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Roberta Allen papers

Creator:
Allen, Roberta, 1945-  Search this
Names:
John Weber Gallery  Search this
Extent:
5.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1967-2000
Scope and Contents:
The Roberta Allen papers measure 5.3 linear feet and date from 1967 to 2000, with the bulk from 1967 to 1983. The collection documents Allen's work through biographical material, personal and professional correspondence, writings, personal business records, exhibition and project files, photographic material, printed material, preparatory materials, and artwork.

The writings include personal diaries from throughout the 1970s, as well as artist statements. Correspondence is primarily professional in nature with curators and dealers, most prominently John Weber Gallery in New York and Walter Storms Gallery in Munich, among others. Business records include information regarding donations, trades, and sales of artworks. Project and exhibition files contain detailed plans for various exhibitions in museums and galleries. Photographic formats include slides, transparencies, negatives, black and white prints, and color prints. Printed material includes exhibition catalogues, printed ephemera, and clippings. The collection includes extensive preparatory materials exist for many series of photographic works and unique or limited edition artist books, sketchbooks, loose drawings, and photo collages.
Biographical / Historical:
Roberta Allen (1945- ) is an artist and writer based in New York City.
Provenance:
Donated in 2022 by Roberta Allen.
Restrictions:
Personal diaries are access restricted; written permission is required. Contact Reference Services for more information.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.allerobe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9576b6996-92e8-42c1-98a6-7aad649b841e
EDAN-URL:
ead_collection:sova-aaa-allerobe

George Sidney Collection

Collector:
Sidney, George, 1916-2002  Search this
National Museum of American History (U.S.). Division of Music, Sports and Entertainment  Search this
Names:
Columbia Pictures  Search this
Metro-Goldwyn-Mayer  Search this
Paramount Pictures  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
Margret, Ann-, 1941-  Search this
Robinson, Edward G., 1893-1973  Search this
Sidney, George, 1877-1945  Search this
Sidney, Hazel Mooney  Search this
Sidney, Louis K.  Search this
Sullivan, Ed, 1901-1974  Search this
Donor:
Sidney, Corinne Entratter  Search this
Extent:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Type:
Collection descriptions
Archival materials
Film reels
Photographs
Place:
Hollywood (Los Angeles, Calif.)
Date:
1885-2002
bulk 1940-1967
Summary:
George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.
Scope and Contents:
The George Sidney Collection consists of approximately eighty-eight cubic feet of photographs and materials from the Hollywood director George Sidney, most dealing with his career in motion pictures. Sidney was an avid photographer and collector of photographs documenting extremely well the Hollywood film community during the Studio Era (1927-1954) of filmmaking. The bulk of the collection is from Sidney's most productive years, circa 1937-1968.

MGM's motto was "More Stars than there are in Heaven" and the researcher would be advised that the extent of this collection is such that it is impossible to list and identify all of the celebrities and personalities photographed, both behind and in front of the camera. There are stills from Sidney's many productions as well as his on-set personal photographs. There are photographs from dinner parties, and many studio and film community functions. Productions are dated to their generally accepted first theatrical release date (Los Angeles and New York) and in the case of a Broadway show to their opening date.
Arrangement:
The collection is arranged into six series.

Series 1: Photographs, Photographic Negatives, and Slides, 1914-1996, undated.

Subseries 1.1: The Camera Eye of George Sidney, undated.

Subseries 1.2: Productions (Motion Picture, Stage, and Radio), 1921-1968. Subseries 1.3: Personalities and People, 1932-1996, undated.

Subseries 1.4: Personal and Family, 1914-1992, undated.

Subseries 1.5: Family Photograph Albums and Scrapbooks, 1918-1950, undated.

Subseries 1.6: Travel and Locations, 1940-1981, undated.

Subseries 1.7: Studio, Entertainment, and Public Events, 1949-1995, undated.

Subseries 1.8: Tests, 1938-1967, undated.

Subseries 1.9: Photographic Negatives, 1937-1979, undated

Series 2: Production Ephemera, Posters, Scripts, 1930-1991, undated.

Subseries 2.1: Production Posters, 1943-1964, undated

Subseries 2.2: Production Ephemera and Scripts, 1930-1991, undated

Series 3: Office Files and Personal Material, 1903-2002, undated

Subseries 3.1: Personal Material, 1944-2002, undated

Subseries 3.2: Correspondence, Random Files, Indices, and Inventories, 1903-2002, undated

Series 4: Music Manuscripts, Sheet Music, and Music Related Material, 1885-1992, undated

Subseries 4.1: Music Manuscripts, 1937-1960, undated

Subseries 4.2: Sheet Music, 1885-1990

Subseries 4.3: Music Related Material, 1971-1992, undated

Series 5: Audiovisual, 1933-2001, undated

Subseries 5.1: Film, 1940-1960, undated

Subseries 5.2: Audio, 1933-2001, undated

Subseries 5.3: Video, 1989-2001, undated

Series 6: George Sidney (1877-1945), 1909-1945, undated
Biographical / Historical:
George E. Sidney was born in New York, New York on October 4th, 1916 into a show business family. His father Louis K. Sidney (birth surname Kronowith) (1891-1958) was a Broadway producer, actor-manager, and one of the vice-presidents of Loew's Incorporated. Sidney's mother, Hazael Mooney (?-1969), was a vaudeville performer, part of a sister act known as The Mooney Sisters. She was a native New Yorker, daughter of prominent New York City attorney Henry Mooney. She and Louis were married at her home, 12 West 109th Street, New York. Another residence was 179 West 63rd Street.

Louis K. Sidney began working for Loew's Incorporated in 1923. He managed theatres in Denver, Pittsburgh, Toledo, Dayton, and New York. Later he was in charge of stage productions for the theatre circuit. He was in charge of MGM's East Coast film production facility in New York. He and Hazael followed son George to Los Angeles in 1937. Louis produced two motion pictures at MGM, The Big Store with the Marx Brothers and Hullabaloo. After February 1951, he was a member of the four man executive committee in charge of MGM. At his retirement in 1955, Louis K. had risen to the position of vice-president of Loew's, Incorporated. He served as vice-president and director of the Motion Picture Producers Association, as a director of the Motion Picture Relief Fund, and the Hollywood Coordinating Committee.

George Sidney had two uncles in show business, Jack Sidney, known as "Jack of Spades" a black-face comedian, and Sidney's half-uncle, George Sidney (1877-1945) (real name Samuel Greenfield), a vaudeville comic. George had a successful Broadway and screen career, most notably as the bum, Busy Izzy, a character that lasted on the vaudeville circuit from 1901-1915. His initial Broadway success was in a show entitled Welcome Stranger that ran for 309 performances. Welcome Stranger had an extensive touring schedule across the United States. In conjunction with Charlie Murray, he developed a comedy act known as Cohen and Kelly that was not only a vaudeville success but easily made the transition to motion pictures. The Cohens and Kellys films became a motion picture franchise for Universal Studios in 1924. He was married to Carrie Weber (?-1940). George was a member of the Friars Club and an avid sports fan. He owned a racehorse named Kibbitzer.

George Sidney made his on-screen debut in The Littlest Cowboy (1921) starring Tom Mix. He moved to Los Angeles in 1930. Sidney went to work as a messenger at MGM. Louis B. Mayer's nickname for Sidney was "boy". Sidney flourished at the studio and by the time he was twenty he was directing screen tests and one-reel shorts. He directed installments in the Our Gang and Little Rascals series, as well as the Pete Smith and the Crime Does Not Pay series. He won back-to-back Oscars for two of his shorts, Quicker'n a Wink (1940) and Of Pups and Puzzles (1941). His feature film directing debut was Free and Easy (1941) starring Robert Cummings. His first major film musical was the all-star, war time musical, Thousands Cheer (1943), starring Kathryn Grayson and Gene Kelly. Sidney always indicated he viewed films as entertainment and seems to have rejected the auteur theory of directing embraced by some of his well known colleagues such as John Ford and Vincent Minnelli. His film, The Three Musketeers (1948), starring Gene Kelly and Lana Turner, was one of MGM's highest grossing films in the post World War Two period. He won his third Oscar for the short, Overture to 'The Merry Wives of Windsor, in 1954. Jupiter's Darling (1955) with Esther Williams was Sidney's last film for MGM. He was loaned to Columbia Pictures to direct The Eddy Duchin Story (1956), after which his contract at MGM ended.

Sidney went on to become an independent producer and director at Columbia Pictures where he directed such films as Pal Joey (1957), starring Frank Sinatra, and Bye Bye Birdie (1963) starring Ann-Margret. He returned to MGM in the 1960s to make A Ticklish Affair (1963), starring Shirley Jones and Viva Las Vegas (1964), starring Ann-Margret and Elvis Presley. His last film was the musical Half a Sixpence (1967) starring Tommy Steele for Paramount Pictures. Sidney also directed and produced for television most notably Who Has Seen the Wind (1964). He financed and founded Hanna-Barbera Productions in 1944. He was a two-term president, 1951-1959 and 1961-1967, of the Directors Guild of America (DGA), earlier known as the Screen Directors Guild (SDG).

In his personal life, Sidney was married in 1942 to legendary MGM drama coach, Lillian "Burnsie" Burns Salzer (1903-1998). He was eight years her junior. They lived at the Sidney home (1140 Tower Road) in Beverly Hills. They divorced in the mid 1970s. For a brief time Sidney maintained a penthouse apartment for George Sidney Productions at 144 South Beverly Drive, Beverly Hills. He maintained a suite (301) in the Palm Wilshire Building, 9201 Wilshire Boulevard in the 1970s. He married his second wife, Jane Adler Robinson (?-1991), second wife and widow of actor Edward G. Robinson (1893-1974), around 1978. The house at 1140 Tower Road was sold and Sidney moved to the Robinson home at 910 Rexford Drive in Beverly Hills. Sidney married his third wife, Corinne Kegley Entratter (1937-?), widow of showman and Las Vegas entrepreneur John Entratter, in 1991. Sidney was a prolific photographer. He collected art and was apparently an avid gardener. He was a member of the Royal Horticultural Society. He died in Las Vegas, Nevada in May 2002.
Related Materials:
The Harry Warren Collection, AC0750

The Groucho Marx Collection, AC0269

Sidney related artifacts from Sidney's films are housed in the Division of Culture and the Arts, National Museum of American History, Smithsonian. There are scrapbooks donated by the Sidney Estate in the collection of the Cinema-Television Library, Doheny Library, University of Southern California, consisting of eleven volumes containing photographs, correspondence, publicity documents, and other materials, circa 1933-1963.
Provenance:
This collection was donated to the Archives Center in 2005 by Corinne Entratter Sidney, widow of George Sidney.
Restrictions:
Collection is open for research but is stored off-site. Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period.

Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
The Archives Center does not own exclusive rights to these materials. All requests for permission to use these materials for non-museum purposes must be addressed directly to the Archives Center, and the Archives Center will forward the request to the copyright holder. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Motion picture production and direction  Search this
Motion picture producers and directors  Search this
Motion pictures  Search this
Vaudeville  Search this
Musicals  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Citation:
George Sidney Collection, Archives Center, National Museum of American History, gift of Corinne Entratter Sidney
Identifier:
NMAH.AC.0867
See more items in:
George Sidney Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep878cc8f7c-849a-43d0-8ca9-4149e7f39a74
EDAN-URL:
ead_collection:sova-nmah-ac-0867
Online Media:

Wilbur H. Youngman Collection

Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
.17 Cubic feet
Type:
Collection descriptions
Archival materials
Place:
Germany (Territory under Allied occupation, 1945-1955)
Date:
1946
Content Description:
The collection consists of a notebook kept by and nearly 200 photographs photographed by Wilbur H. Youngman while he was working in Germany in 1946 on behalf of the United States Department of Agriculture's (USDA) Foreign Agricultural Services. The holdings document efforts to survey and facilitate farming and vegetable gardening efforts in the southern half of Germany shortly after World War II. In addition, there is a carbon copy of a typewritten letter dated June 23, 1946 from 'Phil' of the Food and Agriculture Branch, OMO-US, U.S. Army, Berlin that talks about trying to buy jeeps in post-war Europe. Youngman's notebook includes numerous notes about agricultural conditions and needs and various data and figures relating to seed requirements and yields, numbers of refugees, etc. The photos he took document sites he visited in Germany including garden plots and agricultural fields, cities and towns, and urban centers impacted by damage incurred during World War II. The collection also includes photos Youngman took of sites in France that he visited while in Europe, many of them 'tourist' type views.
Biographical / Historical:
Wilbur Hughes Youngman (1896-1986) was born in Bloomington, Illinois. He received an undergraduate degree from the University of Illinois and a master's degree in farm management from Iowa State University. He was awarded the Purple Heart while serving with the Army in France during World War I. Youngman taught at Texas A&M University from 1924 to 1926. From 1926 to 1959, he worked as an Agricultural Economist (Seeds) for the Foreign Agricultural Services (FAS) at the United States Department of Agriculture (USDA). Following World War II, he worked as a civilian employee of the Food and Agriculture Section (Economics Branch) with the U.S. military to survey agricultural conditions and needs in the southern half of Germany and initiated commercial exports of seeds from the United States. Youngman was honored as a recipient of the USDA's Superior Service Award in 1959, the year he retired from that agency. Youngman was the garden editor of the Washington Star newspaper from 1938 to 1976. He authored Growing Your Trees (1966), published by the American Forestry Association, as well as several editions of the Washington Star Garden Book (1944-1976). He was recognized by the American Seed Trade Association (ASTA) as the best garden writer in America in 1958. Youngman was also awarded the Hull Certificate of Merit for Literary Horticulture Interest by the National Council of State Garden Clubs for the Washington Star Garden Book in 1969. Youngman joined Washington, D.C.'s Takoma Horticultural Club in 1928 and served as the club's president in 1930. In 1963, the club recognized him for his "outstanding services." He was president of the American Horticultural Society from 1947-1948 and later served on the Editorial Committee of AHS's quarterly magazine. He served as president of the Potomac Rose Society and as an accredited judge of the American Rose Society. Youngman died in 1986. His first wife, Alice Strode, died in 1961; his second wife, Fay Brodell, died in 1985.
Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
United States Department of Agriculture  Search this
Urban gardens  Search this
Gardens -- Germany  Search this
Gardens -- France  Search this
Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN
See more items in:
Wilbur H. Youngman Collection
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb62ef18948-56e7-42f6-99c7-2bb33cd9887b
EDAN-URL:
ead_collection:sova-aag-ymn
Online Media:

Frankfurt. Azaleas in the Palmgarten greenhouse. (The Palmgarten was taken over by the Red Cross)

Photographer:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Collection Creator:
Youngman, Wilbur H. (Wilbur Hughes), 1896-1986  Search this
Extent:
1 Photograph
Type:
Archival materials
Photographs
Place:
Frankfurt (Germany)
Date:
1946
General:
The man has not been identified. After World War II the Palmengarten, a botanical garden in Frankfurt was transferred to the American occupation authority. The building became the Palmgarden Club, a facility operated by the Red Cross for enlisted men only. The site was returned to the city in the 1960s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Cities and towns -- Germany  Search this
Greenhouses -- Germany  Search this
Azaleas  Search this
Palms -- Germany  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Wilbur H. Youngman collection.
Identifier:
AAG.YMN, Item YMN104
See more items in:
Wilbur H. Youngman Collection
Wilbur H. Youngman Collection / Images / Germany / Frankfurt
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6f4a27ccb-b70d-462b-a855-6ced862d29f0
EDAN-URL:
ead_component:sova-aag-ymn-ref20

Northwest Visionaries film production records

Topic:
Northwest visionaries (Video)
Creator:
Levine, Ken M.  Search this
Names:
Anderson, Guy, 1906-1998  Search this
Callahan, Kenneth, 1905-1986  Search this
Graves, Morris, 1910-2001  Search this
Horiuchi, Paul, 1906-  Search this
Juvonen, Helmi, 1903-1985  Search this
Levine, Ivory Waterworth  Search this
Tobey, Mark  Search this
Tsutakawa, George  Search this
Extent:
15.3 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Sound recordings
Interviews
Date:
1976-1980
Scope and Contents:
Records from the production of a documentary featuring the work of several Pacific Northwest artists, including Mark Tobey, Kenneth Callahan, Morris Graves, Guy Anderson, Paul Horiuchi, Helmi Juvonen, Margaret Tomkins, and George Tsutakawa. Artists are interviewed in their studios. Features early film clips of Mark Tobey.
Records include sound recordings of interviews with 19 artists; partial transcripts of interviews and production notes; motion picture film outtakes of interviews, paintings, artists working, nature scenes, and Seattle; a sound recording labeled "Flute and piano compositions" by Mark Tobey; and video copies of the finished film.
Provenance:
Donated by Kenneth and Ivory Waterworth Levine, 1985-1987.
Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Northwest school of artists  Search this
Art, Modern -- 20th century -- Northwestern States  Search this
Genre/Form:
Video recordings
Sound recordings
Interviews
Identifier:
AAA.leviken
See more items in:
Northwest Visionaries film production records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7db22cf-24f9-4228-956f-261060f7661b
EDAN-URL:
ead_collection:sova-aaa-leviken

Numbered Outtakes Negative Motion Picture, #164

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16 mm)
Container:
Item FC 87
Type:
Archival materials
Moving Images [31027001013230]
Film reels
Date:
ca. 1978
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Numbered Outtakes Negative Motion Picture
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99102e036-61e3-4f26-a03a-b9b0d92f1132
EDAN-URL:
ead_component:sova-aaa-leviken-ref100

Unnumbered Trims and Outs Motion Picture and Magnetic Track, 1 of 13

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16 mm)
Container:
Item FC 91
Type:
Archival materials
Moving Images [31027000921987]
Film reels
Scope and Contents:
Sections and inscriptions: HOOKED ON ORIENT, GUY - HOOKED ON ORIENT, GUY - BEEN EXPOSED TO ORIENT AT MET, FAME - GRAVES, NATURE ORIENTAL (GUY SYNC - WE LOVED NATURE), FR. S. JUST PEOPLE IN LITTLE EGG-FISH, NW SCHOOL, GUY - TOBEY FAME, WET WINTER LANDSCAPE, SYNC - RHYTHM OF THE SEA, GUY - TOBEY FAMOUS SYNC, PONDER ON WAVES AND THE SEA, SYNC HOOKED, AUTUMN LEAVES - CHILDHOOD, UNTITLED (WET WINDER DAY), UNTITLED AUDIO, GUY - FAME TOBEY SYNC. Inscriptions that fell off film: SHARED SEARCH, PURELY SEARCH BEING INTERESTED, GUY - SYNC TRIM, CHILDHOOD MAGIC.
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Unnumbered Trims and Outtakes Motion Picture
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97d39f1a5-cb36-460d-b499-f52db19ed162
EDAN-URL:
ead_component:sova-aaa-leviken-ref101

Unnumbered Trims and Outs Motion Picture and Magnetic Track, 2 of 13

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16 mm)
Container:
Item FC 92
Type:
Archival materials
Moving Images [31027000921979]
Film reels
Scope and Contents:
Sections and inscriptions: 30S TRIMS CALL/WW/ECK/JAN/IVEY/JAMES/LEO/VIOLA/COM, PAINTING TOM, UNTITLED AUDIO, PAINT C/U-M/S, THE PHAKE PHONE TOME, WALK BY HOUSE TO GATE: TOM, HAVEN'T DONE LANDSCAPES - ITS IN/SITTING YOUR HEAD - ON THE ROCK, IN HOUSE - DESCRIBES FORMAL CONCEPT - BREAK IN CIRCLE: TOM, ON WOMEN, TOM "BENEFITS OF ISOLATION" WHAT SHE DOES WITH TIME - READ/MUSIC, THE HORSE SEQ. (FEEDS HORSE TOM, C/U HORSE EATS).
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Unnumbered Trims and Outtakes Motion Picture
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965e3f5ee-da01-41b6-ae3b-6f9de1848453
EDAN-URL:
ead_component:sova-aaa-leviken-ref102

Northwest Visionaries, Dudley Carter

Collection Creator:
Levine, Ken M.  Search this
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db2cdcf2-78b7-4f94-b18c-c378dbc36872
EDAN-URL:
ead_component:sova-aaa-leviken-ref103

Northwest Visionaries, Guy Anderson

Collection Creator:
Levine, Ken M.  Search this
Type:
Archival materials
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a59433a1-3566-41b2-b170-49fed72d27ed
EDAN-URL:
ead_component:sova-aaa-leviken-ref104

Dudley Carter, outtakes motion picture

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 112
Type:
Archival materials
Moving Images [31027000920823]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Dudley Carter
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b58ec29-10b9-4781-84ff-73ed6f8869d7
EDAN-URL:
ead_component:sova-aaa-leviken-ref105

Dudley Carter, trims and outtakes motion pictures, reel 1

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 94
Type:
Archival materials
Moving Images [31027001068556]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Dudley Carter
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cf167efb-0e6d-4348-9082-d8cb97a9dc91
EDAN-URL:
ead_component:sova-aaa-leviken-ref106

Dudley Carter, trims and outtakes motion pictures, reel 2

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 95
Type:
Archival materials
Moving Images [31027001068564]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Dudley Carter
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a5c9443a-5f97-469b-a4e1-889b474a5d9d
EDAN-URL:
ead_component:sova-aaa-leviken-ref107

Dudley Carter, trims and outtakes motion pictures, reel 3

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 96
Type:
Archival materials
Moving Images [31027001068572]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Dudley Carter
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91eea76b6-fa2b-4a27-b9d0-01aea2669c7e
EDAN-URL:
ead_component:sova-aaa-leviken-ref108

Guy Anderson interview, magnetic track

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 114
Type:
Archival materials
Moving Images [31027000920799]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96779a9e4-ea1b-4329-869d-2fe6b93ba6ea
EDAN-URL:
ead_component:sova-aaa-leviken-ref109

Guy Anderson interview, motion picture

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 113
Type:
Archival materials
Moving Images [31027000920849]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw907d0d5ec-9b97-4c82-8d0c-1cb15ae100d8
EDAN-URL:
ead_component:sova-aaa-leviken-ref110

Guy Anderson outtakes B-roll motion picture

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 111
Type:
Archival materials
Moving Images [31027000920831]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93cd8af40-38e5-4b25-a7fe-9aa15b1f9bde
EDAN-URL:
ead_component:sova-aaa-leviken-ref111

Guy Anderson trims and outtakes, reel 1

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 97
Type:
Archival materials
Moving Images [31027001068580]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9491e697d-54a2-4504-ad41-b7e60fb1b83d
EDAN-URL:
ead_component:sova-aaa-leviken-ref112

Guy Anderson trims and outtakes, reel 2

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 98
Type:
Archival materials
Moving Images [31027001068606]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977d53b68-f711-4178-8e1d-ea86424faedf
EDAN-URL:
ead_component:sova-aaa-leviken-ref113

Guy Anderson trims and outtakes, reel 3

Collection Creator:
Levine, Ken M.  Search this
Extent:
1 Film reel (16mm)
Container:
Item FC 99
Type:
Archival materials
Moving Images [31027001068598]
Film reels
Date:
1977
Collection Restrictions:
Use requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Kenneth and Ivory Levine, Iris Film and Video. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
See more items in:
Northwest Visionaries film production records
Northwest Visionaries film production records / Northwest Visionaries, Guy Anderson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917e39380-50ef-4f43-a9f4-63c80607fb29
EDAN-URL:
ead_component:sova-aaa-leviken-ref114

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