Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Why do the drums go boo, daddy--Gonna walk all over God's heaven--Troubles of the world-- Paw paw patch--Rumba song--Down by the river--Who stole the cookie out of the cookie jar?--We'll never turjn back--Follow the drinking gourd--Little old lady won't you bow--Little Charlie Brown--Good morning--We shall overcome (2x)--Kalamazoo (3x)--Drumming
Local Numbers:
FW-ASCH-7RR-1907
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Intro--Da da da--Good morning--Take this hammer--Where is Debra--Brushing teeth song--Mary Mack--Old time religion--Harmonica jam--I gotta God--Bear hunt--Sally Walker--Ride Sally ride--Sally Walker--I'm on the battlefield for My Lord--Amen
Local Numbers:
FW-ASCH-7RR-1909
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Go tell it on the mountain (2x)--Just a closer walk with thee-- Beat one hammer--Ten miles from home--Mississippi wants freedom--Little red caboose--Ain't gonna let nobody turn me 'round--Kimbaya--Home made instruments--Talking--If you're happy and you know it--Talking--Doodley doo--Coming through the green grass--When I was a teenager--Ain't gonna lay my freedom down--What is this?--Before I be a slave (2x)--Guide me--Get on board--Talk of the spirit say talk-- Mule Jack
Local Numbers:
FW-ASCH-7RR-1910
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The bulk of this collection contains affidavits and legal papers filed in civil action suits which document acts of violence committed against Council of Federated Organizations (COFO) workers between 1961 and 1964. All activity documented occurred in Mississippi, and much of the violence that occurred was inflicted by police and white civilians. Also contained in this collection are materials relating to COFO, and the Mississippi Freedom Democratic Party, comprising a mission statement, and a document sent to the SNCC organization pertaining to voter registration of African-Americans living in Mississippi, all of which reflect the effort of the MFDP to have African-American Congressmen elected in Mississippi.
The last item in the half document box is a pamphlet entitled "Martin Luther King and the Montgomery Story." Created in cartoon format, it appears to target a younger audience.
The oversize box contains Civil Rights newspapers published in Mississippi. Included are issues of "The Kudzu," the "Mississippi Freedom Democratic Party Newsletter," and the AMississippi Free Press."
This primary source material from COFO and MFDP help document the massive, non-violent struggle for Civil Rights in Mississippi in the early 1960's. The collection confirms evidence of backlash demonstrated by intolerance and violence that occurred as a result of this struggle.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
The Council of Federated Organizations (COFO) arose from the Student Non-Violent Coordinating Committee (SNCC), founded in 1960 to coordinate student sit-ins in Greensboro, North Carolina and elsewhere. COFO, was organized by Robert Moses in 1961, to secure the release of Freedom Riders in Mississippi. Many COFO workers were originally members of SNCC. COFO's goal was to increase the percentage of registered African-American voters in Mississippi, from the low 7% that existed in 1964.
In the summer of 1964, COFO was a key player in the organization of the Mississippi Summer Project. Prior to the summer, many white and African-American students, primarily from the South and the Northeast, organized to lead demonstrations, and to create political awareness among the large African-American population in Mississippi. During the summer, COFO was successful in setting up "freedom schools" and community centers throughout the state. This encouraged the emergence of young leaders who would teach African-Americans to articulate their needs and discontents within the existing socio-political structure in Mississippi. This activity, however, produced a severe white backlash, and many acts of violence occurred against COFO workers. These actions, many of them police instigated, are documented in this collection through affidavits and other legal documents on civil action.
Another accomplishment of COFO was the establishment of the Mississippi Freedom Democratic Party. The MFDP enrolled the majority of African-Americans who were systematically denied access to the delegate selection process of the regular Mississippi Democratic Party (MDP). The MFDP organized itself along the same lines, contained many of the same rules, and divided into the same Congressional districts as the MDP. MFDP's goal, however, was to contest seats in Congress traditionally held by white Mississippians, in order to create a more equal representation of the state as a whole.
Edwin King was a white Methodist minister originally from Vicksburg, MI. Although raised with a traditional Mississippi upbringing, he had the opportunity, while attending Milsap College, to work with black students from Tougaloo College. This had a profound influence on his life. When he and his wife were graduated from Milsap College in the early '50's, they attended Boston University for graduate studies in seminary and social work, respectively, and decided that they could no longer live in the South. They were conscientious objectors to the racist attitudes of their neighbors and did not want to confront them (the neighbors or the attitudes). However, this was changed by a serendipitous dinner with Reverend Abernathy. Reverend King and several others were having dinner at a black restaurant in Montgomery, Alabama when everyone in the party was arrested. From that time, Reverend King and his wife were deeply involved in the Civil Rights Movement.
Provenance:
Collection donated by Ed King on September 17, 1996.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
Collection of the Smithsonian National Museum of African American History and Culture in partnership with the American Folklife Center, Library of Congress
