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Moses and Frances Asch Collection

Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Names:
Courlander, Harold, 1908-1996  Search this
Guthrie, Woody, 1912-1967  Search this
Jenkins, Ella  Search this
Leadbelly, 1885-1949  Search this
Ramsey, Frederic, 1915-1995  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
841 Cubic feet
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Date:
1926-1986
bulk 1948-1986
Summary:
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scope and Contents:
The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.
Arrangement note:
The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.
Biographical/Historical note:
The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music  Search this
Folk dance music  Search this
Electronic music  Search this
Oral interpretation of poetry  Search this
Oral interpretation of fiction  Search this
Music -- 20th century  Search this
Music -- 19th century  Search this
Music -- 18th century  Search this
Jazz  Search this
Folk music -- United States  Search this
World music  Search this
Sounds  Search this
Vocal music  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4
EDAN-URL:
ead_collection:sova-cfch-asch
Online Media:

Anne Valk Papers

Creator:
Valk, Anne M., 1964-  Search this
Names:
Martin-Felton, Zora  Search this
Reagon, Bernice Johnson, 1942-  Search this
Extent:
3.75 Linear feet (4 boxes)
Culture:
African American women  Search this
Type:
Collection descriptions
Archival materials
Oral histories (document genres)
Newsletters
Audio cassettes
Correspondence
Newspapers
Date:
bulk 1964-1997
Scope and Contents:
The papers of Anne Valk— a specialist in oral history, public history, and the social history of the 20th-century United States measure 3.75 linear feet and date from 1964 to 1997. The collection contains oral history interviews and documents acquired or created by Dr. Valk during her extensive research of key figures in D.C. community activism for her book, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington D.C. (University of Illinois Press, 2010).

Research files and ephemera from the following people, organizations, and publications are represented in the collection: Josephine Butler (DC Statehood Party; Adams Morgan Organization), Etta Horn (Southeast Neighborhood House's Band of Angels; National Welfare Rights Organization), Dorothy Burlage (Southeast Neighborhood House), Betty Garman (Student Nonviolent Coordinating Committee), Judy Richardson (Student Nonviolent Coordinating Committee), Bernice Reagon (Student Nonviolent Coordinating Committee), Marcia Sprinkle (Student Nonviolent Coordinating Committee), Juanita Weaver (Quest), LaValleJones (Rape Crisis Center), Loretta Ross (Rape Crisis Center, National Black United Front, National Organization of Women), Peggy Cleveland (The Bridge), Joan Biren (DC Women's Liberation Movement), Cathy Wilkerson (SDS, Weather Underground), Tina Smith (SNCC), Off Our Backs newspaper, and Congress Of Racial Equality (CORE), among others.
Biographical / Historical:
Anne Valk (1964- ) is a specialist in oral history, public history, and the social history of the 20th-century United States. Dr. Valk received a M.A. from Mount Holyoke College and a PhD in history from Duke University in 1996. Professor Valk has written extensively in the areas of women's history, history of feminism, and oral history. She teaches public history at the Graduate Center at City University of New York (CUNY) and is the director of the Center for Media and Learning/American Social History Project.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Anne Valk papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Feminism  Search this
Activism  Search this
Women  Search this
Student Nonviolent Coordinating Committee (U.S.)  Search this
Civil rights  Search this
Housing  Search this
Genre/Form:
Oral histories (document genres)
Newsletters -- 1960-1970
Audio cassettes -- 20th century
Correspondence
Newspapers
Citation:
Anne Valk papers, Anacostia Community Museum, Smithsonian Institution, Dr. Anne Valk.
Identifier:
ACMA.06-114
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7e83e8566-9fba-41a4-989a-58300f2e2900
EDAN-URL:
ead_collection:sova-acma-06-114

Felix V. DiGiovanni collection from Colombia

Creator:
DiGiovanni, Felix V.  Search this
Beer, Paul  Search this
Extent:
2 Film reels (16mm)
100 Photographic prints (13.5 x 10.5)
0.1 Linear feet
7 Videocassettes (VHS)
Culture:
Guahibo  Search this
Piapoco (Piapoko)  Search this
Baniwa  Search this
Tukano (Tucano)  Search this
Type:
Collection descriptions
Archival materials
Film reels
Photographic prints
Videocassettes (vhs)
Documentary films
Place:
Orinoco River Region (Venezuela and Colombia)
Date:
1935-1941
Summary:
This collection includes the original documentary film "Guahiboland: Indian Life in the Orinoco Plains of Colombia," produced and directed by Felix V. DiGiovanni in 1941. Also included are 100 photographic prints, shot by DiGiovanni and his cameraman Paul Beer, that document the daily life of Guahibo community members in the Vichada and Orinoco regions of Colombia between 1935-1941. Other indigenous communities photographed include the Piapoco (Piapoko), Baniwa, and Tukano (Tucano).
Scope and Contents:
Series 1: "Guahiboland: Indian Life in the Orinoco Plains of Colombia" film, 1941, includes the original 16mm film produced and directed by Felix V. DiGiovanni. Paul Beer served as the cameraman. The original film (approximately 1200 feet) came in two parts, a metal can with black and white film and a small, metal can with Kodachrome film. The NMAI film and video center made several viewing copies on VHS tapes.

Series 2: Photographs from the Colombian Plains, 1935-1941, includes 100 mounted black and white photographic prints (13 ½ x 10 ½) made by Felix DiGiovanni and Paul Beer. The majority of the photographs were shot during the making of DiGiovanni's documentary film and highlight the daily life and activities of Guahibo community members in the Orinoco and Vichada regions of Colombia. A smaller amount of photographs include other indigenous communities in the region including the Piapoco (Piapoko), Baniwa, and Tukano (Tucano). The captions and descriptions of the photographs were provided by the DiGiovanni family in 1992.

Catalog numbers: P25101-P25200.

Series 3: The Call of the Curassow and the Land of the Guahibo Indians, includes a copy of the manuscript written by Felix V.D. Giovanni and published posthumously by his wife Pauline in 1994. This was formerly in the Museum of the American Indian, Heye Foundation records in Box 422, Folder 13.
Arrangement:
Arranged into series by format, the photographs are arranged by catalog number.
Biographical / Historical:
Felix V. DiGiovanni (ca. 1913-1990) was an American engineer, writer, photographer, and filmmaker. He was raised in the Bronx and graduated with an engineering degree from The City College of New York in 1933. As a young man, he traveled throughout Colombia, Venezuela, and Brazil, and later became interested in documenting the eastern plains of Colombia, known as Los Llanos, as well as its inhabitants. In the late 1930s, he returned to Colombia to film a documentary on the indigenous people of the Vaupés region. DiGiovanni's partner in the expedition was Paul Beer. Beer (1904-1979) was a German photographer active in Bogota, Colombia, in the late 1920s. By 1941, DiGiovanni's documentary film about the Guahibo, "Guahiboland" was completed. In 1944 he returned to Colombia to work with the U.S. Cinchona Mission, which comprised a team of scientists travelling to the Andes region to find cinchona trees, whose bark produces the alkaloid quinine, used for treating malaria. DiGiovanni met Tom Bellis during this time. Bellis (1907-1993) was an officer with the Food and Drug Administration. From October 1942 until December 1945, he worked for the Board of Economic Warfare in Bogota, Colombia at the Instituto Nacional de Higiene Samper-Martinez. Here, he directed a laboratory which analyzed cinchona bark. In November 1945, Bellis purchased this set of photographs, along with 28 Guahibo artifacts, from DiGiovanni. Felix DiGiovanni returned to New York in 1946 and became a mechanical engineer with a major oil company. In 1960, he completed a draft of a manuscript about his experiences with the Guahibo, titled The Call of the Curassow and the Land of the Guahibo Indians. He intended to publish it and also produce a Spanish translation, but he died December 31, 1990, before it could be finished. In 1994, Pauline DiGiovanni, DiGiovanni's widow, published 40 copies of the manuscript in English. After the expedition with DiGiovanni, Paul Beer's photography focused primarily on architectural and industrial themes. He lived in Bogota until his death in 1979.

Biographical note from: https://sova.si.edu/record/NAA.PhotoLot.1995-41
Related Materials:
The National Anthropological Archives (NAA) holds a collection of Felix DiGiovanni and Paul Beer photographs of the Guahibo and other indigenous tribes of eastern Colombia, Photo lot 1995-41. https://sova.si.edu/record/NAA.PhotoLot.1995-41
Separated Materials:
A collection of Guahibo ethnographic materials were also donated to the National Museum of the American Indian object collections with catalog numbers 25/4002-25/4047. See the Smithsonian Collections Search Center.
Provenance:
Gift of Felix V. and Pauline G. DiGiovanni, 1992.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Rights retrictions apply. Contact the NMAI Archives center (nmaiphotos@si.edu) for more information.
Genre/Form:
Documentary films
Photographic prints
Citation:
Identification of specific item; Date (if known); Felix V. DiGiovanni collection from Colombia, image #, NMAI.AC.300, National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.300
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv494ace419-bffa-4e6a-8381-7f50c028401e
EDAN-URL:
ead_collection:sova-nmai-ac-300

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records

Creator:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
Paula Cooper Gallery  Search this
Paula Johnson Gallery  Search this
Bartlett, Jennifer, 1941-  Search this
Campus, Peter, 1937-  Search this
Cooper, Paula, 1938-  Search this
Di Suvero, Mark, 1933-  Search this
Fleming, Dean  Search this
Forakis, Peter  Search this
Grosvenor, Robert, 1937-  Search this
Leonard, Zoe  Search this
Magar, Anthony, 1936-  Search this
Melcher, Tamara  Search this
Murray, Elizabeth, 1940-  Search this
Myers, Forrest Warden, 1941-  Search this
Novros, David, 1941-  Search this
Ruda, Edwin  Search this
Shields, Alan, 1944-  Search this
Smith, Tony, 1912-1980  Search this
Thompson, Bob, 1937-1966  Search this
Valledor, Leo, 1936-1989  Search this
Extent:
50 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Transcripts
Photographs
Date:
1961-2006
Summary:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50.0 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.
Scope and Content Note:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50.0 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.
Arrangement:
The collection is arranged as 3 series:

Missing Title

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet, ER01; 0.001 GB)
Historical Note:
The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich Rückriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).
Related Material:
Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)
Provenance:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in two accessions in 2006 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
All collection material except photographs: Permission to quote, publish or reproduce requires written permission from Paula Cooper. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Interviews
Transcripts
Photographs
Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkplag
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw926d9e348-f361-4c9a-bec4-7cb8f9c08556
EDAN-URL:
ead_collection:sova-aaa-parkplag

Boeing EC 135 Looking Glass Loc Gov Photo Interior View Communications Compartment Looking Toward Rear [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2516f1037-88d7-4f5e-b38a-c313457021bb
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6127

Boeing EC 135 Looking Glass Loc Gov Photo Interior View Communications Compartment [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg20420aebc-e889-4a26-9653-1d5bdf57b6a9
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6128

Boeing EC-135 Looking Glass Loc Gov Interior View Communications Compartment Looking Toward Rear [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg20616713d-ac40-4904-bace-8392a6b84686
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6140

Boeing EC-135 Looking Glass Loc Gov Photo Interior View Communications Compartment [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2ccbbc890-18ea-45ac-bd1f-dfb6334258f1
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6145

Interior View Of Communications Compartment Looking Forward Gov [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Final Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2ef983396-4bc6-4f4f-90d1-468b025b1cd7
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6207

Interior View Of Communications Compartment Looking Forward Gov [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Final Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2810de0d1-0919-44c6-813c-60a667d27e13
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6208

Interior View Of Communications Compartment Looking Toward The Rear Gov [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Final Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg221eecd67-9675-4494-8935-bb0e01a592d8
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6209

Interior View Of Communications Compartment Looking Toward The Rear Gov [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Final Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2c873dc7c-abf4-431f-81ea-86164deae1b6
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6210

Interior View Of Communications Compartment Looking Forward Gov [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg287800cd0-a96d-409c-9822-d9a2b137d8e2
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6283

Interior View Of Communications Compartment Looking Forward Gov [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg24856c70c-c5b0-4b9e-a53e-2e8342ca21c9
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6284

Interior View Of Communications Compartment Looking Toward The Rear Gov [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg20d836b02-4949-47f5-bec8-3fc61e046f48
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6285

Interior View Of Communications Compartment Looking Toward The Rear Gov [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Gov Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg201d0157e-3672-43cc-a6f2-0a365e5456a6
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6286

Boeing EC 135 Looking Glass Loc Gov Photo Interior View Communications Compartment Looking Toward Rear [TIF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Government Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg21396d7e3-c3ff-45f3-bfef-1280fb5506fa
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6314

Boeing EC 135 Looking Glass Loc Gov Photo Interior View Communications Compartment [PDF]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Government Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2b5950728-a8af-4789-8cca-cde4ab7e0200
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6315

Boeing EC-135 Looking Glass Loc Gov Interior View Communications Compartment Looking Toward Rear [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Government Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg24ef9eba5-ae18-4e82-90e3-81d0a0702a85
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6325

Boeing EC-135 Looking Glass Loc Gov Photo Interior View Communications Compartment [JPG]

Collection Creator:
Stumpf, David  Search this
Type:
Archival materials
Collection Restrictions:
Closed until processed.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
See more items in:
Minuteman ICBM Program Research Data [Stumpf]
Minuteman ICBM Program Research Data [Stumpf] / Operations / ALCS / Dave Fields documents / Looking Glass Government Photos
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg28c7a426d-ebcb-4b2d-9110-c682225cf8c0
EDAN-URL:
ead_component:sova-nasm-2020-0028-ref6330

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