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Dorothy Swygert Home Movie #1

Creator:
Swygert, Dorothy  Search this
Collection Creator:
National Museum of African American History and Culture (U.S.)  Search this
Extent:
1 Film reel (Kodak Box #1-31; Minnie's Wedding II [verso], 31 Super 8 Kodachrome IIA reels compiled and digitized in one file, 400 foot reel)
Type:
Archival materials
Film reels
Date:
circa 1965
Collection Restrictions:
Collection is available online for open research.
Rights:
Requires permission from Swygert Family for use.
Topic:
Church Interiors  Search this
Collection Citation:
Collection of the Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts. Supported by the Center for the Digitization and Curation of African American History.
Identifier:
NMAAHC.SC.0001, Item SC_0001_20161216_Swygert_S8_01-31
See more items in:
Great Migration Home Movie Study Collection
Great Migration Home Movie Study Collection / Dorothy Swygert Family
Archival Repository:
National Museum of African American History and Culture
GUID:
https://n2t.net/ark:/65665/io35aab334a-ea59-4c6c-8a5a-43f78b8be449
EDAN-URL:
ead_component:sova-nmaahc-sc-0001-ref26

Inside Ebenezer Baptist Church during first memorial to Dr. King, 1969

Photograph by:
Horace C. Henry, American, born 1948  Search this
Subject of:
Unidentified Child or Children  Search this
Unidentified Man or Men  Search this
Unidentified Woman or Women  Search this
Rev. Ralph David Abernathy, American, 1926 - 1990  Search this
Ebenezer Baptist Church, American, founded 1886  Search this
Printed by:
Unidentified  Search this
Medium:
ink on paper
Dimensions:
H x W: 11 x 14 in. (27.9 x 35.6 cm)
Type:
inkjet prints
Place captured:
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
January 15, 1969; printed 2011
Topic:
African American  Search this
Baptist  Search this
Civil Rights  Search this
Photography  Search this
Preaching  Search this
Religion  Search this
Religious rituals and ceremonies  Search this
The Black Church  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Horace C. Henry
Object number:
2011.94.14
Restrictions & Rights:
© Horace Henry
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
One Day in January: A Collection of Images Taken at Dr. King’s First Memorial Service
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd55dafed77-5ea5-4cfd-b62a-8801a4c199c4
EDAN-URL:
edanmdm:nmaahc_2011.94.14
Online Media:

Old Church, 356 years old--Juarez, Mexico. Built 1549 [picture postcard]

Topic:
Ethnic Imagery Project, Archives Center
Creator:
Humphries Photo Co. (Publisher, El Paso, Texas)  Search this
Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Extent:
1 Item (color, 3-1/2" x 5-1/2".)
Type:
Archival materials
Postcards
Picture postcards
Place:
Ciudad Juarez, Chihuahua, Mexico
Scope and Contents:
The postcard holds two photographs (reproductions) of a church in Ciudad Juarez, Mexico. The image on the left depicts an outdoor view of the church. The other photo displays the church interior with two women praying at the foot of the altar.
General:
Series II, Box 23, Foreign, Mexico--Cathedrals/Churches.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
prayers  Search this
Mexican-American Border Region  Search this
Churches  Search this
Mexican-American Border Region  Search this
Architecture -- Religious  Search this
Genre/Form:
Postcards -- 1900-1920
Picture postcards -- 1900-1920
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 2: Geographical Locations outside the United States / Mexico / Cathedrals/Churches
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e5d6d1a4-8442-4fac-aa8a-4120db382397
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2263

Photographs of First AME Altar Boys

Photograph by:
Unidentified  Search this
Subject of:
First African Methodist Episcopal Church of Los Angeles, American, founded 1872  Search this
Unidentified Woman or Women  Search this
Unidentified Child or Children  Search this
Medium:
silver and photographic gelatin on photographic paper
Dimensions:
H x W (Image): 7 5/8 × 9 11/16 in. (19.3 × 24.6 cm)
H x W (Sheet): 8 × 10 3/16 in. (20.3 × 25.9 cm)
Type:
gelatin silver prints
portraits
Place captured:
Los Angeles, California, United States, North and Central America
Date:
1960s
Topic:
African American  Search this
African Methodist Episcopal  Search this
American West  Search this
Children  Search this
Methodist  Search this
Photography  Search this
Religion  Search this
The Black Church  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of First A.M.E. Church of Los Angeles
Object number:
2013.227.5
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5514d550b-9454-42a8-a082-bc127174135f
EDAN-URL:
edanmdm:nmaahc_2013.227.5
Online Media:

Lili Réthi Papers

Artist:
Rethi, Lili, 1894-1969  Search this
Extent:
8 Cubic feet (21 boxes, 8 map folders)
Type:
Collection descriptions
Archival materials
Bookplates
Books
Christmas cards
Drawings
Newspaper clippings
Photographs
Transcripts
Watercolor drawings
Date:
1918-1969
Summary:
Papers document artist and illustrator Lili Réthi who was best known for her drawings of industrial subjects such as bridges, construction scenes and mines.
Scope and Contents:
Drawings, sketches, watercolors, biographical material, photographs, printed material, correspondence and books relating to the career of artist and illustrator Lili Réthi. The bulk of the collection consists of originals and copies of Réthi's drawings and sketches for various projects in Europe and the United States.
Arrangement:
The collection is arranged into five series.

Series 1: Biographical Materials, 1928-1968

Series 2: Projects, 1918-1969

Series 3: Exhibits, 1940-1943, 1965

Series 4: Portraits, 1919-1965

Series 5: Illustrated Books, 1916-1969
Biographical / Historical:
Lilly (Lili) Maria Réthi (1894-1969) was born in Vienna, Austria to Leopold Réthi (1857-1924), a professor of medicine and Marie née Mauther (1863-1955). Réthi had one sister, Elizabeth "Elsie" (1889-1970). Lili attended the Viennese Kunstschule für Frauen und Mädchen (The Art School for Women and Girls), established in 1897. The school existed until 1945, but it closed to Jewish women artists in 1938, when the school was subordinated to the municipality of Vienna and used to inculcate Nazi ideology. (Ben-Eli, 1999). Réthi learned to sketch the human form at the Vienna Anatomical Institute—training, no doubt, that her physician father encouraged. This training, which sharpened her sense of form and function, helped her later when drawing complicated machinery and illustrating Victor Hecht's book, Leitfaden der Physikalisch-Therapeutischen, (Guide to Physical Therapy, 1916). Réthi became fascinated with construction at a young age. "When I was a little girl in Vienna, I used to take walks and watch men building houses. I was fascinated by the men working as well as the excitement of watching the building grow." (Constructor, December 1967, page 25) Her burgeoning interest would grow, and she became one of the best-known illustrators of engineering, construction, and industrial sites. She was named a Royal Society of Art Fellow in 1961.

During the inter-war years (1918-1939) Réthi interrupted her academic studies to work across Europe, illustrating sites in Austria, Belgium, Czechoslovakia, Denmark, France, Germany, the Netherlands, and Switzerland. The bulk of her work captured coal mines, coal yards, factories, chemical plants, blast furnaces, iron foundries, shipyards, steel production, buildings, aircraft, and bridges.

In 1929, Réthi moved to Berlin where she worked recording engineering projects and was an illustrator for the magazine "Der Bücherkreis" (Book Circle). She illustrated many of the "Dortmunder Union" activities during this period. The Union, a vertically integrated mining group (mining and iron and steel production), was founded in 1872 and was located in the Ruhr area of Germany. This work for the Union resulted in an exhibition in Berlin at the Verein Deutscher Ingenieure (1931) and "Wien- Berlin: Das Gesicht zwei Städte" (Vienna and Berlin: The Face of Two Cities") (1932); at the World Power Conference in Stockholm (1933); and the Technical Museum of Vienna (1934). While in the Ruhr, Rethi documented workers, elevating their significance as subjects in their own right. She recorded the working conditions, many of which depicted harsh and dangerous physical labor. Her published work Germinal (1924) highlighted, through seven lithographs, the terrible conditions in French mines. Her work with the Union provided exposure and elevated her growing artistic status, especially with the Third Reich. With war imminent in Europe, the erosion of her personal rights as a Jewish woman, and a commission invitation by Hermann Göring to create propaganda images for the Nazi Regime, she left for England, never to return to her homeland in Austria.

Her portfolio of work is immense and while she primarily focused on engineering, industrial and construction sites, trade publications, industry magazines and newspapers, she branched into other areas. She illustrated the German version of Upton Sinclair´s Letters to Judd, an American Workingman (Briefe an einen Arbeiter, Leipzig- Wien, 1932) and was widely published in Austrian, Danish and German newspapers such as Aften-Avisen, Bergland Wien, Børsen, Der Welt Spiegel, Beitbilder, and VDI Nachrichten. Later projects included books, primarily for children, commissions to sketch churches, portraits of individuals, illustrated book plates, pamphlets, and Christmas cards. Catholic entities such as St. John the Divine and the Capuchin Friars in New York, also sought her services to sketch church interiors and illustrate brochures. And, in 1950, Réthi sketched the interior renovation (1948-1952) of the White House during the Truman Administration.

The Illustrated London News hired Réthi in 1937 to sketch the coronation of King George. While in England, she also created sketches for a booklet issued by the London, North Eastern Railway (L.N.E.R.) posters for the London, Midland and Scottish Railway (L.M.S.) and the General Post Office (GPO): Post Office Motor Transport Depot (1937); the Post Office Underground Mail Train (1935); and LMS Crewe Works, Building Coronation Class Engine (1937). The Illustrated London News sent her to the 1939 New York World's Fair where her introduction and love of New York City was launched. Réthi arrived in the United States on March 23, 1939, and became a citizen in 1944.

In the United States, Réthi continued illustrating engineering and construction activities, many of which were major post war projects. Réthi was attracted to the great industrial scene of 1940s America, and New York City provided a fertile location for most of her projects. The first public showing of her work in the United States was at the Architectural League of New York (1940) and her "American Industry at War" exhibit was held at the Metropolitan Museum of Art (1943). She documented some of the most significant projects in North America such as the New York City Pavilion at the World's Fair (1964), the United Nations Building (1949), the Pan Am Building (1962), Pennsylvania Station (1965), and the World Trade Center (1967-1968).

She had commissions from Surveyer, Nenniger & Chênevert (an engineering and construction firm that used her images on company Christmas cards), Sperry Gyroscope Company, U.S. Tobacco Company, Turner Construction, Walsh Construction, Atlas Steel Plant, Bliss Manufacturing, George A. Fuller Company, Standard Chemicals, and the United States Pipe and Foundry Company, to name a few.

Réthi also worked with several book publishers, especially, McGraw-Hill and Harcourt Brace. She illustrated over 40 books, many for children. Her work also appeared on the covers of many trade publications and magazines such as Pencil Points, Service, Factory, Product Engineering, and the Journal of the American Society of Automotive Engineers. Réthi was one of a few, if not the only female artist who devoted her career to portraying engineering works.
Related Materials:
Materials at the Smithsonian Institution

Archives Center, National Museum of American History

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Contains negatives and prints of drawings for the Verranzo-Narrows Bridge, New York, New York

Smithsonian Instituton Archives

Records, circa 1948-1988

Contains documentation about a Lili Réthi exhibit, 1964-1965, curated by the then Museum of the History of Technology.

Archives of American Art

Associated American Artists Records, circa 1934-1983

Includes three file folders in the Series: Artists Files about Lili Réthi.

Materials at Other Organizations

Hagley Museum and Library

Sperry Gyroscope Company Division photographs and films (1986-273)

Contains Lili Réthi graphic arts, 1943, consisting of 24 reproductions.
Provenance:
The collection was bequeathed by Lili Réthi to the United States National Museum (now known as the National Museum of American History) through Herbert G. Fenison in 1971.
Restrictions:
Collection is open for research. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Artists  Search this
Book illustrators  Search this
Illustrators  Search this
Topic:
Bridges  Search this
Buildings  Search this
Construction  Search this
Construction and civil engineering  Search this
Engineering -- 20th century  Search this
Illustrated books, Children's  Search this
Women artists -- United States  Search this
Genre/Form:
Bookplates
Books -- 20th century
Christmas cards
Drawings -- 20th century
Newspaper clippings
Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century
Transcripts -- 20th century
Watercolor drawings
Citation:
Lili Réthi Papers, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0749
See more items in:
Lili Réthi Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep876ee6154-c5e2-4c2f-a217-9c4044b6a002
EDAN-URL:
ead_collection:sova-nmah-ac-0749
Online Media:

Plymouth Congregational Church

Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Container:
Box 68
Type:
Archival materials
Date:
1961 September
Scope and Contents note:
Subject/Sitter: Church Interior
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client / 4.6.1: Black and White Negatives Part 1
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep895bbf556-260e-403a-8c12-6f9857dcb676
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-06-ref17260

Plymouth Congregational Church

Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Container:
Box 68
Type:
Archival materials
Date:
1961 September
Scope and Contents note:
Subject/Sitter: Church Interior
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client / 4.6.1: Black and White Negatives Part 1
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8577311c7-ea18-49d5-aef8-edbf37325194
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-06-ref17292

Clarence Ward papers, 1943-1949

Creator:
Ward, Clarence, 1884-  Search this
Citation:
Clarence Ward papers, 1943-1949. Archives of American Art, Smithsonian Institution.
Topic:
Church architecture -- Conservation and restoration -- Ohio  Search this
Theme:
Architecture & Design  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6953
(DSI-AAA_SIRISBib)209082
AAA_collcode_wardclar
Theme:
Architecture & Design
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209082

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Church interior, Phila [on envelope]. [Cat. no. 14 : interpositive.]

Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Place:
Pennsylvania
Philadelphia (Pa.)
Local Numbers:
RSN 8152
General:
Currently stored in box 1.2.16 [17].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Church architecture -- 20th century.  Search this
Churches -- Pennsylvania  Search this
Interior architecture -- Pennsylvania  Search this
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.2: H.C. White Interpositives / RSN Numbers 8091-8191
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8440da55b-78d7-4913-b8f4-95ddb7338ddc
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref1577

[Art in Germany: stereo photonegative,]

Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3-3/4" x 7".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Germany
Date:
1901
Scope and Contents:
Church interior with altar.
Local Numbers:
RSN 3234
General:
Envelope: "Germany 1901".
Currently stored in box 1.1.16 [42] ], moved from [182].
Orig. No. 644-2.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- Germany  Search this
Religion -- Germany  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.1: H.C. White Negatives / RSN Numbers 3166-3257
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82380dd7b-fe23-43f8-a576-441e80b8eb27
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref3140

[Church interior in Palestine : stereo photonegative.]

Topic:
PALESTINE SERIES
Publisher:
Underwood & Underwood  Search this
H.C. White Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3-3/4" x 7".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Palestine
Scope and Contents:
Christian church, showing pews, with altar in background.
Local Numbers:
RSN 4219
General:
"Palestine."
Currently stored in box 1.1.22 [179].
Orig. no. 256-3.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Churches -- Israel  Search this
Interior architecture -- Israel  Search this
Architecture -- Israel  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 1: H. C. White glass plates / 1.1: H.C. White Negatives / RSN Numbers 4201-4304
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep879772345-f33e-4b03-bed1-e9c0aa16b038
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref4187

Mission Church [on negative]. [Stere photonegative.]

Publisher:
Underwood & Underwood  Search this
American Stereoscopic Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8".)
Type:
Archival materials
Photographs
Stereoscopic photographs
Scope and Contents:
Church interior.
Local Numbers:
RSN 10589
General:
Company catalog card included.
"Dup of 32861 taken by K. 9/28/2l" on envelope.
Currently stored in box 2.1.18 [72].
Company acc. no. 32906.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture -- California  Search this
Church buildings  Search this
Interior architecture  Search this
Genre/Form:
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 2: American Stereoscpopic Co. glass plates / 2.1: American Stereoscopic Negatives / RSN Numbers 10503-10590
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep864851335-311a-45a8-943d-85ff3400bb5b
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref7265

[Church interior. Active no. 21979 : non-stereo interpositive.]

Publisher:
Underwood & Underwood  Search this
American Stereoscopic Co.  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (3-1/2" x 3-3/4".)
Type:
Archival materials
Photographs
Local Numbers:
RSN 11530

Video number 10801
General:
Currently stored in box 2.2.5 [120], moved from [124].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architecture  Search this
Church buildings  Search this
Interior architecture  Search this
Religion  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 2: American Stereoscpopic Co. glass plates / 2.2: American Stereoscopic Postives / RSN Numbers 11430-11536
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep840b72dfc-ef4a-4e7e-8a8b-2bfa0f8b5a81
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref8205

St. Simon's Island, Georgia: Mattie Jones' birthday party, shots of church interior

Collection Photographer:
Davies, Diana, 1938-  Search this
Extent:
1 Folder (1 sheet: photographic negatives, black and white, 35 mm)
1 Contact sheet (black and white)
Type:
Archival materials
Contact sheets
Date:
1966
General:
2 negatives in film file not on contact sheet.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.
Identifier:
CFCH.DAVIE, File FP-DAVI-BWNE-0405
See more items in:
Diana Davies photographs
Diana Davies photographs / Series 10: Georgia Sea Islands
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk588e43253-ce0e-4d95-80f9-b5f098cfa8e3
EDAN-URL:
ead_component:sova-cfch-davie-ref946

[Honduras photos?]

Collection Creator:
Gjording, Chris N., 1943-1993  Search this
Container:
Box 15
Type:
Archival materials
Photographs
Date:
1985
Scope and Contents:
Photographs of flooded street in Latin America, church interior, and shrine to Bishop Oscar Romero
Collection Restrictions:
Computer disks in the collection are restricted due to preservation concerns.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Chris Gjording papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Chris Gjording papers
Chris Gjording papers / Series 6: Photographs / 6.4: Miscellaneous
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3187c2820-32f5-40fa-b555-1195884165f7
EDAN-URL:
ead_component:sova-naa-2008-19-ref386

Interior of Mission church, Mushenge, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Negatives (photographic) (b&w, 35mm.)
Culture:
Kuba (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
The photograph depicts interior of the church at the Catholic Mission, which is run by the Josephite order. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
EENG-VI-16, 33.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "S 3 Kba. Kuba. Zaire, Mushenge. Church interior showing adaption of traditional motifs. 11/1970. EE. neg.no. VI-16, 33." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries  Search this
Religious buildings  Search this
Religion  Search this
Mural painting and decoration  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 05431
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1970
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo739de9ca6-7be9-477e-a4b4-39cc576c7d46
EDAN-URL:
ead_component:sova-eepa-1973-001-ref32511

Interior of Mission church, Mushenge, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Negatives (photographic) (b&w, 35mm.)
Culture:
Kuba (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
The photograph depicts interior of the church at the Catholic Mission, which is run by the Josephite order. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
EENG-VI-16, 34.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "S 3 Kba. Kuba. Zaire, Mushenge. Church interior showing adaption of traditional motifs. 11/1970. EE. neg.no. VI-16, 34." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries  Search this
Religious buildings  Search this
Religion  Search this
Mural painting and decoration  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 05432
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1970
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7e1a525d7-4fee-463c-a1fc-24d0dbcbb6a7
EDAN-URL:
ead_component:sova-eepa-1973-001-ref32512

Interior of Mission church, Mushenge, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Negatives (photographic) (b&w, 35mm.)
Culture:
Kuba (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
The photograph depicts interior of the church at the Catholic Mission, which is run by the Josephite order. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
EENG-VI-16, 35.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "S 3 Kba. Kuba. Zaire, Mushenge. Church interior showing adaption of traditional motifs. 11/1970. EE. neg.no. VI-16, 35." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries  Search this
Religious buildings  Search this
Religion  Search this
Mural painting and decoration  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 05433
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1970
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo70ba44d0b-52ce-4c18-8838-e9bc13ab3304
EDAN-URL:
ead_component:sova-eepa-1973-001-ref32513

Interior of Mission church, Mushenge, Congo (Democratic Republic)

Photographer:
Elisofon, Eliot  Search this
Collection Photographer:
Elisofon, Eliot  Search this
Extent:
1 Negatives (photographic) (b&w, 35mm.)
Culture:
Kuba (African people)  Search this
Type:
Archival materials
Negatives (photographic)
Black-and-white negatives
Negatives
Place:
Africa
Congo (Democratic Republic)
Date:
1970
Scope and Contents:
The photograph depicts interior of the church at the Catholic Mission, which is run by the Josephite order. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
EENG-VI-16, 36.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "S 3 Kba. Kuba. Zaire, Mushenge. Church interior showing adaption of traditional motifs. 11/1970. EE. neg.no. VI-16, 36." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Missionaries  Search this
Religious buildings  Search this
Religion  Search this
Mural painting and decoration  Search this
Genre/Form:
Black-and-white negatives
Negatives
Collection Citation:
Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution
Identifier:
EEPA.1973-001, Item EEPA EENG 05434
See more items in:
Eliot Elisofon Field collection
Eliot Elisofon Field collection / Congo (Democratic Republic) / EENG / 1970
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo7509149a8-5d45-4364-9536-a62bbc8bcfac
EDAN-URL:
ead_component:sova-eepa-1973-001-ref32514

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