George Catlin collection from the Thomas Gilcrease Institute of American History and Art, 1840-1860. Archives of American Art, Smithsonian Institution.
Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Arrangement:
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Provenance:
Lent for microfilming 1958 by Duveen.
Restrictions:
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Wylie, Samuel B. (Samuel Brown), 1773-1852 Search this
Extent:
2 Reels (ca. 150 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1760-1935
Scope and Contents:
Letters, mainly from artists, and documents selected from the Historical Society of Pennsylvania's miscellaneous manuscript collection (Society Collection). Letters are to various people; 46 of them are to Townsend Ward and a few are to John A. McAllister, photographer. Many of the letters refer to paintings, portraits, commissions, and awards.
Writers of letters include: Edwin Austin Abbey, Mary Gertrude Abbey, F.W. Bayley, Albert Bierstadt, George Catlin, Joseph Ceracchi, John Gadsby Chapman, John Cheney, James Claypool, James Cox, F.O.C. Darley, Joseph Delaplaine, Humphrey Donnehue, William Dunlap, Pierre Eugene Du Simitiere, S. Eliot, Charles Fevret De Saint-Memin, Charles Dana Gibson, Harold Edgar Gillingham, Horatio Greenough, George Harding, Levi Hollingsworth, William Morris Hunt, Daniel Huntington, Henry Inman, Horatio Gates Jones, James Reid Lambdin, Will Hicok Low, Edward Dalton Marchant, William Henry Moody, John Neagle, Albert Newsam, Bass Otis, Thomas Paine, Charles Willson Peale, Franklin Peale, James Peale, Jr., Mary Jane Peale, Rembrandt Peale, Titian Ramsay Peale, Joseph Pennell, Clement Penrose, Robert Piggot, Thomas Buchanan Read, William Trost Richards, Thomas Prichard Rossiter, Peter Frederick Rothermel, William Rush, John Sartain, Stephen Alonzo Schooff (to Townsend Ward), Russell Smith, Charles H. Stephens, Thomas Sully, Philip Syng, John Vanderlyn, N.P. Willis, Alexander Wilson and Patience Wright.
Among the recipients of letters are Archibald Alexander, David S. Brown, William Belcher, Col. Brodhead, B. Burrell, Carey & Hart, Edward L. Carey, Henry C. Carey, Miss Clarke, Mr. Curren, Joseph Delaplaine, John Dickinson, Dr. Dickson, William Dillwyn, William Duane, James B. Elliott, Mrs. Langdon Elwyn, Mantle(?) Fielding, John W. Francis, Charles P. Hayes, David Hosack, Mr. Howell, Major William Jackson, Horatio Gates Jones, John W. Jordan, H.H. Kjmball, C.G. Leland, Joseph Leidy, J.B. Lippincott, George Livermore, James Madison, J. Hill Martin, John McAllister, James McMurtrie, James Monaghan, J. Murray, Albert Cook Myers, Rebecca and Isabella Nathans, John Neagle, C.S. Ogden, John Paca, Charles Willson Peale, Rembrandt Peale, David Rittenhouse, Albert Rosenthal, John Sartain, Jacob Schreiner, James Shrigley, James Ross Snowden, W.D. Snyder, Dr. Sommerville, J.C. Stanbridge, F.D. Stone, Henry Troth, Mr. Vaux, Townsend Ward, William Hill Wells, G.M. Wharton, Thomas Wharton, Henry J. Williams, and Samuel B. Wylie.
Other items include a sonnet of S.T. Coleridge by Washington Allston; business card of Pennel Beale; catalog of medals and coins of silver in the possession of Hon. John Smith compiled by Du Simitière, 1772; printed address by Mrs. John C. Montgomery soliciting donations for the repair of the Pennsylvania Academy of the Fine Arts, destroyed by fire, 1845; William Morris Hunt's admission ticket to Peale's Museum, 1836, stating his height and weight; description of objects on display at the Peale Museum, 1820; a photograph and business card of Benjamin Randolph; invitations and notes to Gilbert Stuart; typescript by Frank H. Taylor on lithography, 1923; subscription book for engravings of paintings by John Trumbull; and a page from John Archibald Woodside's daybook, 1802-1803.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Photographs used to illustrate John Reed Swanton's "The Indians of the Southeastern United States" depicting American Indians of the Southeast and their dwellings, food preparation, and ceremonies.
Biographical note:
John Reed Swanton (1873-1958) was an ethnologist and ethnohistorian with the Bureau of American Ethnology (BAE) from 1900 until his retirement in 1944. Swanton spent his first few years at the BAE studying the Haida and Tlingit groups of the Pacific Northwest and Alaska, and published a number of significant articles on the language, ethnography, and folklore of Northwest Coast Indians. His focus then shifted to the American Indians of the Southeastern United States, where his interest remained for the rest of his career. In addition to conducting ethnographic fieldwork in the Southeast, Swanton studied extensively the history of the area in order to better understand its indigenous cultures and is considered a pioneer in the field of ethnohistory. During his career Swanton published numerous articles and several major works on Southeastern American Indians, including the reference work The Indians of the Southeastern United States (1946), a Bureau of American Ethnology Bulletin (No. 137).
Local Numbers:
NAA Photo Lot R87-2Q
Location of Other Archival Materials:
Additional photographs published in BAE Bulletin 137 can be found in the National Anthropological Archives in Photo Lot 80-39.
Photographs made by Swanton can be found in the National Anthropological Archives in Photo Lot 76 and the BAE historical negatives.
The National Anthropological Archives hold more than 200 manuscripts created or collected by Swanton, in the Numbered Manuscripts.
Objects collected by Swanton, including potsherds from various sites in Southeastern United States can be found in the Department of Anthropology in accessions 111748, 113252, 122679, 129788, 165802, and 062577.
Contained in:
Smithsonian Institution Bureau of American Ethnology photograph collections, undated
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Copy prints in this collection that represent photographs not held by the National Anthropological Archives are for reference only.
Photo Lot R87-2Q, John Reed Swanton photograph collection of illustrations for "The Indians of the Southeastern United States", National Anthropological Archives, Smithsonian Institution.
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous research projects and publications such as his books on plains sculpture and Jean Louis Berlandier as well as his field research among the Assiniboin and Blackfoot tribes. Ewers' career as an ethnologist based in a museum is amply documented through correspondence, exhibit plans and scripts, notes, and reports showcasing his work for the National Park Service and his fifty plus years at the Smithsonian. The voluminous correspondence file highlights his close collaboration with individuals such as Stu Conner, Hugh Dempsey, Claude Schaeffer, and Colin Taylor. Ewers' graduate studies and his family are featured in Series XI. One special category of materials in this collection is Series XIV, the card files. Ewers pulled information from his field notes and other sources, classified them, and typed or wrote them up on 3x5 or 5x7 inch index cards. He then organized these files alphabetically by subject within large categories such as "Collecting Alpha by Collectors Name" or "Fur Trade and Trade Goods." The card files include correspondence and photographs and closely relate to materials throughout the rest of the collection. Though Ewers' papers are primarily textual in nature, there are graphic materials throughout his files. Series XIII features the graphic materials that Ewers kept separate from his files such as the contents of his slide cabinets. There is overlap within this series as Ewers kept multiple copies of his slides in various locations. This series also includes audiotapes of conferences and symposia at which Ewers spoke and three scrapbooks. Of note are original pencil and ink drawings from his book, The Horse in Blackfoot Culture, in Series XV. Transcripts of oral history interviews with John Canfield Ewers are also available at the Smithsonian Institution Archives.
Arrangement note:
This collection was organized into 15 series - Correspondence, Research & Subject Files, Research Projects, Trips and Presentations, Artists of the Old West, North American Indian Art, Plains Sculpture Book, Berlandier Project, Smithsonian Institution, National Park Service, Personal, Writings by Ewers, Audiovisual Materials, Card Files, and Art Work.
Biographical/Historical note:
John Canfield Ewers (1909-1997) earned a B.A. from Dartmouth College in 1931 and an M.A. in Anthropology from Yale University in 1934. Ewers began his career in museums as a Field Curator for the National Park Service. He helped design exhibits at Vicksburg National Battlefield and Ocmulgee National Monument among others. In 1941, the Bureau of Indian Affairs hired Ewers to design and establish the Museum of the Plains Indian in Browning, Montana. After a short stint in the Navy during World War II, Ewers joined the Department of Anthropology at the Smithsonian Institution. He worked at the Smithsonian for over fifty years in numerous capacities including Director of the National Museum of History and Technology (now called the National Museum of American History). Ewers' research dealt with the Plains Indians and the Blackfoot tribe in particular. Ewers wrote several books on a wide variety of topics including White artists depictions of Native Americans, Plains Indian sculpture, and the horse in Blackfoot Indian culture.
Restrictions:
The John Canfield Ewers papers are open for research.
