Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Annamae Barlup Myers & Stephen Harriman Diaries, 1883-1894, Archives Center, National Museum of American History.
The cheerleaders--Fixin' to die rag--Autumn is an illusion--Hard is the ortune--The walk--Imagine--The longest war--The bombing song
Local Numbers:
FW-ASCH-10RR-2901
General:
;REEL 2;SIDE B;PRODUCTION NOTES AND SONG LIST ON BOX;11 SONGS;JOB L4411B- CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Cheerleaders meet, Bucks-Bulls National Basketball Association exhibition game, La Crosse, Wisconsin
Collection Donor:
Marcou, David Joseph, 1950- (Photographer) Search this
Container:
Box 2, Item 18
Type:
Archival materials
Date:
2007-10 - 2007-10
Scope and Contents:
[Six cheerleaders in costume.] Color, 25.5 x 23.3 cm. (10-1/16"' x 9 ¼").
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
David J. Marcou retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
David J. Marcou Photoprints, circa 1980-1981, 2002-2008 Archives Center, National Museum of American History. Gift of the artist.
National Museum of African American History and Culture (U.S.) Search this
Extent:
1 Video recording
Type:
Archival materials
Video recordings
Place:
U. S. Capitol
Atlantic City (N.J.)
Roanoke (Va.)
Date:
1965-1966
Footage description provided by Wilhelmina Leigh:
Scenes were filmed, 1965-1966 – 30:30 minutes … –
1. … in Washington, DC, of sightseeing (National Zoo, U.S. Capitol, U.S. Supreme Court building, and one of the Library of Congress buildings) and of the North American Blizzard of 1966;
2. … in Atlantic City;
3. … in Roanoke, VA, visiting relatives;
4. … in Boston, MA, as tourists and visiting relatives;
5. … of a meal in Leigh family house at 4215 Third Street, NW, Washington, DC;
6. … of Hampton Institute buildings and football game, Hampton, VA;
7. … of 1966 graduation at McKinley Technical High School, Washington, DC;
8. … of Cornell University buildings and scenery; and
9. … of visitors at 4215 Third Street NW, Washington, DC.
00:00 – 02:07 minutes
Frederick M. Leigh filmed scenes of a visit to the National Zoo in Washington, DC. Scenes feature Frederick M. Leigh, Velma D. Leigh, Jacqueline Leigh, and Wilhelmina Leigh, as well as animals in the National Zoo.
02:07 – 03:43 minutes
Velma D. Leigh, Jacqueline Leigh, and Wilhelmina Leigh sightsee near the U.S. Capitol, the U.S. Supreme Court building, and one of the Library of Congress buildings.
03:43 – 07:32 minutes Frederick M. Leigh shovels snow in the front and the back of the Leigh family house at 4215 Third Street, NW, Washington, DC. This snow fell as a result of the North American Blizzard of 1966, which dumped 12 inches atop 4 inches already on the ground in DC from a previous storm. Wilhelmina Leigh (in coat and scarf) comes up the stairs that Frederick M. Leigh is shoveling in the front of the house.
07:33 – 8:02 minutes Footage of buildings cannot be identified.
08:02 – 11:08 minutes Frederick M. Leigh, Velma D. Leigh, Jacqueline Leigh, and Wilhelmina Leigh were filmed in various settings in Atlantic City, NJ, and in other locales that cannot be identified.
11:08 – 14:43 minutes Scenes were filmed in Roanoke, VA, where Frederick M. and Velma D. Leigh were visiting relatives and friends – including Mrs. Elizabeth Fishburn, her daughter Susie Mae Holland, Alphonso Holland, Effie Dunnaville (mother of Velma Dunnaville Leigh), and other individuals who cannot be identified. Additional scenes feature Jacqueline Leigh and Wilhelmina Leigh playing with their second cousins, the Lewis children – Chrystella, Adrian, Gary, and Rodney.
14:43 – 17:45 minutes Frederick M. Leigh, Velma D. Leigh, Jacqueline Leigh, and Wilhelmina Leigh ("the Leigh family") were in Boston, MA, as tourists – riding the swan boats, and visiting the Soldiers and Sailors Monument on the Boston Common dedicated to the memory of Massachusetts soldiers who died in the American Civil War. Construction of the monument began in 1874, and it was dedicated on September 17, 1877. The base of the monument bears the following inscription:
TO THE MEN OF BOSTON
WHO DIED FOR THEIR COUNTRY
ON LAND AND SEA IN THE WAR
WHICH KEPT THE UNION WHOLE
DESTROYED SLAVERY
AND MAINTAINED THE CONSTITUTION
THE GRATEFUL CITY
HAS BUILT THIS MONUMENT
THAT THEIR EXAMPLE MAY SPEAK
TO COMING GENERATIONS
The "Leigh family" also visited relatives in Boston, MA. They visited the service station (Lay and Hicks Flying A Station, 428 Warren Street, Roxbury, MA), then operated by James Edward Lay, brother of Frederick M. Leigh. Lay/Leigh family scenes were captured in the living room of the Lay family house at 13 Maywood Street, Roxbury, MA 02119. This footage includes John and Oelia Wood Lay; the Leigh family; James Edward Lay (brother of Frederick M. Leigh) and his wife Lillian Lay and son James Edward Lay Jr.; and LeRoi Ambers (nephew of Frederick M. Leigh and of James Edward Lay) with Carol Tabor, the girlfriend of LeRoi. (NB: John and Oelia Wood Lay were the: parents of Frederick M. Leigh and James Edward Lay, the in-laws of Velma D. Leigh, and the grandparents of Jacqueline and Wilhelmina Leigh.)
17:46 – 18:56 minutes Wilhelmina Leigh and Jacqueline Leigh posed in front of the Brunswick Inn, a Steak Pub and Manor House. I am unsure when and where this footage was taken. An "Honors House" at some college or university appears in one scene. My guess is that these scenes were taken during a college visit tour on which the Leigh family went prior to the high school graduation of Wilhelmina Leigh.
18:56 – 20:20 minutes Dinner meal at the Leigh family house at 4215 Third Street NW, Washington, DC, with: Charles Jones (boyfriend of Jacqueline Leigh), Jacqueline Leigh, Effie Dunnaville (mother of Velma D. Leigh), Frederick M. Leigh, Velma D. Leigh, and Wilhelmina Leigh (who stuck her tongue out at one point during the segment).
20:20 – 21:42 minutes Velma D. Leigh, Jacqueline Leigh and Wilhelmina Leigh posed in front of buildings at Hampton Institute (Hampton, VA), during a visit to the school when Jacqueline Leigh was a sophomore. Blank tape is interspersed with footage of Velma, Jacqueline, and Wilhelmina at Hampton.
21:42 – 23:00 minutes Scenes of a football game at Hampton Institute (Hampton, VA) were filmed. Although Hampton (white uniforms with blue helmets) is one of the teams playing, I am unable to identify their opponent. Maroon and orange (the colors worn by Hampton's opponent in this game) are the colors of Claflin University (Orangeburg, SC). However, this school's football team played its last game on November 21, 1964. (http://thetandd.com/news/panther-football-from-the-ashes-of-a-sports-program-claflin/article_5269aaa3-051d-5ed9-a6ba-638d888674c1.html) It is possible that Claflin played Hampton in 1965, but I have no way of knowing. During the half-time of this game, the Hampton Institute band (in blue uniforms with a touch of white) and cheerleaders and/or majorettes performed, and there were speakers.
23:04 – 23:12 seconds On Christmas day, Velma D. Leigh and Wilhelmina Leigh posed near the tree in the living room at the Leigh family house at 4215 Third Street, NW, Washington, DC.
23:12 – 23:40 minutes Footage taken outside McKinley Technical High School, Washington, DC, at the 1966 graduation of Wilhelmina Leigh (in white cap and gown) includes: 1. Wilhelmina Leigh walking with mother (Velma D. Leigh) and sister (Jacqueline Leigh) 2. Rita Smith (another McKinley '66 graduate) speaking to Wilhelmina Leigh 3. Frederick M. Leigh walking with daughter Wilhelmina Leigh
23:40 – 24:39 minutes John and Oelia Wood Lay walk beside their house at 13 Maywood Street, Roxbury, MA 02119, and then sit on the front steps of the house, where they are joined by Velma D. Leigh and daughter Jacqueline Leigh.
24:40 – 30:00 Frederick M. Leigh exits the Howard Johnson Motor Lodge near Cornell University and checks on his car. Velma D. Leigh, Jacqueline Leigh and Wilhelmina Leigh appear in scenes taken in and around Cornell University. One scene includes Mary Donlon Hall, the dormitory in which Wilhelmina Leigh lived during her freshman year (1966-1967) at the university. Other campus buildings in the footage include Helen Newman Gymnasium, Balch Hall, Baker Laboratory, Clara Dickson Hall, and the chapel. Jacqueline and Wilhelmina Leigh pose near Cayuga Lake. The duo also poses with their mother in front of the statue of Ezra Cornell. Several unidentified buildings at the university appear in the footage, as well.
30:00 – 30:30 minutes Velma D. Leigh, Theresa Smith (a friend of Frederick M. and Velma D. Leigh), and an unidentified man (who accompanied Ms. Smith on her visit to the Leighs) are filmed while leaving the Leigh family house at 4215 Third Street, NW, Washington, DC.
Collection Restrictions:
Collection is available online for open research.
Collection Rights:
The Great Migration Home Movie Study Collection is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution.
Copyright for all works are retained by the creators of the original analog materials.
The contents of the Great Migration Home Movie Project are made available to the public for the purposes of education and scholarly research. The home movies digitized through the project are not available for commercial licensing. Educational and scholarly use may be considered on an individual basis.
Collection of the Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts. Supported by the Center for the Digitization and Curation of African American History.
Sponsor:
This project receives support from the Earl W. and Amanda Stafford Center for African American Media Arts and from the Center for the Digitization and Curation of African American History at the National Museum of African American History and Culture Museum, Smithsonian Institution.
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Norma Merrick Sklarek Archival Collection, 1944-2008. National Museum of African American History and Culture, Smithsonian Institution.
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Norma Merrick Sklarek Archival Collection, 1944-2008. National Museum of African American History and Culture, Smithsonian Institution.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270
Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.
Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)
Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
Sponsor:
The enormous task of rehousing and processing this collection was enabled by a generous grant from the Smithsonian Research Resources Program in 1997, which made possible the purchase of large quantities of extremely specialized supplies.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270
Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.
Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)
Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
Sponsor:
The enormous task of rehousing and processing this collection was enabled by a generous grant from the Smithsonian Research Resources Program in 1997, which made possible the purchase of large quantities of extremely specialized supplies.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270
Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.
Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)
Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
Sponsor:
The enormous task of rehousing and processing this collection was enabled by a generous grant from the Smithsonian Research Resources Program in 1997, which made possible the purchase of large quantities of extremely specialized supplies.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270
Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.
Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)
Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
Sponsor:
The enormous task of rehousing and processing this collection was enabled by a generous grant from the Smithsonian Research Resources Program in 1997, which made possible the purchase of large quantities of extremely specialized supplies.
49 Photographic prints (Silver gelatin on paper, 16 x 20)
Type:
Collection descriptions
Archival materials
Photographic prints
Portfolios (groups of works)
Photographs
Place:
Massachusetts
Marblehead (Mass.)
Date:
2000
Summary:
These photographs depict various scenes in Marblehead, Massachusetts, as photographed in the year 1999, including views of the town and its environs, commerce, and activities of people, especially families. The photographs are part of a self-assigned project, through which Stuart Cohen intended to survey the state of the town as it prepared to greet the new millennium.
Scope and Contents:
Photographs depict various aspects of activities in Marblehead, Massachusetts, in the year 2000, including views of the town and its structure, architecture, and environs, as well as activities of people, especially families. There is also emphasis on the commerce of the town. Subjects include high school cheerleaders, children sledding, an amusement park, an arts festival, firemen with a hand pumper, a costume parade, Santa Claus and Christmas rituals, a fitness center, an outdoor wedding, school classrooms, a frame house under construction, sailmaking, a farmers' market, stores, restaurants, a bar, fishing, a library, etc. Prints captioned and signed, with additional information on verso.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Stuart Cohen initiated this project to document Marblehead, Massachusetts, at the turn of the new millennium.
Provenance:
Collection donated by Stuart Cohen.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Reproduction restricted due to copyright. Contact photographer for reproduction.
Fourteen color photographic prints by Christina Patoski, depicting front-lawn and front-porch holiday displays (primarily Christmas) in various U.S. cities.
Scope and Contents:
The fourteen photographs in this group are Cibachrome prints from 35mm. Kodachrome slides, documenting front-lawn and front-porch holiday displays (primarily Christmas) in various U.S. cities, including a variety of economic, ethnic, and regional groups, architectural genres, and decorating styles, documenting a "unique seasonal custom found only in America." Several images suggest attempts to broaden the cultural/religious basis of the celebration, combining Jewish traditions with the Christmas decorating tradition. Cities documented are Denver, Fort Worth, Minneapolis, Sun Valley (Idaho), Manhattan and Brooklyn, N.Y., Corpus Christi, Dallas, Ft. Lauderdale, New Orleans, and Santa Fe.
The Cibachrome prints are horizontal on 16" x 20" paper, with 22" x 28" mats, except for "Holiday Spectacular," which was used on an introductory panel in ta national Museum of American History exhibition, without a mat.
Arrangement:
Collection is unarranged.
Biographical / Historical:
Photographer, documentary producer, and journalist, Christina Patoski began photographing front-lawn and front-porch Christmas displays in 1973, in Fort Worth, Texas, beginning with a house on Diaz Street in the Como neighborhood. She called the photograph "Red Extravaganza," and it inspired her to photograph other houses. Driving up and down Fort Worth Streets at Christmastime with her saxophonist husband Johnny Reno, she worked exclusively at night. Concentrating at first on the most elaborate displays, she later sought simpler, more personal decorations, and became more discriminating. She repeated in many areas of the country as part of an ongoing project spread over many years. She is interested in documenting "unusual" elements of popular culture within a variety of topical fields.
She told the Fort Worth Star-Telegram, "I've seen so much, that for me to stop and take a photo now, it has to be something special… I've noticed, though, that there are a lot of houses decorated this year. And to me, that indicates a sense of optimism… when people decorate, there's a sense of good feeling."
Her photographic technique is simple, employing two fifteen-year-old 35mm cameras and low-speed Kodachrome film, using commercial processing. She has been photographing since she was a child, when her father encouraged her. Graduating from the University of Minnesota School of Journalism, she spent several years in Minneapolis as a dancer, choreographer, and television editor. She returned to Fort Worth in 1976 to work in television news, but since 1979 has been a free-lance writer, radio reporter (contributing to National Public Radio's "All Things Considered), and a producer and writer.
She is interested in documenting unusual elements of popular culture (what she calls "weirdness"), such as her Texas Monthly story, illustrated with her portraits, on Texas women with "big" hair. She maintains files on longhorn steer, pyromaniacs, tornadoes, and cheerleading, and considers herself a "Margaret Mead of popular culture."
Sources
Jackie Koszczuk and Janet Tyson, "A Sense of the festive: Photographer captures home-grown Christmas Art," Fort Worth Star-Telegram, Section E, December 25, 1993, pp. 1, 4.
Provenance:
Collection donated by Christina Patoski, December 14, 1994.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Christina Patoski retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Christianity and other religions -- Judaism -- Holiday decorations -- 1970-2000 Search this
[Photograph title], Christina Patoski Holiday Photoprints, 1973-1992, Archives Center, National Museum of American History. Copyright Christina Patoski. Gift of the artist.
The television news program - Seven Thirty Live: Around Town - explores Anacostia. The program begins with a brief history of Anacostia, coverage of Anacostia Story exhibition at the Anacostia Neighborhood Museum, and explanation of current resources and social conditions in Anacostia. Mrs. Ella Pearis talks about six generations of her family growing up in Anacostia and how the community of Anacostia has changed. Lawrence Bland, president of the Anacostia Economic Development Corporation (AEDC), and Ernest Darling, a neighborhood commissioner, speak about housing conditions in Anacostia and the work of AEDC. The program also includes a cheerlanding performance by students from Savoy Recreation Center and Savoy School; and musical performance by Experience Unlimited.
Television news program. Program begins at 000102. Part of Broadcast Programs. Dated 19770512.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Include images documenting football games, cheerleaders, track races, and other social activities used in the yearbook. In addition, there are photographs of Robert (Bob) Wobbrock. The materials are arranged by subject.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Do not use original materials when reference copies are available. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Bob Wobbrock Gardena High School Papers, Archives Center, National Museum of American History
