Conceptualism.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.leavit21
See more items in:
Oral history interview with William Weller Leavitt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91e617770-3f17-4c90-a87d-4436bc30a8fb
EDAN-URL:
ead_collection:sova-aaa-leavit21
Online Media:

Oral history interview with John Baldessari

Interviewee:
Baldessari, John, 1931-  Search this
Creator:
Knight, Christopher, 1950-  Search this
Names:
California Institute of the Arts -- Faculty  Search this
Extent:
83 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1992 April 4-5
Scope and Contents:
An interview of John Baldessari conducted 1992 April 4-5, by Christopher Knight, for the Archives of American Art
This interview was conducted at the artist's studio in Santa Monica, California, 1992 April 4. Baldessari discusses his education; his teaching career; twenty years of teaching at the California Institute of the Arts from its inception in 1970; the development of his work; photo-emulsion pieces and text and image pieces; the art scene in Los Angeles during the 1960's; exhibitions; and his relationship with various dealers.
Biographical / Historical:
John Baldessari (1931- ) is a conceptual artist of Los Angeles, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others. Funding for this interview was provided by the Lannan Foundation.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Conceptual artists -- California -- Los Angeles -- Interviews  Search this
Topic:
Conceptual art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.baldes92
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96afa84e7-2553-48c5-aeb0-210568b3171f
EDAN-URL:
ead_collection:sova-aaa-baldes92
Online Media:

Oral history interview with John Baldessari, 1992 April 4-5

Interviewee:
Baldessari, John, 1931-  Search this
Baldessari, John, 1931-  Search this
Interviewer:
Knight, Christopher, 1950-  Search this
Subject:
California Institute of the Arts  Search this
Type:
Sound recordings
Interviews
Topic:
Conceptual art  Search this
Record number:
(DSI-AAA_CollID)11806
(DSI-AAA_SIRISBib)214630
AAA_collcode_baldes92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214630
Online Media:

Oral history interview with Alison Knowles, 2010 June 1-2

Interviewee:
Knowles, Alison, 1933-  Search this
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Gordon, Coco  Search this
Gottlieb, Adolph  Search this
Hamilton, Richard  Search this
Hendricks, Jon  Search this
Higgins, Dick  Search this
Johnson, Ray  Search this
Jones, Joe  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard  Search this
Maciunas, George  Search this
Mac Low, Jackson  Search this
Moorman, Charlotte  Search this
Ono, Yōko  Search this
Paik, Nam June  Search this
Pollock, Jackson  Search this
Rauschenberg, Robert  Search this
Saito, Takako  Search this
Schapiro, Miriam  Search this
Schneemann, Carolee  Search this
Schöning, Klaus  Search this
Silverman, Gilbert  Search this
Shiomi, Mieko  Search this
Spoerri, Daniel  Search this
Tenney, James  Search this
Teitelbaum, Richard  Search this
Waśko, Ryszard  Search this
California Institute of the Arts  Search this
Middlebury College  Search this
Pratt Institute. Art School  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15822
(DSI-AAA_SIRISBib)290220
AAA_collcode_knowle10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_290220

Oral history interview with Alison Knowles

Interviewee:
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
California Institute of the Arts -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Middlebury College -- Students  Search this
Pratt Institute. Art School -- Students  Search this
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy, 1939-  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Gordon, Coco, 1938-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hamilton, Richard, 1922-  Search this
Hendricks, Jon  Search this
Higgins, Dick, 1938-1998  Search this
Johnson, Ray, 1927-1995  Search this
Jones, Joe, 1909-1963  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard, 1901-1978  Search this
Mac Low, Jackson  Search this
Maciunas, George, 1931-1978  Search this
Moorman, Charlotte  Search this
Ono, Yōko  Search this
Paik, Nam June, 1932-  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saito, Takako, 1929-  Search this
Schapiro, Miriam, 1923-2015  Search this
Schneemann, Carolee, 1939-  Search this
Schöning, Klaus  Search this
Shiomi, Mieko, 1909-1948  Search this
Silverman, Gilbert  Search this
Spoerri, Daniel, 1930-  Search this
Teitelbaum, Richard  Search this
Tenney, James  Search this
Waśko, Ryszard  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 June 1-2
Scope and Contents:
An interview of Alison Knowles conducted 2010 June 1-2, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Knowles' home and studio, in New York, N.Y.
Knowles speaks of her family background; her father's (an English professor) influence on her education; her love of nature and isolation as a young girl; her French studies at Middlebury College; her transfer to Pratt Institute to study art; the social and academic environment at Pratt; her inclinations towards abstraction; her first marriage to Jim Ericson; her first studio at 423 Broadway; her early jobs as a commercial artist; her first gallery show at Nonagon, in 1958, and how she subsequently burned the paintings in that show; her second marriage to Dick Higgins in 1960; her Judson Gallery Show in 1962 and how she subsequently discarded those works; her involvement in the Fluxus group; her involvement with the "Cage class," and its early performances; her collaboration with John Cage on the book, "Notations" (1968); her collaboration with Marcel Duchamp on a print (1967); the circumstances surrounding her performance piece, "Make a Salad" (1962), her travels through Europe with Higgins; the birth of her twins; her computerized poetic piece and installation, "House of Dust" (1967) and how it was later vandalized; her move to Los Angeles to teach at CalArts; the rebuilding of "House of Dust" at CalArts; her move back to New York; the processes leading up to several projects and collaborations including "Loose Pages," "Big Book," "Bread and Water," and more; where she finds her inspiration; her thoughts on performance art; her studio environment in Barrytown, N.Y.; the influence and support of Germany on her work and Fluxus in general; her recent work, including "Identical Lunch"; and current challenges she faces as an artist.
She recalls Richard Lindner, Adolph Gottlieb, Willem de Kooning, Jackson Pollock, Judy Chicago, Josef Albers, Dorothy Podber, Ray Johnson, Dick Higgins, Robert Rauschenberg, John Cage, Klaus Schöning, Jon Hendricks, Gilbert Silverman, George Maciunas, George Brecht, Jack Mac Low, Yoko Ono, Mieko Shiomi, Takako Saito, Joe Jones, Marcel Duchamp, Daniel Spoerri, Richard Hamilton, Nam June Paik, Charlotte Moorman, Helmut Becker, Coco Gordon, Jim Tenney, Cornelia Lauf, Rirkrit Tirvanija, Allan Kaprow, Simone Forte, Carolee Schneemann, Richard Teitelbaum, Miriam Schapiro, Miguel Abrau, James Fuentes, Cyrilla Wozenter, Kathy Kuehn, Ryszard Wasko.
Biographical / Historical:
Alison Knowles (1933- ) is an artist and a founding member of Fluxus in New York, N.Y. Judith Olch Richards (1947- ) is a former director of iCI in New York, N.Y.
General:
Originally recorded on 5 mini discs. Duration is 5 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.knowle10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f89c1d9-b4ed-49cb-8fac-4f5e5dedfa4e
EDAN-URL:
ead_collection:sova-aaa-knowle10
Online Media:

Oral history interview with Chris Burden, 2012 September 11-21

Interviewee:
Burden, Chris, 1946-  Search this
Burden, Chris, 1946-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16115
(DSI-AAA_SIRISBib)362337
AAA_collcode_burden12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362337

Oral history interview with Barbara Kruger, 2016 May 9

Interviewee:
Kruger, Barbara, 1945-  Search this
Kruger, Barbara, 1945-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)17362
(DSI-AAA_SIRISBib)381303
AAA_collcode_kruger16
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_381303

Oral history interview with Mark Bradford, 2020 August 14

Interviewee:
Bradford, Mark, 1961-  Search this
Bradford, Mark, 1961-  Search this
Interviewer:
Chow, Nyssa, 1980-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
African American artists  Search this
COVID-19 (Disease)  Search this
Pandemics  Search this
COVID-19 (Disease) -- Social aspects  Search this
AIDS (Disease)  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)21966
AAA_collcode_bradfo20
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21966

Oral history interview with Ken Gonzales-Day, 2020 July 31

Interviewee:
Gonzales-Day, Ken, 1964-  Search this
Gonzales-Day, Ken, 1964-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)22017
AAA_collcode_gonzal20
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22017

John M. White papers, 1949-1985

Creator:
White, John M., 1937-  Search this
White, John M., 1937-  Search this
Topic:
Art, American -- California -- Venice  Search this
Conceptual art  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7459
(DSI-AAA_SIRISBib)209617
AAA_collcode_whitjohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209617

Merle Schipper interviews

Creator:
Schipper, Merle  Search this
Names:
Anderson, John S., 1928-  Search this
Card, Greg S., 1945-  Search this
Cutler-Shaw, Joyce, 1932-  Search this
DeLap, Tony, 1927-2019  Search this
Graham, Robert, 1938-  Search this
Hammersley, Frederick, 1919-2009  Search this
Harden, Marvin, 1935-  Search this
Kauffman, Craig, 1932-2010  Search this
Kent, Claude, 1945-  Search this
Kessler, Charles, 1943-  Search this
Kipper, Harry  Search this
Onslow-Ford, Gordon  Search this
Pashgian, Helen, 1934-  Search this
Phillips, Jay, 1954-1987  Search this
Seliger, Charles, 1926-2009  Search this
Shelton, Peter, 1951-  Search this
Simonian, Judith, 1945-  Search this
Trowbridge, David, 1945-  Search this
Valentine, De Wain, 1936-2022  Search this
Van Hamersveld, John  Search this
Wight, Frederick Stallknecht, 1902-  Search this
Yokoi, Rita, 1938-  Search this
Extent:
21 Sound cassettes (Sound recording)
Type:
Collection descriptions
Archival materials
Sound cassettes
Date:
1978-1987
Scope and Contents:
A lecture and interviews of twenty-two Southern California painters and sculptors, conducted and recorded by Los Angeles art critic Merle Schipper.
Interview tapes and Schipper's fragmentary notes are available for Greg S. Card, Tony Delap, Robert Graham, Frederick Hammersley, Marvin Harden, Craig Kauffman, Claude Kent, Charles Kessler, Harry Kipper, Jay Phillips, Charles Seliger, Peter T. Shelton, Judith Simonian, David Trowbridge, and John Van Hamersveld.
Only tapes are available for John Anderson, Joyce Cutler-Shaw, Gordon Onslow-Ford, Helen Pashgian, Frederick Stallknecht Wight and Rita Yokoi. Only Schipper's fragmentary notes are available for the DeWain Valentine interview. A tape of Craig Kauffman's May 9, 1979 lecture at the Los Angeles County Museum of Art is also included.
Arrangement:
John Anderson interview is on the Gordon Onslow-Ford tape.
John Van Hamersveld interview is on the Harry Kipper tape.
Frederick Stallknecht Wight interview is on the Joyce Cutler-Shaw tape.
Rita Yokoi interview is on the Helen Pashgian tape.
Biographical / Historical:
California art critic and curator of the Fine Arts Gallery, California State University; b. in 1922.
Provenance:
Donated 1988 by Merle Schipper.
Restrictions:
Untranscribed interviews; use requires an appointment and is limited to AAA's Washington, D.C. office.
Occupation:
Conceptual artists -- California -- Interviews  Search this
Topic:
Art, Modern -- California  Search this
Painters -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Identifier:
AAA.schimerl2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ec6a57c-5584-428e-b534-e1f33f11d56b
EDAN-URL:
ead_collection:sova-aaa-schimerl2

Oral history interview with Barbara Kruger

Interviewee:
Kruger, Barbara, 1945-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Extent:
1 Item (sound file (2 hrs., 58 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2016 May 9
Scope and Contents:
An interview with Barbara Kruger conducted 2016 May 9, by Hunter Drohojowska-Philp, for the Archives of American Art, at Kruger's home and studio in Los Angeles, California.
Biographical / Historical:
Interviewee Barbara Kruger (1945- ) is a conceptual artist in Los Angeles, California. Interviewer Hunter Drohojowska-Philp is a writer in Los Angeles, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
ACCESS RESTRICTED; Use requires written permission.
Occupation:
Conceptual artists -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kruger16
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw987d66a83-7465-4e5d-96ef-274b9834a10f
EDAN-URL:
ead_collection:sova-aaa-kruger16

Oral history interview with Ken Gonzales-Day

Creator:
Gonzales-Day, Ken  Search this
Franco, Josh T., 1985-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((18 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 July 31
Scope and Contents:
An interview with Ken Gonzales-Day conducted 2020 July 31, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project, at Gonzales-Day's studio in Los Angeles, California.
Biographical / Historical:
Ken Gonzales-Day (1964- ) is a conceptual artist in Los Angeles, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.gonzal20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90df01629-8222-4e35-af0c-27e9ab83d07e
EDAN-URL:
ead_collection:sova-aaa-gonzal20
Online Media:

Oral history interview with Mark Bradford

Interviewee:
Bradford, Mark, 1961-  Search this
Interviewer:
Chow, Nyssa, 1980-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((1 hr., 13 min.), digital, mp4)
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Video recordings
Date:
2020 August 14
Scope and Contents:
An interview with Mark Bradford conducted 2020 August 14, by Nyssa Chow, for the Archives of American Art's Pandemic Oral History Project at Bradford's home in Los Angeles, California.
Biographical / Historical:
Mark Bradford (1961- ) is a conceptual artist working in multiple mediums in Los Angeles, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
COVID-19 (Disease)  Search this
Pandemics  Search this
COVID-19 (Disease) -- Social aspects  Search this
AIDS (Disease)  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.bradfo20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99bece7d4-2695-4365-83b2-186331e3d3a0
EDAN-URL:
ead_collection:sova-aaa-bradfo20
Online Media:

John M. White papers

Creator:
White, John M., 1937-  Search this
Extent:
2.2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1949-1985
Scope and Contents:
REELS 3999-4001: Photocopies of school records from 1945; an award certificate, 1970; a resume, 1972; a contract with Art/Video Productions for co-partnership with Gerald L. Rosen and Andy Eason to produce interview videos; clippings, 1969-1975; 2 diaries, 1974 and 1975; correspondence with friends and associates, 1963-1985; 2 typescripts by White: "R. M. Shindler - An Architectural Analysis and Interpretation" and "Performance Chronology"; 14 notebooks, undated and 1965-1976; notes written as a student at the Patri School of Art Fundamentals, 1962-1965, and at the Otis Art Institute, 1964-1969; miscellaneous notes, 1949-1975; and subject files for 25 performance/installation works of art including "Dirt Event, Bronson Canyon", "Boulder Delivery", "Time and Space", and "Art Walk", 1968-1978, containing letters, notes, drawings, and printed material.
REEL 1817 (fr. 1229-1230): Photograph of John White performing "Conceptual Striptease (Clothing as Form)," 1971, Los Angeles, Calif. Photographer unknown. Photo was previously microfilmed under Photos of Artists II and has since been scanned and returned to the White papers.
Biographical / Historical:
Conceptual artist; Venice California.
Provenance:
Donated 1979 & 1981 by John M. White. Photograph donated with papers 1979 and microfilmed with Photographs of Artists-Collection II in 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Conceptual artists -- California -- Venice  Search this
Topic:
Art, American -- California -- Venice  Search this
Conceptual art  Search this
Identifier:
AAA.whitjohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f367365c-64d2-4e3f-9100-97bd00f0d5c6
EDAN-URL:
ead_collection:sova-aaa-whitjohn

David Ireland Papers

Artist:
Ireland, David, 1930-2009  Search this
Names:
American Academy in Rome  Search this
Arts Club of Chicago  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Center for the Arts at Yerba Buena Gardens  Search this
Gallery Paule Anglim  Search this
Helmhaus Zürich  Search this
Mattress Factory  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Modern Art  Search this
Skowhegan School of Painting and Sculpture  Search this
Stanford University  Search this
Walker Art Center  Search this
Washington State Arts Commission  Search this
Western Washington University  Search this
Coppola, Eleanor  Search this
Grobart, Jeffrey  Search this
Lee, Margie  Search this
Lienhard, Marie-Louise  Search this
Marion, Paul  Search this
Tingle, Alta  Search this
Extent:
24.8 Linear feet
8.39 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Date:
circa 1910s-circa 2009
bulk 1960-2005
Summary:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.
Scope and Contents:
The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial sound recordings, photographic materials, artwork, and video and sound recordings.

Biographical material includes awards and certificates, address books and appointment books, artist's statements, resumes, chronologies, student university materials, passports, and sound and video recordings of interviews with Ireland. Correspondence is with friends, peers, universities, galleries, and museums, including Jeffrey Grobart, Eleanor Coppola, Margie Lee, Marie-Louise Lienhard, Paul Marion, and Alta Tingle, among others. Notes and notebooks contain incoming phone messages, notes to self, regarding projects and ideas, as well as various other notes and plans.

Installation projects and exhibition files constitute the bulk of the collection and document David Ireland's extensive projects and exhibitions around the world. Files are found for his Capp Street house project and Pacific Enterprises project in San Francisco; Boott Mills project in Lowell, Massachusetts; IKEA Emeryville Public Art Project in Emeryville, California; and several Washington State Arts Commission and Western Washington University projects. Other exhibition and installation locations found within the files include the American Academy in Rome; Yerba Buena Arts Center in California; Perth Institute of Contemporary Art in Australia; Helmhaus in Zurich, Switzerland; Arts Club of Chicago; SFMOMA; New Museum of Contemporary Art in New York; Walker Art Center in Minneapolis, Minnesota; and the Mattress Factory in Pittsburgh, among many others. The files contain a wide variety of materials, including sound and video recordings in various formats.

Teaching files document David Ireland's many roles as visiting artist, artist-in-residence, instructor, and conference and symposium panelist at the California College of Arts and Crafts, San Francisco Art Institute, Skowhegan School of Painting and Sculpture, and Stanford University Department of Art, among others. Travel files document Ireland's trips abroad, both independent of and as a result of installation and project obligations.

Personal business records are comprised of financial materials and documentation relating to Ireland's two early South African import and safari businesses as well grants and project proposals, various loan agreements, representation through Gallery Paule Anglim, property sales and tax documentation, inventory materials, and various other business materials. Also found within the collection are printed material and four commercial sound recordings. Photographs are of the artist, friends and family, Ireland's Oakland studio, and works of art. There is artwork by Ireland, including sketches, drawings, and prints, and a few pieces of artwork by other artists. In addition to sound and video recordings arranged in other series, there is one video recording and six sound cassettes that are either unidentified or have no additional context within the collection.
Arrangement:
This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1950-circa 2009 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, circa 1937-circa 2008 (4 linear feet; Boxes 2-6)

Series 3: Notes and Notebooks, circa 1965-circa 2008 (0.7 linear feet; Boxes 6-7)

Series 4: Installation Projects and Exhibition Files, circa 1960s-circa 2009 (11.6 linear feet; Boxes 7-18, OV26, OV27, 7.84 GB; ER01-ER15)

Series 5: Teaching Files, 1977-1998 (1.2 linear feet; Boxes 18-19)

Series 6: Travel Files, circa 1950s-circa 1994 (0.6 linear feet; Boxes 19-20)

Series 7: Personal Business Records, circa 1965-circa 2008 (1.1 linear feet; Boxes 20-21)

Series 8: Printed Material and Commercial Recordings, 1932-circa 2009 (2.3 linear feet; Boxes 21-23, 0.553 GB; ER16)

Series 9: Photographic Materials, circa 1910s-circa 2005 (1 linear foot; Boxes 23-24)

Series 10: Artwork, circa 1965-circa 2003 (0.2 linear feet; Box 24)

Series 11: Video and Sound Recordings, circa 1965-circa 1990s (0.4 linear feet; Box 25)
Biographical / Historical:
David Ireland (1930-2009) was a conceptual artist and sculptor who worked in San Francisco, California.

Ireland was born in Bellingham, Washington and attended Western Washington University. In 1953, he received a degree in industrial design and printmaking from the California College of Arts and Crafts (now California College of the Arts) in Oakland. He then served two years in the U. S. Army in Missouri, returning to live and work in Bellingham. For several years, Bellingham served as his launch point for extensive travels in Europe and Africa.

In the late 1950s, Ireland founded Hunter Africa, an artifacts import business. He moved the business to San Francisco in 1965 and also began a second business leading safaris in Africa. He married Bellingham native Joanne Westford and had two children, Ian Ireland and Shaughn Niland; they divorced in 1970.

Ireland attended the San Francisco Art Institute and received a graduate degree in 1974. There, he met other Bay Area artists involved in the conceptual movement there, including Tom Marioni, Paul Kos, Howard Fried, and Terry Fox.

Much of Ireland's artwork of the 1980s and 1990s centered on the transformation of his home at 500 Capp Street in San Francisco, where he dramatically physically and conceptually transformed the interior and exterior structure into a mix of architectural sculpture and environmental art piece. He bought a second home in 1979 to transform, and, in the 1980s, completed a renovation of the main building at the Headlands Center for Arts in Sausalito with artist Mark Thompson.

David Ireland's work has been presented in more than forty solo exhibitions at venues that included the Walker Art Center, Minneapolis; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D. C.; The Museum of Modern Art and the New Museum of Contemporary Art, New York. He created major public projects and private commissions in Los Angeles, San Francisco, Philadelphia, Washington, D. C., and other cities. His work is included in the permanent collections of The Museum of Modern Art and the Whitney Museum of American Art in New York, San Francisco Museum of Modern Art, Los Angeles County Museum of Art, Oakland Museum of California, and University of California, Berkeley Art Museum and Pacific Film Archive, among others.
Provenance:
The David Ireland papers were donated in 2010 by the David Ireland Estate through Jock Reynolds, Special Trustee, The David Ireland Revocable Trust.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California -- San Francisco  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Genre/Form:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Citation:
David Ireland papers, circa 1910s-circa 2009, bulk 1960-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ireldavi
See more items in:
David Ireland Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927567772-c71f-4f30-a427-adbd535e1009
EDAN-URL:
ead_collection:sova-aaa-ireldavi

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