Photographs made and collected by Harris M. McLaughlin during his travels in the American southwest and other parts of North and South America, as well as Asia and Europe. Photographs made in Texas include images of the 1928 American Legion National Convention, the dirigible "Los Angeles" floating over San Antonio, the first train in Rio Grande City, cowboys and ranchers, missions, and city and scenic views. McLaughlin also took photographs at the Grand Canyon, Canyon del Muerto, Bryce Canyon, and Zion National Park, and collected Frashers Foto postcards with photographs of Apache and Navajo people, a Papago dwelling, a Pueblo potterymaker, and a Hopi Snake Dance. Photographs from Guatemala include images of villages and cities (including Antigua and Zacapa), as well as a harvest ceremony in Chichicastenango. McLaughlin also took photographs during a trip to Monterey, Mexico, which include images of towns and scenic views. Additional photographs depict flood damage in Aurora, Indiana; city views and scenery of Merida, Mexico; Chichen Itza; a banana plantation in Honduras; and wartime China and Europe.
Photographs of Cuba in 1898, probably not made by McLaughlin, include images of the USS Maine wreck, and funeral services for the sailors of the ship and residents of Havana. The collection also contains photographs of trees and a dwelling in Honduras made by H. E. Chapman in 1933, photographs of people and scenery in Sumatra made by J. H. Zimmermann, and commercial photographs of archeological collections at the Museo Nacional de Arqueologia, Historia y Etnografia in Mexico. There are also images of scenery and architecture in Japan, Panama and the Canal Zone, Puerto Rico, Dominican Republic, Belgium, England, and other places in Europe. Depicted individuals include Charles A. Lindbergh, as well as McLaughlin and his family.
Local Call Number(s):
NAA Photo Lot 2000-04
Location of Other Archival Materials:
Additional Frashers photographs held in National Anthropological Archives Photo Lot 59.
Restrictions:
Nitrate negatives are in cold storage and require advanced notice for viewing.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 2000-04, Harris M. McLaughlin photographs of the Americas and Asia, National Anthropological Archives, Smithsonian Institution
This collection contains 86 black-and-white negatives taken by Gregory Mason from 1916-1931. The images depict scenes of Belize, Guatemala, Colombia and Mexico, including Mexico City, Cozumel, Chichén Itzá and other sites in Quintana Roo. There are also video copies of Mason's original films shot in 1925-1928 in British Honduras, Guatemala and Mexico.
Scope and Contents:
The Gregory Mason collection contains negatives made from 1916 to 1931 by Mason. The 1916 negatives depict the streets in and suburbs of Mérida, Mexico, and of people bundling fibers on a nearby plantation. The negatives dating from 1922 were made in Chichén Itzá. In 1928, Mason made negatives in Belize, Guatemala, and Mexico. The Belize negatives depict Mayan antiquities, various street scenes, and native peoples gathering leaves and chicle, spinning fiber, and canoeing; the Quintana Roo, Mexico, negatives depict Isla Cozumel and other Mayan sites; and the Guatemala negatives Quiriguá. The 1931 negatives made in Colombia primarily depict individuals from the Kogi, Ika, and Wayuu culture groups. Mason made some of these negatives on behalf of the Museum of the American Indian, Heye Foundation.
Gregory Mason also shot films between 1925 and 1928 in British Honduras, Guatemala and Mexico. The original nitrate negatives of the films were sent to the Museum of the American Indian, Heye Foundation by Mason in the 1930s but were transfered to 1 inch videoreels in 1993.
Arrangement:
Arranged by negative number (N20447-N20532)
Biographical/Historical note:
Born in 1889, Gregory Mason was an American journalist with a keen interest in anthropology. Early in his career, he traveled widely as a reporter for the newspaper New York Evening Sun and the news magazine The Outlook. In 1926, he and Herbert Spinden led the Mason-Spinden expedition to explore Mayan ruins in Mexico. Funded in part by Museum of the American Indian, Heye Foundation, Mason led four additional expeditions to Central and South America. He wrote several books, including "Silver Cities of Yucatan" (1927), "Columbus Came Late" (1931), and "Remember the Maine" (1939). From 1941 to 1954, he was chairman of the Department of Journalism at New York University. Mason died in Greenwich, Connecticut, in 1968.
Provenance:
Historically, the Museum of the American Indian, Heye Foundation managed all photographic and related manuscript collections separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian.
Genre/Form:
Black-and-white negatives
Citation:
Gregory Mason negatives, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
16mm amateur film taken by Dr. Guy W. Leadbetter, Sr. in Mexico (Mayan ruins), Hopi and Penobscot dances and Mexico City.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Biographical / Historical:
Guy W. Leadbetter, Sr. was born in Bangor, Maine, graduated from Bowdoin College in 1916 and attended Johns Hopkins Medical School. He was an orthopedic surgeon in Washington, D.C. and a friend of Mayan archaeologist Sylvanus Morley. Leadbetter also gave lectures on astronomy for the National Park Service.
Provenance:
Received from Dr. Guy W. Leadbetter, Jr. in 2002.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
The collection consists of five (5) drawings of frescoes at Chichen Itza made by Adela C. Breton. Three frescoes are represented; two of the drawings are duplicates. The collection also contains a reprint of a conference paper by Breton.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Adela Catherine Breton (1849–1923) was an English archaeological artist. She made watercolor copies of the wall paintings of Mexican temples. Many of her drawings are the only remaining record of the temples' appearance in the early twentieth century. Breton first visited Chichen Itza in 1900, and spent the next several years drawing and painting at several Mayan sites.
Local Numbers:
NAA MS 7462
Variant Title:
Copies of frescoes at Chichen Itza
Related Materials:
The Department of Anthropology object collections holds artifacts donated by Adela C. Breton.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Works of art
Drawings
Watercolors
Citation:
MS 7462 Adele C. Breton drawings of frescoes at Chichen Itza, National Anthropological Archives, Smithsonian Institution
Photographs relating to or made during Setzler's archaeological work. Images depict surveys and excavations, artifacts and burials, archaeological crew members, and other individuals. They document work in Ohio (including the original Hopewell site on Paint Creek, Turner site, Newark site, High Bank Works, Tremper Mound, Seip Mound, Turner Group, Miamisburg Mound, Serpent Mound, and the Madisonville site), Wisconsin (including the Schwert group, Nicholls mound, and Trempealeau group), Louisiana (including the Marksville works and sites at Saline Point, Johnson place, and West Carroll, Madison, and Union parishes), Arkansas (including the Foster Place site). Some photographs portray the excavation of an Indian canoe on Cumberland Island in Georgia, and a body found in Mammoth Cave, Kentucky. Photographs of views in Georgia, North Carolina, South Carolina, and Florida relate to the work of the De Soto Commission. Photographs from the 1948 Arnhem Land Expedition largely relate to Yirrkala, Milingimbi, Oenpelli (Gunbalanya), and Groote Eylandt, and include travel scenes, dances, and the preparation of face masks and bark for drawing. Some lantern slides are associated with a lecture at the Smithsonian Institution, while others depict Latin American ruins and artifacts from Jalapa, Palenque, Uxmal, Chichén Ítza, Xochicalco, and Cuzco that once belonged to William Henry Holmes.
Setzler annotated many of the negative enclosures with image information. Photocopies of the enclosures are available in the collection, as well as one box of empty original enclosures. Also in the collection is an index card bibliography on Australia, and an index card catalog of individuals from Groote Eylandt.
Biographical/Historical note:
Frank Maryl Setzler (1902-1975) was an archaeologist with the United States National Museum who served as Head Curator in the Department of Anthropology from 1937 until his retirement in 1960. Setzler specialized in the archeology of the midwestern states, especially the Hopewell mounds, and was also interested in the southeastern states. During his career, he conducted fieldwork throughout the United States, and in 1948 was the deputy leader for the Australian-American Arnhem Land Expedition sponsored by the Smithsonian, the National Geographic Society, and the Australian government.
Local Call Number(s):
NAA Photo Lot 36
Location of Other Archival Materials:
The National Anthropological Archives holds the Frank Maryl Setzler papers.
Artifacts collected during the Arnhem Land expedition are held in the anthropology collections of the National Museum of Natural History in accession 178294.
The National Geographic Society holds motion picture film from the Arnhem Land Expedition.
The National Library of Australia Manuscript Collection holds some of Setzler's papers relating to the Arnhem Land Expedition (Frank Maryl Setzler - Records, 1948-1973, MS 5230).
Restrictions:
Original nitrate negatives are in special storage and require advance notice to view.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Lantern slides
Citation:
Photo Lot 36, Frank Maryl Setzler photographs, National Anthropological Archives, Smithsonian Institution
Much of the collection consists of photographs depicting structures at Uxmal and Chichen Itza. Also included are photographs of T. Dale Stewart and his family, excavations, and modern buildings. There are also lists of captions for a 1949 trip to Peru, though the photographs are not included in the collection.
Biographical/Historical note:
In 1947, Smithsonian physical anthropologist T. Dale Stewart began a program of cooperation with anthropologists of the Carnegie Institution of Washington and scientists in Guatemala. In part, the project was designed to promote relations between scientists of the Americas and was sponsored by the U.S. Department of State. Stewartʹs activities involved a study of the highland and lowland Mayans and the study of remains at highland archeological sites.
Local Call Number(s):
NAA Photo Lot 81-59
Location of Other Archival Materials:
Notes from Stewart's work in Mexico, Guatemala, and Peru can be found in the National Anthropological Archives in MS 7357.
The National Anthropological Archives holds Thomas Dale Stewart's papers.
The Department of Anthropology holds artifacts and specimens donated by Stewart.
The Smithsonian Institution Archives holds oral histories with Stewart (SIA RU009521).
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 81-59, Thomas Dale Stewart photographs of Mexico, Guatemala, and Peru, National Anthropological Archives, Smithsonian Institution
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
Photographs documenting archeological sites in Mexico, including Chichen Itza, Mitla, Palenque, Texcotzingo, Uxmal, Xochicalco, Quirigua, and Copan. Some of the prints were originally framed and captioned; these may have formed an exhibit or display, possibly in Holmesʹs office. Photographers include Allison V. Armour, Alfred Percival Maudsley, and E. H. Thompson.
Biographical/Historical note:
William Henry Holmes (1846-1933) was an artist, geologist, and archeologist who spent most of his career with the United States Geological Survey of the Territories, United States Geological Survey, Bureau of American Ethnology, and Department of Anthropology of the Smithsonian. From 1894-1897, he was the head of anthropology at the Field Columbian Museum (Field Museum of Natural History) and on the staff of the University of Chicago. During this time, he carried out investigations of ancient ruins in the Yucatan and other areas of Mesoamerica as a member of an expedition of Allison V. Armour. Many of the prints in this collection seem to relate to that expedition, and similar images were published in Holmesʹs reports in the Field Columbian Museum Anthropological Series, volume 1, number 1, 1895. Holmes served as head curator for the US National Museum Department of Anthropology from 1897-1902 and head of the BAE from 1902-1909.
Local Call Number(s):
NAA Photo Lot 73-44, NAA Photo Lot 66B, USNM ACC 89688
Location of Other Archival Materials:
Photo Lot 66B has been relocated and merged with Photo Lot 73-44. These photographs were also collected by William Henry Holmes and form part of this collection.
Correspondence by Holmes can be found throughout the National Anthropological Archives in MS 7206, the records of the Bureau of American Ethnology, and the records of the Department of Anthropology.
Manuscripts and notes by Holmes can be found throughout the National Anthropological Archives in MS 4698, MS 2125, MS 7112, and MS 7570.
The William Henry Holmes Papers, 1870-1931 (SIA RU007084), are held by the Smithsonian Institution Archives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 73-44, William Henry Holmes photograph collection relating to archeological sites in Mexico and Mesoamerica, National Anthropological Archives, Smithsonian Institution
Reports upon the present condition and future needs of the science of anthropology, presented by W.H.R. Rivers, A.E. Jenks, and S.G. Morley, at the request of the Carnegie institution of Washington
