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Oral history interview with Charles Linder, 1999 July 10

Interviewee:
Linder, Charles K., 1967-  Search this
Linder, Charles K., 1967-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Refusalon Gallery  Search this
San Francisco Art Institute  Search this
University of California, Berkeley. Department of Art  Search this
Art Schools in California Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art students -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13108
(DSI-AAA_SIRISBib)221765
AAA_collcode_linder99
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_221765
Online Media:

Oral history interview with Tom Marioni, 2017 December 21-22

Interviewee:
Marioni, Tom, 1937-  Search this
Marioni, Tom, 1937-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Type:
Interviews
Sound recordings
Topic:
Performance artists -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17535
(DSI-AAA_SIRISBib)392052
AAA_collcode_marion17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_392052
Online Media:

Oral history interview with Dennis Oppenheim, 1995 July-Aug

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Boettger, Suzaan  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12924
(DSI-AAA_SIRISBib)215885
AAA_collcode_oppenh95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215885
Online Media:

Oral history interview with Dennis Oppenheim, 2009 June 23-24

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Serra, Richard  Search this
Levai, Pierre  Search this
Aycock, Alice  Search this
Acconci, Vito  Search this
Lipski, Donald  Search this
Warhol, Andy  Search this
Sonnier, Keith  Search this
Nauman, Bruce  Search this
Irwin, Robert  Search this
Biennale di Venezia  Search this
Olympic Games (29th : 2008 : Beijing, China)  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Record number:
(DSI-AAA_CollID)15693
(DSI-AAA_SIRISBib)283437
AAA_collcode_oppenh09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283437
Online Media:

Oral history interview with John Baldessari, 1992 April 4-5

Interviewee:
Baldessari, John, 1931-  Search this
Baldessari, John, 1931-  Search this
Interviewer:
Knight, Christopher, 1950-  Search this
Subject:
California Institute of the Arts  Search this
Type:
Sound recordings
Interviews
Topic:
Conceptual art  Search this
Record number:
(DSI-AAA_CollID)11806
(DSI-AAA_SIRISBib)214630
AAA_collcode_baldes92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214630
Online Media:

Oral history interview with Ken Gonzales-Day, 2020 July 31

Interviewee:
Gonzales-Day, Ken, 1964-  Search this
Gonzales-Day, Ken, 1964-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)22017
AAA_collcode_gonzal20
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22017

Oral history interview with Mark Bradford, 2020 August 14

Interviewee:
Bradford, Mark, 1961-  Search this
Bradford, Mark, 1961-  Search this
Interviewer:
Chow, Nyssa, 1980-  Search this
Subject:
Pandemic Oral History Project  Search this
Type:
Interviews
Video recordings
Topic:
African American artists  Search this
COVID-19 (Disease)  Search this
Pandemics  Search this
COVID-19 (Disease) -- Social aspects  Search this
AIDS (Disease)  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)21966
AAA_collcode_bradfo20
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21966

Oral history interview with Alison Knowles, 2010 June 1-2

Interviewee:
Knowles, Alison, 1933-  Search this
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy  Search this
De Kooning, Willem  Search this
Duchamp, Marcel  Search this
Gordon, Coco  Search this
Gottlieb, Adolph  Search this
Hamilton, Richard  Search this
Hendricks, Jon  Search this
Higgins, Dick  Search this
Johnson, Ray  Search this
Jones, Joe  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard  Search this
Maciunas, George  Search this
Mac Low, Jackson  Search this
Moorman, Charlotte  Search this
Ono, Yōko  Search this
Paik, Nam June  Search this
Pollock, Jackson  Search this
Rauschenberg, Robert  Search this
Saito, Takako  Search this
Schapiro, Miriam  Search this
Schneemann, Carolee  Search this
Schöning, Klaus  Search this
Silverman, Gilbert  Search this
Shiomi, Mieko  Search this
Spoerri, Daniel  Search this
Tenney, James  Search this
Teitelbaum, Richard  Search this
Waśko, Ryszard  Search this
California Institute of the Arts  Search this
Middlebury College  Search this
Pratt Institute. Art School  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15822
(DSI-AAA_SIRISBib)290220
AAA_collcode_knowle10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_290220

Matt Mullican papers, circa 1968-2017

Creator:
Mullican, Matt, 1951-  Search this
Mullican, Matt, 1951-  Search this
Subject:
König, Kasper  Search this
Mullican, Lee  Search this
Weiner, Lawrence  Search this
Type:
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Multimedia (Art)  Search this
Record number:
(DSI-AAA_CollID)16215
(DSI-AAA_SIRISBib)368431
AAA_collcode_mullmatt
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368431
Online Media:

David Ireland Papers, circa 1910s-circa 2009, bulk 1960-2005

Creator:
Ireland, David Kenneth, 1930-2009  Search this
Ireland, David Kenneth, 1930-2009  Search this
Subject:
Tingle, Alta  Search this
Marion, Paul  Search this
Lienhard, Marie-Louise  Search this
Lee, Margie  Search this
Grobart, Jeffrey  Search this
Coppola, Eleanor  Search this
Skowhegan School of Painting and Sculpture  Search this
Mattress Factory  Search this
Washington State Arts Commission  Search this
Gallery Paule Anglim  Search this
Center for the Arts at Yerba Buena Gardens  Search this
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Arts Club of Chicago  Search this
American Academy in Rome  Search this
Stanford University  Search this
Walker Art Center  Search this
Helmhaus Zürich  Search this
San Francisco Art Institute  Search this
Perth Institute of Contemporary Arts  Search this
San Francisco Museum of Modern Art  Search this
Western Washington University  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Video recordings
Sketches
Interviews
Prints
Sound recordings
Drawings
Photographs
Topic:
Artists' studios -- Photographs  Search this
Art -- Study and teaching  Search this
Installations (Art)  Search this
Public art  Search this
Record number:
(DSI-AAA_CollID)15853
(DSI-AAA_SIRISBib)292739
AAA_collcode_ireldavi
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_292739
Online Media:

Oral history interview with Chris Burden, 2012 September 11-21

Interviewee:
Burden, Chris, 1946-  Search this
Burden, Chris, 1946-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)16115
(DSI-AAA_SIRISBib)362337
AAA_collcode_burden12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362337

Oral history interview with Barbara Kruger, 2016 May 9

Interviewee:
Kruger, Barbara, 1945-  Search this
Kruger, Barbara, 1945-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Type:
Sound recordings
Interviews
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)17362
(DSI-AAA_SIRISBib)381303
AAA_collcode_kruger16
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_381303

Art for the record : issues of Documentation and Contemporary Art : Panel discussion

Creator:
Southern California Committee for Contemporary Art Documentation  Search this
Karlstrom, Paul J.  Search this
Nodelman, Sheldon, 1935-  Search this
Paul, Stella  Search this
Boshier, Derek  Search this
Brauer, David  Search this
Chipp, Herschel Browning  Search this
Gerlach, Murney  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Holt, Nancy, 1938-2014  Search this
Hopkins, Henry, 1928-2009  Search this
Extent:
Sound recording: sound files (digital, wav file)
Container:
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Item IM100RC.072
Type:
Archival materials
Audio [31027000061867]
Audio [31027000061875]
Audio [31027000061883]
Audio [31027000061800]
Audio [31027000061818]
Audio [31027000061826]
Audio [31027000061834]
Audio [31027000061842]
Audio [31027000061859]
Sound recordings
Date:
1988 March 26
Scope and Contents:
A panel discussion sponsored by the Southern California Committee for Contemporary Art Documentation.
The participants speak of the relationship between documentation and contemporary art.
The participants are: Stella Paul, Sheldon Nodelman, Henry Hopkins, Helen Mayer Harrison, Newton Harrison, David Brauer, Herschel Browning Chipp, Murney Gerlach, Derek Boshier, Nancy Holt, and Paul Karlstrom. The event is hosted by the Archives of American Art.
Biographical / Historical:
The Southern California Committee for Contemporary Art Documentation is a consortium representing galleries, museums, libraries and archives throughout Southern California. Established in 1985 to promote an understanding of and interest in documentary records relating to contemporary art activity in the area.
General:
Originally recorded on 9 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 47 min.
Funding note:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Collection Restrictions:
Use requires an appointment.
Occupation:
Conceptual artists -- California, Southern  Search this
Educators -- California, Southern  Search this
Environmental artists -- California, Southern  Search this
Filmmakers -- California, Southern  Search this
Painters -- California, Southern  Search this
Sculptors -- California, Southern  Search this
Topic:
Art, American -- California, Southern  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921ebf24b-07df-4d86-b225-c2ae0d31b953
EDAN-URL:
ead_component:sova-aaa-archiv57-ref4

John M. White papers, 1949-1985

Creator:
White, John M., 1937-  Search this
White, John M., 1937-  Search this
Topic:
Art, American -- California -- Venice  Search this
Conceptual art  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7459
(DSI-AAA_SIRISBib)209617
AAA_collcode_whitjohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209617

Senga Nengudi papers

Creator:
Nengudi, Senga, 1943-  Search this
Names:
Banks, Cheryl  Search this
Hammons, David, 1943-  Search this
Hassinger, Maren  Search this
McCullough, Barbara  Search this
Extent:
12.8 Linear feet
11.24 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Video recordings
Scrapbooks
Diaries
Drawings
Sketchbooks
Date:
1947
circa 1962-2017
Summary:
The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger; and audio and video recordings, including recordings of performances.
Scope and Contents:
The papers of African American conceptual and performance artist Senga Nengudi measure 12.8 linear feet and 11.24 gigabytes and date from circa 1962 to 2017, with a folder of printed material dating from 1947. The collection contains biographical material, including education and family records, the kimono Nengudi wore during her wedding to Ellioutt Fittz, certificates, interview transcripts, and address books; calendars and journals chronicling Nengudi's appointments, thoughts, and artistic practice; and correspondence with friends and other artists including Maren Hassinger, Cheryl Banks, and David Hammons. Also included is family correspondence, including letters between Senga Nengudi (then Sue Irons) and her mother when Nengudi was living in Japan. The collection also contains writings by Senga Nengudi and others; material related to professional activities including teaching files, gallery files, and files related to exhibitions, projects, and performances; printed material including exhibition and event announcements and catalogs, clippings, magazines, and other published material; a scrapbook primarily containing photographs and printed material; photographic material depicting Senga Nengudi, works of art, and other individuals; artwork by Nengudi and others, including Maren Hassinger and Barbara McCullough; and audio and video recordings, including recordings of performances.
Arrangement:
This collection is arranged as ten series.

Series 1: Biographical Material, 1962-2006, 2017 (Box 1, Box 14; 0.5 linear feet)

Series 2: Calendars and Journals, 1967-2016 (Boxes 1-6; Box 15; 5.7 linear feet)

Series 3: Correspondence, 1966-2017 (Boxes 6-8; 1.7 linear feet)

Series 4: Writings, 1964-2010 (Box 8; 0.3 linear feet)

Series 5: Professional Activities, 1966-2017 (Boxes 8-10, Box 15; 1.9 linear feet, ER01-ER06; 11.10 GB)

Series 6: Printed Material, 1947, 1963-2017 (Boxes 10-12, Box 15; 1.4 linear feet, ER07; 0.143 GB)

Series 7: Scrapbook, 1974-1976 (Box 15; 1 folder)

Series 8: Photographic Material, circa 1962-2007 (Box 12, Box 15; 0.1 linear feet)

Series 9: Artwork, circa 1960s-2004, 2014, undated (Box 12, Box 15; 0.5 linear feet)

Series 10: Audio and Video Recordings, circa 1974-1998 (Boxes 12-13; 0.4 linear feet)
Biographical / Historical:
Senga Nengudi (1943- ) is an African American conceptual and performance artist in Colorado Springs, Colorado. Born Sue Irons in Chicago, Illinois, she earned a bachelor's degree in art with a minor in dance from California State University, Los Angeles. From 1966 to 1967 she studied Japanese culture at Waseda University in Tokyo, Japan. This study deeply influenced her artistic practice. Upon her return from Japan in 1967, she pursued her master's degree in sculpture at California State University, which she received in 1971.

After receiving her master's degree, she moved to New York to continue her career as an artist, showing at Just Above Midtown Gallery and teaching at the Children's Art Carnival in Harlem. Throughout her career, Nengudi has collaborated and shown with Maren Hassinger, David Hammons, Barbara McCullough, Suzanne Jackson, John Outterbridge, and Bettye Saar. Nengudi is best known for "stationary performance objects," particularly her RSVP series, objects composed of nylon mesh and sand that refer to the flexibility of the female figure. The series debuted in the 1970s and Nengudi returned to it, adding on A.C.Q. to exhibit it at the 57th Venice Biennale in 2017. Also in 2017, Senga Nengudi: Improvisational Gestures opened at the DePaul Art Museum. This was the first solo museum survey for the artist and featured work from the 1970s to 2017.
Related Materials:
The Amistad Research Center also holds 4.5 linear feet of the Senga Nengudi papers, 1966-2017.
Provenance:
The Senga Nengudi papers were donated to the Archives of American Art in 2018 and 2019 by Senga Nengudi.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- Colorado -- Colorado Springs  Search this
Performance artists -- Colorado -- Colorado Springs  Search this
Topic:
African American artists  Search this
Women artists  Search this
African American art -- African influences  Search this
Women performance artists  Search this
Genre/Form:
Sound recordings
Video recordings
Scrapbooks
Diaries
Drawings
Sketchbooks
Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nengseng
See more items in:
Senga Nengudi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1e2d273-f8a1-4561-8fd6-633b1e58d2f7
EDAN-URL:
ead_collection:sova-aaa-nengseng
Online Media:

Oral history interview with William Weller Leavitt

Interviewee:
Leavitt, William, 1941-  Search this
Interviewer:
Leddy, Annette  Search this
Extent:
3 Memory cards (9 sound files (3 hrs., 54 min.), digital, wav )
85 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Memory cards
Pages
Interviews
Sound recordings
Date:
2021 May 7-11
Scope and Contents:
An interview with William Weller Leavitt conducted 2021 May 7-11, by Annette C. Leddy for the Archives of American Art, at Leddy's home in Los Angeles, California.
Biographical / Historical:
William Leavitt (1941-) is a Los Angeles-based artist who examines the collision of illusion and reality in Southern California film culture, which he calls "the theater of the ordinary," through painting, photography, performance, and installation. Leavitt is associated with West Coast Conceptualism.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.leavit21
See more items in:
Oral history interview with William Weller Leavitt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91e617770-3f17-4c90-a87d-4436bc30a8fb
EDAN-URL:
ead_collection:sova-aaa-leavit21
Online Media:

Oral history interview with Dennis Oppenheim

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Biennale di Venezia  Search this
Olympic Games (29th : 2008 : Beijing, China)  Search this
Acconci, Vito, 1940-  Search this
Aycock, Alice  Search this
Irwin, Robert, 1928-  Search this
Levai, Pierre  Search this
Lipski, Donald, 1947-  Search this
Nauman, Bruce, 1941-  Search this
Serra, Richard, 1938-  Search this
Sonnier, Keith, 1941-2020  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 June 23-24
Scope and Contents:
An interview of Dennis Oppenheim conducted 2009 June 23-24, by Judith Olch Richards, for the Archives of American Art, at Oppenheim's studio, in New York, N.Y. Oppenheim speaks of his work in the past 15 years; the evolution of his work and its lack of continuity; his use of writing as a catalyst for constructing works and the importance of language in conceptual art; the role of the audience and the effects of positive reaction to one's work; the risks involved in moving away from successful work to find another avenue; experimentation and the ability to exhibit failures; the emotionality and detached qualities of Abstract Expressionism during the 1950s; the experimental side of studio art in comparison to public art; the seniority felt by fine artists over the applied arts, such as architecture, during the 1950s and 1960s; listening to the public opinion, including those that do not come from the art world; the theoretical progression of works such as, "Jump and Twist," [1999], and "Device to Root Out Evil," [1997]; how to react to controversial work; his lack of representation by galleries and dealers; his staff of assistants and his more theoretical role in the operation; his lack of fellowship with other artists and his dislike of collaboration; the Venice Biennale in 1997; the Olymics in Beijing in 2008; his current work and on-going commissions. Oppenheim also recalls Andy Warhol, Pierre Levai, Vito Acconci, Bruce Nauman, Robert Irwin, Richard Serra, Alice Aycock, Keith Sonnier, and Donald Lipski.
Biographical / Historical:
Dennis Oppenheim (1938- ) is a conceptual artist and sculptor in New York, N.Y. Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y. Oppenheim was educated at California College of Arts and Crafts and Stanford University.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Conceptual artists -- New York (State) -- New York -- Interviews  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.oppenh09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974529ce4-e824-4f1c-b0b8-440874daa659
EDAN-URL:
ead_collection:sova-aaa-oppenh09
Online Media:

Oral history interview with John Baldessari

Interviewee:
Baldessari, John, 1931-  Search this
Creator:
Knight, Christopher, 1950-  Search this
Names:
California Institute of the Arts -- Faculty  Search this
Extent:
83 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1992 April 4-5
Scope and Contents:
An interview of John Baldessari conducted 1992 April 4-5, by Christopher Knight, for the Archives of American Art
This interview was conducted at the artist's studio in Santa Monica, California, 1992 April 4. Baldessari discusses his education; his teaching career; twenty years of teaching at the California Institute of the Arts from its inception in 1970; the development of his work; photo-emulsion pieces and text and image pieces; the art scene in Los Angeles during the 1960's; exhibitions; and his relationship with various dealers.
Biographical / Historical:
John Baldessari (1931- ) is a conceptual artist of Los Angeles, California.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 3 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others. Funding for this interview was provided by the Lannan Foundation.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Conceptual artists -- California -- Los Angeles -- Interviews  Search this
Topic:
Conceptual art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.baldes92
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96afa84e7-2553-48c5-aeb0-210568b3171f
EDAN-URL:
ead_collection:sova-aaa-baldes92
Online Media:

Oral history interview with Charles Linder

Interviewee:
Linder, Charles K., 1967-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Creator:
Art Schools in California Oral History Project  Search this
Names:
Art Schools in California Oral History Project  Search this
Refusalon Gallery  Search this
San Francisco Art Institute -- Students.  Search this
University of California, Berkeley. Department of Art -- Students.  Search this
Extent:
25 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 July 10
Scope and Contents:
An interview of Charles Linder conducted 1999 July 10, by Paul Karlstrom, for the Archives of American Art as part of the Art Schools in California Oral History Project, in Linder's home, San Francisco, Calif.
Linder focuses on his experiences at the San Francisco Art Institute (BFA, sculpture and video, 1990) and University of California, Berkeley (MFA, new genres program, 1997). He discusses the art programs at the two institutions in terms of the benefits provided to students facing careers in a highly competitive and commercial art world; his particular interests in the contrasting philosophies of the fine arts training with romantic bohemian individuals on one hand and the careerist (market and/or teaching) goals on the other;
his admiration of certain faculty members at both institutions and savoring the bohemian atmosphere of the SFAI especially; the efficacy of formal training for artists who need to prepare to make a living; founding the avant-garde Refusalon Gallery in 1990, created in part as his conceptual art piece investigating the often conflicting worlds of creative idealism and business realities; and turning the gallery over to his partner in early 1999 when finding that, as an artist, he could not reconcile the two.
Biographical / Historical:
Charles K. Linder (1967- ) is a conceptual artist and gallery owner from San Francisco, Calif.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Gallery owners -- California  Search this
Conceptual artists -- California -- San Francisco  Search this
Topic:
Art students -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.linder99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989798557-22b4-4ecb-be70-c1209847b62c
EDAN-URL:
ead_collection:sova-aaa-linder99
Online Media:

Oral history interview with Alison Knowles

Interviewee:
Knowles, Alison, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
California Institute of the Arts -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Middlebury College -- Students  Search this
Pratt Institute. Art School -- Students  Search this
Albers, Josef  Search this
Brecht, George  Search this
Callahan, Harry M.  Search this
Chicago, Judy, 1939-  Search this
De Kooning, Willem, 1904-1997  Search this
Duchamp, Marcel, 1887-1968  Search this
Gordon, Coco, 1938-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hamilton, Richard, 1922-  Search this
Hendricks, Jon  Search this
Higgins, Dick, 1938-1998  Search this
Johnson, Ray, 1927-1995  Search this
Jones, Joe, 1909-1963  Search this
Kaprow, Allan  Search this
Kuehn, Kathy  Search this
Lauf, Cornelia  Search this
Lindner, Richard, 1901-1978  Search this
Mac Low, Jackson  Search this
Maciunas, George, 1931-1978  Search this
Moorman, Charlotte  Search this
Ono, Yōko  Search this
Paik, Nam June, 1932-  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saito, Takako, 1929-  Search this
Schapiro, Miriam, 1923-2015  Search this
Schneemann, Carolee, 1939-  Search this
Schöning, Klaus  Search this
Shiomi, Mieko, 1909-1948  Search this
Silverman, Gilbert  Search this
Spoerri, Daniel, 1930-  Search this
Teitelbaum, Richard  Search this
Tenney, James  Search this
Waśko, Ryszard  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 June 1-2
Scope and Contents:
An interview of Alison Knowles conducted 2010 June 1-2, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts Project, at Knowles' home and studio, in New York, N.Y.
Knowles speaks of her family background; her father's (an English professor) influence on her education; her love of nature and isolation as a young girl; her French studies at Middlebury College; her transfer to Pratt Institute to study art; the social and academic environment at Pratt; her inclinations towards abstraction; her first marriage to Jim Ericson; her first studio at 423 Broadway; her early jobs as a commercial artist; her first gallery show at Nonagon, in 1958, and how she subsequently burned the paintings in that show; her second marriage to Dick Higgins in 1960; her Judson Gallery Show in 1962 and how she subsequently discarded those works; her involvement in the Fluxus group; her involvement with the "Cage class," and its early performances; her collaboration with John Cage on the book, "Notations" (1968); her collaboration with Marcel Duchamp on a print (1967); the circumstances surrounding her performance piece, "Make a Salad" (1962), her travels through Europe with Higgins; the birth of her twins; her computerized poetic piece and installation, "House of Dust" (1967) and how it was later vandalized; her move to Los Angeles to teach at CalArts; the rebuilding of "House of Dust" at CalArts; her move back to New York; the processes leading up to several projects and collaborations including "Loose Pages," "Big Book," "Bread and Water," and more; where she finds her inspiration; her thoughts on performance art; her studio environment in Barrytown, N.Y.; the influence and support of Germany on her work and Fluxus in general; her recent work, including "Identical Lunch"; and current challenges she faces as an artist.
She recalls Richard Lindner, Adolph Gottlieb, Willem de Kooning, Jackson Pollock, Judy Chicago, Josef Albers, Dorothy Podber, Ray Johnson, Dick Higgins, Robert Rauschenberg, John Cage, Klaus Schöning, Jon Hendricks, Gilbert Silverman, George Maciunas, George Brecht, Jack Mac Low, Yoko Ono, Mieko Shiomi, Takako Saito, Joe Jones, Marcel Duchamp, Daniel Spoerri, Richard Hamilton, Nam June Paik, Charlotte Moorman, Helmut Becker, Coco Gordon, Jim Tenney, Cornelia Lauf, Rirkrit Tirvanija, Allan Kaprow, Simone Forte, Carolee Schneemann, Richard Teitelbaum, Miriam Schapiro, Miguel Abrau, James Fuentes, Cyrilla Wozenter, Kathy Kuehn, Ryszard Wasko.
Biographical / Historical:
Alison Knowles (1933- ) is an artist and a founding member of Fluxus in New York, N.Y. Judith Olch Richards (1947- ) is a former director of iCI in New York, N.Y.
General:
Originally recorded on 5 mini discs. Duration is 5 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Topic:
Fluxus (Group of artists)  Search this
Women artists  Search this
Women performance artists  Search this
Performance art  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.knowle10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98f89c1d9-b4ed-49cb-8fac-4f5e5dedfa4e
EDAN-URL:
ead_collection:sova-aaa-knowle10
Online Media:

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