(correspondence with university officials about Kent's studies and scholarship; also, transcript and copy of Professor Ware's proposal to McDowell for "Professional Schools of Painting, Sculpture, Architecture, and Music under a University Faculty"; later correspondence concerns speech and bookplate design)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
The first three folders in this sub-series are a few of Harris' files as a student at Columbia University.
Collection Restrictions:
Access to student records (consisting of graded materials and student recommendation letters), grant proposals sent to Harris for review by grant agencies, and part of his faculty recruitment files are restricted until 2081. Series 10. Computer Files are also restricted due to preservation concerns.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Marvin Harris papers, National Anthropological Archives, Smithsonian Institution.
Polaroid photos taken during 1968 student protests; includes photos of police presence on campus, man (possibly Harris) speaking at a rally at the Sundial, Harris (?) surrounded by reporters at St. Paul's Chapel and speaking at McMillin Theatre
Collection Restrictions:
Access to student records (consisting of graded materials and student recommendation letters), grant proposals sent to Harris for review by grant agencies, and part of his faculty recruitment files are restricted until 2081. Series 10. Computer Files are also restricted due to preservation concerns.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Marvin Harris papers, National Anthropological Archives, Smithsonian Institution.
Faculty involvement in Columbia strikes: faculty signed petions, faculty statements; meeting minutes; memos to faculty
Collection Restrictions:
Access to student records (consisting of graded materials and student recommendation letters), grant proposals sent to Harris for review by grant agencies, and part of his faculty recruitment files are restricted until 2081. Series 10. Computer Files are also restricted due to preservation concerns.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Marvin Harris papers, National Anthropological Archives, Smithsonian Institution.
Access to student records (consisting of graded materials and student recommendation letters), grant proposals sent to Harris for review by grant agencies, and part of his faculty recruitment files are restricted until 2081. Series 10. Computer Files are also restricted due to preservation concerns.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Marvin Harris papers, National Anthropological Archives, Smithsonian Institution.
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Access to student records (consisting of graded materials and student recommendation letters), grant proposals sent to Harris for review by grant agencies, and part of his faculty recruitment files are restricted until 2081. Series 10. Computer Files are also restricted due to preservation concerns.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Marvin Harris papers, National Anthropological Archives, Smithsonian Institution.
Audio-letter from Harold Conklin (Prof. Yale; formerly of Columbia and my advisor at the time), Mario Bick (fellow graduate student; Ph.D. Columbia; faculty of Bard College), Georgeda Buchbinder Bick (fellow graduate student; Ph.D. Columbia; deceased); Michiko Takaki (fellow graduate student, transferred to Yale when Conklin moved there; Ph.D., Yale; faculty at University of Massachusetts Boston, retired).
Contents:
Harold Conklin, professor, yale University, formerly of Columbia University and my advisor at the time
Mario Bick (fellow graduate student; Ph.D. Columbia; faculty of Bard College)
Georgeda Buchbinder Bick (fellow graduate student; Oh.D. Columbia University; deceased)
Michiko Takaki (fellow graduate student, transferred to Yale when Conklin moved there; Ph.D., Yale University; faculty at Univeristy of Massachusetts, Boston, retired)
Local Numbers:
Harwood Sound Recording 6
Collection Restrictions:
Materials that identify the participants in Harwood's Bronx and Boston studies are restricted until 2056.
Collection Rights:
Contact repository for terms of use.
Topic:
Language and languages -- Documentation Search this
Genre/Form:
Speeches
Collection Citation:
Alan Harwood Papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
Digitization and preparation of materials for online access has been funded through generous support from the Arcadia Fund.
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