The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Haultcoeur, Phillip (Hippolyte Arthur), 1908-1967 (Chef) Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Color slides
Correspondence
Menus
Newsclippings
Date:
1932-1967
Summary:
Collection documents the NBC television show "Home" (1954-1957) particularly, the activities of on-air chef Phillip Haultcoeur.
Content Description:
The collection consists of correspondence, recipes, menus, photographs, news clippings, and program notes relating to the NBC television show "Home" (1954-1957) and, particularly, to the activities of on-air chef Phillip Haultcoeur.
Arrangement:
The collection is arranged into three series.
Series 1: Personal Materials, 1932-1967
Series 2: "Home" (NBC TV) Program, 1954-1957
Seroies 3: Photographs and Slides, 1950s-1960s
Biographical / Historical:
Hippolyte Arthur Phillip Haultcouer, was born on May 3, 1908 in London, England. He came to the United States in 1929 aboard the SS President Roosevelt and opened the kitchen at New York City's Savoy-Plaza Hotel, which operated from 1927-1965. He was familiarly known as "Chef Phillip." He became a United States citizen on July 24, 1940. From March 1942 to November 1945, Haultcouer served as a Tec-5 in the United States Army. In October 1948 he married Margaret M. Mulcahy (1926-1981) in Manhattan and the couple had two children, Phillip (b. 1949) and Douglas (b. 1951).
In 1953 Haultcouer founded the culinary arts program at the State University of New York at the New York City Community College to train chefs. Haultcouer also appeared on the "Home" television program of the National Broadcasting Company with Arlene Francis and Hugh Downs from 1954 to 1957.
Sources
"Chef Phillip of the Voisin Dead; Set Up State Culinary Program," New York Times, February 15, 1967, page 40.
Gould, Jack. "Television in Review: 'Home' Daytime Show for Women on N.B.C., Starts Ambitiously," New York Times March 5, 1954, page 26
The National Archives at Philadelphia; Philadelphia, Pennsylvania; NAI Title: Declarations of Intention for Citizenship, 1/19/1842 - 10/29/1959; NAI Number: 4713410; Record Group Title: Records of District Courts of the United States, 1685-2009; Record Group Number: 21
National Archives at College Park; College Park, Maryland, USA; Electronic Army Serial Number Merged File, 1938-1946; NAID: 1263923; Record Group Title: Records of the National Archives and Records Administration, 1789-circa 2007; Record Group: 64; Box Number: 04882; Reel: 152
New York City Municipal-Archives; New York, New York; Borough: Manhattan; Volume Number: 46
Provenance:
Collection donated by Phillip A. Haultcoeur (son of chef Phillip Haultcoeur) in 2020.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A sample book containing laminated pages illustrating "Jane Parker" made to order cakes, baked by in-store pastry chefs for the Great Atlantic and Pacific Tea Company (A&P) grocery chain. "Jane Parker" was the house brand of A&P.
Scope and Contents:
This collection consists of one copy of the Jane Parker Special Occasion Cakes sample book. It was produced for the 1947 advertising and bake shop campaign for the A&P chain of grocery stores. The book was created by Litho-Krome of Columbus, Georgia. Pages are loose with each page consisting of a plastic laminated color lithograph of the specialty cake, specifications with regard to size and number of servings, and a listing of choices, or options, pertaining to that particular cake. The cakes and their decorations and uses all speak to a specific time in American society following World War II when the country's emphasis was returning to the home, marriage, and child rearing.
Arrangement:
1 series.
Biographical / Historical:
Jane Parker was one of the in-house store brand names created by The Great Atlantic and Pacific Tea Company (A&P) grocery chain. A&P was the first grocery chain and the credited inventor of the "supermarket". Within each store there was a full service bakery supplying fresh baked goods, breads, specialty cakes and cookies to the buying public. The goal was "one stop" food shopping and maximizing customer purchases by providing under one roof a variety of goods usually found in small specialty shops.
To advertise their specialty cakes, A& P employed leading food photographers to photograph their cakes; these photographs were lithographed by the Litho-Krome Company and combined into a promotional book for distribution among the Jane Parker bake shops. J. Tom Morgan, Jr., founder and president of Litho-Krome Company, Columbus, Georgia, writes about the development of this particular book,
"We were proud; we were confident; we were beginning to gain a well-earned reputation for quality. No longer would we wince when we remembered, "You will never, not ever, do fine color lithography in the South. NEVER!"
The Great Atlantic and Pacific Tea Company (A&P) grocery chain had become our first New York account in 1946. We produced for them color reproductions for aisle end cards and color brochures regularly each month.
In 1947 Hi Williams, one of the leading food photographers in New York City, had received a tremendously large order from A&P, which planned to open a Jane Parker bake shop section in a select group of its many stores all over the nation. As part of its campaign for these bake shops, A&P planned to focus on their bake shop's ability to prepare special occasion cakes - cakes for weddings, for births, for anniversaries, for almost any special occasion. A Jane Parker special occasion cake book in full color was part of that campaign, and Litho-Krome was chosen by A&P's advertising agency, Paris and Peart, to lithograph the book. Paris and Peart account executives were Ray Largo and Remus Harris.
For the special campaign a sample cake for each of approximately fifty different special occasions was prepared, and each cake was photographed separately. Several different photographers did the photographic work. I had the opportunity to meet and work with several of the great color photography pioneers and experts: men like George Greb, Nickolas Muray, Charles Thill, and Leon DeVos. Each of these photographers became acquainted with Litho-Krome and were later responsible for sending work to our company. Litho-Krome could do justice to their beautiful color pictures, and they liked that." AC NMAH Control File
Related Materials:
#60 Warshaw Collection of Business Americana (Baking).
#396 Product Cook Book Collection
#690 Pillsbury Company Bake-Off Collection
Provenance:
More than likely collected for the Advertising History Collection of the National Museum of American History in the 1960s by Dr. John Hoffman.
Found in collections. ACNMAH 720.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The Miu Eng Eastern Wind Collection, which dates from 1973-1983 and measures 2.1 linear feet, speaks to Ms. Eng's role as an activist and artist in Washington D.C.'s early Asian American movement. The collection includes newsletters, photographs, and booklets documenting Ms. Eng's activities with Eastern Wind, a pan-Asian American youth organization formed in 1973 that sought to document and address Asian American issues in the D.C. area. The collection also includes posters designed by Ms. Eng for several D.C. Asian American community programs of the late 1970s and early 1980s.
Scope and Contents:
Biographical files contain a 1977 award presented to Eng for her work on a large-scale mural entitled "Chinese in America: Past, Present, and Future" that was mounted at the corner of 7th and H Streets NW in Washington, DC.
Newsletters include four newsletters published by Eastern Wind, described as "the Asian American community newsletter of Washington, D.C." Highlights from the newsletters include updates on the status of Asian American Studies at University of Maryland, a history of D.C. Chinatown, and essay series on Asian Americans in the Women's Movement and the history of Asian American ethnic groups in Washington D.C. A separate booklet, "Washington, D.C.'s Chinese Community," was published in 1975 by Eastern Wind and contains archival and oral history research conducted as part of Eastern Wind's Chinatown History Project.
Photographs include three reproduced black-and-white photographs taken by Harry Chow depicting various stages of Eastern Wind's 1976 Chinatown mural project, and a 28:32 DVD slide show containing photographs taken by Chow, including daily scenes of D.C. Chinatown, the 1973 Chinese American Summer Festival, the design and production of the Chinatown mural, and covers of Eastern Wind's newsletter from 1973-1974.
Posters include posters designed by Miu Eng for D.C. Asian Pacific American Heritage Week, 1981-1983, as well as a 1979 poster Eng designed for WPFW-FM's radio show, "Gold Mountain."
Arrangement:
Miu Eng Eastern Wing Collection is arranged in 4 series.
Series 1: Biographical Files
Series 2: Newsletters
Series 3: Photographs
Series 4: Posters
Biographical / Historical:
Miu Eng (1955-present) is a Chinese American designer whose work helped document Asian American community activism in the Washington, D.C. area in the 1970s and 1980s. Born in 1955 in Hong Kong, Eng's family immigrated to the United States when Eng was 11 years old. They settled in Washington, D.C.'s Chinatown on New York Avenue NW, where her grandfather had been working as a restaurant chef.
While in high school, Eng became involved in Eastern Wind, a pioneering group of Asian American college students who had come together in August of 1973 with the goal of addressing and raising awareness about Asian American issues in the D.C. area. The group, part of a national movement of growing pan-Asian American political awareness, published a newsletter (also called Eastern Wind) through the mid-1970s, for which Eng designed covers and provided illustrations. With funding from the DC Bicentennial Commission and sponsorship by the Chinese Consolidated Benevolent Association, Eastern Wind designed and mounted a 32-foot wide mural celebrating the past, present, and future of Chinese America. Eng served as a key designer, sketching and orchestrating the painting of the mural, which would be installed on the exterior of the Jade Palace Restaurant on H Street and 7th Streets NW.
After graduating from George Washington University with a B.A. in graphic design and economics, Eng continued to provide design work for various local Asian-American community efforts, including designing posters for the WPFW Asian American radio show "Gold Mountain," D.C. and for the city's observance of Asian Pacific American Heritage Week.
Provenance:
Donated by Miu Eng in 2017.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
The collection documents the recipients of the Julia Child Award which is given to an individual (or team) who has made a profound and significant difference in the way America cooks, eats and drinks.
Arrangement:
The collection is arranged in one series by name of award recipient.
Historical:
Created by The Julia Child Foundation for Gastronomy and the Culinary Arts in 2015, the Julia Child Award is given to an individual (or team!) who has made a profound and significant difference in the way America cooks, eats and drinks.
The Foundation presents the annual award in association with the Smithsonian's National Museum of American History at a gala event held each fall in Washington, D.C.
Each year, the recipient receives a uniquely designed award engraved with his/her name and year of honor. In addition, the Foundation makes a $50,000 grant to the food-related non-profit of the recipient's choosing.
Source
The Julia Child Foundation for Gastronomy and the Culinary Arts (https://juliachildaward.com/award/ last accessed on April 7, 2021)
Provenance:
The collection was donated to the Archives Center in 2015 by Jacques Pépin.
Restrictions:
Collection is open for research.
Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Some materials reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Employment forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of bills/receipts, scattered correspondence on letterhead stationery, printed advertisements, business cards, applicant cards, personal reports, job applications, certificates, fee scales, circulars and pamphlets from businesses offering employment services. Most of the companies are employment agencies. There are also ladies guide and chaperon bureaus, married couples placement services, foreign teachers agencies, student career programs and ticket agencies offering trips to and from Europe.
The employment agencies supplied employers with help for all kinds of occupations including machine workers, stenographers, bookkeepers, cashiers, chefs, cooks, waiters, chambermaids, coachmen, seamstresses, elevator men, iron workers, office boys, shipping clerks, collectors, salesmen, painters, porters and farm-hands. A few of the agencies specialized in just female or student workers. Most tended to be a general employment service and often advertised reliable help in the shortest time possible.
There are a number of publications among these materials including career guides, pamphlets published by the U. S. Department of Labor and some general pamphlets relating to employment. The career guides cover topics such as opportunities for service men in the retail trade, careers for men and women in security and suggestions for students entering the work force.
Pamphlets published by the Women's Bureau of the U. S. Department of Labor examines a number of female workers' concerns. Such labor issues include abolishing discrimination against married women, changes in female occupations during war, old age insurance for household workers, the future of women workers, suggestions for women in professional occupations and differentials in pay for women.
Included among the general publications are three copies of the periodical "Employer and Employed," published quarterly by the Association for the Promotion of Profit Sharing in Boston, Massachusetts. There also are materials which discuss social security.
The bulk of the material is late nineteenth and early twentieth century. Materials are organized by type. Folders one through five contain information from employment agencies. Folders six through ten include general materials relating to employment and folders eleven through seventeen are publications.
For more material on labor issues see the subject category "labor" in the vertical document boxes.
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.
Missing Title
Series 1: Business Ephemera
Series 2: Other Collection Divisions
Series 3: Isadore Warshaw Personal Papers
Series 4: Photographic Reference Material
Provenance:
Employment is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana Subject Categories: Employment, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
