Skip to main content Smithsonian Institution

Search Results

Collections Search Center
201 documents - page 1 of 11

Don't trust anyone over thirty an entertainment by Dan Graham

Artist:
Graham, Dan 1942-2022  Search this
Host institution:
Walker Art Center  Search this
Physical description:
108 pages chiefly color illustrations 22 x 28 cm + 1 DVD-ROM (4 3/4 in.)
Type:
Pictorial works
Ouvrages illustrés
Place:
United States
États-Unis
Date:
2019
20th century
20e siècle
Topic:
Art, Modern  Search this
Performance art  Search this
Conceptual art  Search this
Puppets in art  Search this
Puppet theater  Search this
Nineteen sixties  Search this
Art  Search this
Art conceptuel  Search this
Théâtre de marionnettes  Search this
Années soixante (Vingtième siècle)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155985

Some evidence of things seen / photography and text by Paul Alberts

Author:
Alberts, Paul 1946-2010  Search this
Goldblatt, David  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Alberts, Paul 1946-2010  Search this
Type:
Pictorial works
Place:
South Africa
Date:
1997
Topic:
Children  Search this
Call number:
DT751 .L4X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1065581

Charles Rivers Photographs

Creator:
Rivers, Charles, 1904-1993  Search this
Names:
Chrysler Building (New York, N.Y.) -- Pictorial works  Search this
Empire State Building -- Construction--1929-1930  Search this
Pathe News  Search this
Bates, Ruby  Search this
Extent:
0.5 Cubic feet (4 boxes )
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Albums
Place:
New York (N.Y.) -- 1920-1930
Washington (D.C.) -- 1960-1970
Date:
1929-1963
bulk 1929-1930
Scope and Contents:
The collection contains: twenty-nine silver gelatin photoprints mounted on Fome-Core, Masonite, and cardboard, ranging in size from 5-1/2" x 9-1/4" to 10-11/16" x 13-13/16"; three 5" x 7" unmounted silver gelatin photoprints; a scrapbook which originally contained 56 silver gelatin photoprints, ranging in size from 2" x 3" to 7-1/2" x 9-1/2"; and silver gelatin film negatives (presumably acetate) for the prints. The scrapbook includes a New York Daily News clipping about Rivers: "Builds a Bridge to Students" by Anthony Burton (dated May 12, 1970 by Rivers) with a photograph showing him speaking to a crowd, Most of the photographs depict the construction of the Chrysler and Empire State Buildings--iron workers on the job and relaxing during breaks, and pictures of the buildings at various stages of completion. Other subjects are: a demonstration to prevent World War II (1935), a color photoprint of the Civil Rights March and Demonstration in Washington, D.C. (1963), and two magazine clippings from a Soviet publication, New Times, in which Rivers's prize-winning "Self Portrait" (1930) was reproduced.

Most of these prints were made by Charles Rivers many years after the creation of the original negatives, probably ca.1970s 1980s. The collection is in generally good condition, except that many of the print surfaces are scratched.
Biographical / Historical:
Charles Rivers created a certain amount of confusion about his origins, whether accidentally or intentionally. Born Constantinos Kapornaros[1] (or Kostandinos Kapernaros)[2] in the small town of Vahos in Mani, an isolated area in the southern Peloponnesian region of Greece, on May 20, 1904, he emigrated to the United States as a child of five or six with his parents. His school record showed that he was enrolled in 1911 at the age of seven.[3] The family lived in Maine or New Hampshire, then Massachusetts, and later other locations in New York state. It is believed that his new name was derived from the Charles River in Boston.[4] The change may have been occasioned by a need to conceal his deep involvement in left-wing political and union activities.[5] Mr. Rivers settled in New York City in 1950 and resided there until 1993.[6] He sometimes identified his birthplace as Denver, Colorado,[7] but this may have been a fabrication or simplification, based on the fact that Greek church baptismal records were kept in Denver.[8] His sons James and Ronald believe that he never became an official American citizen. Late in life, in order to visit his birthplace, he was issued a passport, based on his school records, which stated that he was born in Denver. Rivers photographed the construction of the Chrysler Building (1929) and the Empire State Building (1930) in New York City. He was inspired to take up photography by seeing the work of the influential documentary photographer Lewis Hine, whose famous images of working children helped win passage of protective child labor laws. Rivers and Hine both photographed the Empire State Building and the men building it, yet Rivers apparently was unaware until years later that his idol had been present. Employed as an iron worker, Rivers traded his pail of tools for a Zeiss Ikon[9] camera during his lunch hour or when photographic opportunities arose. While the workers depicted in some of the photographs clearly are aware of the photographer's presence, Rivers's project presumably was conducted more or less surreptitiously. It is not known for certain if the paths of Rivers and Hine ever crossed, but his son Ron considers it unlikely: Hine photographed only the Empire State Building in connection with his "Men at Work" project,[10] not the earlier Chrysler Building, and Rivers did not work on the Empire State Building for a very long period. His self-portrait on the Empire State Building, "The Bolter-Up," may have been intended as a memento during one of his last days on that job.[11]

Rivers became unemployed in the Depression and consequently became involved in national efforts to create Social Security, unemployment insurance, and housing programs. These experiences apparently encouraged his active participation in politically leftist activities, as coverage about him in Soviet publications attests. A pacifist, in 1935 he was involved in demonstrations aimed at preventing World War II, and in the 1960s he took part in anti-Vietnam demonstrations and encouraged young people to continue such resistance.

In the 1950s Rivers worked in steel fabrication, in a chemistry lab as a technician, and briefly as a legislative aide for a New York state senator.

In 1986 Rivers submitted his 1930 self-portrait, posed on the Chrysler Building, to the International Year of Peace art contest sponsored by the New Times, published in Moscow: it was awarded a prize and diploma.

Mr. Rivers died in 1993, only two weeks after moving to Arlington, Texas to enter a nursing home near his sons' homes.

1. The page on Rivers in New York University=s Robert F. Wagner Labor Archives web site (http://laborarts.org/collections/item.cfm?itemid=82) --noted 5 June 2002), claims Rivers was born in 1905 and changed his name Ato resemble those of the Mohawk Indians working on the high steel of New York City=s skyscrapers and bridges".

2. This spelling is given in an e-mail from James Rivers to Helen Plummer, Aug. 19, 2002.

3. Ibid.

4. Telephone conversation between Ron Rivers and the author, 6 June 2002. Additional information was provided by Ron Rivers in electronic mail messages, 5 June and 12 June 2002.

5. James Rivers, op. cit.

6. Telephone conversation with Ron Rivers, 6 June 2002.

7. In a biographical statement for the Amon Carter Museum of Western Art (copy supplied by Helen Plummer), Charles Rivers called Denver his birthplace. The George Eastman House photographer database also included this apparently erroneous information, probably derived from the Amon Carter statement (telephone conversation with Helen Plummer, 3 June 2002).

8. Ron Rivers, telephone conversation, 6 June 2002.

9. Identified by Charles Rivers as the camera used in the skyscraper photographs: interview by Carol Sewell, "Photographer looked at U.S. from high view," Fort Worth Star-Telegram, Dec. 27, 1986. Rivers also used a Rolleiflex, according to Ron Rivers (see note above), but the folding Zeiss Ikon camera would have been a more convenient addition to a lunchbox than the bulkier Rolleiflex. The collection negatives are not in the Rolleiflex square format, moreover.

10. See Judith Mara Gutman, Lewis W. Hine and the American social conscience. New York: Walker, 1967.

11. Ron Rivers, telephone conversation, 6 June 2002.
Related Materials:
Materials at the Smithsonian Institution

Hirshhorn Museum and Sculpture Garden

Included Rivers's self-portrait, "The Bolter Up," in its summer 2002 exhibition, "Metropolis in the Machine Age," in the form of a new print made from a digital copy of the Archives Center's original negative. The author discussed the new print from the Rivers negative and other photographs in this exhibition in an invited gallery lecture, "The Skyscraper Photographs of Lewis Hine and Charles Rivers," Hirshhorn Museum and Sculpture Garden, June 6, 2002.

Materials at Other Organizations

Amon Carter Museum, Fort Worth, Texas

See Barbara McCandless and John Rohrbach, Singular moments: photographs from the Amon Carter Museum, with select entries by Helen Plummer. Reproduction of a Rivers photograph, with description and analysis, p. 30. Additional information has been generously supplied by Ms. Plummer, curatorial associate, and Barbara McCandless, curator of photography, Amon Carter Museum of Western Art, Fort Worth Texas.

Robert F. Wagner Labor Archives at New York University

Museum of the City of New York

Some of his photographs were included in the Amon Carter Museum of Western Art exhibition, "Looking at America: Documentary Photographs of the 1930s and 1940s," December 1986.
Provenance:
The collection is a gift from Mr. Charles Rivers, 1989.
Restrictions:
Collection is open for research.
Rights:
Archives Center claims copyright. Rights were conveyed to the Archives Center through a Deed of Gift signed by the donor.
Topic:
Self-portraits, American  Search this
Iron and steel workers -- 1920-1930 -- New York (State) -- New York  Search this
Construction workers -- 1900-1950 -- New York (State) -- New York  Search this
Structural steel workers -- 1920-1930 -- New York (State) -- New York  Search this
Labor unions  Search this
Civil rights demonstrations -- 1960-1970  Search this
Skyscrapers -- 1920-1930 -- New York (State) -- New York  Search this
Civil rights  Search this
Peace movements -- 1960-1970  Search this
Peace movements -- 1930-1940  Search this
Scottsoro boys case  Search this
Fires  Search this
Scottsboro Trial, Scottsboro, Ala., 1931  Search this
Self-portraits  Search this
Genre/Form:
Photographs -- 1900-1950
Scrapbooks -- 20th century
Albums
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1970-1990
Citation:
Charles Rivers Photographs, 1929-1963, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0360
See more items in:
Charles Rivers Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82c2fc0d6-34f9-422b-b6e3-c1d1072e975f
EDAN-URL:
ead_collection:sova-nmah-ac-0360
Online Media:

Kahn Family Film Collection

Creator:
Bergman, Harry M.  Search this
Kahn family  Search this
Kahn, Kimberly  Search this
Names:
Chrysler Building (New York, N.Y.) -- Pictorial works  Search this
Godwin Construction Company.  Search this
Bergman family  Search this
Extent:
3 Cubic feet (5 document boxes

)
Type:
Collection descriptions
Archival materials
Home movies
Motion pictures (visual works)
Travelogs
Videotapes
Place:
New York (N.Y.)
Date:
1926-1957
Summary:
A collection of films shot by Harry B. Bergman documenting Bergman's New York City, New York construction firm Godwin Construction Company. Films document construction of landmark buildings such as The Chrysler Building, New York Port Authority and others. Films also document company "beefsteaks", and Bergman's numerous vacations and pursuits.
Scope and Contents:
The Kahn Family Films document the activities of the Godwin Construction Co. of New York City from 1928-1934. The films also document more than twenty-five years of the Bergman and Kahn family life and travel. The films are silent, 16mm black and white reversal and Kodachrome. Unless otherwise noted, films were arranged in the Archives Center on compilation reels by subject. Some images are deteriorated because of age and film conditions, most noticeably on 722.39. A detailed description of each reel is included under each film title. The collection is divided into five series and arranged in chronological order; Series 1, Godwin Construction Company, 1927-1934; documents the digging, structural support and daily site activities at various Godwin construction jobs around New York City. In the footage taken at the Chrysler Building site, Bergman documented many of the workers who worked on the job as well as the secretaries in the main offices with filmed portrait shots. While the films are primarily focused on documenting construction practices and procedures at the sites, there is also footage of workmen and machinery. The films also document the company=s annual ABeefsteak@ that eventually moved from a banquet hall to one of the islands in Jamaica Bay.

Series 2, Rockaway Park Yacht Club, 1927-1929; documents many of Bergman's yachting activities on the yacht Thora and events at the Rockaway Park Yacht Club (RPYC) from family related activities to some of the Godwin Company's Beefsteaks.

Series 3, Travel and Leisure, 1926-1957, undated; documents many of the Bergman and Kahn family trips to various locations in the United States and Europe. The 1927 trip to Canada and the American West has footage of Hollywood, then just on the verge of adding sound to motion pictures. The 1929 trip to Europe occurred not only during the first year of the Great Depression but is a wonderful travelogue of Europe in the years before WWII. On reel 722.27 there is an interesting shot of a poster, "Ethel et Julius Rosenberg Que Les Assassins, Soient Maudits A Jamais" [trans: Ethel and Julius Rosenberg let the assassins be cursed/condemned forever.] showing a young boy throwing mud on the poster - presumably in protest.

Series 4, Family and Home Life, 1928-1958; Titles of the footage are taken directly from the original film containers. There is footage of many family members and gatherings. There is footage shot at Bergman's onetime home at 120-18 Newport Ave., Rockaway Park, Long Island. There is footage of tennis great Bill Tilden giving a small exhibition match in Florida in 1946 on 722.25.

Series 5, Papers, 1927-1958; are selections of the original paper containers for some of the films with the original notes and identifications written on them. This series also contains a copy of Bergman's 1907 thesis and related papers and architectural drawings.
Arrangement:
5 series.
Biographical / Historical:
Harry Montefiore Bergman (1885-1971) was born on August 3, 1885 in Elmira, New York. He graduated from college in 1907 with a degree in Applied Science from Columbia University's School of Engineering. After graduation, he went to work for Godwin Construction Co. He specialized in structural foundations and was an authority on the soil and bedrock of Manhattan Island, New York. Beginning his employment as a superintendent, he rose to the position of Secretary and General Superintendent of Civil Engineering in June, 1927. In January 1932, Bergman was elevated to Vice-President and finally attained the presidency of the company in 1957. Bergman retired from the company in 1967. He was a member of the Association of American Society of Civil Engineers.

Godwin Construction Company was founded by Philander Hanford Godwin (1877-1936) in the early 20th century. Godwin was one of the pre-eminent civil engineering firms in New York City primarily involved in constructing foundations for large public building projects. The company was responsible for digging and construction of the foundations for the Chrysler Building, 176th St. Telephone Building, the old New York Port Authority Truck Terminal, the old Madison Square Garden at 8th Ave. and 50th St., the Hudson River Bridge, New York Hospital, Knickerbocker Village and others. Godwin Construction Co. was located in New York City, through the years at various locations: by 1915 at 251 4th Ave., by 1932 at 370 Lexington Ave., Rm. 1201 and later at 130 East 44th St.

Bergman, a lifelong bachelor, developed a love of motion picture photography and pursued this hobby with great enthusiasm. He photographed not only Godwin's construction work and work sites at various foundation projects throughout New York City in the 1920s and 1930s but filmed the company picnics, called "Beefsteaks", family leisure time activities and vacations as well. Bergman was also an avid yachtsman and filmed many hours of footage while sailing on Samuel Lauterbach's yachtThora , (the Thora may also have been owned in a partnership between Lauterbach and Bergman) and at the Rockaway Park Yacht Club (RPYC) in Rockaway Park, New York. Bergman, along with Lauterbach, was one of the founders of the RPYC and it was reportedly founded because Jews were not allowed membership in any of the "exclusive" yacht clubs surrounding Manhattan. The yacht club was destroyed during the hurricane of 1938. Many films feature Ruth Perl who was Bergman's favorite niece. They took numerous trips to California, Canada, and Europe. Perl seems to also have taken an interest in motion picture photography as well, often operating the camera herself. Perl married Irving Kahn and had three sons, Donald Kahn, Alan R. Kahn and Thomas G. Kahn, who figure prominently in the later films. Bergman was a lifelong resident of New York. As of 1916, his address was 615 W. 143rd St., New York, NY. For a time he lived at 120-18 Newport Ave. in Rockaway Park, NY. In 1951 he bought a home at 143-17 Cronston Avenue in Belle Harbor. At the end of his life, Bergman is noted as living at 1 Fifth Avenue, New York, NY. Bergman died on August 3, 1971. At the time of his death Bergman was staying at the Florence Nightingale Nursing Home, 175 East 96th St. in New York, New York.

Bergman's employer and the founder of Godwin Construction Co., Philander H. Godwin, was born on September 30, 1877 in New York City, NY. Godwin graduated from Columbia University's School of Engineering with a degree in Applied Science in 1899. After graduation, he married Carrie L. Pye and they had two children. Godwin founded the Godwin Construction Co. in the early 20th century and was the company's president until his death in 1936. As of 1916, his residence address was Cedar and Arch Avenues in Larchmont, NY and by the time of his death he was living at 26 Willow Avenue in Larchmont. He was a member of the Larchmont Yacht Club and perhaps had a great influence on Bergman's taking up the sport. He was an active member of St. John's Episcopal Church, Larchmont and a member of the Union League. Godwin died on March 27, 1936 in Larchmont.

Sources: Records of Columbia University, New York, New York "City Sells 2 Plots for Factory Sites", New York Times, June 6th, 1951, pg. 64. Newspaper Obituary of Harry N. Bergman, Archives Center Control File Conversation and correspondence with Alan and Kimberly Kahn My Life: Edward du Moulin
Provenance:
Donated to the National Museum of American History, Archives Center in 2000 by Kimberly R. Kahn, great-great niece of Harry M. Bergman.
Restrictions:
Collection is open for research but the original and master (preservation) films are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
The National Museum of American History may not authorize publication, reproduction, or distribution by a commercial, for-profit publisher, distributor, media producer, or film maker without the express permission of the Donors.

The term of the requirement for written authorization prior to third party, for-profit, commercial use will last 50 (fifty) years unless agreed to in writing by both the National Museum of American History and the Donors.
Topic:
Travel photography  Search this
Travelogues (Motion pictures)  Search this
Family -- 20th century  Search this
Travel -- Europe  Search this
Construction  Search this
Architecture -- New York (State) -- New York  Search this
Amateur films  Search this
Genre/Form:
Home movies
Motion pictures (visual works)
Travelogs
Videotapes
Citation:
Kahn Family Film Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0722
See more items in:
Kahn Family Film Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85e4873d5-0bf6-43c5-a386-a71df5bcd106
EDAN-URL:
ead_collection:sova-nmah-ac-0722
Online Media:

Therese Bonney photographs

Creator:
Bonney, M. Thérèse (Mabel Thérèse), 1894-1978  Search this
Names:
Bonney Service  Search this
Cooper-Hewitt Design Archive  Search this
Bonney, M. Thérèse (Mabel Thérèse), 1894-1978  Search this
Extent:
4,300 Photographs (black and white)
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white photographs
Date:
1925-1937
Summary:
This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.
Arrangement note:
Photographs are arranged by subject. Each box is labeled as to contents.
Biographical/Historical note:
Photojouralist. Born Syracuse, New York, 1897. She studied at the University of California at Berkeley and Radcliffe College in the 1910s. Bonney immigrated to France in 1919 where she became on of the first ten women to graduate from the Sorbonne. She founded the first American illustrated press service in Europe, the Bonney Service, in 1924.

By the late 1930s, Bonney became discouraged by the poor quality of the work of the photographers she employed, and decided to learn the art of photography herself. The subjects of her photographs ranged from individual objects to interior settings to window displays to major building complexes and focused on the impact of modernism on European design.

In the late 1920s and early 1930s, Bonney organized a number of exhibitions and collaborated with her sister, Louise Bonney, on a series of guide books, including "Buying Antique and Modern Furniture in Paris". With the coming of World War II, Bonney took to documenting civilian life in Europe. She published two photo-essay books, "War comes to the People" (1940) and "Europe's Children" (1943). Her concept for a film about children displaced by war, became an Academy Award winning movie, "The Search" (1948). The museum's collection of photographs was the subject of Cooper-Hewitt's 1985 exhibition, "Paris Recorded: The Therese Bonney Collection."
Location of Other Archival Materials Note:
New York Public Library, Rare Books and Manuscripts Section. Photographs of views of Europe, North Africa, the Middle East, Asia, and New York. The bulk of the photographs are of French landscapes, architecture, costume, and everyday life.
University of California at Berkeley, The Bancroft Library. Scrapbooks, clippings, testimonials and other materials relating to Bonney's photographic work, circa 1919-1977.
Radcliffe College, Schlesinger Library. Biographical material, correspondence, photographs, and information about the Women's Land Army and the Women's Auxiliary Army Corps, dating from 1931-1964.
Library of Congress, Washington, D.C.Assorted photographs of Bonney, many documenting important events in her life.
Provenance:
This collection was given to Cooper-Hewitt, then the Cooper Union Museum, in 1939 by the Bonney family.
Restrictions:
Unrestricted research use onsite by appointment. Permission of staff required to photograph materials.
Occupation:
Photographers -- France -- Paris  Search this
Topic:
Architectural photography -- France -- Paris  Search this
Furniture -- France -- Paris  Search this
Furniture -- Pictorial works  Search this
Interior decoration -- France -- Paris  Search this
Interior decoration -- Pictorial works  Search this
Show windows -- Pictorial works  Search this
Photography -- Archives  Search this
Photography -- France -- Paris  Search this
Genre/Form:
Black-and-white photographs
Identifier:
SIL-CH.2000-42-1
Archival Repository:
Smithsonian Libraries
GUID:
https://n2t.net/ark:/65665/sc223da86d9-498c-4f62-96f7-ddeacac343d9
EDAN-URL:
ead_collection:sova-sil-ch-2000-42-1

The Liberator, Vol. XXIII, No. 7

Created by:
The Liberator, American, 1831 - 1865  Search this
Edited by:
William Lloyd Garrison, American, 1805 - 1879  Search this
Published by:
Isaac Knapp, American, 1808 - 1858  Search this
Printed by:
J.B. Yerrington & Son, American  Search this
Medium:
ink on paper
Dimensions:
H x W (closed): 24 3/4 × 17 7/8 in. (62.9 × 45.4 cm)
Type:
newspapers
Place printed:
Boston, Suffolk County, Massachusetts, United States, North and Central America
Date:
February 18, 1853
Topic:
African American  Search this
Activism  Search this
Antislavery  Search this
Associations and institutions  Search this
Journalism  Search this
Mass media  Search this
Resistance  Search this
Slavery  Search this
Social reform  Search this
Societies  Search this
U.S. History, 1815-1861  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Object number:
2016.166.41.1
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Liljenquist Family Collection
Classification:
Slavery and Freedom Objects
Documents and Published Materials-Published Works
Movement:
Abolitionist movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd510e39fba-e97d-4109-b93d-6ea8cd0593e3
EDAN-URL:
edanmdm:nmaahc_2016.166.41.1
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Liberator, Vol. XXIII, No. 7</I> digital asset number 1
Online Media:

Edwin Earle art works of Hopi Indians and surroundings, 1935-1936

Creator:
Earle, Edwin, 1904-1989  Search this
Citation:
Edwin Earle art works of Hopi Indians and surroundings, 1935-1936. Archives of American Art, Smithsonian Institution.
Topic:
Hopi Indians -- Pictorial works  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)6995
(DSI-AAA_SIRISBib)209128
AAA_collcode_earledwi
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209128

Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992

Creator:
Moffett, Ross E., 1888-1971  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Subject:
Moffett, Dorothy Lake Gregory  Search this
Del Deo, Josephine Couch  Search this
Rehn, Frank Knox Morton  Search this
Burchfield, Charles Ephraim  Search this
Eisenhower, Dwight D. (Dwight David)  Search this
Moffett, Ross (Art in narrow streets)  Search this
Provincetown Art Association  Search this
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Type:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Women painters  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)8010
(DSI-AAA_SIRISBib)210179
AAA_collcode_moffross
Theme:
Diaries
Sketches & Sketchbooks
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210179
Online Media:

Greeting Card Collection

Creator:
Conn, Nat  Search this
Tolman, Sarah  Search this
Tolman, Ruel P. (Ruel Pardee), 1878-1954  Search this
Former owner:
National Museum of American History (U.S.). Division of Graphic Arts  Search this
Extent:
2 Cubic feet (12 boxes)
Type:
Collection descriptions
Archival materials
Christmas cards
Date:
1920-1980
Summary:
The collection consists of greeting cards, over 95% of them Christmas cards, received from the 1920s-1980s by two Washington, D.C. families, those of Ruel Tolman and Nat Conn.
Scope and Contents:
The collection consists of greeting cards, over 95% of them Christmas cards, received from the 1920s-1980s by two Washington, D.C. families, those of Ruel Tolman and Nat Conn. The Christmas cards are rich in imagery and contain the following subjects: angels, bells, birds, candles, cats, dogs, carolers, carriages, churches, children, deer, family photographs (black and white and color), hearths/fireplaces, holly, houses/barns, hunting dogs, mailboxes, music, packages, ornaments, pine cones, poinsettia, politics, religious scenes (Three Wise Men, Madonna and Child, manager scenes), Santa Claus, ships/boats, snowmen, trees, and wreaths. Other occasions and holidays include anniversary, birthday, Easter, father's day, get well, Jewish holidays (Passover and Hanukah), military, mother's day, thank you's, and valentines day. There are some Christmas letters/messages that were either sent alone or were inserted into greeting cards. Many of the cards are printed with greetings such as "Holiday Greetings," "Happy Holidays," "New Year's Greetings," "Season's Greetings," "Noel," and "Peace". The foreign greeting cards consist of cards sent to the Tolman and Conn families from family and friends residing outside the United States. There are several empty envelopes lined with paper depicting Christmas images and the miscellaneous folder contains parts of greeting cards, many of which are missing photographs. The collection is arranged into two series: Series 1: Christmas and Series 2; Other occasions.
Arrangement:
The collection is divided into one series.
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Christmas  Search this
Candles  Search this
Deer  Search this
Angels  Search this
Birds -- Pictorial works  Search this
Bells  Search this
Greeting cards  Search this
Holidays  Search this
Genre/Form:
Christmas cards
Citation:
Greeting Card Collection, 1920-1980, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0579
See more items in:
Greeting Card Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ebe10191-8560-4ff2-83a7-84147f056cc6
EDAN-URL:
ead_collection:sova-nmah-ac-0579
Online Media:

Ross and Dorothy Lake Gregory Moffett papers

Creator:
Moffett, Ross  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Federal Art Project (U.S.)  Search this
Provincetown Art Association  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Del Deo, Josephine Couch  Search this
Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Portraits  Search this
Moffett, Dorothy Lake Gregory, 1893-1975  Search this
Moffett, Ross (Art in narrow streets)  Search this
Rehn, Frank Knox Morton, 1848-1914  Search this
Extent:
7.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Slides (photographs)
Place:
Cape Cod National Seashore (Mass.)
Florida -- Pictorial works
Provincetown (Mass.)
Date:
circa 1870-1992
Summary:
This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.
Scope and Content Note:
The Ross and Dorothy Lake Gregory Moffett papers measure 7.7 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.

General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.

Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of Art in Narrow Streets, the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.

The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.

Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.

The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.

Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Arrangement:
The collection is arranged into thirteen series:

Missing Title

Series 1: Biographical Material, circa 1888-1965 (box 1; 1 folder)

Series 2: Correspondence, 1915-1972 (box 1; 0.6 linear ft)

Series 3: Financial Material, 1933-1971 (box 1; 2 folders)

Series 4: Notebook/Notes, undated (box 1; 2 folders)

Series 5: Projects, 1880-1969, undated (boxes 1-2; 1.2 linear ft.)

Series 6: Subject File, 1960-1968 (box 2; 1 folder)

Series 7: Printed Material, 1916-1992, undated (boxes 2-4, 7; 1.5 linear ft.)

Series 8: Photographs, circa 1900-1975, undated (box 4; 15 folders)

Series 9: Slides of Art Association, Iowa Farmland and the Chrysler Museum, circa 1960, undated (box 4; 1 folder)

Series 10: Drawings, circa 1929-1934 (box 5; 1 folder)

Series 11: Sketchbooks, 1913-1969 (boxes 5-8; 2.5 linear ft.)

Series 12: Annotations/Item Descriptions by Josephine Couch Del Deo, undated (box 6; 2 folders)

Series 13: Dorothy Lake Gregory Moffett Papers, circa 1870-1975 (boxes 9-11; 0.7 linear ft.)
Biographical Note:
Ross Moffett (1888-1971) was an important figure in the development of modernism in American Art after World War I. His paintings primarily depict the life and landscapes of the Provincetown, Massachusetts area. Dorothy Lake Gregory Moffett is perhaps best known as a printmaker and illustrator of children's books and magazines.

Born in Iowa in 1888, Moffett trained at the Art Institute in Chicago and studied with Charles Hawthorne during the summer of 1913, in Provincetown, Massachusetts. Moffett then studied at the Art Students League and returned to Provincetown in 1915, to establish himself as an artist. He was one of the founders of the Provincetown Art Association and a leading figure in the art colony for many years. In 1920, Moffett married artist Dorothy Lake Gregory in Brooklyn, New York. Dorothy studied at the Pratt Institute and with Robert Henri and George Bellows in New York, and then went to Provincetown to study with Hawthorne as well.

During the 1920's and 1930's, Ross Moffett's success increased steadily and he had his first one-man show at the Frank Rehn Gallery in New York and also at The Art Institute of Chicago in 1928. He served on several exhibition juries around the country during this time. Between 1936 and 1938, Moffett painted four murals in two Massachusetts post offices for the Federal Works Progress Administration (WPA). Moffett received full membership to the National Academy of Design in 1942.

While Moffett's painting slowed somewhat during World War II he continued his involvement in the arts by maintaining the Provincetown Art Association. He taught briefly at the University of Miami in Ohio from 1932 to 1933, and returned to Provincetown to pursue painting full-time. In the 1950's, Moffett became interested in archaeology and even delivered a few lectures on the subject. During this time he continued to paint and his art reflected his preoccupation with the science of archaeology. In 1954, Moffett was one of two artists selected by the National Academy of Design to paint murals depicting President Dwight D. Eisenhower's life for the Eisenhower Memorial Museum in Abilene, Kansas. Moffett was chosen to portray Eisenhower's civilian life.

In 1960, Moffett became active in the movement to establish the 1400 acres known as the Province Lands as part of the Cape Cod National Seashore Park. After the park was established Moffett wrote and published a history of the first thirty-three years of the Provincetown Art Association in a book titled Art in Narrow Streets, 1964. He continued to serve as a juror for the Provincetown Art Association and was artist-in-residence for the Provincetown Fine Arts Work Center in 1970.

Dorothy Moffett also pursued a successful career in art, and publishers such as Rand McNally used her illustrations for youth magazines and childrens books, such as the classic Green Fairy Book. Her work was exhibited in the Metropolitan Museum, the National Academy, and the Brooklyn Museum, and her Alice in Wonderland series of lithographs was purchased for the permanent collection of the Boston Museum of Fine Arts. Though best known as a printmaker, Moffett also worked in oil.

Ross Moffett died of cancer on March 13, 1971.
Related Material:
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D80) including 150 letters relating to art organizations, museums, and government art projects, news clippings, records of the Provincetown Art Association, and the Emergency Committee for the Protection of Province Lands, and miscellaneous publications. Lent materials were returned to Ross Moffett and are now housed at Syracuse University in Syracuse, New York. This material is not described in the collection container inventory.
Provenance:
Ross Moffett initally lent the Archives of American Art material for microfilming in 1962. The remainder of the collection was donated in 1974 by his widow, Dorothy Lake Gregory Moffett (died 1975), via Ross Moffett's biographer, Josephine Del Deo, who turned the papers over in installments. Archaeological material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Landscape painters -- Massachusetts -- Provincetown  Search this
Topic:
Illustrators  Search this
Muralists -- Massachusetts -- Provincetown  Search this
Federal aid to the arts  Search this
Works of art  Search this
Women artists  Search this
Art, Modern -- 20th century -- Massachusetts -- Provincetown  Search this
Art, American  Search this
Art students -- New York N.Y. -- Photographs  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Slides (photographs)
Citation:
Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moffross
See more items in:
Ross and Dorothy Lake Gregory Moffett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac321bdb-9882-4e93-bc33-19a933d21823
EDAN-URL:
ead_collection:sova-aaa-moffross

Four and twenty toilers / pictures by F.D. Bedford ; verses by E.V. Lucas ..

Author:
Lucas, E. V (Edward Verrall) 1868-1938  Search this
Bedford, F. D  Search this
Physical description:
53, [3] p. : col. ill. ; 25 x 33 cm
Type:
Pictorial works
Date:
1931
[1931?]
Topic:
Illustrated children's books  Search this
Occupations  Search this
Call number:
GT5790 .L93 1931
GT5790.L93 1931
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_386351

They still draw pictures! A collection of 60 drawings made by Spanish children during the war; introduction by Aldous Huxley

Author:
Huxley, Aldous 1894-1963  Search this
Physical description:
2 p. l., 4-71 numb. l., 1 l. incl. 60 pl. 23 cm
Type:
Books
Pictorial works
Place:
Spain
Date:
1938
Civil War, 1936-1939
Topic:
Child artists  Search this
History  Search this
Call number:
N352 .T5 1938X
N352.T5 1938X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_401030

Book design 2 : an international collection of book design = Buchgestaltung im internationalen Überblick = Une compilation internationale sur le design des livres / publisher and creative director, B. Martin Pedersen ; senior editor, Hildy Mesnik ; editors, Clare Hayden, Heinke Jenssen ; assistant editors, April Heck, Allison Xantha Millers ; art director, Massimo Acanfora ; graphic designer, Mei...

Title:
Book design two
Author:
Pedersen, B. Martin  Search this
Mesnik, Hildy  Search this
Physical description:
249 pages : chiefly color illustrations ; 31 cm
Type:
Pictorial works
Date:
1998
Topic:
Book design  Search this
Graphic arts  Search this
Graphic design (Typography)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1047803

Amelia & the animals / photographs by Robin Schwartz ; foreword by Amelia Paul Forman ; essay by Donna Gustafson

Title:
Amelia and the animals
Author:
Schwartz, Robin  Search this
Forman, Amelia Paul  Search this
Gustafson, Donna  Search this
Subject:
Forman, Amelia Paul  Search this
Physical description:
135 pages : chiefly color illustrations ; 29 cm
Type:
Portraits
Pictorial works
Date:
2014
©2014
Topic:
Girls  Search this
Human-animal relationships  Search this
Photography, Artistic  Search this
Photography of children  Search this
Photography of animals  Search this
Daughters  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1050020

Football muti / Robin Goode, Matteo Bottanelli, Kabir Javier

Author:
Goode, Robin  Search this
Bottanelli, Matteo  Search this
Javier, Kabir  Search this
Physical description:
1 volume : chiefly illustrations ; 30 cm
Type:
Pictorial works
Place:
Africa
Date:
2010
Topic:
Soccer  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1059597

Around the world with the alphabet and Hendrik Willem van Loon : to teach little children their letters and at the same time give their papas and mamas something to think about

Author:
Van Loon, Hendrik Willem 1882-1944  Search this
Donor:
Ross, Marion DSI  Search this
Physical description:
[64] p. : col. ill. ; 17 x 25 cm
Type:
Juvenile literature
Pictorial works
Date:
1935
C1935
Topic:
Alphabet  Search this
Geography  Search this
Call number:
G133 .V26 1935
G133.V26 1935
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_397080

British butterflies : a history in books / David Dunbar

Author:
Dunbar, David MBE  Search this
British Library  Search this
Physical description:
176 pages : illustrations (some color), maps (some color) ; 25 cm
Type:
Pictorial works
Place:
Great Britain
Date:
2010
Topic:
Butterflies--Bibliography--History  Search this
Butterflies--History  Search this
Butterflies--Collection and preservation--History  Search this
Entomology--History  Search this
Natural history illustration--History  Search this
Entomologists  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1047611

Through the African American lens / Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts ; [foreword by Lonnie G. Bunch III ; introduction by Rhea L. Combs ; essay by Deborah Willis]

Writer of introduction:
Combs, Rhea L.  Search this
Writer of added commentary:
Willis, Deborah 1948-  Search this
Writer of foreword:
Bunch, Lonnie G.  Search this
Issuing body:
National Museum of African American History and Culture (U.S.)  Search this
Subject:
National Museum of African American History and Culture (U.S.) Photograph collections  Search this
Physical description:
80 pages : chiefly illustrations (some color) ; 18 cm
Type:
Pictorial works
Exhibitions
Exhibition catalogs
Date:
2014
Topic:
African Americans  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1057044

Children of the colonias project-- through our own lenses

Title:
Through our own lenses
Author:
Chahin, Jaime  Search this
Southwest Texas State University  Search this
Physical description:
51 p. : chiefly ill. ; 22 x 28 cm
Type:
Pictorial works
Place:
Texas
Date:
2000
[2000?]
Topic:
Mexican American youth--Social conditions  Search this
Urban poor  Search this
Call number:
E184.M5 C45 2000
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_738045

Cunhatãs e curumins : a criança indígena brasileira / W. Jesco von Puttkamer

Author:
Puttkamer, Wolf Jesco von 1919-1994  Search this
Physical description:
103 p. : chiefly ill. ; 21 x 24 cm
Type:
Pictorial works
Place:
Brazil
South America
Date:
1991
Topic:
Indian children  Search this
Call number:
F2520 .P88 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_729067

Modify Your Search







or


Narrow By