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Margaret Carney interviews with ceramicists

Creator:
Carney, Margaret, 1949-  Search this
Names:
Gardner, Paul Vickers, 1908-1994  Search this
Woo, Margaret, 1928-  Search this
Extent:
0.02 Linear feet
0.749 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Date:
1993-2019
Scope and Contents:
Two interviews conducted by Margaret Carney, one with ceramicist Paul Vickers Gardner and one with Chinese American ceramicist, Marie Woo. Carney was compelled to interview Gardner and Woo out of interest. The interview with Gardner was conducted September 27, 1993 at Gardner's home in Washington, D.C. on two sound cassettes and is transcribed (42 pages.) The interview with Woo was conducted digitally on March 5, 2019 (74 minutes, 15 seconds) and is transcribed.
Biographical / Historical:
Margaret Carney (1949- ) is the Director of the Dinnerware Museum, Ann Arbor, Michigan and was the director of the Schein-Joseph International Museum of Ceramic Art in Alfred, N.Y. Carney used to go by the name Margaret Carney Xie.
Related Materials:
Also in the Archives of American Art are interviews of four ceramicists conducted by Margaret Carney for the Archives' Oral History Program, 2001 and 2002, including Val Cushing, Robert Chapman Turner, Fong Chow, and William Underhill.
Provenance:
Donated 2016 and 2019 by Margaret Carney.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Access to audiovisual recordings with no duplicate copy requires advance notice.
Occupation:
Ceramicists  Search this
Topic:
Ceramics  Search this
Glass-ceramics  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Chinese American women artists  Search this
Asian American ceramicists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.carnmarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carnmarg

Oral history interview with Xiaoze Xie

Interviewee:
Xie, Xiaoze  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Extent:
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 May 10-11
Scope and Contents:
An interview of Xiaoze Xie conducted 2010 May 10 and 11, by Mija Riedel, for the Archives of American Art's U.S. General Services Administration, Design for Excellence and the Arts oral history project at Xie's studio in Stanford, California.
Xie speaks of growing up in a rural area of southern China; the incorporation of historical events into his work; the development of his series Library in the US and China; his education, including attending graduate school for architecture at the Central Academy of Art and Design in Beijing and at the University of North Texas for painting; the outbreak of the pro-democracy student movement in China in 1989; his first big artwork in the US, Duet; the incorporation of Photorealism in his work; his piece Flags and Banners, which used existing photographs as source images; the process of making his paintings using newspapers as source images; his GSA commission, Iowa Reports; the urgency he felt to create political work after September 11, 2001; comparisons of his work with that of other contemporary American and Chinese artists; and his influences including Gerhard Richter. Xie also recalls Vincent Falsetta, Vernon Fisher, Xu Beihong, Lin Fengmian, Liu Haisu, Wu Zuoren, and others.
Biographical / Historical:
Interviewee Xiaoze Xie (1966- ) is a Chinese American visual artist and professor based in Palo Alto, California. Interviewer Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 6 memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hrs., 8 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Video artists  Search this
Painters  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American curators  Search this
Asian American video artists  Search this
Curators -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.xie10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-xie10

Ching Ho Cheng papers

Creator:
Cheng, Ching Ho  Search this
Names:
Brown, Tally  Search this
Cheng-Wilson, Sybao  Search this
Cohen, Ira  Search this
Millard, Gregory  Search this
Myers, Vali, 1930-2003  Search this
Rattray, David  Search this
Seid, Dui  Search this
Extent:
6.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Date:
circa 1950-2014
bulk 1970-1989
Summary:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.
Scope and Contents:
The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.

Biographical material includes artist's statements, biographical writings, lists, life and death documents, a memorial book, naturalization paperwork, and one file of collaborative poetry with David Rattray.

Correspondence includes letters and postcards from Cheng's friends, artists, and family, including Tally Brown, Ira Cohen, Gregory Millard, Vali Myers, David Rattray, and Dui Seid.

Personal business and estate records contain contracts, loan agreements, inventories, and other records documenting income and expenses.

Printed material is comprised of books, clippings, exhibition announcements and catalogs, journals, magazines, newsletters, postcards, press releases, programs, and posters documenting Cheng's career.

One scrapbook contains clippings and reproductions of Cheng's work.

Photographic material includes photographs, negatives, and slides featuring portraits of Cheng, Gregory Millard, Tally Brown, Vali Myers, Sybao Cheng-Wilson, and others.

Artwork and fifteen sketchbooks contain drawings and sketches, mostly quick studies of geometric compositions done in pencil, ink, and colored pencil.

Artifacts include a metal box, various fabric scraps, a paintbrush, and a blue enamel mug, which is the subject of one of Cheng's paintings.
Arrangement:
The collection is arranged as nine series

Series 1: Biographical Material, circa 1970-1990 (0.3 linear foot; Box 1)

Series 2: Correspondence, 1957-2014 (2.2 linear feet; Box 1-3)

Series 3: Personal Business and Estate Records, circa 1970-2010 (0.7 linear foot; Box 3-4)

Series 4: Printed Material, 1954-2011 (1.1 linear feet; Box 4-5, 7, OV 9)

Series 5: Scrapbook, 1982-1983 (1 folder; Box 5)

Series 6: Photographic Material, circa 1950-1990 (0.4 linear feet; Box 5, 7)

Series 7: Artwork, circa 1960-1990 (1linear foot; Box 5, 8, OV 10)

Series 8: Sketchbooks, circa 1970-1990 (0.5 linear feet; Box 6, 8)

Series 9: Artifacts, circa 1970-1990 (0.6 linear feet; Box 6)
Biographical / Historical:
Ching Ho Cheng (1946-1989) was a Chinese American artist based in New York City.

Cheng was born in Cuba but spent most of life in New York City. After receiving his BFA from the Cooper Union in 1968, Cheng lived in Paris and Amsterdam, where he had his first solo exhibition in 1976. Shortly after, Cheng moved back to New York City. He became associated with the Warhol circle, and took up residence in the Chelsea Hotel, where he lived until his death in 1989.

Working in the pop psychedelic style early in his career, Cheng later developed a technique of creating abstract paintings with stencils and torn paper that he treated and soaked. He was in more than fifteen exhibitions before his death, and his work has been collected posthumously by the Hirshhorn, the Whitney, and many other museums.
Provenance:
The Ching Ho Cheng papers were donated to the Archives of American Art in 2014 and 2016 by Sybao Cheng-Wilson, Cheng's sister and executor of the Ching Ho Cheng estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Asian American artists  Search this
Asian American art  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Genre/Form:
Sketches
Drawings
Sketchbooks
Photographs
Scrapbooks
Citation:
Ching Ho Cheng papers, circa 1950-2014, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chenchin
See more items in:
Ching Ho Cheng papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chenchin
Online Media:

Chao-Chen Yang papers

Creator:
Yang, Chao-Chen, 1910-1969  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Sound recordings
Date:
1945-1967
Scope and Contents:
A resume, 1955; award certificates and letters of commendation, 1961-1967; 2 audio cassettes with corresponding transcript of Yang's autobiography, 1965; 4 sketches; miscellaneous writings; clippings; reproductions of art work; photographs of Yang, and copy prints of Yang's photographic works document his career as a professional photographer.
Biographical / Historical:
Chao-Chen Yang (1910-1969) was a Chinese American photographer based in Seattle, Washington. Born Hangchow, China, Yang received degrees in foreign relations and art education from the University of Hwin-Hwa, Shanghai, and became the director of the Department of Art at the Government Institute in Nanking. Coming to the United States in 1934 to work at the Chinese Consulate in Chicago, he took night courses in art at the Art Institute of Chicago from 1935 to 1939. He was transferred to Seattle as Deputy Consul and founded the Seattle Photographic Society in 1941. He was director of the Northwest Institute of Photography and was interested specifically in color printing processes.
Provenance:
Donated by Jean Yang, widow of Chao-Chen Yang, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- Washington (State) -- Seattle  Search this
Topic:
Photography, Artistic  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American photographers  Search this
Genre/Form:
Drawings
Interviews
Sound recordings
Identifier:
AAA.yangchao
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-yangchao

Tyrus Wong papers

Creator:
Wong, Tyrus  Search this
Extent:
1 Reel (ca. 50 items (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Reels
Date:
1932-1963
Scope and Contents:
Photographs and illustrations of Wong's work, 1932-1964, and a few catalogs.
Biographical / Historical:
Tyrus Wong (1910-2016) was a Chinese American painter, designer, illustrator, and printmaker based in California.
Provenance:
Lent for microfilming 1964 by Tyrus Wong.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- California  Search this
Designers -- California  Search this
Sculptors -- California  Search this
Printmakers -- California  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American printmakers  Search this
Identifier:
AAA.wongtyru
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wongtyru

Oral history interview with Tyrus Wong

Interviewee:
Wong, Tyrus  Search this
Interviewer:
McGlynn, Betty Hoag  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Buck, Frank E. (Frank Eugene), 1889 or 90-1959  Search this
Jeakins, Dorothy  Search this
Jones, Joe, 1909-1963  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Murry, Jerre, 1904-1973  Search this
Newell, Gordon  Search this
O'Hara, Eliot, 1890-1969  Search this
Stanley, George M., 1903-  Search this
Winter, Carl, 1906 Jan. 10-  Search this
Extent:
28 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 January 30
Scope and Contents:
An interview of Tyrus Wong conducted 1965 January 30, by Betty Hoag, for the Archives of American Art.
Wong discusses making a film for grade schools and UCLA, which was produced by Eliot O'Hara, where he demonstrated Oriental painting techniques and Joe Jones demonstrated American techniques; working as an illustrator for Republic Studio; designing pottery plates for Greenfield Pottery, Gabriel Pottery in Pasadena; illustrations for the Western Art Review magazine; covers for the Los Angeles Times Home Section 1954 & 1955; text and illustrations for Watercolor Portraits, 1949; designing ads for various magazines; and doing watercolors, lithographs, and murals for the WPA, including the Santa Monica Library. Wong recalls Surasawa, Dorothy Jeakins, Nick Berganti, Hideo Dati, Benjy Ocobo, Carl Winter, Stanton Macdonald-Wright, Jerre Murry, Steven LaVerne Dunwell, George Stanley, Gordon Newell, and Frank Buck.
Biographical / Historical:
Tyrus Wong (1910-2016) was a Chinese American painter, designer, illustrator, and printmaker based in California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 48 min.
Only the second half of this interview was successfully recorded.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Designers -- California  Search this
Printmakers -- California  Search this
Topic:
Federal aid to the arts  Search this
Painting, Asian  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wong65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wong65

Oral history interview with Seong Moy, 1971 Jan. 18-28

Interviewee:
Moy, Seong, 1921-  Search this
Moy, Seong, 1921-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Booth, Cameron  Search this
Hayter, Stanley William  Search this
Hofmann, Hans  Search this
Vytlacil, Vaclav  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)12341
(DSI-AAA_SIRISBib)212912
AAA_collcode_moy71
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212912
Online Media:

Oral history interview with Seong Moy

Interviewee:
Moy, Seong  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Booth, Cameron, 1892-1980  Search this
Hayter, Stanley William, 1901-1988  Search this
Hofmann, Hans, 1880-1966  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Jan. 18-28
Scope and Contents:
An interview of Seong Moy conducted 1971 Jan. 18-28, by Paul Cummings, for the Archives of American Art.
Moy speaks of his childhood in Canton, China; his immigration to Minnesota; the art scene in Minneapolis and Saint Paul in the 1930s; his education; the influence of his teachers, including Cameron Booth, Hans Hofmann, and Vaclav Vytlacil; the influence of Stanley William Hayter; being introduced to printmaking by the WPA art project in Minnesota; his service as a photographer in World War II; his teaching philosophy; and the art scene in Provincetown in the 1970s.
Biographical / Historical:
Seong Moy (1921-2013) was a Chinese American painter and printmaker based in New York City, New York and Provincetown, Massachusetts. Moy was born in Canton, China. He studied at the St. Paul School of Art, Hans Hofmann School of Art and the Art Students League. He was also the director of the Seong Moy School of Painting and Graphics, Provincetown, Massachusetts in the summer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 19 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moy71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moy71

Seong Moy papers

Creator:
Moy, Seong  Search this
Extent:
0.7 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1946-1970
Scope and Contents:
Correspondence, sketches, clippings, exhibition catalogs and announcements, a few photographs and miscellaneous papers. Correspondence is mostly with museum, gallery, and university officials about the sale and exhibition of his work, appreciation of gifts, competitions, teaching appointments, and reproductions. In addition, there is a brief article about his woodcut technique and a description of his New York studio.
Correspondents include L.A. Audrain, P.N. Bowle-Evans, M.F.P. Boys, Margaret Cogswell, Mike Cohn, Fleur Cowles, Charles E. Damiani, David Durst, Peter Floud, Gordon W. Gilkey, Theodore J.H. Gusten, Una E. Johnson, Jacob Kainen, Fiske Kimball, Yeffe Kimball, Dwight Kirsch, E. Kolb, Ruth Lawrence, Frank Lieberman, Margaret Lowengrund, Robert H. Luck, Helen Macy, Betty Maurstad, Porter McCray, Margaret McKellar, Hermon More, Evelyn G. Morel, Reginald Neal, Edward A. Norman, Muriel Oxenburg, Edwin C. Rae, John Ross, Carl O. Schniewind, Gertrude Shibley, Herbert W. Simpson, Eloise Spaeth, Caryl Steinberg, Frederick A. Sweet, Soichi Tominaga, Helen Treadwell, Arthur R. Upgren, Vaclav Vytlacil, Hudson Walker, Gordon B. Washburn, Robert C. Weaver, Tetsuo Yamada, Marion Zeckendorf, and Carl Zigrosser.
Biographical / Historical:
Seong Moy (1921-2013) was a Chinese American painter and printmaker based in New York City, New York and Provincetown, Massachusetts. Moy was born in Canton, China. He studied at the St. Paul School of Art, Hans Hofmann School of Art and the Art Students League. He was also the director of the Seong Moy School of Painting and Graphics, Provincetown, Massachusetts in the summer.
Provenance:
Donated 1982 by Seong Moy.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Identifier:
AAA.moyseon
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moyseon

Oral history interview with Maya Ying Lin

Interviewee:
Lin, Maya Ying  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Vietnam Veterans Memorial Fund  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1983 March 6
Scope and Contents:
An interview of Maya Ying Lin conducted 1983 Mar. 6, by Robert Brown, for the Archives of American Art. Lin speaks of a funerary architecture seminar she took at Yale University; entering her design in the Vietnam Veterans Memorial Fund's competition; attempts to add a figured sculpture and a flagpole to her design, and her resistance to this effort.
Biographical / Historical:
Maya Ying Lin (1959- ) is a Chinese American architect based in New York, N.Y.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. Access to the audio is restricted. Contact Reference Services for more information.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from Maya Ying Lin. Contact Reference Services for more information.
Occupation:
Architects -- New York (State) -- New York  Search this
Topic:
Vietnam Veterans Memorial (Washington, D.C.)  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Chinese American women artists  Search this
Women architects  Search this
Asian American architects  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lin83
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lin83

Oral history interview with Dong Kingman

Interviewee:
Kingman, Dong, 1911-  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound cassette (Sound recording: 1 sound cassette ; (1 hour 30 min.))
19 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1965 Jan. 12
Scope and Contents:
An interview of Dong M. Kingman conducted 1965 Jan. 12, by Harlan Phillips, for the Archives of American Art.
Kingman speaks of his childhood in Oakland, Calif.; his education in Hong Kong; his early exposure to art and the development of his talent; early gallery exhibitions; the beginning of the Federal Art Project (FAP) and his involvement with it; working on a mural in Chinatown in San Francisco; the opportunity to develop his technique; problems with the project; his methods; artists who were his colleagues on the project; and his opinion of the FAP overall.
Biographical / Historical:
Dong Kingman (1911-2000) was a Chinese American painter and illustrator based in the San Francisco Bay Area and New York City. Kingman taught at Columbia University and Hunter College. He worked for the Works Progress Administration.
General:
Transferred from original acetate tape reel.
Sound quality is poor.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Use requires an appointment.
Occupation:
Educators -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State)  Search this
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kingma65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kingma65

Oral history interview with Dong Kingman

Interviewee:
Kingman, Dong, 1911-  Search this
Interviewer:
Andersen, Irene Poon  Search this
Andersen, Stanley, 1922-  Search this
Names:
Mills College -- Faculty  Search this
San Diego Museum of Art  Search this
United States. Works Progress Administration  Search this
Extent:
1 Sound cassette (Sound recording (60 min.), 2 x 1-1/4 in.)
18 Pages (Transcript: supplementary material)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1996 Jul. 3-4
Scope and Contents:
An interview conducted by Stan and Irene Poon Andersen on July 3-4, 1996, New York City, with Dong Kingman. Accompanying the interview are a few newspaper and magazine articles, and a photograph of Kingman, taken by Irene Poon Andersen, 1996. The material was compiled following the 1995 exhibition "With New Eyes: Toward An Asian American Art History in the West," for which Poon Andersen was a curator and exhibitor.
Kingman discusses his early years and education in Oakland, Calif. and Hong Kong; teaching at Mills College, Oakland, University of Wyoming, Laramie and the San Diego Museum; working on the WPA art project; military service with the US Army OSS art department; leaving the Bay Area when he was drafted, moving first to Washington, D.C. and later to New York City where has remained; and work on movies including "Flower Drum Song," "55 Days to Peking," and "Virgin Soldier."
Biographical / Historical:
Dong Kingman (1911-2000) was a Chinese American painter and illustrator based in the San Francisco Bay Area and New York City. Kingman taught at Columbia University and Hunter College. He worked for the Works Progress Administration.
Provenance:
Donated 1997 by Stan Andersen and Irene Poon Andersen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- New York (State) -- New York  Search this
Artists -- California -- San Francisco Bay Area  Search this
Topic:
Art and motion pictures  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kingdong2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kingdong2

Chi-Kwan Chen papers

Creator:
Chen, Qikuan  Search this
Extent:
208 Items ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1946-1972
Scope and Contents:
The papers of Chi-Kwan Chen contain 208 items and date from 1946 to 1972. The papers include correspondence; biographical information; exhibition catalogs; scrapbooks; photographs; and clippings.
REEL D234: Correspondence; biographical information; clippings; exhibition catalogs and gallery literature; and 3 scrapbooks.
UNMICROFILMED: Exhibition notices, photographs of Chen and his work, and reproductions.
Biographical / Historical:
Chi-Kwan Chen (1921-2007) was a Chinese American painter based in New York City, New York.
Related Materials:
Chi Chen papers also at Syracuse University.
Provenance:
Donated 1972 and lent 1965 by Chi Chen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.chenchi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chenchi

Oral history interview with Fay Chong

Interviewee:
Chong, Fay  Search this
Interviewer:
Bestor, Dorothy K., 1913-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Wash.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
14 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 February 14-20
Scope and Contents:
An interview of Fay Chong conducted 1965 February 14-20, by Dorothy Bestor, for the Archives of American Art.
Chong speaks of working for the WPA Federal Art Project (FAP); printmaking methods used; the effect of the FAP on the city of Seattle and on artists; and his post-FAP career.
Biographical / Historical:
Fay Chong (1912-1973) was a Chinese American painter and printmaker based in Seattle, Washington. Chong was born in Kwangtung, China in 1912. He came to Seattle in 1920.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav files. Duration is 35 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Printmakers -- Washington (State) -- Seattle  Search this
Topic:
Federal aid to the arts  Search this
Prints -- Technique  Search this
Asian American artists -- Interviews  Search this
Asian American art  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chong65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chong65

Oral history interview with Andrew Chinn

Interviewee:
Chinn, Andrew, 1915-1996  Search this
Interviewer:
Kangas, Matthew  Search this
Names:
Chinese Art Club (Seattle, Wash.)  Search this
Chong, Fay  Search this
Tobey, Mark  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 August 9
Scope and Contents:
An interview of Andrew Chinn conducted 1991 August 9, by Matthew Kangas, for the Archives of American Art Northwest Asian American Project.
Chinn speaks of his childhood; the formation of the Chinese Art Club in Seattle in the 1930s; exhibitions of his work in the 1940s; the Chinese and Western styles of his paintings; his teaching career; his friendship with Fay Chong; and his opinion of the Asian influence in Mark Tobey's work.
Biographical / Historical:
Andrew Chinn (1915-1995) was a Chinese American painter based in Seattle, Washington.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 46 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American painters  Search this
Chinese American art  Search this
Chinese American artists  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chinn91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chinn91

Oral history interview with Fong Chow

Interviewee:
Chow, Fong  Search this
Interviewer:
Carney, Margaret, 1949-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Glidden Pottery (Alfred, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parker, Glidden, 1913-1980  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2002 February 6
Scope and Contents:
An interview of Fong Chow conducted February 6, 2002, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Chow's home, in New York, N.Y.
Chow speaks of his family, specifically, his grandfather who was sent to Hartford, Connecticutt, in 1874, for schooling, then studied at Columbia University and returned to China, working as general manager of one of the earliest railroads in north China; the schools Chow attended in Hong Kong; working in different media, including painting and photography; attending the Boston Museum School and then Alfred University; his relationship with Charles Harder, the head of the ceramic design department at Alfred; the "wonderful" teachers at Alfred in the early 1950s, including Katharine Nelson in painting, Marion Fosdick in sculpture, Daniel Rhodes and Ted Randall; learning production methods, as well as "studio potters work"; developing forms, new glazes, and decorations at Glidden Pottery; his "famous" pieces for Glidden Pottery, such as "New Equations" and "Charcoal and Rice"; how he became involved with the Metropolitan Museum of Art and his relationship with Alan Priest, curator of Far Eastern art; working at the Met as a curator for more than 20 years; changes at the Met during his tenure there; and his hiatus from making ceramics while working at the Met. He discusses his return to clay in 1983 and his studio near Cooper Union; he describes visiting his best friend from childhood, Pan He, a sculptor in China. He also discusses his health; his wife Chao-Ling and how they met; his current focus on photography. Chow also recalls Glidden Parker, James Romer, Bo Gyllensvard, Sergio Dello Strologo, Theodore Hobby, Paul Bollardo, Norman Arsenault, and others.
Biographical / Historical:
Fong Chow (1923- ) is a Chinese American ceramicist, curator, and photographer from New York, N.Y. Margaret Carney (1949- ) is the director of the Schein Joseph International Museum of Ceramic Art in Alfred, N.Y.
General:
Originally recorded 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Ceramicists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Ceramics -- Chinese  Search this
Art -- Technique  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Decorative arts  Search this
Asian American photographers  Search this
Asian American ceramicists  Search this
Asian American curators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.chow02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chow02

Ron Ho papers

Creator:
Ho, Ron  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1975-2003
Scope and Contents:
Printed materials and correspondence.
Biographical / Historical:
Ron Ho (1936-2017) was a Chinese American jeweler based in Seattle, Washington.
Provenance:
Donated 2004 by Ron Ho as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- Washington (State) -- Seattle  Search this
Jewelers -- Washington (State) -- Seattle  Search this
Topic:
Chinese American art  Search this
Chinese American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American jewelers  Search this
Identifier:
AAA.horon
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-horon

Oral history interview with Nancy Hom

Interviewee:
Hom, Nancy  Search this
Interviewer:
Ho, Melissa  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((29 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 August 30
Scope and Contents:
An interview with Nancy Hom conducted 2020 August 30, by Melissa Ho, for the Archives of American Art's Pandemic Oral History Project at Hom's home in San Francisco, California.
Biographical / Historical:
Nancy Hom (1949 - ) is a Chinese American artist, curator, illustrator and non-profit arts consultant in San Francisco, California. Hom was executive director of the Kearny Street Workshop, San Francisco, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- California -- San Francisco  Search this
Arts administrators -- California -- San Francisco  Search this
Illustrators -- California -- San Francisco  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Women artists  Search this
COVID-19 (Disease) and the arts  Search this
COVID-19 (Disease) -- Social aspects  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Chinese American women artists  Search this
Asian American curators  Search this
Asian American illustrators  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.hom20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hom20
Online Media:

Tyrus Wong papers, 1932-1963

Creator:
Wong, Tyrus, 1910-2016  Search this
Wong, Tyrus, 1910-2016  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American printmakers  Search this
Theme:
Asian American  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)9499
(DSI-AAA_SIRISBib)211697
AAA_collcode_wongtyru
Theme:
Asian American
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211697

Chao-Chen Yang papers, 1945-1967

Creator:
Yang, Chao-Chen, 1910-1969  Search this
Yang, Chao-Chen, 1910-1969  Search this
Type:
Drawings
Interviews
Sound recordings
Topic:
Photography, Artistic  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American photographers  Search this
Theme:
Asian American  Search this
American Art and Artists in a Global Context  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)10485
(DSI-AAA_SIRISBib)213908
AAA_collcode_yangchao
Theme:
Asian American
American Art and Artists in a Global Context
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213908

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