Search Results

Artist:

Christo and Jeanne-Claude, active 1958  Search this

Christo, born Gabrovo, Bulgaria 1935-died New York City 2020  Search this

Jeanne-Claude, born Casablanca, Morocco 1935-died New York City 2009  Search this

Medium:

color slides

Type:

Photography

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment

Copyright:

© Christo

Object number:

RF.5.1-.243

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Related Collection

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk76fe81273-030f-4149-a76f-5b6e5483b5e8

EDAN-URL:

edanmdm:saam_RF.5.1-.243

Creator:

NBC Television Network  Search this

Home (TV Program)  Search this

Haultcoeur, Phillip (Hippolyte Arthur), 1908-1967 (Chef)  Search this

Extent:

1 Cubic foot (3 boxes)

Type:

Collection descriptions

Archival materials

Color slides

Correspondence

Menus

Newsclippings

Date:

1932-1967

Summary:

Collection documents the NBC television show "Home" (1954-1957) particularly, the activities of on-air chef Phillip Haultcoeur.

Content Description:

The collection consists of correspondence, recipes, menus, photographs, news clippings, and program notes relating to the NBC television show "Home" (1954-1957) and, particularly, to the activities of on-air chef Phillip Haultcoeur.

Arrangement:

The collection is arranged into three series.

Series 1: Personal Materials, 1932-1967

Series 2: "Home" (NBC TV) Program, 1954-1957

Seroies 3: Photographs and Slides, 1950s-1960s

Biographical / Historical:

Hippolyte Arthur Phillip Haultcouer, was born on May 3, 1908 in London, England. He came to the United States in 1929 aboard the SS President Roosevelt and opened the kitchen at New York City's Savoy-Plaza Hotel, which operated from 1927-1965. He was familiarly known as "Chef Phillip." He became a United States citizen on July 24, 1940. From March 1942 to November 1945, Haultcouer served as a Tec-5 in the United States Army. In October 1948 he married Margaret M. Mulcahy (1926-1981) in Manhattan and the couple had two children, Phillip (b. 1949) and Douglas (b. 1951).

In 1953 Haultcouer founded the culinary arts program at the State University of New York at the New York City Community College to train chefs. Haultcouer also appeared on the "Home" television program of the National Broadcasting Company with Arlene Francis and Hugh Downs from 1954 to 1957.

Sources

"Chef Phillip of the Voisin Dead; Set Up State Culinary Program," New York Times, February 15, 1967, page 40.

Gould, Jack. "Television in Review: 'Home' Daytime Show for Women on N.B.C., Starts Ambitiously," New York Times March 5, 1954, page 26

The National Archives at Philadelphia; Philadelphia, Pennsylvania; NAI Title: Declarations of Intention for Citizenship, 1/19/1842 - 10/29/1959; NAI Number: 4713410; Record Group Title: Records of District Courts of the United States, 1685-2009; Record Group Number: 21

National Archives at College Park; College Park, Maryland, USA; Electronic Army Serial Number Merged File, 1938-1946; NAID: 1263923; Record Group Title: Records of the National Archives and Records Administration, 1789-circa 2007; Record Group: 64; Box Number: 04882; Reel: 152

New York City Municipal-Archives; New York, New York; Borough: Manhattan; Volume Number: 46

Provenance:

Collection donated by Phillip A. Haultcoeur (son of chef Phillip Haultcoeur) in 2020.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Chefs -- New York  Search this

Cooking  Search this

Photographs  Search this

Recipes  Search this

Restaurants  Search this

Genre/Form:

Color slides

Correspondence -- 20th century

Menus -- 20th century

Newsclippings

Citation:

Phillip Haultcoeur Papers, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1501

See more items in:

Phillip Haultcoeur Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c6858c27-5cfe-4d2d-a51e-ee36f4ea9b6e

EDAN-URL:

ead_collection:sova-nmah-ac-1501

Creator:

Constant, George  Search this

Names:

Art Institute of Chicago  Search this

Audubon Artists (New York, N.Y.)  Search this

Brooklyn Museum  Search this

Carnegie Institute  Search this

Dayton Art Institute  Search this

Federation of Modern Painters and Sculptors  Search this

Ferargil Galleries  Search this

Heckscher Museum  Search this

Lyman Allyn Art Museum  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Parrish Art Museum  Search this

Spanish Refugee Aid (Organization)  Search this

United States. Works Progress Administration  Search this

Whitney Museum of American Art  Search this

Avery, Milton, 1885-1965  Search this

Avery, Sally  Search this

Burliuk, David, 1882-1967  Search this

Caparn, Rhys, 1909-1997  Search this

Carnell, Julia Shaw Patterson, 1863-1944  Search this

Davidson, Morris, 1898-1979  Search this

Eaton, Charles Warren, 1857-1937  Search this

Gecan, Vilko, 1894-1973  Search this

Kanaga, Consuelo, 1894-  Search this

Landgren, Marchal E.  Search this

Neuberger, Roy R.  Search this

Pach, Walter, 1883-1958  Search this

Perret, Nell, 1916-  Search this

Preston, Georgette  Search this

Putnam, Wallace, 1899-1989  Search this

Extent:

4.6 Linear feet

Type:

Collection descriptions

Archival materials

Christmas cards

Photographs

Video recordings

Sound recordings

Interviews

Date:

1912-2007

bulk 1932-1978

Summary:

The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.

Scope and Contents note:

The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.

Arrangement note:

The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)

Biographical/Historical note:

Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.

Provenance:

The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Painters -- New York (State) -- New York  Search this

Art -- Philosophy  Search this

Printmakers -- New York (State) -- New York  Search this

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Genre/Form:

Christmas cards

Photographs

Video recordings

Sound recordings

Interviews

Citation:

George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.consgeor

See more items in:

George Constant papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072

EDAN-URL:

ead_collection:sova-aaa-consgeor

Photographer:

Houlberg, Marilyn  Search this

Extent:

6567 Slides (photographs) (11 Binders, color)

14 Documents (1 Binder)

1,946 Slides (Color, 35 mm)

Culture:

Yoruba (African people)  Search this

Nigerians  Search this

Tuaregs  Search this

Fulani  Search this

Nuba  Search this

Igbo (African people)  Search this

Turkana  Search this

Pokot  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Documents

Slides

Color slides

Photographic prints

Photographs

Place:

Nigeria

Africa

Lagos (Nigeria)

Date:

1961-circa 2005

Summary:

The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

Scope and Contents note:

This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.

Arrangement note:

The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)

Biographical/Historical note:

Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.

Provenance:

Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Occupation:

Weavers  Search this

Artists  Search this

Topic:

Shrines  Search this

Masks  Search this

Domestic scenes  Search this

Egúngún (Cult)  Search this

Ethnology -- Nigeria  Search this

Gelede (Yoruba rite)  Search this

Hairstyles -- Africa  Search this

Rites and ceremonies -- Africa  Search this

Clothing and dress -- Africa  Search this

Marketplaces  Search this

Masquerades  Search this

Ere ibeji  Search this

Works of art in situ  Search this

Art, African  Search this

Vernacular architecture  Search this

Festivals  Search this

Genre/Form:

Color slides

Photographic prints

Photographs

Citation:

Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2005-002

See more items in:

Marilyn Houlberg Nigeria collection

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e

EDAN-URL:

ead_collection:sova-eepa-2005-002

Extent:

22 cu. ft. (22 record storage boxes)

Type:

Collection descriptions

Archival materials

Manuscripts

Clippings

Color photographs

Black-and-white photographs

Floppy disks

Color slides

Videotapes

Electronic records

Date:

circa 1977-2002

Descriptive Entry:

This accession consists of records that document the planning, execution, administration, and promotion of traveling exhibitions. Materials include correspondence, memoranda, press releases, press kits, catalog text, itineraries, fact sheets, checklists, meeting agendas, clippings, budgets, proposals, brochures, notes, videotapes, photographs, slides, and related records. Some materials are in electronic format.

Topic:

Traveling exhibitions  Search this

Museums -- Public relations  Search this

Genre/Form:

Manuscripts

Clippings

Color photographs

Black-and-white photographs

Floppy disks

Color slides

Videotapes

Electronic records

Citation:

Smithsonian Institution Archives, Accession 03-129, Smithsonian Institution. Traveling Exhibition Service, Exhibition Records

Identifier:

Accession 03-129

See more items in:

Exhibition Records

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_collection:sova-sia-fa03-129

Creator:

Keller, Richard  Search this

Names:

Keller, Richard  Search this

Extent:

0.45 Cubic feet ((1 legal document box))

Type:

Collection descriptions

Archival materials

Color slides

Pamphlets

Date:

1966-1967

Scope and Contents:

This collection consists of the following: United States Military Assistance Command Vietnam 'Command Information,' and 'The Enemy ...in Vietnam,' February 1967; Trainee Handout for Small Arms Training Unit; Ready Reference Facts on South Vietnam; 'Information Guidance for Military Units Alerted for Vietnam,' August 1966; handout on the 366th Tactical Fighter Wing 'Gunfighters' at DaNang Air Base; a North Vietnamese Propaganda Handbook, 1968; four chits, including a safe-conduct pass; and 105 color slides of aircraft, personnel and Vietnamese scenes shot by Keller and copied by the Museum's Photo Lab.

Biographical / Historical:

Richard Keller was an Aircraft Electrical Repairman Specialist at Ta Son Nhut AFB RVN during 1966-1967, where he was a North American F-100 maintenance mechanic.

General:

NASMrev

Provenance:

Richard Keller, Gift, 1993, 1993-0025, NASM

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

North American F-100 Super Sabre (Sabre 45) Family  Search this

Vietnam War, 1961-1975  Search this

Aeronautics, Military  Search this

Aeronautics  Search this

Vietnam War, 1961-1975 -- Aerial operations, American  Search this

Vietnam War, 1961-1975 -- Aerial operations  Search this

Genre/Form:

Color slides

Pamphlets

Identifier:

NASM.1993.0025

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2cfa87066-707e-42f6-8f4b-759a9472bb2d

EDAN-URL:

ead_collection:sova-nasm-1993-0025

Creator:

Watson, S. F.  Search this

Extent:

0.05 Cubic feet ((1 folder))

Type:

Collection descriptions

Archival materials

Color slides

Date:

bulk 1967-1973

Scope and Contents:

This collection consists of copy slides of 122 slides taken by Lt. Col. S. F. Watson, U.S. Army helicopter pilot, during the Vietnam War. The slides include shots of helicopters, aerial scenes and air-to-air helicopter shots. Types of helicopters included are as follows: Bell UH-1 Iroquois (Huey); Bell UH-1B (HU-1B) Iroquois (Huey); Bell OH-58 Kiowa; Boeing-Vertol CH-47A Chinook; Lockheed AH-56A Cheyenne; Bell AH-1G Cobra; and the Sikorsky (S-64) CH-54 Tarhe (Skycrane).

Biographical / Historical:

Lt. Col. S. F. Watson, US Army was a helicopter pilot, during the Vietnam War.

Provenance:

Frances J. Watson, Gift, 1993

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Vietnam War, 1961-1975  Search this

Helicopters  Search this

Aeronautics  Search this

Bell UH-1B (HU-1B) Iroquois (Huey)  Search this

Bell UH-1 Iroquois (Huey) Series  Search this

Bell OH-58A Kiowa  Search this

Boeing-Vertol CH-47A Chinook,  Search this

Genre/Form:

Color slides

Citation:

Vietnam War Color Slides [Watson], Accession 1993-0048, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.1993.0048

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg23f1b8e93-c88d-40c9-a961-85f7d170d983

EDAN-URL:

ead_collection:sova-nasm-1993-0048

Creator:

Scott, James  Search this

Extent:

0.03 Cubic feet (1 folder)

Type:

Collection descriptions

Archival materials

Date:

1971-1974

Summary:

James Scott served in the US Army, 1st Battalion, 11th Infantry, 1st Brigade (Separate), 5th Infantry Division during the Vietnam War/ Following his tour in Vietnam, Scott was transferred to the 173rd Airborne Brigade (later deactivated and redesignated as the 3rd Brigade (Airborne), 101st Airborne Division (Air Mobile)) and went with that unit to Fort Campbell, Kentucky. Scott was an infantry captain on the team which created the 101st Airborne Division Air Assault School in 1973. This collection consists of thirty-one 35mm color slides documenting James Scott's service with the US Army.

Scope and Contents:

This collection consists of thirty-one 35mm color slides documenting James Scott's service with the US Army. Nine of the images are from Scott's time with the 1st Battalion, 11th Infantry, 1st Brigade, 5th Infantry Division during the Vietnam War. Five were taken during an assault by the 1/11 infantry on the abandoned Khe Sanh Combat Base at the initiation of Operation DEWEY CANYON II on January 30, 1971. The other four images from Vietnam are views taken from helicopters flying in the region of Khe Sanh. The remaining twenty-two slides in the collection were taken at the 101st Airborne Division Air Assault School at Fort Campbell, Kentucky in 1973--1974 and show various training and aircraft familiarization activities. Several show the experimental Helicopter Tree Landing Platform (HTLP). Aircraft shown in the photographs include the Bell UH-1 Iroquois (Huey), Sikorsky (S-64A) CH-54A Tarhe (Skycrane), Boeing-Vertol CH-47A Chinook, Bell AH-1 Cobra, and the Bell OH-58 Kiowa.

Arrangement:

Collection is in original order. It was organized by the donor in two series - images taken in Vietnam and images taken at the 101st Airborne Division Air Assault School at Fort Campbell, Kentucky.

Biographical / Historical:

James Scott served in the US Army, 1st Battalion, 11th Infantry, 1st Brigade (Separate), 5th Infantry Division during the Vietnam War. On January 30, 1971, Scott's Battalion was the lead unit to move into the abandoned Khe Sanh Combat Base, while encountering limited enemy contact en route, as part of Operation DEWEY CANYON II. This allowed for an airstrip to be established at Khe Sahn to serve as a support base for Operation LAM SON 719, an offensive campaign to cut enemy supply lines and clear the way for an invasion of Laos by the Republic of Vietnam. Following his tour in Vietnam, Scott was transferred to the 173rd Airborne Brigade (later deactivated and redesignated as the 3rd Brigade (Airborne), 101st Airborne Division (Air Mobile)) and went with that unit to Fort Campbell, Kentucky. Scott was an infantry captain on the team which created the 101st Airborne Division Air Assault School in 1973. James Scott earned Senior Parachute Wings, was awarded the Combat Infantry Badge, the Bronze Star, and the Army Commendation Medal, before leaving active duty with the US Army in 1975 at the rank of captain. Following his military career, Scott was a civilian employee with the Department of Defense including work at the US Army Missile Command at Redstone Arsenal, Alabama and the Naval Air Systems Command in Arlington, Virginia.

Provenance:

James Scott, Gift, 2022, NASM.2023.0004.

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Aeronautics, Military  Search this

Vietnam War, 1961-1975  Search this

Bell UH-1 Iroquois (Huey) Series  Search this

Boeing-Vertol CH-47A Chinook,  Search this

Citation:

Vietnam War and Air Assault School Color Slides [Scott], NASM.2023.0004, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2023.0004

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg21f90f7f9-20ca-4c70-8288-59c160f7c62a

EDAN-URL:

ead_collection:sova-nasm-2023-0004

Collection Creator:

National Air and Space Museum (U.S.)  Search this

Hardesty, Von, 1939-  Search this

Container:

Box 5, Folder 3

Type:

Archival materials

Photographs

Scope and Contents:

35mm color slides (transparencies) of exhibit panels; copies of black and white photographs used in the book and exhibit.

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Black Wings Exhibit and Book Collection, Acc. NASM.1993.0060, National Air and Space Museum, Smithsonian Institution.

See more items in:

Black Wings Exhibit and Book Collection

Black Wings Exhibit and Book Collection / Series 1: Exhibit

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg22b84badb-c5a7-4809-b8fa-9a1b1b9bc9e8

EDAN-URL:

ead_component:sova-nasm-1993-0060-ref607

Creator:

Considine, John E.  Search this

Extent:

0.2 Cubic feet (1 slim box)

Type:

Collection descriptions

Archival materials

Slides (photographs)

Date:

bulk 1964-1969

Summary:

John E. Considine was in the United States Air Force from 1964 to 1969 during which time he was assigned to the 71st Aerial Refueling Squadron stationed at Dow Air Force Base, Maine. During 1967 and 1968, Considine was assigned to temporary duty at U-Tapao Royal Thai Navy Airfield and Takhli Royal Thai Air Force Base, Thailand. This collection consists of 199 cardboard mounted 35mm color slides of images taken by Considine during his service with the US Air Force in and around Takhli Royal Thai Air Force Base, Thailand; U-Tapao Royal Thai Navy Airfield, Thailand; and Dow Air Force Base, Maine; as well as images taken in flight over Laos and North Vietnam. The collection also includes some prints made from the slides as well as CDs of scans made from the slides by the donor.

Scope and Contents:

This collection consists of approximately 199 cardboard mounted 35mm color slides. Accompanying the slides are CDs of scans made by the donor. The collection also contains twenty-one 4 by 6 inch color prints of images that are in the slides/CDs. Photos were taken in and around Takhli Royal Thai Air Force Base, Thailand; U-Tapao Royal Thai Navy Airfield, Thailand; and Dow Air Force Base, Maine. There are also images taken in flight over Laos and North Vietnam. Many of the photographs are air to air views taken from the tanker during aerial refueling operations and there are also photographs of various squadron personnel and facilities as well as a set of images of the U.S. Air Force Thunderbirds aerial demonstration team performing. Aircraft depicted in the photographs include the Republic F-105 Thunderchief; Boeing RB-47 Stratojet; Boeing RC-135; Boeing B-52 Stratofortress; Boeing KC-135; Convair B-58 Hustler; North American F-100 Super Sabre; McDonnell F-101 Voodoo; McDonnell F-4C (F-110A) Phantom II; Douglas RB-66 Destroyer; Lockheed F-104 Starfighter; and North American F-86 Sabre.

Images shown with this collection are repurposed from the scans provided by the donor.

Arrangement:

Collection is in original order.

Biographical / Historical:

John E. Considine was in the United States Air Force from 1964 to 1969. Considine completed navigator training at James Connally Air Force Base, Texas, and then was assigned to the 71st Aerial Refueling Squadron stationed at Dow Air Force Base, Maine. During 1967 and 1968, Considine was assigned to temporary duty at U-Tapao Royal Thai Navy Airfield and Takhli Royal Thai Air Force Base, Thailand. The 71st Aerial Refueling Squadron was moved to Barksdale Air Force Base, Louisiana in 1968 and Considine retired in 1969 at the rank of captain.

Provenance:

John E. Considine, Gift, 2017, NASM.2017.0046

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Vietnam War, 1961-1975  Search this

Aeronautics, Military  Search this

Republic F-105 Thunderchief Family  Search this

North American F-100 Super Sabre (Sabre 45) Family  Search this

Genre/Form:

Slides (photographs)

Citation:

71st Aerial Refueling Squadron Photographs [Considine], NASM.2017.0046, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2017.0046

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg22ade4c0f-db41-47ec-8f93-e60687ab9a97

EDAN-URL:

ead_collection:sova-nasm-2017-0046

Creator:

Carrier, Joseph M.  Search this

Extent:

339 Color slides

Culture:

Cua (Vietnamese people)  Search this

Hrê (Vietnamese people)  Search this

Jarai (Southeast Asian people)  Search this

Bru (Southeast Asian people)  Search this

Vietnamese  Search this

Type:

Collection descriptions

Archival materials

Color slides

Photographs

Place:

Vietnam

Guatemala

Date:

1962-1973

Scope and Contents note:

Photographs of Vietnamese peoples and refugee camps made during Joseph M. Carrier's work in Vietnam for the Rand Corporation and the National Academy of Sciences. The collection includes images of airfields, a hospital, Viet Cong defectors, and weaving and basket-making. There are also photographs depicting people, architecture, and art, made in Guatemala circa 1964 and 1972.

Biographical/Historical note:

Joseph Michel Carrier (b. 1927) was a counterinsurgency specialist for the Rand Corporation in Vietnam, a researcher on herbicide use in Vietnam, and an anthropologist specializing in the analysis of homosexuality among Mexican and Vietnamese men. Educated at the University of Miami (BA, 1950) and Purdue University (MA, 1952), he gained employment with the Rand Corporation in 1956 as a research analyst. In 1962 and 1965-1967, Carrier was detailed to South Vietnam, where he assisted anthropologist Gerald Cannon Hickey's research on the Highland peoples and conducted fieldwork on Viet Cong morale and defection. Carrier returned to the United States in 1968 and entered the graduate program in anthropology at the University of California at Irvine. However, despite his doctoral research on homosexual men in Mexico, Carrier could find no positions in sex research after earning his PhD in 1972. With Hickey's support, Carrier found employment as a staff officer for the National Academy of Science's Herbicide Study Group, for whom he gathered data on the effects of US operations in Vietnam which used herbicides to defoliate forests to expose enemy compounds and poisoned Viet Cong food supplies. In 1974, Carrier helped author a working paper on the effects of these programs on the Vietnamese Highland populations. After his time in Vietnam, Carrier worked as an evaluator of California law enforcement programs (1973-1987) and was Chief Social Scientist for the Orange County Health Agency AIDS Community Education Project (retired 1992).

Local Call Number(s):

NAA Photo Lot 2014-02

Location of Other Archival Materials:

The Southeast Asian Archive, The UC Irvine Libraries and the ONE National Gay & Lesbian Archives hold Joseph Carrier's papers.

Related Materials:

The National Anthropological Archives holds the papers and photographs of Gerald Cannon Hickey.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Refugee camps  Search this

Vietnam War, 1961-1975  Search this

Genre/Form:

Photographs

Citation:

Photo Lot 2014-02, Joseph M. Carrier photographs of Vietnamese Central Highlanders, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.PhotoLot.2014-02

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw366fd5984-46f0-4327-9847-7946730cd89a

EDAN-URL:

ead_collection:sova-naa-photolot-2014-02

Creator:

Kuntz, Robert E.  Search this

Extent:

2,168 Negatives (circa, acetate)

548 Modern prints (circa)

78 Color slides

Type:

Collection descriptions

Archival materials

Negatives

Modern prints

Color slides

Photographs

Place:

Taiwan

Egypt

Turkey

Hong Kong (China)

Borneo

Nigeria

Kenya

Libya

Pakistan

Sudan

Baʻlabakk (Lebanon)

India

Thailand

Philippines

Yemen

Vietnam

Korea

Damascus (Syria)

Japan

Date:

circa 1949-1966

Scope and Contents note:

Photographs made by Robert E. Kuntz documenting people and the natural and built environments that he encountered during his world travels. Locations depicted include Asia (Taiwan, India, Korea, Thailand, Hong Kong, Vietnam, and Japan), the Middle East (Pakistan, Turkey, Lebanon, Syria, Egypt, and Yemen), Africa (Sudan, Libya, Kenya, and Nigeria), and Oceania (Borneo and the Philippines). Images of Taiwan include street scenes of Taipei, festivals and ceremonies (including celebrations of 10-10 Day, Buddha's birthday, and Lantern Festival), temples, villages and agriculture, boats and harbors, artwork and shrines, carving, construction, markets, bridges, and a cemetery. The collection also includes images of the Acropolis of Athens, the Taj Mahal and other structures in India, historical structures and the harbor in Istanbul, markets and vendors in west Pakistan, and Wat Benchamabophit and Wat Arun in Thailand, ancient structures in Baʻlabakk (Lebanon), St. Catherine's Monastery (Sinai) and a parade and ceremonies in Egypt.

Biographical/Historical note:

Dr. Robert E. Kuntz (1916-2003) was a parasitologist for the U.S. Navy and the Southwest Research Foundation. After earning his MS in zoology from Oklahoma University and Ph.D. in parasitology from the University of Michigan, he joined the United States Navy in 1943. He was a parasitologist and medical entomologist with the Naval Medical Research Institute and then Chairman of the department of parasitology at the Southwest Foundation for Research and Education, a position that brought him into contact with groups in the Middle East, Africa, and Asia. In 1964, Kuntz retired from the Navy as a captain. He wrote hundreds of publications and his photographs have been reproduced in textbooks, National Geographic Magazine, and other publications.

Local Call Number(s):

NAA Photo Lot 2003-25

Reproduction Note:

Modern prints made from original negatives by Smithsonian Institution, 1987.

Location of Other Archival Materials:

Kuntz's field notes are held in the Smithsonian Institutuion Archives in the Field Book Project, SIA Acc. 12-254.

Taiwanese fish skins collected by Kuntz held in the anthropology collections of the NAtional Museum of Natural History, accession 231999.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Festivals  Search this

Rites and ceremonies  Search this

Agriculture  Search this

Markets  Search this

Art  Search this

Architecture  Search this

Genre/Form:

Color slides

Photographs

Citation:

Photo Lot 2003-25, Robert E. Kuntz photographs of Asia, Africa, Oceania, and the Middle East, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.2003-25

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3983aeae7-528a-4863-be06-b9f942a82b8c

EDAN-URL:

ead_collection:sova-naa-photolot-2003-25

Creator:

Ekvall, Robert B. (Robert Brainerd), 1898-1983  Search this

Names:

Christian and Missionary Alliance  Search this

Ekvall, Betty (probable photographer)  Search this

Extent:

146 Color slides (circa)

Culture:

Vietnamese  Search this

Chinese  Search this

Tibetans  Search this

Type:

Collection descriptions

Archival materials

Color slides

Photographs

Place:

Vietnam

Tibet (China)

Gansu Sheng (China)

Date:

circa 1925-1940

Scope and Contents note:

Photographs made by Robert Brainerd Ekvall and Betty Ekvall while missionaries on the China-Tibet border. The photographs document Tibetan, Chinese, and Vietnamese people, ceremonies, dances and musicians, shrines, traders, boats, towns, agriculture, and scenery. The collection also includes images of the Ekvalls and other missionaries and a map of Gansu province from the Christian and Missionary Alliance newsletter.

Biographical/Historical note:

Robert Brainerd Ekvall (1898-1978) and Betty Ekvall were missionaries for the Christian and Missionary Alliance in the Tibetan Plateau on the China-Tibet border. Robert Ekvall was born in Gangsu province, China, to parents who were among the first Christian and Missionary Alliance missionaries in Tibet. After his father's death, Ekvall returned to the United States with his mother. He attended Wheaton Academy and Wheaton College, graduating in 1920. In 1921, Ekvall married fellow Wheaton alumnus Martha Elizabeth Fischer (commonly known as Betty) and both attended the Nyack Missionary Institute. The next year they left for China, where Robert taught at the Bible school. They also traveled into Tibet to establish a mission station in Ngawa. In 1927, the Ekvalls returned to the United States due to political turmoil in China, though they went back to China the following year. On another furlough in the U.S., Robert Ekvall did some graduate work in anthropology at the University Chicago. The Ekvalls returned to Tibet, where Betty Ekvall died of illness in 1940. In 1941, Robert Ekvall traveled to Indochina where their son, David, was doing missionary work; he returned to the United States in 1944 and joined the United States Army in Burma and China. He later published books, articles, and poems on Tibet and China, and taught at the University of Washington.

Local Call Number(s):

NAA Photo Lot 2003-12

Location of Other Archival Materials:

The Billy Graham Center Archives at Wheaton College holds the oral history interviews, correspondence, photographs, and a manuscript by Ekvall (CN 092).

The Newark Museum holds some Tibetan material from Ekvall.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Color slides

Photographs

Citation:

Photo Lot 2003-12, Robert Brainerd Ekvall and Betty Ekvall photographs of Tibet and Indochina, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.2003-12

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32b666199-833c-4b10-a236-62cf34897ba2

EDAN-URL:

ead_collection:sova-naa-photolot-2003-12

Creator:

Weir, Thomas  Search this

Extent:

12 Negatives (acetate)

13 Color slides

Culture:

Vietnamese  Search this

Cambodians  Search this

Type:

Collection descriptions

Archival materials

Negatives

Color slides

Photographs

Place:

Vietnam

Cambodia

Date:

circa 1965-1980

Scope and Contents note:

Images of people, pottery making, and a market in Vietnam. The photographs were probably made in Cambodia and Vietnam, though they may have also been made in Laos, Thailand, Burma, or Malaysia.

Local Call Number(s):

NAA Photo Lot 85-27

Location of Other Archival Materials:

Additional photographs by Thomas Weir can be found in the Eliot Elisofon Photographic Archives in EEPA 1987-0001.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Markets  Search this

Pottery craft  Search this

Genre/Form:

Photographs

Citation:

NAA Photo lot 85-27, Thomas Weir photographs of Southeast Asia, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.PhotoLot.85-27

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34236baf0-3c66-460e-9205-675600288218

EDAN-URL:

ead_collection:sova-naa-photolot-85-27

Creator:

Rash, Richard  Search this

Names:

Rash, Richard  Search this

Extent:

0.1 Cubic feet ((10 slide boxes))

Type:

Collection descriptions

Archival materials

Color slides

Newsletters

Date:

[ca. 1949-1960s]

Scope and Contents:

This collection consists of 187 color slides documenting Rash's military career and his tours in China, Korea, and Viet Nam. The collection is divided into the following series: China, 1947-1948; USA 1948-1949; Korea, 1952-1954; Vietnam, 1966; and Vietnam 1968-69. Marine Corps aircraft are represented.

Biographical / Historical:

Richard Rash was a Marine Corps aviator who flew in World War II, the Korean War, and the Vietnam War. During World War II, Rash flew Grumman F4F Wildcats and Corsairs, as he accompanied dive bombers and torpedo bombers on their missions. After World War II, Rash opted for duty in China, and reported to VMF-211. His tour of China ended with the Communist takeover in 1949. He then went on several tours of duty in Southern Europe and the Mediterranean, including service in Greece, Turkey, Spain, and Italy. Subsequently, Rash was called to duty in the Korean war, and later the Vietnam war, before retiring in 1973. During the Korean and Vietnam eras, he flew the following aircraft: North American Sabre F-86, Grumman F9F-5, McDonnell F2H-2, North American FJ-2; Grumman F8F-8, Douglas AD, and Beechcraft SNB.

General:

Other material: One copy of the "Pacific Beach Historical Society Newsletter," which includes a biography of Rash.

NASMrev

Provenance:

John Fry, gift, 1989, 1989-0131, NASM

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Grumman F4F Wildcat Family  Search this

Vought F4U Corsair Family  Search this

Grumman F9F-5 Panther  Search this

North American FJ-2 Fury (NA-181)  Search this

Douglas AD (A-1, BT2D) Skyraider Family  Search this

Beech SNB Family  Search this

Grumman F9F-8 (F-9J) Cougar  Search this

Korean War, 1950-1953 -- Aerial operations  Search this

World War, 1939-1945 -- Aerial operations  Search this

World War, 1939-1945  Search this

Vietnam War, 1961-1975  Search this

Aeronautics, Military  Search this

Aeronautics  Search this

Air pilots  Search this

Fighter pilots  Search this

McDonnell F2H-2 Banshee  Search this

North American F-86 Sabre Family  Search this

Genre/Form:

Color slides

Newsletters

Identifier:

NASM.1989.0131

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2b10b23a1-5e8d-46a0-bdce-b122ea31b414

EDAN-URL:

ead_collection:sova-nasm-1989-0131

Creator:

Murphy, Kevin.  Search this

Extent:

1.32 Cubic feet ((2 boxes))

Type:

Collection descriptions

Archival materials

Color slides

Motion pictures (visual works)

Date:

bulk 1970-1990

Scope and Contents:

This collection consists of three carousels of slides relating to Kevin Murphy's service in Vietnam, as well as technical manuals and documentation for the following aircraft: deHavilland (Canada) (DHC-4) AC-1A (CV-2A, C-7A); Shorts C-23A Sherpa; and Bell UH-1 Iroquois (Huey). There is also one 8mm film, titled "U-TAPAO RTNB-1972 (ARC Light)," [Boeing B-52 Stratofortress out of Thailand].

Biographical / Historical:

Kevin Murphy (b. 1945) was a strategic bomber pilot with the 34th Bomb Squadron (SAC) during the Vietnam Conflict

Provenance:

Kevin Murphy, gift, 2009

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Vietnam War, 1961-1975  Search this

Aeronautics  Search this

Aeronautics, Military  Search this

Bell UH-1B (HU-1B) Iroquois (Huey)  Search this

Boeing B-52 Stratofortress Family (Model 464)  Search this

de Havilland (Canada) (DHC-4) AC-1A (CV-2A, C-7A)  Search this

Shorts C-23A Sherpa  Search this

Genre/Form:

Color slides

Motion pictures (visual works)

Citation:

Vietnam Color Slides and Technical Manuals, Accession 2009-0030, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2009.0030

See more items in:

Vietnam Color Slides and Technical Manuals

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg20b803470-dab3-4aa4-a0c7-8298151e5bca

EDAN-URL:

ead_collection:sova-nasm-2009-0030

Collection Creator:

Murphy, Kevin.  Search this

Container:

Box 1, Slidebox 1

Type:

Archival materials

Slides

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Vietnam Color Slides and Technical Manuals, Accession 2009-0030, National Air and Space Museum, Smithsonian Institution.

See more items in:

Vietnam Color Slides and Technical Manuals

Vietnam Color Slides and Technical Manuals / Vietnam Color Slides

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2b1907412-fe10-491d-baf4-fb4bdf01de6c

EDAN-URL:

ead_component:sova-nasm-2009-0030-ref508

Collection Creator:

Murphy, Kevin.  Search this

Container:

Box 1, Slidebox 2

Type:

Archival materials

Slides

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Vietnam Color Slides and Technical Manuals, Accession 2009-0030, National Air and Space Museum, Smithsonian Institution.

See more items in:

Vietnam Color Slides and Technical Manuals

Vietnam Color Slides and Technical Manuals / Vietnam Color Slides

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2353e8768-4ff1-4204-bc5f-e3ec24ac29ed

EDAN-URL:

ead_component:sova-nasm-2009-0030-ref509

Collection Creator:

Murphy, Kevin.  Search this

Container:

Box 1, Slidebox 3

Type:

Archival materials

Slides

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Vietnam Color Slides and Technical Manuals, Accession 2009-0030, National Air and Space Museum, Smithsonian Institution.

See more items in:

Vietnam Color Slides and Technical Manuals

Vietnam Color Slides and Technical Manuals / Vietnam Color Slides

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg297e7bea3-b9f2-4673-8b24-eb9316aed5af

EDAN-URL:

ead_component:sova-nasm-2009-0030-ref510

Collection Creator:

Murphy, Kevin.  Search this

Container:

Box 1, Folder 1

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

Vietnam Color Slides and Technical Manuals, Accession 2009-0030, National Air and Space Museum, Smithsonian Institution.

See more items in:

Vietnam Color Slides and Technical Manuals

Vietnam Color Slides and Technical Manuals / Technical manuals and reports / deHavilland (Canada) (DHC-4) AC-1A (CV-2A, C-7A)

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg264814aa8-d9ec-4081-98dd-232a38d657af

EDAN-URL:

ead_component:sova-nasm-2009-0030-ref515