Robinson, Franklin A., Jr., 1959- (actor) Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Illustrated sheet music, "Grand Secession March" with the inscription "Composed for & dedicated to the / Charleston Delegation / Caulfield." Color cover illustration: Palmetto tree and a red star with the sea in background. Lith. by A. Hoen & Co., Baltimore. With stamp of Henry McCaffrey, Music Dealer, 9 N. Charles St., Baltimore, Md.
Local Numbers:
AC0300-0000947 (AC Scan No.; illustrated cover)
General:
In Box 32, Folder 2.2A.
Civil War Selections from the Archives Center
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Engraving entitled "The War Begun. The Fall of Sumter" by Illman Brothers from drawing by C. Schuessele. Published by J.B. Lippincott & Co. The fort, with rockets in the air and a U.S. flag, is shown under siege, with a female figure above, covering her eyes.
Local Numbers:
AC0060-0001306 (AC Scan No.)
General:
In Box 4, Folder 25.
Civil War Selections from the Archives Center
Related Materials:
Civil War series, Warshaw Collection of Business Americana
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Collection building in ichthyology and herpetology in the 18th, 19th and 20th centuries : 5th North American Meeting of the Society for the History of Natural History, 18-19 June, 1990, Charleston, South Carolina
Author:
Society for the History of Natural History North American Meeting (5th : 1990 : Charleston, S.C.) Search this
Scrapbooks containing newspaper clippings and other printed material relating to Solomon R. Guggenheim and his collection of non-objective art. Topics include: the exhibitions of the collection at the Gibbes Art Gallery, Charleston, S.C., 1936 and 1938, Philadelphia Art Alliance, 1937, and the Baltimore Museum of Art, 1939; the formation of the Solomon R. Guggenheim Foundation, 1937; the opening of the collection at 24 E. 54th St., June 1939; Guggenheim curator Hilla Rebay; painter Rudolf Bauer; and Guggenheim. Editorials and letters to the editor regarding abstract art are also included.
Biographical / Historical:
Modern art museum; New York, N.Y. Solomon R. Guggenheim's collection of mostly abstract, non-objective painting was largely formed by artist and promotor of non-objective painting, Hilla Rebay. In 1937 it was established as the Solomon R. Guggenheim Foundation, and in 1939, as the Museum of Non-Objective Painting. After Guggenheim's death in 1949 the name was changed to the Solomon R. Guggenheim Museum.
Provenance:
Lent for microfilming 1965 by the Solomon R. Guggenheim Museum.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Abstract -- United States -- Exhibitions Search this
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Mining, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Farmerska Kolomyjka / Ukrainska Orchestra Pawla Humeniuka --Cotton seed blues / Easy Papa Johnson "Roosevelt Sykes" --The Dixie cowboy / Aulton Ray --Piesrn dziada / Grajek Wiejski --Steamboat man blues / Clara Smith --This ol' hammer / Jimmie Strothers --Casey Jones on the S. P. Line / John Duffy --Dark as a dungeon / Merle Travis --The teamster on Jack McDonald's crew / Joseph Walsh --Tool pusher on a rotary rig / Ramblin' Jimmie Dolan -- Paper boy / The Blue Sky Boys --Weave room blues / Fisher Hendley --Caterpillar man / Carl Trent --Corrido de los camioneros / Trio Huracarn --Blackberries; flowers / Street Cries of Charleston --The gambler / Big Chief Ellis --From forty to sixty-five / The Masters Family --The spirit of Phil Murray / Cio Singers.
102 Cotton Seed Blues / Easy Papa Johnson, Roosevelt Sykes. Piano. English language.
103 The Dixie Cowboy / Aulton Ray. Guitar,Banjo. English language.
104 Piesn Dziada (Old Man's Song, The) / Village Musician (Musician), Grajek Wiejski, Jozef Kallini. Violin. Polish language.
105 Steamboat Man Blues / Clara Smith. Piano,Trumpet,Trombone. English language.
106 This Ol' Hammer / Jimmie Strothers. Banjo. English language.
107 Casey Jones on the S.P. Line (The Union Scab) / John Duffey. English language.
108 Dark as a Dungeon / Merle Travis. Guitar. English language.
109 The Teamster on Jack McDonald's Crew / Joseph Walsh. English language.
201 Tool Pusher on a Rotary Rig / Jimmy Dolan. Bass,Piano,Hawaiian guitar,Electric guitar. English language.
202 Paper Boy / Blue Sky Boys. Bass,Guitar,Mandolin,Fiddle. English language.
203 Weave Room Blues / Aristocratic Pigs (Musical group), Fisher Hendley. Banjo. English language.
204 Caterpillar Man / Carl Trent. Bass,Piano,Electric guitar,Dobro,Drum. English language.
205 Corrido de los Caminoneros / Trio Huracan. Guitar,Accordion. Spanish language.
206 Blackberries;Flowers / Street Cries of Charleston. English language.
207 The Gambler / Wilbert Ellis. Piano. English language.
208 From Forty to Sixty-five / Masters Family (Musical group). Guitar,Mandolin. English language.
209 The Spirit of Phil Murray / C.I.O. Singers. English language.
Local Numbers:
FP-RINZ-LP-0944
Library of Congress.LBC 8
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1978
Date/Time and Place of an Event Note:
Recorded in: Birmingham (Ala.), Alabama, Hyattsville (Md.), Maryland, Charleston (S.C.), San Antonio (Tex.), Texas, South Pekin (Ill.), Columbia (S.C.), South Carolina, Nashville (Tenn.), Tennessee, Prince Edward Island, Canada, Hollywood (Calif.), California, Butte (Mont.), Montana, State Farm (Va.), Virginia, Richmond (Ind.), Indiana, Chicago (Ill.), Illinois, New York (N.Y.), United States, New York.
General:
"A bicentennial project: Library of Congress, Archive of Folk Song"; includes recordings from field and commercial sources. Program notes, including words of the songs, and bibliographical and discographical references (13 p. ill.) inserted in container. Performer(s): Various performers. Production notes: Recorded 1927-1976.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.