108 What Month Was Jesus Born In (Last Month of the Year) / Banjo.
Local Numbers:
FW-ASCH-7RR-1920
Date/Time and Place of an Event Note:
Recorded in: New York, United States, 1956.
General:
CDR copy- Disc 332
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
105 Spanish Folk Song (Happy Birthday)(EI Dia de Tu Santo); /
106 Go and Dig My Grave /
104 Delia's Gone /
107 Italian Christmas Song /
108 Hey-Li-Le-Li-O /
Local Numbers:
FW-ASCH-7RR-1950
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 338
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
4 instrumentals--New joy--Let us be hapopy together, today--Oh, give us God--Instrumental--Oh, a village is visible--God is born--In Bethlehem--I would take a bandura--Hey in the meadopw the red Kalyna bowed--Moher cradled her daughter--Awesome news
Local Numbers:
FW-ASCH-7RR-3700
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Good evening to you--Heaven and earth--In Bethlehem--Today we sing--A new joy has descended--Sound clip--Bewailing song of Ukraine--Cossack song with solo
Local Numbers:
FW-ASCH-7RR-3978
General:
CDR copy; in DAMS system; digitized by Dawn Rewolinski, 6/6/2013
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
106 Oh, What a Beautiful City (Twelve Gates to the City) / Banjo.
Local Numbers:
FW-ASCH-7RR-4491
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 382
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
107 Homestead Strike Song / Banjo. English language.
108 A Young Woman Who Swallowed a Lie / Banjo. English language.
109 We Shall Not Be Moved / Banjo. English language.
Local Numbers:
FW-ASCH-7RR-4516
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States.
General:
CDR copy- Disc 382/3
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Old Blue--Blue Mountain Lake--The bard of Armagh--Things about coming my way--Carol of the beasts--Quills--Billy Boy
Track Information:
101 Old Blue / Banjo.
103 Blue Mountain Lake / Banjo.
104 The Bard of Armagh / Banjo.
106 Things About Coming My Way / Banjo.
107 Carol of the Beasts / Banjo.
105 Quills / Quills (Musical instrument).
108 Billy Boy / Banjo.
Local Numbers:
FW-ASCH-7RR-4963
Date/Time and Place of an Event Note:
Recorded in: New York, United States.
General:
CDR copy- Disc 380
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Includes photocopies of letters from Diego Rivera and Frida Kahlo.
Collection Restrictions:
The Florence Arquin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Florence Arquin papers, 1923-1985. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Cairo [on container: Cairo Blues] (Henry Townsend) (3:22) -- Uncle Sam called me (Arthur Big A Weston) (3:49) --Things have changed (George McCoy & Jimmie Brown) (3:53) -- Two trains (Jimmie Brown & Bill Hatfield) (3:30) --Bumble bee (Ethel McCoy) (2:40) --Webster's blues (Henry Brown & B. Sam Firk) (4:33) --Train (George McCoy & Jimmie Brown) (3:48) --Highway 49 (Arthur Weston & George Roberson) (3:56) --Christmas blues (Henry Townsend & B. Sam Firk) (3:45) --Baby let me come back home (Clarence Johnson, Henry Townsend & Andrew Cauthen) (2:45) --Tired of being mistreated (Henry Townsend & Andrew Cauthen) (2:52) -- Henry's jive (Henry Brown, Henry Townsend & B. Sam Firk) (5:15).
Track Information:
101 Cairo Blues / Henry Townsend. Piano.
102 Uncle Sam Called Me / Arthur Weston, George Roberson. Guitar,Harmonica.
103 Things Have Changed / George McCoy. Guitar.
104 Two Trains / Jimmie Brown. Guitar.
105 Bumble Bee / Ethel McCoy. Guitar.
106 Webster's Blues / Henry Brown. Piano.
201 Train / George McCoy. Guitar.
202 Highway 49 / Arthur Weston, George Roberson. Guitar,Harmonica.
203 Christmas Blues / Henry Townsend. Piano.
204 Baby Let Me Come Back Home / Henry Townsend, Andrew Cauthen, Clarence Johnson. Guitar,Harmonica.
205 Tired of Being Mistreated / Henry Townsend, Andrew Cauthen. Guitar,Harmonica.
206 Henry's Jive / Henry Townsend, Jimmie Brown, Backwards Sam Firk. Piano,Guitar.
Local Numbers:
FP-RINZ-LP-0148
Adelphi.1012
Publication, Distribution, Etc. (Imprint):
Silver Spring, MD Adelphi 1969
Date/Time and Place of an Event Note:
Recorded in: Saint Louis (Mo.), Missouri, United States.
General:
Program notes ([1] p.) inserted. Performer(s): Blues; sung and played by various musicians. Production notes: Recorded Sept. 1969.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Joshua fought the battle of Jericho ; Cotton fields at home ; Great historical bum ; I've been driving on Bald Moutain ; Water boy (Odetta) -- Virgin Mary had one son ; We are crossing the Jordan River (Joan Baez and Bob Gibson) -- Beware, o take care ; When first into this country I came ; Hopalong Peter (The New Lost City Ramblers) -- Little Maggie ; Dink's blues (Barbara Dane) -- My baby done changed the lock on the door ; Pick a bale of cotton (Sonny Terry and Brownie McGhee).
Track Information:
101 Joshua Fit the Battle of Jericho / Odetta.
102 Cotton Fields / Odetta.
103 The Great Historical Bum / Odetta.
104 I've Been Driving on Bald Mountain / Odetta.
104 Water Boy / Odetta.
105 Virgin Mary Had One Son / Bob Gibson, Joan Baez. Guitar.
106 We are Crossing the Jordan River / Bob Gibson, Joan Baez. Guitar.
201 Beware, O Take Care / New Lost City Ramblers, Mike Seeger, Tom Paley. Guitar,Banjo,Fiddle.
202 When First Into This Country I Came / New Lost City Ramblers, Mike Seeger. Autoharp.
203 Hopalong Peter / New Lost City Ramblers, Mike Seeger, John Cohen. Guitar,Banjo,Fiddle.
204 Little Maggie / Barbara Dane. Guitar.
205 Dink's Blues (Dink's Song) / Barbara Dane. Guitar.
206 My Baby Done Changed the Lock on the Door / Sonny Terry, Brownie McGhee. Guitar,Harmonica.
207 Pick a Bale of Cotton / Sonny Terry, Brownie McGhee. Guitar,Harmonica.
Local Numbers:
RA-RAMS-LP-0166
Vanguard.2054
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1959
Date/Time and Place of an Event Note:
Recorded in Newport, R.I. on July 11-12, 1959.
General:
Program notes by Studs Terkel on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
United States. Works Progress Administration Search this
Extent:
2.4 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Sketchbooks
Photographs
Date:
1920-1970
Summary:
The papers of African-American painter Palmer C. Hayden date from 1920-1970 and measure 2.4 linear feet. The collection contains biographical material, including 32 diaries documenting Hayden's daily activities, scattered correspondence relating to art sales and Hayden's work for the Works Progress Administration, printed material, 47 sketchbooks compiled over a period of almost forty years, and photographs of Hayden and his artwork.
Scope and Contents:
The papers of African-American painter Palmer C. Hayden date from 1920-1970 and measure 2.4 linear feet. The collection contains biographical material, including 32 diaries documenting Hayden's daily activities, scattered correspondence relating to art sales and Hayden's work for the Works Progress Administration, printed material, 47 sketchbooks compiled over a period of almost forty years, and photographs of Hayden and his artwork.
Arrangement:
The collection is arranged as 6 series:
Missing Title
Series 1: Biographical Material, 1920-1969 (Box 1; 2 folders)
Series 2: Diaries, 1938-1967 (Boxes 1-2; 0.5 linear ft.)
Series 3: Correspondence, 1922-1967 (Box 2; 2 folders)
Series 4: Printed Material, 1926-1969 (Box 2; 2 folders)
Series 5: Sketchbooks and Sketches, 1924-circa 1960 (Boxes 2-6; 1.8 linear ft.)
Series 6: Photographs, 1932-1970 (Box 6; 4 folders)
Biographical / Historical:
Born Peyton Cole Hedgeman, in Widewater, Virginia in 1890, Palmer Hayden received his first art instruction through correspondence courses, then studied in 1925 with Asa Grant Randall at the Boothbay Art Colony, in Maine, specializing in marine subjects. In 1927, Hayden's seascape, Schooners, won first prize for "Distinguished Achievement in Fine Arts" in the Harmon Foundation's first awards ceremony. With that award, and an additional grant from a patron, Hayden was able to continue his studies in Paris, where he further developed his skills in seascapes and ethnic subject matter. Hayden was among the first African-American artists to use African-American subjects and designs in his painting.
Hayden returned to the United States in 1932 and worked steadily over the next several years for the United States government, including the Treasury Relief Art Project and the Works Progress Administration. In 1944 Hayden began work on his noted Ballad of John Henry series of twelve paintings that would occupy him for a decade. In his later work, Hayden continued to focus on African-American themes, capturing both rural gatherings in the South and the urban milieu of New York.
Palmer Hayden died in 1973.
Provenance:
The collection was donated by Palmer C. Hayden in 1970 and a portion of it was microfilmed shortly after receipt.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Previously released material, p1971-1999. Program notes and song texts in English and French (19 p.) inserted in container. Compact disc.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
