Harrison, Birge, 1854-1929 -- Landscape painting Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1900-1909]
Scope and Contents:
Portions of a manuscript for Harrison's book, LANDSCAPE PAINTING; part handwritten, part typed. Water damage has made some pages illegible. The published contains Harrison's statement that the book is a "fulfillment of a promise to put into permanent form certain impromtu talks on landscape painting given before the Art Students' League in New York in its summer school at Woodstock, N.Y."
Biographical / Historical:
Painter, writer; Woodstock, N.Y. Full name Lovell or Lowell Birge Harrison.
Provenance:
Donated 1991 by N. Robert Cestone, an art dealer and painting restorer. He was given the manuscript by Bela Bordas, former owner of the Bordas Art Shop, New Rochelle, N.Y. Mr. Bordas, who is deceased, received the material from his friend, the artist Robert Emmett Owen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, and a small amount of records of the Houston Branch.
Scope and Contents:
The records of the New York Tibor de Nagy Gallery measure 43.9 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcements.
Business records include correspondence and administrative files. Business correspondence is with clients, curators, galleries, museums, colleges and universities, organizations, and publications, such as the Museum of Modern Art, Art Dealers Association, National Institute of Arts and Letters, United States Information Agency, The Hirshhorn Museum, Art News, Art in America, Pauli Hirsch, Jacqueline Kennedy, Charles Penney, Nelson Rockefeller, and many others. Correspondence concerns sales, purchases, shipping, loans, general exhibitions, publicity, events, publications and publishing, and other topics. Additional documents found within the correspondence files are purchase invoices, inquiries, shipping receipts, and photographs. Correspondence with artists is found in the Artist Files series. Administrative files concern day-to-day operations and include leases and construction documents, incorporation, insurance, art appraisals, art framing, and other general business affairs.
Exhibition files document many exhibitions held at the Gallery and include clippings and research materials, exhibition catalogs, exhibit and gallery plans, correspondence, and photographs, some in digital form. Some loan agreements and shipping receipts are also included.
Artist files document business affairs with individual artists and also contain collected information on artists. Typically, there are several files on each artist which may include printed materials, biographies, consignments, loans documentation, sales documentation, correspondence, photographic material, publicity, and reviews. Artists well represented among these files include Rosemarie Castoro, Ray Ciarrocchi, Robert Goodnough, Harold Gregor, Red Grooms (including a transcript of "A Conversation with Marison and Red Grooms"), Joyce Kozloff, Peter Reginato, Tony Robbin, Leatrice Rose, and Nancy Witteman-Widrig.
Financial records include incomplete runs of billing statements, expenses and cash disbursements, paid and unpaid invoices, and sales and shipping receipts. Inventory records consist primarily of index cards and/or sheets that document stock, consignments, loans, sales, and shipping.
A relatively small amount of Houston branch records include announcements, clippings, correspondence, financial information including consignments, income, invoices, and statements, photographs, publicity materials and a research file on Houston art museums.
Exhibition announcements promote the gallery's exhibitions for artists including Joe Brainard, Shirley Jaffe, Fairfield Porter, Rosemarie Castoro, Alfred Leslie, and many others.
Arrangement:
The Tibor de Nagy Gallery records are arranged into seven series.
Missing Title
Series 1: Business Records and Correpondence, 1950-1993 (10 linear feet; Boxes 1-10)
Series 2: Exhibition Files, 1941-1992 (2 linear feet; Boxes 11-12)
Series 3: Artist Files, 1956-1993 (18.6 linear feet; Boxes 13-31, 46)
Series 4: Financial and Legal Records, 1951-1984 (3.5 linear feet; Boxes 31-34)
Series 5: Inventory Records, 1952-1989 (9 linear feet; Boxes 34-43)
Series 6: Houston Branch Records, 1969-1984 (1.2 linear feet; Boxes 43-45)
Series 7: Exhibition Announcements, 1953-2016 (0.8 linear feet; Boxes 47-48)
Biographical / Historical:
One of the earliest modern art galleries in New York, Tibor de Nagy Gallery was founded in 1950 by Tibor de Nagy and John Bernard Myers. Initially the gallery featured the work of second generation Abstract Expressionists and continues to operate today with a focus on the Post War second generation New York School.
John B. Myers served as the gallery's first director and De Nagy was the business manager while continuing to work in the banking business. Early on, the gallery introduced and promoted second generation Abstract Expressionists such as Grace Hartigan and Alfred Leslie. The gallery quickly earned a reputation for promoting the work of emerging artists, including Carl Andre, Helen Frankenthaler, Jane Freilicher, Red Grooms, Fairfield Porter, and Larry Rivers, among others, giving many of them their first solo shows.
Later the gallery gained a reputation as a space for collaborative artistic ventures and organized exhibitions that combined visual imagery and poetry by several New York School poets. The gallery also published books by poets John Ashbery, Frank O'Hara, and James Schuyler, as well as a poetry newsletter entitled Semi-Colon.
In 1973 de Nagy teamed with Marvin Watson to open the Watson/deNagy Gallery in Houston, which closed in 1983. Tibor de Nagy retired from banking in 1970 and continued running the gallery until he died in 1993. The Tibor de Nagy gallery continues operating today at 724 Fifth Avenue under the direction of Andrew Arnot and Eric Brown. It also works with a number of estates, including those of Joe Brainard, Rudy Burckhardt, Donald Evans, and Jess.
Related Materials:
Among the holdings of the Archives of American Art are an oral history interview with Tibor de Nagy, March 29, 1976 conducted by Paul Cummings; the John Bernard Myers papers (which do not contain documentation of his work at the gallery); and the Watson/de Nagy Houston gallery records available only on microfilm, a small portion of which may also be duplicated in the original records described in this finding aid.
Provenance:
The records were donated by Tibor de Nagy Gallery in multiple accessions between 1993-1996 and in 2018. Additional material about the exhibition, Digital Explorations: Emerging Visions in art, 1988, donated in 2020 by one of the exhibition curators, Ligia Ercius-DiPaola.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. research facility. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Landscape sketches in pencil and crayon, some dated with titles.
Other Title:
Rosenthal Collection of Drawings by American Artists.
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. The sketchbook is part of the [Albert] Rosenthal Collection of Drawings by American Artists that contains 846 drawings by 19th and 20th century artists, most of whom were illustrators.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Painting, Modern -- 19th century -- United States Search this
Correspondence, register of paintings sold, financial material, photographs, a diary, biographical information, a sketchbook, and printed material.
REELS N68/84-N68/85: Correspondence, mostly with family members and with many of Kensett's letters describing life, artists, and patrons while working in Europe; an annual register of paintings sold; miscellaneous bills, cancelled checks, and personal legal papers; and photographs of Kensett, his studio, members of his family and the 1864 Metropolitan Fair art exhibition.
REEL N738: A diary kept by Kensett while in Naples, Rome, and London, 1847.
REEL N737: Documents, obituary notices, clippings, and lists of paintings in Kensett's estate, 1873.
REELS 1533-1534: Correspondence with Thomas Gold Appleton, Eugene Benson, John William Casilear, Benjamin Champney, Jasper Francis Cropsey, Daniel Huntington, the Kellogg family, George and J. R. Lambdin, Thomas P. Rossiter, William T. Walters, and others; notes and financial papers regarding the Metropolitan Fair of the U.S. Sanitary Commission; passports; sketchbooks; and social invitations.
Biographical / Historical:
Landscape painter; b. Cheshire, Conn.
Provenance:
Materials on reels N68/84-N68/85 and N738 lent for microfilming 1968 by James R. Kellogg grand-nephew of Kensett. Materials on reel N737 lent 1968 by Kennedy Galleries of New York which obtained some of Kensett's estate papers. Materials on reels 1533-1534 lent 1979 by New York State Library.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Research material relating to Thomas Cole, including correspondence, notes, photographs, and publications.
Biographical / Historical:
Art historian, educator.
Provenance:
Donated 1966 by Phillip M. Burno, relationship to Esther is not known.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
This series documents consignments and gallery sales through Tibor de Nagy Gallery and Fischbach Gallery. Among the miscellaneous records are receipts for loans to museums and other institutions, and documentation of participation in exhibitions sponsored by Associated American Artists, the Art In Embassies Program, and Maine Coast Artists. Also found is detailed information about "The Nijinsky Series," a traveling exhibition of Ciarrocchi's monotypes.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The birth certificate is a copy. Grant and award documentation concerns Louis Comfort Tiffany Foundation, The Ingram Merrill Foundation, and The Pollock-Krasner Foundation, Inc.; a Macdowell Colony newsletter notes that Ciarrocchi, a recent Colony artist, was awarded a Fulbright Fellowship.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Among the personal correspondents are Karl E. Fortess, Ruth Page, and Edith Schloss. Professional letters are from galleries, colleges and schools, a few museums, the United States Department of State, and others.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Raymond Ciarrocchi papers measure 0.9 linear feet and date from 1953-2010. Correspondence and business records document Ciarrocchi's traveling exhibition, "The Nijinsky Series," and his relationships with Tibor de Nagy Gallery and Fischbach Gallery. Also found are four sketchbooks, a thesis about American landscape painting in which Ciarrocchi figures prominently, printed material, and photographs of Ciarrocchi.
Scope and Contents note:
The Raymond Ciarrocchi papers measure 0.9 linear feet and date from 1953-2010. Correspondence and business records document Ciarrocchi's traveling exhibition, "The Nijinsky Series," and his relationships with Tibor de Nagy Gallery and Fischbach Gallery. Also found are four sketchbooks, a thesis about American landscape painting in which Ciarrocchi figures prominently, printed material, and photographs of Ciarrocchi.
Arrangement note:
The collection is arranged as 7 series:
Series 1: Biographical Material, 1964-2009 (Box 1; 0.1 linear ft.)
Series 2: Letters, 1971-2010 (Box 1; 0.1 linear ft.)
Series 3: Writings, 1980 (Box 1; 0.1 linear ft.)
Series 4: Personal Business Records, 1971-1999 (Box 1; 0.2 linear ft.)
Series 5: Printed Material, 1971-2009 (Boxes 1-2, OV 3; 0.2 linear ft.)
Series 6: Sketchbooks, 1953-1956 (Box 2; 0.2 linear ft.)
Series 7: Photographs, 1963-1994 (Box 2; 1 folder)
Biographical/Historical note:
Landscape painter Raymond Ciarrocchi (b. 1933) has spent much of his life in New York City, exhibiting regularly and teaching at Parsons School of Design, Columbia University, and the Baruch College of City University.
A native of Chicago, he studied at the Chicago Academy of Fine Arts, Washington University (B.A.), and Boston University (M.F.A.). Beginning in 1971, Tibor de Nagy Gallery presented seven solo exhibitions of Ciarrocchi's work; after 1985 he was represented by Fischbach Gallery. Typically, he works in oil on canvas, though he has produced several monotype series, including one featuring Russian ballet dancer Vaslav Nijinsky.
Provenance:
The Raymond Ciarrocchi papers were donated to the Archives of American Art by Raymond Ciarrocchi in 2011.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Landscape painters -- New York (State) -- New York Search this
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
A bound copy of a thesis on American landscape painting by Herbert Virgin White, in which Ciarrocchi figures prominently, is accompanied by a letter. The volume contains an inscription by the author to the artist thanking him for "inspiration, encouragement and interest."
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Volume 1 features landscape, still life, and figure drawings in pencil, ink, and pastel. Volumes 2-4 are devoted to pencil and ink sketches of Japanese objects, architecture, and people.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
Photographs are of Raymond Ciarrocchi in his studio, painting outdoors, at exhibitions, with his wife and daughter, and with a group of Macdowell Colony artists.
Arrangement note:
Views of exhibition installations at Tibor de Nagy Gallery and "The Nijinsky Series" traveling exhibition at University of Maine, Orono, are found among his personal business records (Series 4).
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Raymond Ciarrocchi papers, 1953-2010. Archives of American Art, Smithsonian Institution.
