Search Results

Names:

Andrade-Watkins, Claire  Search this

Bambara, Toni Cade  Search this

Dash, Julie  Search this

Gerima, Haile  Search this

Greaves, William, 1953-2005  Search this

Gunn, Bill, 1934-1989  Search this

Jafa, Arthur  Search this

Jones, Robert Earl, 1904-2006  Search this

Massiah, Louis  Search this

Micheaux, Oscar, 1884-1951  Search this

Moses, Ethel  Search this

Robeson, Paul, 1898-1976  Search this

Sanchez, Sonia, 1934- (poet, reader)  Search this

Snead, James A., 1953-1989  Search this

Spence, Louise, 1945-  Search this

Tucker, Lorenzo  Search this

Donor:

Bowser, Pearl, 1931-  Search this

Extent:

approximately 100 Motion picture films

213 Sound cassettes (7 boxes)

Type:

Collection descriptions

Archival materials

Motion picture films

Sound cassettes

Sound cassette

Oral histories (document genres)

16mm motion picture film

Vhs (videotape format)

Place:

England

Harlem (New York, N.Y.)

Roanoke (Va.)

Memphis (Tenn.)

Date:

bulk 1920-2001

Biographical / Historical:

Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.

Provenance:

Acquired as a donation from Pearl Bowser in 2012.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Occupation:

Filmmakers  Search this

Actors -- Interviews  Search this

Topic:

Documentary films  Search this

Film festivals  Search this

African American actors  Search this

African American actresses  Search this

African diaspora  Search this

Race films  Search this

African American motion picture producers and directors  Search this

African American women authors  Search this

Meetings  Search this

Conferences  Search this

Lectures and lecturing  Search this

Amateur films  Search this

Motion picture soundtracks  Search this

Oral history  Search this

Radio broadcasts  Search this

Genre/Form:

Sound cassette

Oral histories (document genres)

16mm motion picture film

VHS (videotape format)

Citation:

Pearl Bowser Collection, National Museum of African American History and Culture

Identifier:

NMAAHC.A2012.79.AV

See more items in:

Pearl Bowser Audiovisual Collection

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5

EDAN-URL:

ead_collection:sova-nmaahc-a2012-79-av

Creator:

Freelon, Philip G., 1953-2019  Search this

Names:

American Institute of Architects  Search this

Freelon Adjaye Bond/SmithGroup  Search this

Freelon Bond Architects  Search this

Freelon Group  Search this

Hampton University (Va.)  Search this

Harvard University  Search this

Massachusetts Institute of Technology  Search this

Massachusetts Institute of Technology. School of Architecture  Search this

National Museum of African American History and Culture  Search this

National Organization of Minority Architects (U.S.)  Search this

North Carolina Board of Architecture  Search this

NorthStar Church of the Arts  Search this

PPG Industries, Inc.  Search this

Perkins & Will  Search this

Adjaye, David, 1966-  Search this

Bond, J. Max, Jr.  Search this

Freelon, Allan Randall, 1895-1960  Search this

Extent:

5.1 Cubic feet

Type:

Collection descriptions

Archival materials

Correspondence

Place:

North Carolina -- United States

United States of America -- North Carolina -- Durham County -- Durham

United States of America -- Massachusetts -- Suffolk County -- Boston

United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia

United States of America -- New York -- New York

Date:

bulk 1939-2017

Scope and Contents:

The Philip G. Freelon Architectural Archival Collection documents the life and career of architect, educator, cultural heritage preservation advocate and artist Philip G. Freelon. The collection highlights his distinguished career from its inception to his role as the "architect of record" for the National Museum of African American History and Culture. Freelon was one of the leading African American architects of his generation and he created a focus designing and constructing buildings that paid reverence to African Americans and other underrepresented communities. This collection is comprised of business records, photographic materials, ephemera, correspondence, architectural drawings, and clippings.

Arrangement:

The materials in this collection have been separated into seven series. The materials have been ordered and organized based on the content and chronology. Within each series and sub-series, the folders are organized as close to the collection's original order as when it was acquired.

Biographical / Historical:

Philip Goodwin Freelon was born March 26, 1953, in Philadelphia, Pennsylvania to Allan Freelon, Jr. and Elizabeth Neal Freelon. Freelon was greatly influenced by his grandfather, Allan Freelon Sr., a notable Harlem Renaissance visual artist, educator, and civil rights activist. His grandfather's values and artistry inspired him to create a career that focused on creating historical and cultural spaces in African American communities. Freelon attended high school at the former predominantly white elite all-boys school, Central High School located in upper North Philadelphia from 1967 to 1971. His attendance at this school during of the Civil Rights Movement afforded him the unique experience that inspired him to attend a historically Black college (HBCU). Freelon selected Hampton Institute (Hampton University) to develop his veneration of the composition and design of the buildings that held cultural and artistic treasures. Located in the Tidewater area of Virginia, Hampton was renowned among HBCUs for its architecture program. His professor and mentor at Hampton, John Spencer, pushed Freelon academically as he moved easily through the school's curriculum. After two years at Hampton, Spencer helped Freelon transition to a more challenging program at North Carolina State University (NCSU) in Raleigh, North Carolina. Freelon graduated in 1975 with a bachelor's in environmental design in architecture.

Later in the fall of 1975, Freelon enrolled at Massachusetts Institute of Technology (MIT) to pursue a master's in architecture. During the summers, Freelon worked with one of former his NC State professors at the architectural firm of John D. Latimer and Associates. After graduating from MIT in 1977, Freelon returned to North Carolina to take his Architecture Registration Examination (ARE), becoming the firm's youngest person to receive licensure. He also began teaching classes at his alma mater, NC State. It was there that Freelon met his future wife, Nnenna Pierce. Pierce, a Massachusetts native was attending Simmons College in Boston at the time. The connection was immediate, and the pair was married in 1979 and welcomed their first son, Deen in 1980. After a brief employment for a large Texas firm 3/D International, Freelon returned to Durham to join O'Brien Atkins Associates. He was the firm's youngest partner, eventually serving as principal and vice president of architecture. Freelon worked on a wide variety of projects throughout the state including learning centers, university buildings, churches, and parking garages. Along with Freelon's budding career, his family was expanding as well. Phil and Nnenna welcomed their daughter Maya in 1982 and their son, Pierce in 1983. During this time, Freelon was being highly recognized for his work. The American of Institute of Architects (AIA) awarded him the Honor Award for his design of Terminal 2 of the Raleigh-Durham International Airport, which has since been rebuilt.

By the end of the decade, Freelon and his wife Nnenna needed a change of pace. Nnenna pursued a professional career in music while Phil took a break from his career to expand his skillset and reinforce his intellectual approach to design. In 1989, Freelon was granted the Loeb Fellowship for one year of independent study at the Harvard University Graduate School of Design. He also pursued a longtime hobby of furniture design, calling the practice "small architecture". He received industry awards like first prize in the PPG Industries, Inc. Furniture Design Competition as well as AIA Honor Award for conference table designs. With a year away from the field to clarify his vision, Freelon opened his own firm, simply titled, the Freelon Group in 1990. Beginning as a one-man operation, the Freelon Group grew to become one of the largest African American owned architectural firms in the country with over 50 employees, forty percent of which were women, and thirty percent were people of color. With freedom within his own firm, Freelon focused on designing learning centers, libraries and museums and vowed to never build anything that did not bring cultural and intellectual value to a community.

Over the next twenty years, Freelon would assert himself as a force in designing notable cultural institutions and community-driven projects in and around the country including the Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC), Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD), Museum of African Diaspora (San Francisco, CA), Harvey B. Gantt for African American Arts and Culture (Charlotte, NC), the Anacostia and Tenley-Friendship branches of the District of Columbia Public Library , National Center for Civil Rights and Human Rights (Atlanta, GA), Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX). Alongside his architectural career, Freelon served as a lecturer and adjunct professor at several colleges and universities including North Carolina State University, Harvard University, Massachusetts Institute of Technology (MIT), University of Maryland College Park, New Jersey Institute of Technology, Syracuse University, and the Florence, Italy program at Kent State University. Freelon was awarded a full-time appointment as professor of Professional Practice at MIT in 2008. The Professional Practice (4.222) course was a requirement for the master's in architecture and he used examples from his extensive career and personal experience to illustrate legal, ethical, and management concepts. Nnenna's music career was also thriving. She would go on to record twelve albums and be nominated for six Grammys. This fusion of education, the arts, and music inspired another generation of Freelons: their son, Pierce Freelon is a hip-hop artist, educator, and political activist; daughter Maya Freelon is a visual artist; and son Deen Freelon is a professor.

In 2001, George W. Bush established a commission to create a new museum on the National Mall. Freelon wanted to enter his firm to participate in the international design competition. Freelon would partner with famed African American New York City architect, J. Max Bond, Jr. and by 2006 the two officially formed the Freelon Bond Architects.The Freelon Bond group submitted their proposal and soon after were elected to create programming and pre-design work for the museum. When the official design competition for the museum was announced in 2008, UK-based architect David Adjaye joined the team as the lead designer, and along with the partnering firm SmithGroup, the new architectural team became Freelon Adjaye Bond/SmithGroup. The three black architects combined a variety of distinctive elements from Africa and the Americas to create the building's unique, historically significant design. The Freelon Group served as the "architect of record" and were responsible for ensuring that key design ideas were upheld. Freelon and key firm members such as Zena Howard were active as on-site project managers during the museum's construction process to certify that the building would be developed according to plan. Freelon, Adjaye, and Bond were tasked with taking the collective history of the African American experience-- generations of pain, triumph, and perseverance-- and forming it into a structure. The team looked to African sources, such as Yoruban architecture, for inspiration. They sought to connect the building's design to the geographic and cultural roots of African Americans. Their design choices also reference the contributions of enslaved and free black metalworkers made to the landscape of the American South. Their goal was to make the museum an extension of its contents, and an expression of the stories told inside. By the groundbreaking for NMAAHC in 2012, Freelon had been appointed to the U.S. Commission of the Fine Arts by President Barack Obama. In an effort to broaden his resources and expand his firm, The Freelon Group merged with Perkins & Will, a firm originating in Chicago that grew to have offices across the United States. Freelon was appointed the managing director and later lead design director at the firm's North Carolina offices in Charlotte and Durham in 2014. By the next year, Freelon understood that his work in architecture and education was a necessary voice to preserve, which he did through donation of the bulk of his personal papers to his alma mater, NC State University. The year 2016 proved to be a year of triumph for Freelon as NMAAHC opened its doors on September 24th to much jubilation and celebration. That same year, Freelon's legacy was further cemented as the Phil Freelon Fellowship Fund was established at Harvard University Graduate School of Design, a fellowship designed to broaden opportunities for African Americans and other underrepresented communities in architecture and design.

Unfortunately, this triumphant year was met with difficulty as Freelon was diagnosed with amyotrophic lateral sclerosis (ALS), a progressive disease that affects the nervous system. He would continue to work and lecture for the next two years until it became too challenging. One of those projects was the renovation and opening of The NorthStar Church of the Arts in early 2019. A passion project with his wife and son, Pierce, a former church was renovated and repurposed as an arts and cultural space for all. This space was created in an effort to support the Durham cultural community as it began to feel the effects of gentrification. When Freelon lost his battle with ALS on July 9, 2019, in his home in Durham, North Carolina, the family requested that in lieu of flowers that donations be sent to the NorthStar Church to continue the center's mission and Phil's dream to give back to the Durham community.

Historical Timeline

1953 -- Philip Goodwin Freelon was born in Philadelphia, Pennsylvania to Allan Freelon Jr. and Elizabeth Neal Freelon.

1971 -- Freelon graduated from Central High School in Philadelphia, Pennsylvania and entered School of Architecture, Hampton University in Hampton, Virginia as a design student.

1973 -- Freelon transferred to College of Design at the North Carolina State University in Raleigh.

1975 -- Graduated with a Bachelor's in Environmental Design in Architecture from NC State University. He received the American Institute of Architects (AIA) Book Award for Outstanding Work in Architectural Design. In the fall, he began his master's program in architecture at MIT.

1976 -- Began working as aide for architectural firm, John D. Latimer and Associates.

1977 -- Graduated with a Master's in Architecture and Design from Massachusetts Institute of Technology (MIT.)

1978 -- Freelon became youngest architect to pass the North Carolina Architecture Registration Exam. Freelon started teaching at North Carolina State University.

1979 -- Married Chinyere "Nnenna" Pierce. Freelon began working for, 3/D International in Houston, Texas.

1980 -- Son Deen Freelon was born.

1981 -- Freelon returned to Durham, NC to join O'Brien Atkins Associates as the firm's youngest partner.

1982 -- Daughter Maya Freelon was born.

1983 -- Son Pierce Freelon was born.

1989-1990 -- Received Loeb Fellowship for independent study at Harvard University. Freelon received AIA Honor Award for American Airlines Terminal 2 at Raleigh-Durham Airport, NC (RDU).

1990 -- Freelon left O'Brien Atkins Associates to open his own firm The Freelon Group.

1991 -- Won first prize in the PPG Furniture Design Competition.

1992 -- Won the AIA Honor Award for Conference Table Designs.

2001 -- Won the AIA Firm Award for The Freelon Group and the AIA Design Award for Parking Structure, RDU Airport. Began attending meetings of President George W. Bush's commission on new National Mall museum dedicated to African American history and culture.

2003 -- Freelon merged his firm with New York architect Max Bond to create Freelon Bond Architects.

2004 -- Sonja Haynes Stone Center at University of North Carolina Chapel Hill (Chapel Hill, NC) was completed.

2005 -- Reginald F. Lewis Museum of Maryland African American History & Culture (Baltimore, MD) and Museum of African Diaspora (San Francisco, CA) were both completed.

2008 -- UK-based architect David Adjaye and Washington, DC based architecture firm, Smithgroup joined the team, creating the Freelon Adjaye Bond Group/SmithGroup Freelon began teaching at MIT's school of Architecture and Design.

2009 -- Freelon Adjaye Bond/Smithgroup won the official design for the Smithsonian National Museum of African American History and Culture (NMAAHC). Harvey B. Gantt for African American Arts and Culture (Charlotte, NC) was completed.

2010 -- Anacostia branch of the District of Columbia Public Library (Washington, DC) was completed.

2011 -- Tenley-Friendship branch of the District of Columbia Public Library (Washington, DC) was completed.

2012 -- Construction began on NMAAHC.

2014 -- The Freelon Group merged with Perkins & Will, a much larger architectural firm. Freelon became managing director and lead design director of the North Carolina branches in Durham and Charlotte. National Center for Civil Rights and Human Rights (Atlanta, GA) was completed.

2016 -- Freelon was diagnosed with amyotrophic lateral sclerosis (ALS).

2017 -- Mississippi Civil Rights Museum (Jackson, MS) and Emancipation Park (Houston, TX) were completed.

2019 -- Freelon died in his home in Durham, North Carolina at age 66 on July 9.

Related Materials:

Phil Freelon Papers, 1975-2019 at North Carolina State University Libraries.

Provenance:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Philip G. Freelon.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Rights:

The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.

Topic:

Architecture  Search this

Business  Search this

Construction  Search this

Entrepreneurship  Search this

Local and Regional  Search this

Design  Search this

Education  Search this

Photographs  Search this

Museums  Search this

Genre/Form:

Correspondence

Citation:

Philip G. Freelon Archival Collection, 1939-2017. National Museum of African American History and Culture, Smithsonian Institution.

Identifier:

NMAAHC.A2017.51

See more items in:

Philip G. Freelon Architectural Archive

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3ba3ca2a2-5495-45cf-801c-f3d66a7002fd

EDAN-URL:

ead_collection:sova-nmaahc-a2017-51

Collector:

Archives Center, National Museum of American History  Search this

Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

American Federation of Teachers  Search this

Department of Defense, Comprehensive Review Working Group  Search this

Gay Officers Action League. GOAL  Search this

Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this

ONE National Gay and Lesbian Archives  Search this

San Diego LGBT Pride  Search this

Servicemembers Legal Defense Network  Search this

Smith College  Search this

University of Connecticut  Search this

William Way Community Center  Search this

Biren, Joan E.  Search this

Bushnell, Megan  Search this

Davidson, James, Dr.  Search this

Dietrich, Joe  Search this

Exline, Gregory  Search this

Florence, Laura  Search this

Huebner, David  Search this

Jain, Shawn  Search this

Karazsia, Amy  Search this

Karazsia, William G.  Search this

Lombardi, Angela  Search this

Lynch, Patsy  Search this

Meinke, Mark  Search this

Nitz, Ryan  Search this

Reichard, Bradley  Search this

Robinson, Franklin A., Jr., 1959- (actor)  Search this

Ros, Silvia  Search this

Sabatino, Michael  Search this

Shannon, Michael A.  Search this

Sheets, Justin  Search this

Snodgrass, Adam  Search this

Voorheis, Robert  Search this

Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Other:

Larson, Gordon P., 1910-1988 -- 20th century  Search this

Names:

McWaine, Dwayne, Dr.  Search this

Extent:

66 Cubic feet (198 boxes, 21 map-folders)

64.2 Cubic feet (193 boxes, 21 map-folders)

Type:

Collection descriptions

Archival materials

Passports

Postcards

Photographs

Posters

Videocassettes

Advertising

Dvds

Songbooks

Periodicals

Place:

Canada -- Description and Travel

Germany -- description and travel

Amsterdam (Netherlands)

Washington, D.C. -- history

Los Angeles (Calif.)

New York, New York

Date:

1825-2023, undated

bulk 1960-2022

Summary:

This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.

Scope and Contents:

The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.

Arrangement:

The collection is divided into twenty-five series.

Series 1: Periodicals, 1937-2021

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2022, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2019, undated

Subseries 3.5: Pride, 1976-2022, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1970-2021, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2022, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2019, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021

Historical Note:

While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.

Related Materials:

Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.

Provenance:

This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.

Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Women's music  Search this

Transgender people -- Identity  Search this

Sexual orientation  Search this

Political activists  Search this

Lesbianism  Search this

Lesbian and gay experience  Search this

Gay activists  Search this

Homosexuality  Search this

HIV and AIDS  Search this

Feminism  Search this

Bisexuality  Search this

Bars (Drinking establishments)  Search this

Gay Pride  Search this

Genre/Form:

Passports

Postcards

Photographs -- 2000-2010

Posters

Videocassettes

Advertising

DVDs

Photographs -- 20th century

Songbooks

Periodicals

Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.1146

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd

EDAN-URL:

ead_collection:sova-nmah-ac-1146

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2014-05-30T20:24:07.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

See more by:

NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_-sHTpGfPe1c

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2018-03-30T22:55:59.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_y7-rK9i89dA

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2019-03-01T00:05:27.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_t1UJcURBLtU

Medium:

paper; ink (multicolor); adhesive

Type:

Postage Stamps

Place:

Alabama

United States of America

Date:

1979

Topic:

The Cold War (1945-1990)  Search this

Black Heritage  Search this

Humanitarian Causes  Search this

Organizations & Associations  Search this

Object number:

1980.2493.6278

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8046ca94b-e7b7-4910-adc8-de4e81f6c197

EDAN-URL:

edanmdm:npm_1980.2493.6278

Interviewer:

Gioni, Massimiliano  Search this

Curator:

Carrion-Murayari, Gary  Search this

Author:

Lippard, Lucy R.,  Search this

Godfrey, Mark (Mark Benjamin),)  Search this

Baraka, Amiri 1934-2014  Search this

Brooks, LeRonn P  Search this

Bryan-Wilson, Julia  Search this

Cooks, Bridget R. 1972-  Search this

Whitley, Zoé  Search this

Casteel, Jordan  Search this

Self, Tschabalala 1990-  Search this

Brackens, Diedrick 1989-  Search this

Wallace, Michele  Search this

Interviewee:

Ringgold, Faith  Search this

Author:

Container of (work): Ringgold, Faith Works Selections  Search this

Host institution:

New Museum (New York, N.Y.)  Search this

M.H. de Young Memorial Museum  Search this

Publisher:

Phaidon Press  Search this

Subject:

New Museum (New York, N.Y.)  Search this

Physical description:

239 pages illustrations (chiefly color), color map, portraits (chiefly color) 30 cm

Type:

Exhibitions

Interviews

Expositions

Exhibition catalogs

Essays

Illustrated works

Place:

New York (State)

New York

Date:

2022

21st century

20th century

Topic:

African American women artists  Search this

Art, American  Search this

African American art  Search this

African American quilts  Search this

African Americans--History--In art  Search this

African Americans in art  Search this

Femmes artistes noires américaines  Search this

Call number:

N40.1.R5823 G48 2022

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158037

Artist:

Brigitte Lacombe, born 23 Dec 1950  Search this

Sitter:

Maya Angelou, 4 Apr 1928 - 28 May 2014  Search this

Medium:

Inkjet print

Dimensions:

Image: 45.3 x 44.8 cm (17 13/16 x 17 5/8")

Sheet: 61.1 x 50.7 cm (24 1/16 x 19 15/16")

Mat: 81.3 × 66 cm (32 × 26")

Type:

Photograph

Place:

United States\New York\Kings\New York

Date:

1987 (printed 2012)

Topic:

Costume\Jewelry\Earring  Search this

Maya Angelou: Female  Search this

Maya Angelou: Literature\Writer  Search this

Maya Angelou: Education and Scholarship\Educator\Professor  Search this

Maya Angelou: Literature\Writer\Poet  Search this

Maya Angelou: Performing Arts\Performer\Actor\Theater  Search this

Maya Angelou: Performing Arts\Performer\Musician\Singer  Search this

Maya Angelou: Society and Social Change\Reformer\Activist\Civil rights activist  Search this

Maya Angelou: Performing Arts\Performer\Actor\Television  Search this

Maya Angelou: Performing Arts\Performer\Dancer  Search this

Maya Angelou: Presidential Medal of Freedom  Search this

Maya Angelou: Literature\Writer\Autobiographer  Search this

Maya Angelou: Literature\Writer\Memoirist  Search this

Maya Angelou: Grammy  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.2012.48

Restrictions & Rights:

Usage conditions apply

Copyright:

© Brigitte Lacombe

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm426ece2bf-bac0-42a1-b32b-793db0aa45e2

EDAN-URL:

edanmdm:npg_NPG.2012.48

Creator:

Wright, Mose, ca. 1890-1973  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Culture:

Americans  Search this

Type:

Archival materials

Sound recordings

Place:

Mississippi

United States

United States -- History

Contents:

Interview

Local Numbers:

FW-ASCH-7RR-0918

General:

CDR copy Mose Wright (c.1890 - 1973) was a Mississippi sharecropper and the great uncle of Emmett Till, the fourteen-year-old boy brutally murdered in the summer of 1955. Emmett Till was staying in Mose Wright's home on a plantation near Money, Mississippi when two white men, Roy Bryant and J.W. Milam, kidnapped the young boy for allegedly whistling at Bryant's wife. The two men threatened Wright at gun point, warning the old man to keep his mouth shut or, "you'll never live to be sixty-five." Wright would later testify against Bryant and Milam in his great nephew's murder trial.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Civil rights movements -- United States  Search this

African Americans  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-7RR-0918

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e8818182-606c-4b8e-86f4-b35ba7a4eeef

EDAN-URL:

ead_component:sova-cfch-asch-ref19416

Creator:

Wright, Mose, ca. 1890-1973  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Culture:

Americans  Search this

Type:

Archival materials

Sound recordings

Place:

Mississippi

United States

United States -- History

Local Numbers:

FW-ASCH-7RR-0919

General:

CDR copy Mose Wright (c.1890 - 1973) was a Mississippi sharecropper and the great uncle of Emmett Till, the fourteen-year-old boy brutally murdered in the summer of 1955. Emmett Till was staying in Mose Wright's home on a plantation near Money, Mississippi when two white men, Roy Bryant and J.W. Milam, kidnapped the young boy for allegedly whistling at Bryant's wife. The two men threatened Wright at gun point, warning the old man to keep his mouth shut or, "you'll never live to be sixty-five." Wright would later testify against Bryant and Milam in his great nephew's murder trial.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Civil rights movements -- United States  Search this

African Americans  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-7RR-0919

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk58dd577f6-3667-47a6-ae57-40a7d142e16f

EDAN-URL:

ead_component:sova-cfch-asch-ref19417

Creator:

Greenberg, Polly  Search this

Project Head Start (U.S.)  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Type:

Archival materials

Sound recordings

Contents:

Why do the drums go boo, daddy--Gonna walk all over God's heaven--Troubles of the world-- Paw paw patch--Rumba song--Down by the river--Who stole the cookie out of the cookie jar?--We'll never turjn back--Follow the drinking gourd--Little old lady won't you bow--Little Charlie Brown--Good morning--We shall overcome (2x)--Kalamazoo (3x)--Drumming

Local Numbers:

FW-ASCH-7RR-1907

General:

CDR copy

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Games  Search this

Children's songs  Search this

Civil rights movement--United States  Search this

Civil rights movements -- Mississippi -- 1960-1970  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-7RR-1907

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5fad9a70d-f85f-4a77-80ac-22f281e0b0b1

EDAN-URL:

ead_component:sova-cfch-asch-ref20324

Producer:

Greenberg, Polly  Search this

Creator:

Project Head Start (U.S.)  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Type:

Archival materials

Sound recordings

Contents:

Intro--Da da da--Good morning--Take this hammer--Where is Debra--Brushing teeth song--Mary Mack--Old time religion--Harmonica jam--I gotta God--Bear hunt--Sally Walker--Ride Sally ride--Sally Walker--I'm on the battlefield for My Lord--Amen

Local Numbers:

FW-ASCH-7RR-1909

General:

CDR copy

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Games  Search this

Children's songs  Search this

Civil rights movement--United States  Search this

Civil rights movements -- Mississippi -- 1960-1970  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-7RR-1909

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk50283f492-9bf0-4ef1-acde-90d278636000

EDAN-URL:

ead_component:sova-cfch-asch-ref20326

Creator:

Greenberg, Polly  Search this

Project Head Start (U.S.)  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Sound recording (sound-tape reel, analog, 7 in.)

Type:

Archival materials

Sound recordings

Contents:

Go tell it on the mountain (2x)--Just a closer walk with thee-- Beat one hammer--Ten miles from home--Mississippi wants freedom--Little red caboose--Ain't gonna let nobody turn me 'round--Kimbaya--Home made instruments--Talking--If you're happy and you know it--Talking--Doodley doo--Coming through the green grass--When I was a teenager--Ain't gonna lay my freedom down--What is this?--Before I be a slave (2x)--Guide me--Get on board--Talk of the spirit say talk-- Mule Jack

Local Numbers:

FW-ASCH-7RR-1910

General:

CDR copy

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Games  Search this

Children's songs  Search this

Civil rights movement--United States  Search this

Civil rights movements -- Mississippi -- 1960-1970  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-7RR-1910

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / CD / CDR copy

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk50976ff71-ebf4-4f39-9ad6-72861ed77bdc

EDAN-URL:

ead_component:sova-cfch-asch-ref20327

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2017-02-27T13:08:29.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt__h1Ula-02mg

Author:

Gonzales, Rodolpho 1928-2005  Search this

Physical description:

1 online resource (xxxviii, 264 pages) illustrations

Type:

Literary collections

Anthologies

Electronic books

Literature

Littérature

Date:

2001

Topic:

Mexican Americans  Search this

Mexican Americans--Civil rights  Search this

Américains d'origine mexicaine  Search this

Américains d'origine mexicaine--Droits  Search this

LITERARY CRITICISM--American--General  Search this

Restrictions & Rights:

Use copy Restrictions unspecified

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1156499

Author:

Fujino, Diane Carol  Search this

Physical description:

1 online resource (x, 246 pages) illustrations

Type:

Biography

Biographies

Electronic books

History

Place:

United States

Illinois

Chicago

États-Unis

Date:

2020

20th century

20e siècle

Topic:

Japanese Americans  Search this

Asian Americans--Civil rights  Search this

Civil rights movements--History  Search this

Social justice--History  Search this

Human rights workers  Search this

Clergy  Search this

Poets  Search this

Américains d'origine japonaise  Search this

Américains d'origine asiatique--Droits  Search this

Mouvements des droits de l'homme--Histoire  Search this

Justice sociale--Histoire  Search this

Défenseurs des droits de l'homme  Search this

Clergé  Search this

Poètes  Search this

SOCIAL SCIENCE / Ethnic Studies / Asian American Studies  Search this

Civil rights movements  Search this

Social justice  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1156531

Editor:

González, Jennifer A  Search this

Chavoya, C. Ondine  Search this

Noriega, Chon A. 1961-  Search this

Romo, Terecita  Search this

Physical description:

1 online resource

Type:

Electronic resources

Place:

United States

États-Unis

USA

Date:

2019

Topic:

Mexican American art  Search this

Mexican American artists  Search this

Art--Political aspects  Search this

Art and society  Search this

Art américain (mexicain)  Search this

Artistes américains d'origine mexicaine  Search this

Art--Aspect politique  Search this

Art et société  Search this

ART--Subjects & Themes--General  Search this

ART--American--Hispanic American  Search this

Chicanos  Search this

Kunst  Search this

Call number:

N6538.M4 C45 2019 (Internet)

Restrictions & Rights:

Use copy Restrictions unspecified

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1158528

Author:

Gutiérrez, José Angel  Search this

Physical description:

1 online resource (xxxi, 206 pages)

Type:

Handbooks, manuals, etc

Anecdotes

Guides, manuels, etc

Electronic books

Handbooks and manuals

Place:

United States

États-Unis

Date:

2003

Topic:

Mexican Americans--Civil rights  Search this

Civil rights movements  Search this

Américains d'origine mexicaine--Droits  Search this

Mouvements des droits de l'homme  Search this

POLITICAL SCIENCE--Political Freedom & Security--Civil Rights  Search this

POLITICAL SCIENCE--Political Freedom & Security--Human Rights  Search this

Ethnic relations  Search this

Relations interethniques  Search this

Restrictions & Rights:

Use copy Restrictions unspecified

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1156493

Published by:

Johnson Publishing Company, American, 1942 - 2019  Search this

Subject of:

Emmett Till, American, 1941 - 1955  Search this

Medium:

ink on paper

Dimensions:

H x W: 6 x 4 1/8 in. (15.2 x 10.5 cm)

Type:

magazines (periodicals)

Place printed:

Chicago, Cook County, Illinois, United States, North and Central America

Date:

July 23, 1964

Topic:

African American  Search this

American South  Search this

Black Press  Search this

Civil Rights  Search this

Hate crimes  Search this

Journalism  Search this

Mass media  Search this

U.S. History, 1953-1961  Search this

U.S. History, 1961-1969  Search this

Violence  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Elmer J. Whiting, III

Object number:

2011.17.20

Restrictions & Rights:

© Jet Media Group LLC. Permission required for use.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Movement:

Civil Rights Movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5c5127762-44b5-4140-9645-a812fa4611d8

EDAN-URL:

edanmdm:nmaahc_2011.17.20