Artists files containing photographs and correspondence on artists Henry Benbridge, James Claypoole, George Washington Conarroe, John Singleton Copley, Joseph Delaplaine, Jacob Eichholtz, Erastus Salisbury Field, Francis Guy, Lowell Birge Harrison, Robert Charles Leslie, James McMurtrie, Mihaly Munkacsy, Robert Edge Pine, Severin Roesen, Charles Rudy, William Rush, John Smibert, John Vanderlyn, and John Wollaston. Also included are correspondence files pertaining to artistic subjects with the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Arts, the Metropolitan Museum of Art, Peale family descendents (about Peale family artists), and others.
Biographical / Historical:
Art historian; Carlisle, Penn. Died 1980. Author of BENJAMIN FRANKLIN IN PORTRAITURE (1962) and MR PEALE'S MUSEUM: CHARLES WILSON PEALE AND THE FIRST POPULAR MUSEUM OF NATURAL SCIENCE AND ART (1980) and other works.
Related Materials:
Charles Sellers papers also located at Dickinson College.
Provenance:
Lent for microfilming 1987 as part of AAA's Philadelphia Arts Documentation Project. The papers were donated to the American Philosophical Society by Sellers' estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art historians -- Pennsylvania -- Carlisle Search this
REEL P20: Correspondence, March 29, 1837-Jan. 17, 1867, including letters to Buchanan from Henry Dexter, Luigi Persico, George Washington Conarroe, John Sartain, Jacob Eichholtz, George P. A. Healy, and Rembrandt Peale, and one copy of a letter to Healy.
REEL P25: One letter to Hon. James Buchanan from Matthew Brady, Nov. 25, 1856, and two letters to Buchanan from Thomas G. Clemson, April 25 and Dec. 28, 1845. Brady sends photographs of Wheatland; Clemson was an amateur painter and collector.
Biographical / Historical:
U.S. President.
Related Materials:
James Buchanan papers also at Syracuse University.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
