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Oral history interview with Stephen Antonakos

Interviewee:
Antonakos, Stephen, 1926-2013  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Droll, Donald E.  Search this
Fischbach, Marilyn Cole, 1931?-2003  Search this
Lippard, Lucy R.  Search this
Extent:
125 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 May 9
Scope and Contents:
An interview of Stephen Antonakos conducted 1975 May 9, by Paul Cummings, for the Archives of American Art.
Antonakos speaks of his family and educational background; his work as a commercial artist; the influence of Ben Shahn and David Martin; his association with the Allan Stone Gallery, Fischbach Gallery, and John Weber Gallery; and his collages, pillow assemblages and mail art projects. He discusses his neon sculpture, including electrical wiring and timing devices, selection of colors, glass tubing, installation problems and the cost of electricity. He discusses the aesthetic and conceptual development of his work with neon and mail art. He recalls Donald E. Droll, Marilyn Cole Fischbach and Lucy Lippard.
Biographical / Historical:
Stephen Antonakos (1926-) is a sculptor from New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 30 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Neon sculpture -- New York (State) -- New York  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.antona75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-antona75
Online Media:

Oral history interview with Robert Arneson

Interviewee:
Arneson, Robert, 1930-1992  Search this
Interviewer:
Jones, Mady  Search this
Names:
Thiebaud, Wayne  Search this
Voulkos, Peter, 1924-2002  Search this
Wildenhain, Marguerite  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 August 14-15
Scope and Contents:
An interview of Robert Arneson conducted 1981 August 14-15, by Mady Jones, for the Archives of American Art.
Arneson speaks of his family background, teaching himself to draw by copying comic strips, his early interest in commercial art and discovering ceramics. He discusses, teaching ceramics to high school students, his philosophy of teaching; and the influence of Peter Voulkos and the shift toward abstract expressionism and Pop art. He reminisces about the first exhibit of his work; getting established in galleries; teaching ceramics at the University of California, Davis; his major exhibitions; and museum purchases of his work.
Biographical / Historical:
Robert Arneson (1930-1992) is a ceramic sculptor from Benicia, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 5 hr., 11 min.
Sound quality is poor.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- California -- Interviews  Search this
Topic:
Abstract expressionism  Search this
Ceramics sculpture -- California -- 20th century  Search this
Ceramicists -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.arneso81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arneso81
Online Media:

Interviews

Collection Creator:
Donaldson, Jeff, 1932-2004  Search this
Extent:
1.7 Linear feet (Boxes1-3)
Type:
Archival materials
Date:
1959-1997
Scope and Contents:
This series includes two transcripts of interviews of Jeff Donaldson as well as sound recordings of at least forty artist interviews conducted by Donaldson.

The 1979 interview of Donaldson, conducted by Peter Mark, focuses on AfriCOBRA, and includes related letters from Mark. The 1997 interview with Donaldson was conducted for a public television series on 20th century visual and performing arts, entitled I'll Make Me A World: Stories of African American Art, Artists, and Community.

Interviews with Charles Alston, Romare Bearden, Bob Blackburn, Aaron Douglas, Norman Lewis, Hale Woodruff, and others were conducted in 1972 as research for Donaldson's dissertation: "Generation '306' – Harlem, New York." These interviews detail each artists' experiences in the New York arts community during the Harlem Renaissance, and their memories of other African American artists working during that time. Interviews found at the end of the series possibly duplicate or supplement some of these interviews, although interviewees are not directly identified on the recordings or on the media.

Additional interviews found here were conducted primarily in 1980 and 1986-1987 as part of Donaldson's research on contemporary visual artists, and for various unspecified projects.
Arrangement:
Following transcripts of Jeff Donaldson interviews, interviews are arranged in alphabetical order by interviewee. Some box and folder numbers appear out of order if they contain more than one interview on a single cassette.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jeff Donaldson papers, 1918-2005, bulk 1960s-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.donajeff, Series 3
See more items in:
Jeff Donaldson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-donajeff-ref143

Behind the Design | Celebrating Willi Smith Day

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-02-24T06:23:47.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_BKRVWwK9f5o

Sousa on the Rez: Native American Brass Bands and Beyond

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2019-07-19T21:19:03.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_cTZ7Oa01HuY

Bernice West Beyers papers, 1912-1987

Creator:
Beyers, Bernice West, 1906-1987  Search this
Beyers, Bernice West, 1906-1987  Search this
Type:
Photographs
Sketchbooks
Topic:
Women artists  Search this
Women sculptors  Search this
Works of art  Search this
Sculpture, Modern -- 20th century  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Audio - Visual  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)9525
(DSI-AAA_SIRISBib)211724
AAA_collcode_beyebern
Theme:
Sketches & Sketchbooks
Lives of American Artists
Audio - Visual
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211724
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
FitzGerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
World War, 1939-1945 -- Civilian relief  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Ruth Bowman papers, 1936-2006, bulk 1963-1999

Creator:
Bowman, Ruth, 1923-  Search this
Bowman, Ruth, 1923-  Search this
Subject:
Lassaw, Ibram  Search this
Holtzman, Harry  Search this
Cézanne, Paul  Search this
Burkhardt, Hans Gustav  Search this
Bolotowsky, Ilya  Search this
Bengelsdorf, Rosalind  Search this
Holty, Carl  Search this
Ferren, John  Search this
Eakins, Thomas  Search this
Diller, Burgoyne  Search this
Noguchi, Isamu  Search this
Morris, George L. K.  Search this
McNeil, George  Search this
Mason, Alice Trumbull  Search this
Lipchitz, Jacques  Search this
Levine, Les  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock  Search this
MacDonald, Duncan (Broadcaster)  Search this
Wilfred, Thomas  Search this
Sloan, Helen Farr  Search this
Reinhardt, Ad  Search this
Picasso, Pablo  Search this
New York University  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Newark Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Craft and Folk Art Museum  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
American Federation of Arts  Search this
American Association of Museums  Search this
Canadian Museums Association  Search this
Brooklyn Museum  Search this
Type:
Photographs
Interviews
Sound recordings
Scripts (documents)
Topic:
Art -- Study and teaching  Search this
Art, American -- 20th century  Search this
Women art historians  Search this
Women educators  Search this
Theme:
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11586
(DSI-AAA_SIRISBib)249278
AAA_collcode_bowmruth2
Theme:
Art Theory and Historiography
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249278
Online Media:

Fly Pan Am to Spain

Photographer:
Krainin  Search this
Sponsor:
Pan American World Airways  Search this
Medium:
Poster, Advertising, Commercial Aviation
Dimensions:
3-D: 88.9 × 112.7 × 0.6cm (2 ft. 11 in. × 3 ft. 8 3/8 in. × 1/4 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Date:
circa 1962
Credit Line:
Donated by Roger Bentley.
Inventory Number:
A20060276000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9ab6eb86e-3b47-4c3a-b88d-a0194c286698
EDAN-URL:
edanmdm:nasm_A20060276000
Online Media:

Bodensee-Toggenburgbahn Besichtigung der Zeppelinwerft Friedrichshafen

Medium:
Poster, Advertising, Commercial Aviation
Dimensions:
2-D - Unframed (H x W): 49.8 × 35.9cm (1 ft. 7 5/8 in. × 1 ft. 2 1/8 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
Germany
Date:
1929
Credit Line:
National Air and Space Museum
Inventory Number:
A19900531000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv985f00832-2ea5-4192-94e2-13acc164dc11
EDAN-URL:
edanmdm:nasm_A19900531000
Online Media:

Ruth Bowman papers

Creator:
Bowman, Ruth, 1923-  Search this
Names:
American Association of Museums  Search this
American Federation of Arts  Search this
Brooklyn Museum  Search this
Canadian Museums Association  Search this
Craft and Folk Art Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Newark Museum  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Bengelsdorf, Rosalind, 1916-1979  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Cézanne, Paul, 1839-1906  Search this
Diller, Burgoyne, 1906-1965  Search this
Eakins, Thomas, 1844-1916  Search this
Ferren, John, 1905-1970  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Les, 1935-  Search this
Lipchitz, Jacques, 1891-1973  Search this
MacDonald, Duncan (Broadcaster)  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McNeil, George, 1908-1995  Search this
Morris, George L. K., 1905-1975  Search this
Noguchi, Isamu, 1904-1988  Search this
Picasso, Pablo, 1881-1973  Search this
Reinhardt, Ad, 1913-1967  Search this
Sloan, Helen Farr, 1911-2005  Search this
Wilfred, Thomas, 1889-1968  Search this
Extent:
26.7 Linear feet
21.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Sound recordings
Scripts (documents)
Date:
1936-2006
bulk 1963-1999
Summary:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.
Scope and Contents:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writing and related research materials include her thesis, "Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

Biographical materials consist of certificates, resumes, and a few photographs of Ruth Bowman. Correspondence concerns Bowman's professional activities and interests. Among the most frequent correspondents are: American Association of Museums, Craft and Folk Art Museum (Los Angeles), Massachusetts Institute of Technology, The Metropolitan Museum of Art, and The Museum of Modern Art.

Writings by Ruth Bowman, published and unpublished, include a thesis and articles about Thomas Pollock Anshutz, catalogs for American Federation of Arts and The Newark Museum exhibitions, lectures, as well as articles about museum education and visual arts programs. Research relates to her writings about Anshutz, and to unrealized projects concerning Anshutz, Cézanne, Eakins, Picasso, and other subjects. Also found are two brief writings about Bowman.

Subject files--general subjects, artists' files, Ruth Bowman activities, and "Sunrise Semester"--contain the majority of Bowman's professional correspondence along with printed material, writings, photographs, and sound recordings. Among the most thoroughly documented general subjects are: The Brooklyn Museum's Trustees Retreat, Canadian Museums Association, a 1981 Craft Symposium, International Network for the Arts, Long Beach Museum of Art, Los Angeles County Museum of Art, "Museum Directors' Forum", New York University Art Collection, and Massachusetts Institute of Technology Council for the Arts. Artists' files are comprised mainly of printed material with a small amount of correspondence and some photographs. The Les Levine file consists of the first issue of Art-Rite featuring a brief article about Levine on its cover; Thomas Wilfred's file includes information about Lumia. Ruth Bowman activities include lectures, radio and television appearances, and participation in professional events. "Sunrise Semester," a collaboration between CBS television and New York University, offered early morning courses for college credit. Ruth Bowman was the instructor for "20th Century American Art," which is documented by general information, scripts, and sound recordings of all 46 classes.

Interviews conducted by Bowman are with English museum administrators and educators; people knowledgeable about a controversial proposal for an Annenberg Fine Arts Center at The Metropolitan Museum of Art; guests on KUSC radio shows "Sounds of Seeing" and "Live from Trump's"; and guests on the WNYC radio program "Views on Art." Interviews with miscellaneous individuals include Josef Albers, Hans Burkhardt, Carl Holty, Isamu Noguchi, and Helen Farr Sloan. Bowman interviewed a dozen American abstract artists, including Ilya Bolotowsky, Rosalind Bengelsdorf Browne, Burgoyne Diller, John Ferren, Carl Holty, Harry Holtzman, Ibram Lassaw, Jacques Lipchitz, Alice Mason, George McNeil, George L. K. Morris, and Ad Reinhardt for a thesis on the subject, but eventually wrote on a different topic. Two interviews with Bowman were conducted by Duncan MacDonald and an unidentified interviewer.
Arrangement:
This collection is arranged as 5 series:

Missing Title

Series 1: Biographical Materials, 1964-1984 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1963-1996 (Box 1; 0.7 linear feet)

Series 3: Writings and Related Research, 1942-1999 (Boxes 1-3; 1.5 linear feet)

Series 4: Subject Files, 1936-2006 (Boxes 3-12, 26; 9.6 linear feet)

Series 5: Interviews, 1963-1989 (Boxes 12-25; 9.2 linear feet, ER01-ER70; 21.99 GB)
Biographical / Historical:
Ruth Bowman (b. 1923) is an art historian and museum educator who worked in New York City and Los Angeles. She is known for her interest in using new communications technology for museum education, discovering Arshile Gorky's long forgotten murals at Newark Airport, and expertise in the work of Thomas Anshutz.

A graduate of Bryn Mawr College (B.A. 1944), where she had studied art history and classical archaeology, Ruth Bowman began a museum career in New York as an assistant curator at the Jewish Museum in the early 1960s. From 1963-1974 Ruth Bowman served as curator of the York University Art Collection and was involved in its transition to the Grey Art Gallery and Study Center. Bowman wrote her master's thesis on Philadelphia artist Thomas Pollock Anshutz and received a degree from the Institute of Fine Arts, New York University in 1971. During this same period, she was a staff lecturer at The Museum of Modern Art and taught art history in divisions of New York University. She was the instructor for a "Sunrise Semester" 20th century American art course broadcast nationally on CBS.

In 1974 Bowman and her family moved to California and she began an association with the Los Angeles County Museum of Art as Director of Education. She attended summer courses in arts administration at Harvard University (1975) and similar training provided by the British Arts Council (1976). She taught at University of California Santa Barbara, as well as at California State University at Fullerton and Long Beach. Bowman was active in the Council of the American Association of Museums (vice president), the Craft and Folk Art Museum in Los Angeles (vice president), and has served as a consultant to several museums and a corporate collection.

Ruth Bowman with her friend Harry Kahn (1916-1999) developed a collection of self-portraits by 20th century American artists, which she donated to the National Portrait Gallery in 2002. Mrs. Bowman is the widow of R. Wallace Bowman and currently resides in New York City.
Provenance:
Donated by Ruth Bowman in 2004.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Art, American -- 20th century  Search this
Women art historians  Search this
Women educators  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Scripts (documents)
Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bowmruth2
See more items in:
Ruth Bowman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowmruth2
Online Media:

19th and 20th Century Painting

Collection Creator:
Blackshear, Kathleen, 1897-1988  Search this
Spears, Ethel, 1903-1974  Search this
Container:
Box 6, Folder 1-6
Type:
Archival materials
Date:
circa 1940s-1960s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kathleen Blackshear and Ethel Spears papers, 1920-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Kathleen Blackshear and Ethel Spears papers
Kathleen Blackshear and Ethel Spears papers / Series 6: Research and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-blackath-ref182

Bernice West Beyers papers

Creator:
Beyers, Bernice West, 1906-1987  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Date:
1912-1987
Summary:
The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.
Scope and Content Note:
The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.
Arrangement:
The collection is arranged as 7 series. All series are arranged chronologically. All oversized material has been housed in Box 3 (sol) and is referenced in the folder headings of the Series Description/Container Listing.

Missing Title

Series 1: Biographical Material, 1923-1935, undated (Box 1; 2 folders)

Series 2: Correspondence, 1928-1974, undated (Box 1; 16 folders)

Series 3: Business Records, 1923-1960, undated (Box 1; 11 folders)

Series 4: Notes and Writings, 1925-1967, undated (Box 1, 3; 10 folders)

Series 5: Art Work, undated (Box 1; 2 folders)

Series 6: Printed Material, 1912-1987, undated (Box 1, 3; 33 folders)

Series 7: Photographs, 1937-1956, undated (Box 1, 2, 3; 29 folders)
Biographical Note:
Berenice West Byers (1906-1987)worked as as sculptor in the New York and New England area. Later in life, she became a patron of the arts in Dallas, Texas.

Bernice Delemar West was born on April 26, 1906 in New York City, the daughter of Abigail Palmer and E. Lovette West, an engineer. In 1925 she graduated from the Bennett School in Millbrook, New York, where she took diplomas in both drama and fine arts. After a summer trip to Europe with classmates, she spent the next year studying drama with Winifred Lenihan at the Theatre Guild. In the summer of 1926, she did summer stock in Binghamton as a member of Actors Equity. In 1927 she began to pursue a career in sculpture and pottery.

She first worked in the studio of Lu Duble, her former teacher at the Bennett School. From 1927 to 1929, she also studied under Alexander Archipenko, Edmond R. Amateis, and Winold Reiss. In the fall of 1929, West began studies at the Art Students League under William Zorach.

Beginning in 1934, she exhibited primarily in New England and Florida. She was later influenced by the Haitian and Mayan art work she encountered while on a Guggenheim Fellowship in 1937-1938.

West was married in March 1940 to Robert Arthur Beyers, and their family moved permanently to Dallas, Texas, where they were primarily patrons of the arts.

Bernice West Beyers died in 1987.
Provenance:
The Bernice West Beyers papers were donated in 1988 by Robert West Beyers, the artist's son.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Actors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Works of art  Search this
Sculpture, Modern -- 20th century  Search this
Genre/Form:
Photographs
Sketchbooks
Citation:
Bernice West Beyers papers, 1912-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beyebern
See more items in:
Bernice West Beyers papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-beyebern

Katharine Kuh Files

Collection Creator:
Berman, Avis  Search this
Extent:
0.3 Linear feet (Box 1)
Type:
Archival materials
Date:
1944-2003
Scope and Contents note:
This series contains correspondence; exhibition files; writings and notes; and an interview. Included is Katharine Kuh's correspondence with artists, collectors, museums, and others during her tenure at the Art Institute of Chicago and the correspondence of the Art Institute's Director, Daniel Catton Rich with Kuh and others. Letters between Rich and Walter and Louise Arensberg chronicle Rich's efforts to obtain the Arensbergs' art collection for the Art Institute. Exhibition files contain letters, a chronology, notes, list of artwork, printed material, press releases, and clippings; included is an extensive file on Kuh's efforts to organize the exhibition, 20th Century Art from the Louise and Walter Arensberg Collection. Writings and notes include Kuh's article for Vassar Alumnae Magazine; her written reports of visits to galleries; notes on possible acquisitions for the Art Institute of Chicago; and a copy of a transcript of Katharine Kuh's 1984 interview with Lily Harmon on J. B. Neumann.
Arrangement note:
Katharine Kuh Files have been arranged into four subseries:

Subseries 1.1: Katharine Kuh Correspondence, 1944-1982

Subseries 1.2: Daniel Catton Rich Correspondence, 1946-1958

Subseries 1.3: Exhibitions Curated by Katharine Kuh, 1949-1955

Subseries 1.4: Writings and Notes; Interview, 1947-1984
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Avis Berman research material on Katharine Kuh, 1939-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bermavis3, Series 1
See more items in:
Avis Berman research material on Katharine Kuh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bermavis3-ref14

20th Century Art from the Louise and Walter Arensberg Collection

Collection Creator:
Berman, Avis  Search this
Extent:
5 Folders
Container:
Box 1, Folder 18-22
Type:
Archival materials
Date:
1949-1956
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Avis Berman research material on Katharine Kuh, 1939-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Avis Berman research material on Katharine Kuh
Avis Berman research material on Katharine Kuh / Series 1: Katharine Kuh Files / 1.3: Exhibitions Curated by Katharine Kuh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bermavis3-ref33

Katharine Kuh Manuscript Chapters: "Sorting and Summing," "Hofmann," "Kline," "Rothko," "Jensen," "The 20th Century Briefly," "Tobey" and "Jensen Revisions,"

Collection Creator:
Berman, Avis  Search this
Extent:
(2 1/2" disks)
Container:
Box 3, Folder 42
Type:
Archival materials
Date:
1990s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Avis Berman research material on Katharine Kuh, 1939-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Avis Berman research material on Katharine Kuh
Avis Berman research material on Katharine Kuh / Series 3: Avis Berman Files / 3.2: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bermavis3-ref87

Photography in the 20th Century

Collection Creator:
Starr, Nina Howell, 1903-2000  Search this
Container:
Box 8, Folder 22
Type:
Archival materials
Date:
1950-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Nina Howell Starr papers
Nina Howell Starr papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-starnina-ref451

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, Inc.  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Missing Title

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-milldoro
Online Media:

Hicks Bibliographies

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 21, Folder 7
Type:
Archival materials
Date:
circa 20th century
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 10: Edward Hicks Catalog
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-milldoro-ref689

Transcripts for "A Quaker's Colors: A Biography of Edward Hicks" by Robert W. Abendroth

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 21, Folder 20
Type:
Archival materials
Date:
circa 20th century
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 10: Edward Hicks Catalog
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-milldoro-ref698

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