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Alu with Claws

Artist:
Jean Arp, French, b. Strasbourg, Alsace, 1886-1966  Search this
Medium:
Bronze
Dimensions:
22 1/4 X 14 1/2 X 12 1/8 IN. (56.4 X 36.6 X 30.8 cm)
Type:
Sculpture
Date:
(1942)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.104
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Dada/Fluxus
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py21482ccca-b3fe-4f6f-b3b8-9d147829104e
EDAN-URL:
edanmdm:hmsg_66.104

Still Life with Cello and Bass Fiddle

Artist:
Max Beckmann, German, b. Leipzig, 1884–1950  Search this
Medium:
Oil on canvas
Dimensions:
36 1/4 × 55 in. (92.1 × 139.8 cm)
Type:
Painting
Date:
1950
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.429
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
German Expressionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py22ab9f11a-b8ab-43a8-ae1b-619f25df1f6c
EDAN-URL:
edanmdm:hmsg_66.429

Crouching Woman (Small Version)

Artist:
Auguste Rodin, French, b. Paris, 1840–1917  Search this
Medium:
Bronze
Dimensions:
12 1/4 x 11 1/8 x 7 7/8 in. (31.1 x 28.2 x 19.7 cm)
Type:
Sculpture
Date:
(1880-1882/cast by 1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4331
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27175d5ed-f357-4871-83d4-ef161084ccfb
EDAN-URL:
edanmdm:hmsg_66.4331

Charles Cajori papers

Creator:
Cajori, Charles, 1921-2013  Search this
Names:
New York Studio School of Drawing, Painting and Sculpture  Search this
Tanager Gallery (New York, N.Y.)  Search this
Dodd, Lois, 1927-  Search this
Finkelstein, Louis  Search this
Extent:
7.4 Linear feet
0.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Date:
1928-2018
Summary:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.
Scope and Content Note:
The papers of New York painter, Charles Cajori measure 7.4 linear feet and 0.070 GB and date from 1928-2018. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery, located on the Lower East Side in New York, through biographical material; correspondence; writings and notes; interviews, talks, and panel discussions on art and artists; printed materials; and photographic materials.

Biographical material consists of Charles Cajori's high school records, air force records, passports and other travel documents, material related to his 90th birthday celebration, resumes, exhibition lists, a few drawings, obituaries, memorial service information, conservation reports on paintings, and other material.

Correspondence is personal and professional and consists of mostly incoming letters to Cajori from artists, friends, family, art historians, and academic institutions. There are a few letters from Charles Cajori, including draft of his letters. Among the correspondents are Pat Adams, Leland Bell, Bernard Chaet, Cooper Union, Cleve Gray, Barbara Grossman, Louis Finkelstein, Philip Pearlstein, Sidney Simon, Norman Turner, and the University of California at Berkeley. Of interest, are letters from the founders of the Tanager Gallery, such as Lois Dodd, Angelo Ippolito, and William King. Correspondence also documents Cajori's dealings with galleries and museums as well as his involvement in arts organizations; included are letters from American University, Watkins Gallery; Bertha Schaffer Gallery; Colorado Springs Fine Arts Center; Gallery Association of New York; Museum of Modern Art; Roko Gallery; Stable Gallery; and the Whitney Museum of American Art. There are also condolences to Barbara regarding Cajori's death.

Cajori's writings include drafts on painting and drawing that Cajori prepared for classroom lectures and panel discussions; essays on Paul Cézanne and Chaim Soutine; and his account of the founding of the Tanager Gallery. Cajori's writings also include a biographical account and an artist's statement. There are writings by Louis Finkelstein, Andrew Forge, and Mercedes Matter about Cajori's work. Included are several guest registers for Cajori's exhibitions at the David Findlay Gallery, Lohin Geduld Gallery, and the New York Studio School. There are also some class notes and essays that are probably from Cajori's college days, as well as some undated writings that include notes on art and artist statements.

Interviews, talks, and panel discussions include a transcript of an interview with Charles Cajori, audiotaped and videotaped as well as born digital interviews with Charles Cajori, and panel discussions with Cajori and others. Panel discussions with Cajori and others cover such topics as the New York school artists and Chaim Soutine. Many of recordings focus on Cajori's association with the Tanager Gallery, the art scene in New York during the 1950s, and his reflections on art. Also included are miscellaneous videotaped recordings. One panel discussion is digitized.

Printed material contains exhibition catalogs, checklists, announcements, invitations, press releases, clippings, reviews, brochures, and miscellaneous printed material. There are files of printed materials on the New York Studio School as well as Tanager Gallery that include exhibition catalogs and clippings.

Photographic material includes photographs, slides, and negatives of Charles Cajori, his studio, family and friends, black and white and color photographs of works of art, events and exhibition installations.
Arrangement:
The collection is arranged as 6 series:

Series 1: Biographical Material, 1928-2018 (Box 5; 0.4 linear feet)

Series 2: Correspondence, 1929-2015 (Boxes 1-2, 5-6; 1.8 linear feet)

Series 3: Writings and Notes, 1940-2012 (Boxes 2, 6, 8; 0.4 linear feet)

Series 4: Interviews, Talks, and Panel Discussions, 1983-2012 (Boxes 2-3, 6; 1.3 linear feet, ER01; 0.070 GB)

Series 5: Printed Material, 1943-2018 (Boxes 3-4, 6, 8, OV 9; 2 linear feet)

Series 6: Photographic Material, circa 1928-2015 (Boxes 6-8; 1.6 linear feet)
Biographical Note:
Painter and teacher Charles Cajori (1921-2013) worked in New York City and Connecticut.

Born in Palo Alto, California in 1921, Charles Cajori studied painting at Colorado College and the Cleveland Art School. Cajori served in the United States Air Force during World War II. Upon his return, he attended Columbia University and then spent two years at the Skowhegan School of Painting and Sculpture.

Charles Cajori was one of the founding members of the Tanager Gallery, an early artists' cooperative gallery, originally located at 90 East Tenth Street in New York, which provided a venue for contemporary artists to exhibit their work. Through Tanager Gallery, Cajori became acquainted with Franz Kline, Willem de Kooning, and other Abstract Expressionist artists. In 1956, Charles Cajori had his first solo exhibition at the Tanager Gallery and since then, he continuously showed his work in numerous solo and group exhibitions in the United States and abroad including American University, Bertha Schaeffer Gallery, David Findlay Jr. Gallery, El Museo de Bellas Artes de Caracas, Ingber Gallery, Lohin Geduld Gallery, Mattatuck Museum, New Arts Gallery, Paesaggio Gallery, Sala di Esposizione della Biblioteca Americana, Stable Gallery, and the Whitney Museum of American Art. Charles Cajori's work is represented in a number of public and private collections including the Ciba-Geigy Corporation, the Metropolitan Museum of Art, the National Academy of Design, Walker Art Center, and the Weatherspoon Museum.

In conjunction with his activities as an artist, Charles Cajori taught painting and drawing at major academic institutions and art schools: Colorado Springs Fine Arts Center, Cooper Union, Cornell University, the University of California at Berkeley and Queens College (CUNY) where he taught for 20 years. Cajori was a co-founder of the New York Studio School, where he continued to serve on the faculty and the Board.

Charles Cajori received many honors for his work including the 1959 Distinction in the Arts, Yale University; Benjamin Altman, Figure Prize at the National Academy, 1983, 1987; the Childe Hassam Purchase Award by the Institute of Art and Letters Award, 1975-1976, 1980; and the Louis Comfort Tiffany Award, 1979. Also, Cajori was awarded a Fulbright grant to Italy, 1952-1953, and a grant from the National Endowment for the Arts in 1981, as well as a Guggenheim Fellowship in 2001.

Charles Cajori was married to the painter Barbara Grossman and they lived in Watertown, Connecticut.
Provenance:
The Charles Cajori papers were donated to the Archives of American Art by Charles Cajori in 2011 and by Barbara Grossman in 2015 and 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointments and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Citation:
Charles Cajori papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajochar
See more items in:
Charles Cajori papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4683c60-e4b6-49e4-8bc3-1f44de6b3349
EDAN-URL:
ead_collection:sova-aaa-cajochar

Colorado Springs Fine Arts Center, 1966-1972

Container:
Box 76 of 117
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 313, National Collection of Fine Arts, Central Administrative File, Records
See more items in:
Central Administrative File, Records
Central Administrative File, Records / Series 11: STATE AND FOREIGN COUNTRY FILES / Box 76
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0313-refidd1e11027

Correspondence

Collection Creator:
Mangravite, Peppino, 1896-  Search this
Extent:
(Boxes 1-2; 1.75 linear ft.; Reels 5878-5880)
Type:
Archival materials
Date:
1918-1977, undated
Scope and Contents note:
Chronological correspondence documents Mangravite's career as a painter and educator and is with employers, dealers, museums, galleries, collectors, clients, arts and educational organizations, publishers, and other artists. The majority of the letters are written in English, but some are composed in French and Italian as well. Although primarily business correspondence, there is also a significant amount of personal correspondence with friends, colleagues, and former students. The letters often cover both business and personal topics, as Mangravite seemed to form close relationships with many of the people at the galleries and schools with which he was associated. Correspondence dated from 1918 to the 1950s is comprised mostly of incoming letters. Starting in the 1950s, the correspondence includes more outgoing correspondence, usually in the forms of onion skin copies and handwritten drafts. Correspondence is arranged chronologically, except two folders of undated letters, which are arranged alphabetically by last name of writer. A list of major correspondents follows.

A large amount of correspondence is between Mangravite and his dealers, the Dudensing Gallery and the Rehn Galleries, and discusses financial agreements, sales, and accounts. There is also correspondence with other galleries and museums where his paintings were exhibited. Mangravite's mural commissions are also discussed in the correspondence. Also found are invitations to participate in exhibitions, notifications of prize awards and artwork sales, invitations to be on juries for art competitions, or miscellaneous requests from fellow artists, fans, collectors, and clients. Significant events documented here include Mangravite's two Guggenheim Fellowships and his trip to Europe in 1955 to interview famous artists.

Mangravite's long teaching career is also documented in this series. Correspondence is found with Columbia University, Sarah Lawrence College, Avon School, Fieldston School of the Ethical Culture Schools, Potomac School, Dana Hall School, and the Colorado Springs Fine Art Center. Additionally, Mangravite was also a sought-after speaker and his correspondence includes many lecture invitations and requests as well as arrangements for accepted speaking engagements.

Other topics covered in the correspondence concern Mangravite's published or proposed writings, particularly articles and books reviews, most notably for the Saturday Review of Literature and American Magazine of Art. Also, there is some correspondence with publishers regarding book project ideas and manuscripts. Mangravite's membership activities in a variety of artists' organizations, such as the College Art Association, the American Society of Painters, Sculptors and Gravers; the American Artists' Congress, and the American Federation of Arts are well-represented in the correspondence. Of particular interest is Mangravite's response to an artists' rental policy debate during the 1930s, concerning the payment of rental fees for artworks exhibited in shows and galleries.

Major Correspondents

American Artists Congress

American Federation of Arts

American Society of Painters

Arms, John Taylor

Avon School

Barr, Alfred

Barzun, Jacques (Columbia University)

Bear, Donald J.

Benson, Emanuel

Biddle, George

Burchfield, Charles

Canaday, John

Canby, Courtlandt

Chagall, Marc

Clancy, John (Rehn Galleries)

Cole, Sylvan Jr. (Associated American Artists)

College Art Association

Colorado Springs Fine Art Center

Columbia University

d'Harnoncourt, Rene

Dana Hall School

Davis, Stuart

Dudensing, Richard

Fieldston School of the Ethical Culture Schools

Force, Juliana

Gonzales, Xavier

Harper & Brothers Publishers

Knight, Frederick

Larom, Henry V.

Lockwood, Ward

Magafan, Ethel and Jenne and Edward Chavez

Maldarelli, Oronzio

Manso, Leo

Manzella, David

Moe, Henry Allen

Mumford, Lewis

Pearson, Ralph M. (Design Workshop)

Philips, Duncan

Picken, George

Poor, Henry V.

Potomac School

Preston, Carol (Potomac School)

Rehn, Frank K. M.

Rice, Norman (Art Institute of Chicago)

Rich, Daniel Catton (Art Institute of Chicago)

Robinson, Boardman (Colorado Springs Fine Arts Center)

Roosevelt, Willard

Root, Edward W.

Saint-Gaudens, Homer

Sarah Lawrence College

Sculptors and Gravers

Simonson, Lee

Speicher, Gene

Sweet, Frederick A. (Portland Art Museum)

Talbot, William

Thayer, H. Standish

Vander Sluis, George

Watson, Forbes

Watkins, Franklin C.

Weston, Harold

Wilder, Mitchell A. (Colorado Springs Fine Arts Center)

Wyatt, Stanley
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mangpepp, Series 1
See more items in:
Peppino Mangravite papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94da1f0cc-77ea-4642-b698-e62f6f2f4156
EDAN-URL:
ead_component:sova-aaa-mangpepp-ref14

Report on Art School of the Colorado Springs Fine Arts Center

Collection Creator:
Mangravite, Peppino, 1896-  Search this
Container:
Box 3, Folder 49
Type:
Archival materials
Date:
circa 1938
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peppino Mangravite papers, 1918-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Peppino Mangravite papers
Peppino Mangravite papers / Series 4: Writings, Notes, and Lectures / Miscellaneous Writings By Mangravite
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92b28e41b-c040-468d-ae8c-9ed5801a4863
EDAN-URL:
ead_component:sova-aaa-mangpepp-ref90

Fog Horns, (painting)

Painter:
Dove, Arthur 1880-1946  Search this
Medium:
Oil
Type:
Paintings
Owner/Location:
Colorado Springs Fine Arts Center 30 W. Dale Street Colorado Springs Colorado 80903
Date:
1929
Topic:
Abstract  Search this
Control number:
IAP 05370042
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_283840

Noguchi, Isamu

Collection Creator:
Stable Gallery  Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
1954-1961
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbd38752-2cdb-4955-8100-7292de550c63
EDAN-URL:
ead_component:sova-aaa-stabgall-ref57
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Edward Arcenio Chavez papers, 1917-1982, bulk 1941-1973

Creator:
Chavez, Edward Arcenio, 1917-1995  Search this
Subject:
Federal Works Agency  Search this
Type:
Interviews
Photographs
Transcripts
Citation:
Edward Arcenio Chavez papers, 1917-1982, bulk 1941-1973. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Painters -- New York (State) -- Woodstock  Search this
Sculptors--New York (State)--Woodstock  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5457
(DSI-AAA_SIRISBib)208547
AAA_collcode_chavedwa
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208547
Online Media:

Martyl Langsdorf papers, 1918-1977

Creator:
Martyl, 1917-2013  Search this
Subject:
Blanch, Arnold  Search this
Dehn, Adolf  Search this
Hawthorne, Charles Webster  Search this
Lee, Doris  Search this
Robinson, Boardman  Search this
Sequieros  Search this
Martyl  Search this
Benton, Thomas Hart  Search this
Curry, John Steuart  Search this
Henle, Fritz  Search this
Holty, Carl  Search this
Janson, H. W. (Horst Woldemar)  Search this
Rowan, Edward Beatty  Search this
ACA Galleries  Search this
Art Institute of Chicago  Search this
Colorado Springs Fine Arts Center  Search this
Feingarten Galleries  Search this
Kovlar Gallery (Chicago, Ill.)  Search this
St. Genevieve School of Art  Search this
University of Chicago. Oriental Institute  Search this
University of Chicago. Renaissance Society  Search this
United States. Public Buildings Administration. Section of Fine Arts  Search this
Citation:
Martyl Langsdorf papers, 1918-1977. Archives of American Art, Smithsonian Institution.
Topic:
Mural painting and decoration, American  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9115
(DSI-AAA_SIRISBib)211309
AAA_collcode_martyl
Theme:
Women
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211309

Colorado Springs Fine Arts Center records, 1919-1983

Creator:
Colorado Springs Fine Arts Center  Search this
Subject:
Lothrop, Stanley B.  Search this
Parker, Paul  Search this
Penrose, Spencer, 1865-1939  Search this
Stoner, Stanley  Search this
Wilder, Mitchell A.  Search this
Bartlett, Fred S. (Frederic Stewart)  Search this
Byrnes, James B.  Search this
Broadmoor Art Academy  Search this
Citation:
Colorado Springs Fine Arts Center records, 1919-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Exhibitions  Search this
Theme:
Art organizations  Search this
Record number:
(DSI-AAA_CollID)9827
(DSI-AAA_SIRISBib)212289
AAA_collcode_colospri
Theme:
Art organizations
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212289

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Rosalie Berkowitz papers relating to Forrest Bess (reel 3752), 1947-1981

Creator:
Berkowitz, Rosalie Dalsheimer, 1906-1990  Search this
Subject:
Bess, Forrest  Search this
Citation:
Rosalie Berkowitz papers relating to Forrest Bess (reel 3752), 1947-1981. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Art, Modern  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10458
(DSI-AAA_SIRISBib)213869
AAA_collcode_berkrosa2
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213869

Margaret Casey Gates papers, 1934-1988

Creator:
Gates, Margaret Casey, 1903-1989  Search this
Subject:
Rayford, Julian Lee  Search this
Stieglitz, Alfred  Search this
Lewis, John L.  Search this
Taylor, Prentiss  Search this
Gernand, John  Search this
Gates, Robert Franklin  Search this
Garrett, Alice Warder  Search this
Fitzpatrick, Daniel Robert  Search this
Dove, Arthur Garfield  Search this
Knaths, Karl  Search this
Clark, Betty Jean  Search this
Phillips Collection  Search this
Phillips Memorial Gallery. Art School  Search this
Federal Works Agency  Search this
Federal Art Project  Search this
Armory Show (1913: New York, N.Y.)  Search this
Type:
Photographs
Scrapbooks
Writings
Sketchbooks
Citation:
Margaret Casey Gates papers, 1934-1988. Archives of American Art, Smithsonian Institution.
Topic:
New Deal, 1933-1939  Search this
Post office buildings -- North Carolina  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Women artists  Search this
Women painters  Search this
Women educators  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6547
(DSI-AAA_SIRISBib)215822
AAA_collcode_gatemarg
Theme:
Sketches & Sketchbooks
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215822
Online Media:

Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978

Creator:
Catherine Viviano Gallery.  Search this
Subject:
Wakabayashi, Kazuo  Search this
Viviano, Catherine  Search this
Van Veen, Stuyvesant  Search this
Shapiro, Meyer  Search this
Seeger, Stanley J.  Search this
Sage, Kay  Search this
Valentin, Curt  Search this
Tanning, Dorothea  Search this
Stout, George L. (George Leslie)  Search this
Price, Vincent  Search this
Pulitzer, Joseph  Search this
Perlin, Bernard  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rosenthal, Bernard M.  Search this
Rathbone, Perry Townsend  Search this
Ribicoff, Belle Krasne  Search this
Morlotti, Ennio  Search this
Moyens, H. Marc  Search this
Ossorio, Alfonso  Search this
Myers, John Bernard  Search this
McCray, Porter A.  Search this
Menil, Dominique de  Search this
Meltzer, Doris  Search this
Miller, Stephen Robeson  Search this
Miró, Joan  Search this
Minguzzi, Luciano  Search this
Hirschhorn, Joseph  Search this
Lerner, Abe  Search this
Mabe, Manabu  Search this
Ludgin, Earle  Search this
Manrique, César  Search this
Giacometti, Alberto  Search this
Glasco, Joseph  Search this
Goodhue, Bertram Grosvenor  Search this
Graves, Morris  Search this
Guerrero, José  Search this
Göpel, Barbara  Search this
Göpel, Erhard  Search this
Eisendrath, William N.  Search this
Ernst, Dallas  Search this
Faison, S. Lane (Samson Lane)  Search this
Fleischman, Barbara  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Genauer, Emily  Search this
Chaet, Bernard  Search this
Callery, Mary  Search this
Bishop, Elizabeth  Search this
Broderson, Robert M  Search this
Dorazio, Virginia Dortch  Search this
Dubuffet, Jean  Search this
Dorazio, Piero  Search this
Cox, Jan  Search this
Afro  Search this
Birolli, Renato  Search this
Barker, Walter  Search this
Bareiss, Walter  Search this
Baker, Richard Brown  Search this
Ashton, Dore  Search this
Dudensing, F. Valentine  Search this
Yunkers, Adja  Search this
Wadsworth Atheneum  Search this
Yale University. Art & Architecture Library  Search this
World House Galleries  Search this
Harvard University  Search this
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts  Search this
University of Virginia  Search this
Santa Barbara Museum of Art  Search this
Philadelphia Art Alliance  Search this
Museum of Fine Arts, Boston  Search this
Museum of Fine Arts, Houston  Search this
Walker Art Center  Search this
Pennsylvania Academy of the Fine Arts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Los Angeles County Museum  Search this
Mary Washington College  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Fogg Art Museum  Search this
City Art Museum of St. Louis  Search this
Detroit Institute of Arts  Search this
Massachusetts Institute of Technology  Search this
Brooklyn Museum  Search this
Dallas Museum of Fine Arts  Search this
Des Moines Art Center  Search this
American Federation of Arts  Search this
American Academy of Arts and Letters  Search this
Barnes Foundation  Search this
Colorado Springs Fine Arts Center  Search this
Art Club of Chicago  Search this
Carnegie Institute  Search this
Art Institute of Chicago  Search this
Type:
Photographs
Notes
Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
Topic:
Women art dealers  Search this
Art -- Collectors and collecting  Search this
Sculpture  Search this
Painting  Search this
Theme:
Women  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)11096
(DSI-AAA_SIRISBib)243136
AAA_collcode_cathvivi
Theme:
Women
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_243136
Online Media:

Torso I (Ulysses)

Artist:
Barbara Hepworth, British, b. Wakefield, England, 1903–1975  Search this
Medium:
Bronze
Dimensions:
51 1/4 x 31 7/8 x 21 5/8in. (130.2 x 81 x 54.9cm)
Type:
Sculpture
Date:
1958
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2443
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
British Modernist Sculpture
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py29ba2291c-1767-4b7f-81c4-34e9e33b09ff
EDAN-URL:
edanmdm:hmsg_66.2443

Video Fest, Colorado Springs Fine Arts Center

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 9, Folder 20
Type:
Archival materials
Date:
1991-1996
Scope and Contents:
Event referred to as "Video Fest" on contracts and in correspondence is Whisper! Stomp! Shout! A Salute to African American Performance Art at Colorado Springs Fine Arts Center (1996).
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da529216-bd0e-4b83-857e-c3e3ff8d719f
EDAN-URL:
ead_component:sova-aaa-nengseng-ref279

Whisper! Stomp! Shout! A Salute to African American Performance Art, Colorado Springs Fine Arts Center

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 9, Folder 21
Type:
Archival materials
Date:
1996
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e2f33d5-6d40-4cad-b6ec-9bea76ce8bd8
EDAN-URL:
ead_component:sova-aaa-nengseng-ref280

Colorado Springs Fine Arts Center

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 9, Folder 34
Type:
Archival materials
Date:
1996-2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw907fa7946-bd11-4cdd-b7f3-464e35c3dc2c
EDAN-URL:
ead_component:sova-aaa-nengseng-ref293

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