Hector Guimard Art Nouveau to Modernism edited by David A. Hanks ; essays by Barry Bergdoll, Sarah D. Coffin, Isabelle Gournay, Philippe Thiébaut, and Georges Vigne
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Grant Program. Digitization of the scrapbooks was supported by a grant from the Smithsonian Institution Women's Committee. Correspondence, financial and shipping records, inventory records, and printed material were digitized with funding provided by the Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, the Terra Foundation for American Art and The Walton Family Foundation.
Orr, Emily M. 2017. "Modern Notes of Energetic America: 1920s Textiles." In The Jazz Age: American Style in the 1920s. Coffin, Sarah D. and Harrison, Stephen, editors. 267–325. Cleveland: The Cleveland Museum of Art.
Orr, Emily M. 2017. "A Thousand Hands: The Art of the Department Store Display." In The Jazz Age: American Style in the 1920s. Coffin, Sarah D. and Harrison, Stephen, editors. 238–266. Cleveland: The Cleveland Museum of Art.
Letters and Telegrams Received (Entered in Registers 2 and 3)
Type:
Archival materials
Date:
Jan. 1869–July 1870
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Orr, Emily M. 2017. "The American Woman as Fashion Muse." In The Jazz Age: American Style in the 1920s. Coffin, Sarah D. and Harrison, Stephen, editors. 140–198. Cleveland: The Cleveland Museum of Art.
Orr, Emily M. 2017. "The Machine Age: Balancing Art and Industry." In The Jazz Age: American Style in the 1920s. Coffin, Sarah D. and Harrison, Stephen, editors. 199–211. Cleveland: The Cleveland Museum of Art.
Coffin, Sarah. 2013. "Designing the Lincoln Penny." In Smithsonian Civil War: Inside the National Collection. Kagan, Neil and Hyslop, Stephen G., editors. 356–357. Washington, DC: Smithsonian Books.
Coffin, Sarah and Trope, Cynthia. 2010. Ted Muehling Selects: Lobmeyr Glass from the Permanent Collection, exhibition brochure. New York: Cooper-Hewitt, National Design Museum.
Restricted for 15 years, until Jan-01-2022; Transferring office; 10/4/1994 memorandum, Kirby to Watkins; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 13-076, Cooper-Hewitt, National Design Museum. Product Design and Decorative Arts Department, Exhibition Records
