Collection is open for research. Only reference copies of audiovisual materials can be used.
Collection Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Collection is open for research. Only reference copies of audiovisual materials can be used.
Collection Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Collection is open for research. Only reference copies of audiovisual materials can be used.
Collection Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Collection is open for research. Only reference copies of audiovisual materials can be used.
Collection Rights:
The Archives Center can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ella Fitzgerald Papers, Archives Center, National Museum of American History, Smithsonian Institution.
File consists of correspondence, handwritten notes, contract, photographs, christmas card. Correspondents include: Clarence (Tom) Ashley, Ralph Rinzler, Mary Vernon, Roy Guest. File includes note from Mike Michaels and contract with Edwin M. Pearl for UCLA Folk Music Festival 1963 signed by Pearl, Ashley, Rinzler, Clint Howard, Fred Price, Doc Watson.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
File consists of Christmas card from Laurie and Ralph Forbes.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
File consists of prints and negatives: Includes – 1966 Roanoke, craftsmen at work, Ralph with family/friends, wedding photo, Korea festival, Christmas card, S.C. sea grass basket makers, woman with camera, drum street performers, drum circle/rally at Malcolm X Park in DC, Poor People's campaign 1968, "Pardy Castle Forbes Stafford English family"[?], Chinese music ensemble and mom [?]; Folder includes one photo by Bob Yellin.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
File consists of correspondence with Mrs. Fred Haley, Louis B. Nunn, Charles P. Monroe, Birch Monroe, Bertha Monroe, Wendell Allen, Douglas B. Green (Ranger Doug) of the Country Music Foundation, handmade fan club card issued to Rinzler, handwritten note accepting donations for Monroe's Christmas gift, fan club Christmas card, fan club newsletter, correspondence with fan club president Lynda Bowman, two handwritten notes to Sarah Lewis.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
File consists of correspondence from Pete and Toshi Seeger, news clippings and collected texts. Materials include, but are not limited to: undated photograph and negative of Almanac Brothers, undated blank card with photograph of Pete Seeger on front, undated Christmas card of Seeger family, note with decorated paper from Toshi, and archival copy of envelope from Toshi and Peter Seeger in New York to Rinzler in New Jersey; undated copy of letter from Pete Seeger to "Hawes's", undated copy of letter from Pete Seeger, undated copy of magazine article, undated advertising sheets for Film Images, copy of 1965 [?] article "Why Folk Music?" by Peter Seeger; copy of 1967 letter to "Bess and Butch and all"; 1967 copy of letter from Ben Botkin in New York to Pete Seeger with National Folk Festival Affiliates sheet, all forwarded to Rinzler with note; 1967 joint letter from Peter and Toshi Seegerin New York to Rinzler; copy of 1967 letter to Toshi and Pete Seeger; 1969 Pete Seeger biographical material to Harold Leventhal in New York City; copy of 1970 newspaper clipping; archival copy of 1979 newspaper clipping; 1980 letter and draft from Pete Seeger to "Ferry Sloopers in Albany, Indiana, and other places"; archival copy of 1980 newspaper clipping; copies of 1981 letters from Rinzler in DC to Bob Allen in Pennsylvania and Toshi Seeger; archival copy of 1982 newspaper clipping; 1987 letter from Pete Seeger in New York to Rinzler; stagebill from Pete Seeger and Arlo Guthrie at Carnegie Hall.
Collection Restrictions:
Large portions of this collection are digitized, and while these materials are being prepared for public access through this finding aid, researchers can request digital copies by contacting the Rinzler Archives at rinzlerarchives@si.edu or (202) 633-7322.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.
Whitehead, Henry P. (Prenton), 1917-2002 Search this
Container:
Box 59, Folder 57
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Whitehead, Henry P. (Prenton), 1917-2002 Search this
Container:
Box 59, Folder 58
Type:
Archival materials
Date:
1923
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Whitehead, Henry P. (Prenton), 1917-2002 Search this
Container:
Box 59, Folder 61
Type:
Archival materials
Date:
1901-1902
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
United States of America -- Pennsylvania -- Allegheny -- Pittsburgh
Scope and Contents:
The folder includes worksheets, copy of a Lamont Button Christmas card, and other photocopies.
General:
Architect Lamont H. Button built this house for his family in the late 1920s, on a 60 by 175 foot lot that had belonged to a farm with a cherry orchard on the edge of town. Re-using discarded Belgian blocks from a street project in Pittsburgh he built a tall house with European arts and crafts features such as the deeply inset arched front door with a ceramic tile attributed to Pewabic Pottery set in a millstone as the stoop. The house is adjacent to Frick Park and landscaping of the sloped site blurs the transition between its grounds and the park. The garden in front of the house is densely planted with Japanese maples, a weeping weigela, magnolia, holly, lace-cap hydrangea and Japanese snowbell. There are stone paths and a stone bridge across a dry river rock stream that leads to a stone bench set among white azaleas. Under plantings in the front yard include pachysandra, Lenten rose, geranium, epimedium, strawberry, spring bulbs, Japanese anemones, and daisies. The doorway is wreathed by ivy and a climbing rose arches over a bay window.
There is a narrow walkway to the rear garden between the house and a grape arbor. The bluestone patio is shady and has a wall fountain with a rill cut into the patio and down the steps to the park. Plants include hosta, fern, cyclamen, lilies, astilbe, and white climbing hydrangeas, with pots on the steps and a window box filled with colorful annuals. Wisteria and fall clematis grow on an iron trellis. Steps lead down to a lower green garden paved with river gravel with a bench between two green Asian rice pots. There is an ancient oak tree thought to be at least 125 years old anchoring this garden with an understory of Solomon's seal, jack in the pulpit, and ferns. Wind chimes in the trees and a hammock for reading are in another secret garden further down the hill.
Persons associated with the garden include: Lamont Hartung and Blanche Button (former owners, 1927); Albert and Wiggins (former owners, dates unknown); Nicholas and Louise Criss (former owners, 1958-1995); Lamont Hartung Button, AIA (architect, 1920s?); Sarah Drake, AIA (architect, 1995); Joel C. LeGall, ASLA (landscape architect); Rob Weaver (metal work)
Related Materials:
Cherrytree House related holdings consist of 1 folder (22 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Hartford, Huntington (See also Gallery of Modern Art incorporating the Huntington Hartford Collection)
Hartman, Rosella
Hartog, Joseph
Hartwell, S. S.
Hartwick College
Harvard Alumni Bulletin
Harvey, F. Sailor
Hassam, Childe
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
Artwork consists of undated painted Christmas cards by Yeffee Kimball and Denny Winters, and a painted greeting card by Warren Chappell sent to Reginald Marsh. Pen and ink drawings, 1925-1927 and undated, are by George Luks, Reginald Marsh, Mahonri Young, and unidentified artists. Other artwork includes a sketchbook and watercolor painting by Reginald Marsh.
Among the writings are a short story, "The Power of Money," probably by Frank K. M. Rehn, poems by Coleman Kamile and unknown, and an unsigned essay titled "An American Collector."
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
