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Guided Tour: “¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now”

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-09-22T16:06:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
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americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_4slZFDX4Deo

¡Printing the Revolution! Highlights Reel

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-03T20:28:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
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americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_H7B9s_-Od7M

“¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now" at SAAM

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-11-20T21:44:19.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
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americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_boRC36_NgKI

Pete Seeger Discusses Political Songs [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2010-04-22T16:10:16.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_FwBb058by5Y

¡Printing the Revolution! In Conversation with E. Carmen Ramos and Claudia Zapata

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-07-15T15:45:18.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_Nx3ip9k1VJQ

Smithsonian American Art Museum: Oree Originol, “Justice for Our Lives” Installation Time Lapse

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-05-25T18:20:03.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_HyxaRB0qETM

Murals of Aztlán Film Production Records

Creator:
Tartan, James, 1931-  Search this
Names:
Craft and Folk Art Museum  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Sound recordings
Motion pictures (visual works)
Date:
1981
Summary:
The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.
Scope and Contents:
The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.
Arrangement:
Collection arranged as 5 series.

Missing Title

Series 1: Exhibition and Production Notes, 1981 (8 folders; Box 1)

Series 2: Work Print and Soundtrack, 1981 (2.6 linear feet; Box 3, FC 1-30)

Series 3: Sound Recordings, 1981 (0.5 linear feet; Box 1-2)

Series 4: Voiceover Outtakes, 1981 (0.9 linear feet; FC 31-39)

Series 5: Trims and Outtakes, 1981 (0.9 linear feet; FC 40-48)
Biographical / Historical:
Murals of Aztlán is a documentary film produced by actor and filmmaker James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles held at the Craft and Folk Art Museum in Los Angeles, California in 1981. For the exhibition, artists Carlos Almaraz, Gronk, Judithe Hernandez, Willie Herron, Frank Romero, John Valadez and the East Los Streetscrapers (David Botello, Wayne Healy, George Yepes) painted portable murals in the gallery, which was open to the public during the installation of the work. The filmmaker and his crew interviewed the artists involved in the exhibition for the film, filmed the artists creating murals in the gallery, and also filmed the public viewing the artists working and the murals themselves.

James Tartan was born in 1931 and worked as a filmmaker, actor, and voiceover artist. In addition to Murals of Aztlán, Tartan created a documentary film about the 1974 Los Angeles County Museum of Art exhibition Los Four, and has been credited with training many Chicano filmmakers in the 1970s.
Separated Materials:
Additional production material from the documentary Murals of Aztlán, including a final print, is found in the James Tartan Film Collection, 1960-1985, held at the UCLA Chicano Research Center.
Provenance:
Donated by James Tartan, the filmmaker, in 1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Latino and Latin American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Street art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Chicano artists  Search this
Genre/Form:
Transcripts
Sound recordings
Motion pictures (visual works)
Citation:
Murals of Aztlán film production records, 1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tartjame
See more items in:
Murals of Aztlán Film Production Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991bf1938-9d52-43a4-84d1-44021f0daf63
EDAN-URL:
ead_collection:sova-aaa-tartjame

Tomás Ybarra-Frausto research material on Chicano art, 1965-2004

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Subject:
Garza, Carmen Lomas  Search this
Goldman, Shifra M.  Search this
Mesa-Bains, Amalia  Search this
Mexican Museum  Search this
Studio 24 (San Francisco, Calif.)  Search this
Royal Chicano Air Force  Search this
Type:
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Citation:
Tomás Ybarra-Frausto research material on Chicano art, 1965-2004. Archives of American Art, Smithsonian Institution.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5563
(DSI-AAA_SIRISBib)216281
AAA_collcode_ybartoma
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216281
Online Media:

Tomás Ybarra-Frausto research material on Chicano art

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

League of United Chicano Artists (LUCHA), Organization, Austin, Texas

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Museo del Barrio, Austin, Texas; Rodrigues, Pedro; Box 30)
Container:
Box 16, Folder 15
Type:
Archival materials
Date:
1978-1990, undated
Scope and Contents note:
(catalog; exhibition announcements; clippings; note to TYF from Juan Pablo, 11/19/1982; flyers; Enlucha newsletter: Summer 1982, Fall 1982; illustrated poem, "Will Not Harm the Ozone" by Angela de Hoyos, illustration by Ramón Vásquez y Sánchez)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d1d58e7d-2544-46c9-9567-be307c91ffc5
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1036

Macías, Susan,

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 16, Folder 18
Type:
Archival materials
Date:
1989
Scope and Contents note:
(undergradute thesis, "Chicano Artists of the Pacific Northwest"; letter to TYF from Macías, 07/21/1989)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973506236-2f24-46f2-aa9a-58550f5363f9
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1042

General

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Barrio, Raymond)
Container:
Box 17, Folder 3
Type:
Archival materials
Date:
1972-1996
Scope and Contents note:
(clippings; TYF's notes on Mexican art and artists, periods, genres, and a sketch of Chipingo; lecture announcement; photocopy of slides; catalog; book by Raymond Barrio, Mexico's Art and Chicano Artists, Ventura Press, Sunnyvale, California, 1975)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files / Mexican Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b6a89be2-b072-483b-8a2b-d9211cbd9cbb
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1092

New Directions in Chicano Art, Exhibition, Sponsored by the League of United Chicano Artists, Austin, Texas

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: LUCHA)
Container:
Box 21, Folder 14
Type:
Archival materials
Date:
1982, undated
Scope and Contents note:
(flyers; exhibition booklet; Spring 1982 class schedule)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fe87b3c6-88dc-4c7b-8694-7d703b57b92e
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1260

Avalos, David - San Diego

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 2, Folder 24
Type:
Archival materials
Date:
1983 - circa 2000
Scope and Contents note:
(resume; installation slides, undated; juried exhibition catalog; exhibition announcement, with handwritten statement; exhibition announcements; newsletter: Grand Rapids Art Museum, May-June/July 1986; certificate of ownership, drawn and signed by Avalos; Museum Perspectives, San José Museum of Art, July/Aug 1986; docent notes on "Crossing Borders/Chicano Artists"; catalog; resume; handwritten article by Avalos: "The Donkey Cart Caper: Some Thoughts On Socially Conscious Art In Anti-Social Public Space," circa 1986; other documentation of "Donkey Cart Caper", including photocopies of the memo from Judge, letter from the building manager to Avalos, original permit, ACLU suit, clippings, exhibition announcements)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914592bdb-6039-40c9-8421-2b7d18f8f114
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref148

Oversize Posters & Illustrated Poem from League of United Chicano Artists (LUCHA)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 30
Type:
Archival materials
Date:
1979, 1981, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a7e1c2d-07ff-4459-b0a1-4197ea0d5dc4
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1831

Casas, Mel

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 5, Folder 28
Type:
Archival materials
Date:
1965-1989, undated
Scope and Contents note:
(catalogs; exhibition announcements; clippings; artist biography; photocopy of "Art of the Southwest...Art on the Border" [booklet?])
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950a9cdb9-528d-4fd8-af13-d3e4ffb897a7
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref345
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Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 8, Folder 33
Type:
Archival materials
Date:
1971-2000, undated
Scope and Contents note:
(letter to Dr. Guy Bensusan, Associate Professor, University of Arizona, 07/22/1972; Con Safo organizational information: list of needs, meeting notes, mission statement - Brown Paper Report; "General Comments" [by Felipe Reyes?]; clippings; exhibition announcements; catalogs; photographs of Con Safo members; material for TYF's course on Chicano Culture)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94a9f4892-fea3-4b62-8121-7c311caea4da
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref550
10 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 1
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 2
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 3
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 4
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 5
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 6
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 7
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 8
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 9
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 10

Four Chicano Artists (Los Four), Exhibition, Associated Students, California State College at Los Angeles

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(exhibition announcement)
Container:
Box 10, Folder 20
Type:
Archival materials
Date:
1970
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd3d77da-9692-4a44-81da-499967a76dca
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref712

Chicano Art

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 1, Folder 46
Type:
Archival materials
Date:
1965-circa 1990s, undated
Scope and Contents note:
(Hispanic Research Center, Arizona State University brochure; organization information sheets for: the United Chicano Artists, the Mechicano Art Center, the Goaz Art Gallery, the Centro Joaquin Murietta de Aztlan, and the Mexican American Center for Creative Arts; clippings; TYF's note on Arizon Chicano art materials)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files / Arizona
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dbef13a2-82d6-48f9-b117-67bda8d9c6b1
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref77

Murals of Aztlán Film Production Records, 1981

Creator:
Tartan, James  Search this
Subject:
Craft and Folk Art Museum  Search this
Type:
Transcripts
Sound recordings
Motion pictures (visual works)
Citation:
Murals of Aztlán Film Production Records, 1981. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Street art  Search this
Mexican American art  Search this
Mexican American artists  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13501
(DSI-AAA_SIRISBib)211809
AAA_collcode_tartjame
Theme:
Latino and Latin American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211809

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