A grammar of the Maskwke, or Creek language to which are prefixed lessons in spelling, reading, and defining by H.F. Buckner, assisted by his interpreter, G. Herrod
Title:
Grammar of the Maskoke, or Creek language
Author:
Buckner, H. F (Henry Frieland) 1818-1882 Search this
The collection is the result of research conducted by Dr. Alixa Naff (1920-2013) relating to the study of the early Arab immigrant experience in the United States from about 1880-World War II. The study began with oral history interviews in 1962 and became a major project in 1980 with a grant from the National Endowment for the Humanities. It documents the assimilation of Arabic speaking immigrants in the United States.
Scope and Contents:
The collection documents the immigration and assimilation of mostly Christian Syrian-Lebanese who came to America at the turn of the twentieth century. The immigrants were predominately-small land-owning peasants and artisans from the village of Syria and Lebanon. According to Alixa Naff, immigrants knew exactly where they were going to live and what they were going to do once they immigrated to America. They mostly chose to live in cities where earlier immigrants had already created communities. The majority of the immigrants became peddlers. Peddlers carried packs containing scissors, razors, pins, buttons, ribbons, threads, needles, combs, mirrors, soap, voile and muslin, lace and crotchet crafts, perfume, scarves, picture frames, oriental rugs, fine linens, leather goods, pictures of saints, religious notions from the holy land, confections and cakes. Peddling offered the immigrants a source of income and a way to learn the English language, American customs and lifestyles. It often led to ownership of a small dry goods store. More successful businesspersons then went on to own a department store or a chain of stores. For those Syrian/Lebanese who chose not to pursue peddling as a source of income other occupations included farming, work in New England textile mills, Midwestern factories, Pittsburgh and Birmingham steel mills and Detroit's automobile assembly lines.
It was in these Syrian communities created by Arab immigrants that Dr. Naff sought interviews, photographs and personal papers. For Alixa Naff this pioneering generation of people offered a wealth of information on the immigrant experience and the critical role that peddling played. Naff conducted interviews in urban and small town communities with an emphasis on Midwestern states. Her informants included first and second generation Christians, Druze and Muslims. Locations of interviews included Detroit, Michigan because it was an industrial city with a large and stable Syrian population of all faiths. Cedar Rapids, Iowa was smaller, a railroad depot at the turn of the century and home to the earliest Muslim groups. Peoria, Illinois was also a small, railroad depot at the turn of the century and it consisted predominately of the Maronite Sect originally from one village in Mount Lebanon. Spring Valley, Illinois was a small mining town with a Christian community and the remnant of a once flourishing peddling settlement. Their Eastern Rite Syrian Orthodox Church was the only one in Illinois until 1961 and served smaller Syrian groups.
Oral history interviews deal with the sociological factors of the assimilation process. Most tapes have been fully transcribed or abstracted. Information from the interviews are supported with published articles; demographic statistics; articles from the Arab-American press, books, journals and dissertations published in the United States or in Arab countries. Personal papers collected from individuals and families provide evidence of the experiences discussed in the interviews and add a personal touch to the reference materials. While there are a number of original items included among the personal papers, there is a substantial amount of duplicate materials. Naff would often collect the originals make copies and then return the originals to the donors.
Arrangement:
Collection is arranged into the eight series created by Alixa Naff.
Series 1, Personal Papers, 1891-2002, undated
Series 2, Photographs, 1890-1996, undated
Series 3, Oral interviews, Abstracts, Transcripts and Supporting Materials, 1962-1995, undated
Series 4, Publications, 1862-2000, undated
Series 5, Subject Files, 1888-2000
Series 6, Project Files, 1977-1995
Series 7, Alixa Naff Personal Papers, 1943-1996, undated
Series 8, Audio Visual Materials, 1908-1994, undated
Biographical / Historical:
The Faris and Yamna Naff Collection is the result of the dedication and research efforts of Dr. Alixa Naff, the daughter of Syrian-Lebanese immigrants. She spent most of her life documenting the early American experience of the generation of Arabs, mostly Christian, from Syria/Lebanon who came to this country around the turn of the century.
After an administrative career in private industry, Alixa Naff enrolled at the University of California to obtain her B.A. degree. During her senior year, she was required to write a paper for an American history seminar. The topic for the seminar was immigration. Alixa Naff chose Arabs in America as her subject. According to Naff, there was a lack of reference materials relating to her topic. Therefore, she relied mostly on conversations with her parents' friends. Impressed by her work, Alixa Naff's professor offered her a grant to collect Arab folklore.
Alixa Naff conducted her research during the summer of 1962. She interviewed eighty-seven people in sixteen communities across the United States and eastern Canada. All of her informants were at least sixty years old at the time of the interviews and represented the last surviving members of her parents' pioneer immigrant generation. After completing her fieldwork, Naff went on to earn her master's and Ph.D. degrees. She taught on the college level at California State University and the University of Colorado. In 1977, she left teaching citing anti-Arab feelings as the reason for her shift in career paths. Her desire to counter the anti-Arab stereotyping with accurate sources of information created yet another opportunity for her to pursue more research about Arab Americans.
Later in 1977, Alixa Naff served as a consultant on a documentary film relating to Arabs in America. She again realized existed on the subject of the Arab immigrant experience in America. Moreover, much of what she found conflicted with what pioneer informants had told her. Naff was also painfully aware that family members of decreased Arab immigrants often discarded the early artifacts, personal papers, photographs and books brought to America. Shortly after, she began working on a study on the history of Arab immigrants. In 1979, Alixa Naff met Gino Baroni, then undersecretary of the United States Department of Housing and Urban Development and founder of the National Center for Urban Ethnic Affairs. His center helped her secure funding for her research from the National Endowment for the Humanities and provided an office for her to work. The result of this work was a book entitled Becoming American: The Early Arab Immigrant Experience published in 1985. Richard Ahlborn, then curator of the Smithsonian's Community Life Division (now its Department of Cultural Affairs), convinced Naff to donate the collection to the Smithsonian in honor of her parents, Faris and Yamna Naff, and their generation of Arabs who immigrated to America.
Alixa Naff died on June 1, 2013 at the age of 93.
Related Materials:
Materials at the National Museum of American History
The Division of Home and Community Life (now Division of Cultural and Community Life)holds artifacts related to this collection including. See Accession #: 2007.3245.
Materials at the Smithsonian Institution
Photo Lot 2011-02, Alixa Naff photographs of Europe, the Middle East and the Mediterranean and audio tapes on Mediterranean folklore, National Anthropological Archives, Smithsonian Institution.
Provenance:
The collection is the result of research conducted by Dr. Alixa Naff relating to the study of the early Arab immigrant experience in the United States from about 1880-World War II. The study began with oral history interviews in 1962 and became a major project in 1980 with a grant from the National Endowment for the Humanities.
Restrictions:
Collection is open for research.
Researchers must use microfilm copies. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Viewing film portions of collection require special appointment; please inquire with a reference archivist. Do not use when original materials are available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Associations, institutions -- voluntarism Search this
Correspondence, printed material, photographs, business records and a diary.
REEL 103: Clippings, 1929-1932, on exhibitions and activities of the Little Gallery, Cedar Rapids, Iowa, directed by Rowan (microfilm title: Little Gallery).
REEL 1208: Photographs used to publicize exhibitions at the Little Gallery, including 183 photographs of works of art, the Little Gallery Junior Art Club, Grant Wood, and William Herbert Dunton at work.
REEL D141-D142: Correspondence; a diary; business records of the Little Gallery, the Stone City Art Colony and Art School, and the Section of Fine Arts; photographs, including two of The Little Gallery, five of the Stone City Colony and Art School, six of Rowan and three of his paintings, and two photos showing Grant Wood, David McCosh, Arnold Pyle, Adrian Dornbush, and Marvin Cone; and catalogs, clippings and publications, including "A Report on Iowa Art Under Public Works of Art Jan. 20, 1934, under the direction of Grant Wood" containing reproductions of work, several clippings, a 2 p. report "three weeks after the beginning of work" and 2 p. typed "Notes" signed by Wood with a photograph attached.
Among the correspondents are Oscar Bluemner, Chaim Gross, Waldo Peirce, Henry Varnum Poor, Eleanor Roosevelt, Forbes Watson, and Grant Wood.
Biographical / Historical:
Gallery director, painter, sculptor, teacher; Falls Church, Va. and Cedar Rapids, Iowa. Founder and director of The Little Gallery, Cedar Rapids, Iowa, 1928-1934. The gallery was concerned with promoting education in the community. Because of his success with the Little Gallery, in 1931 he was chosen by the American Federation of Arts to be the director of a new experimental art center in Cedar Rapids. Rowan was affiliated with the Fogg Art Museum at Harvard before going to Cedar Rapids and served as Chief, Public Buildings Administration, 1930's-1940's.
Other Title:
Little Gallery records (microfilm title, reel 103)
Provenance:
Donated by Mrs. Edward Rowan, 1963.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Gallery directors -- Iowa -- Cedar Rapids Search this
Correspondence, consisting of 322 letters; biographical material, including a resume; essays about art and other writings, including a play titled "Strings," ca. 1910, written by Cone and Grant Wood, then in high school; a typescript of radio broadcasts; a catalog of Cone's paintings; a photograph album; photographs of Cone and of works of art; bills and receipts; a scrapbook of clippings, catalogs, photographs, letters, and memorabilia; exhibition catalogs, announcements and clippings.
Biographical / Historical:
Painter; Cedar Rapids, Iowa. Lifelong friends with Grant Wood, and also acquainted with gallery director Ed Rowan.
Provenance:
Lent for microfilming 1977 by Mrs. Marvin Cone.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Railroads, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
366 photographs, negatives, and slides of art work executed between 1890 and 1927 by Arthur Bowen Davies and eleven reproductions of Childe Hassam's graphic works, used as research material by Czestochowski for his work on Davies and Hassam. Also found is a photocopy of "Works by Arthur B. Davies from the Ferargil Galleries Registry, May 1, 1928-June 15, 1942."
Biographical / Historical:
Art historian, art director of the Cedar Rapids Art Center; Cedar Rapids, Iowa, and author of Arthur B. Davies (University of Chicago Press, 1979), and other works on Davies.
Provenance:
Donated by Joseph Czestochowski, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Scope and Contents:
The folders include a worksheet, a garden plan, a detailed narrative description of the property and garden, a plant list, geological survey, copies of articles on Grant Wood, and photocopies of articles about the garden.
General:
The gardens at Pleasant Hill were inspired by the early architecture of the area and the designs of regionalist painter, Grant Wood. The residence was constructed in 1932 to reflect the architectural history of Iowa, using original structral elements from other houses and antique furniture. On December 20, 1989, the home was designated as a National Historic Site. At the entrance to the garden, Grant Wood designed a grape arbor. Stones from a quarry near Stone City, Iowa and a grist mill stone were incorporated into garden seats. The owner chose species of flowers and trees that are either indigenous to the zone or have proven successful through the harsh Iowa winters, producing a continuous show of color in summer, spring, and fall.
Persons and firms associated with the property and garden include: Bruce McKay (architect, designer, builder, 1932-?); Grant Wood (artist, 1933); and Mrs. E. W. Spence (landscape architect).
Related Materials:
Pleasant Hill related holdings consist of 2 folders (4 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn -- Cedar Rapids
Scope and Contents:
The folder includes worksheets and a photocopy of an article.
General:
Located on nine acres, six of the acres are densely forested with mature hardwood trees and the remaining three acres are the footprint for the gardens. The gardens were initiated after the house was built in 1984 beginning with foundation plantings of evergreens, deciduous shrubs and herbaceous perennials. Deer predation was a serious problem and an ornamental iron fence was installed around the garden in 2005. The owners do all the work themselves and keep adding borders and garden beds, reducing the size of the lawn. There are more than one hundred varieties of conifers, 40 to 50 varieties of hosta (one 8 foot hosta was named 2004 hosta of the year by the American Hosta Association), and in total more than one thousand different cultivars in the gardens including common and rare varieties. In addition to ornamental plantings there is a small pond with a water garden, a small vegetable garden, a chicken coop and a large conservatory. Thousands of annuals are propagated in the conservatory and planted out in the spring to follow the flowering of hundreds of bulbs. The chickens provide eggs and manure that is composted and used throughout the garden.
Persons associated with the garden include) Roger Hadley (architect, 1984) .
Related Materials:
Nau's Green Valley related holdings consist of 1 folder (20 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Ortberg Gardens at Forest Hill (Cedar Rapids, Iowa)
United States of America -- Iowa -- Linn -- Cedar Rapids
Scope and Contents:
The folder includes worksheets and photocopies of articles and historic photographs.
General:
The Greek Revival house had an interesting history, having been cut in half and moved from its original location to this one and one-third acre hillside lot in 1929. The gardens, lawn and trees installed by previous owners had been neglected by the time the current owners took possession in 1997. Clearing the weeds from a semi-shaded circular bed uncovered the original hosta and peony garden planted by the Armstrong family circa 1930. The owners added limestone edging and a large iron urn as a focal point, along with spring blooming daffodils, trillium, bleeding heart, blue bells, pulmonaria, and allium, which are followed by astilbe, wild ginger, hydrangea, and turtlehead (chelone) in summer. Flower beds are more casually planted with heirloom varieties of hollyhock, foxglove, feverfew, peony, iris and sweet William, mostly in shades of pink, purple and white. A boxwood hedge planted years before provided seedlings for other hedges that complement the formal style of the house. Shaped boxwood, boxwood in containers and trimmed hedges or limestone walls define garden rooms.
The sunny backyard was redesigned in 2003, adding a limestone retaining wall to divide it into two levels with a fountain on the upper level. A small part of a glass conservatory that was about to be demolished was acquired and attached to the garage, and is used in spring for starting heirloom vegetables and flowers, then used for dining in summer when the trees have leafed out and shaded the room. Winding paths connect a formal herb garden with an antique finial as its focal point, three raised vegetable beds next to the house, the greenhouse, a rose arbor at the entrance to the backyard, and sun and shade perennial and biennial garden beds. Antique containers and ornaments as well as a bench found at a flea market that may have sat outside this house nearly a century ago relate the gardens to the late Victorian style of the house.
Persons associated with the garden include Samuel G. and Anna Cooper Armstrong (former owners, 1903-1929); Anna Cooper Armstrong (former owner, 1929-1948); Frank B. and Margaret Armstrong Race (former owners, 1948-1986); Walter J. and Maureen K. Hale (former owners, 1986-1993); Robert and Joni Hilton (former owners, 1993-1997); Charles A. Dieman (1873-1937) and Ferdinand C. Fiske (1856-1930) (architects, 1903); Theodore Stark & Sons (builder, 1903); E.W. LaPlant (house mover, 1929); Mondanero Concrete (landscaping, 2003); Larry Lorenz (construction, 2008); Chalupsky Nursery (landscaping, 2002, 2014); Mitch Odell (garden assistant, 2010-2012); Stanley Wrobel (construction and garden assistant, 2013-2015).
Related Materials:
Ortberg Gardens at Forest Hill related holdings consist of 1 folder (13 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Hiawatha
Scope and Contents:
The folder includes worksheets, garden plans, and a recipe for "red pickles."
General:
Located in Hiawatha, Iowa, north of Cedar Rapids, Minney's is a traditional Iowa vegetable garden with some flowers. This type of garden was once very common across the state (Minney's has been under cultivation since 1956), but is no longer easy to find. The main vegetable garden is 90 x 55 feet. Plantings include green and yellow (wax) beans, snap and little marble peas, cabbage, peppers, eggplant, kohlrabi, garlic, onions, potatoes, beets, tomatoes, squash, sweet corn, cucumbers, and Peruvian lilies. There are also separate plantings of peonies and rhubarb, and occasional plantings of canteloupe and watermelon.
Related Materials:
Minney's related holdings consist of 1 folder (6 35 mm. slides (photographs))
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Date:
1963.
General:
Credit line: Joan Liffring-Zug Collection, State Historical Society of Iowa.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Date:
1963.
General:
Credit line: Joan Liffring-Zug Collection, State Historical Society of Iowa.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Date:
1963.
General:
Credit line: Joan Liffring-Zug Collection, State Historical Society of Iowa.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Date:
2006 Apr.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Iowa -- Linn County -- Cedar Rapids
Date:
2006 Apr.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
