Search Results

Creator:

Cook Labs  Search this

Cook, Emory, 1913-2002  Search this

Names:

Cook Labs  Search this

Extent:

6.3 Cubic feet (Phonograph albums)

63.5 Cubic feet (Open-reel tapes)

8.75 Cubic feet (Business records)

78.55 Cubic feet

Culture:

Afro-Caribbean cults  Search this

10th Naval District Steel Band  Search this

Almerico, Tony, 1905-  Search this

American Indians  Search this

Audio Engineering Society  Search this

Ast, Anita  Search this

Bach, Johann Sebastian, 1685-1750  Search this

Beethoven, Ludwig van, 1770-1827  Search this

Big Shell Band  Search this

Boston Chorale  Search this

Brahms, Johannes, 1833-1897  Search this

Brokenshire, Norman, 1898-1965  Search this

Brundage, Al (Alfred)  Search this

Brute Force Band  Search this

Camp, Red  Search this

Carroll, Jimmy  Search this

Crowley, Daniel J., 1921-  Search this

Type:

Collection descriptions

Archival materials

Audiotapes

Photographic prints

Business records

Artifacts

Contracts

Phonograph records

Correspondence

Christmas music

Place:

Cuba

West Indies -- Lesser Antilles

Caribbean Area

Antigua

Barbuda

Amazon River Region

Benítez (Venezuela)

Baja California (Mexico : Peninsula)

Brazil

Connecticut

Cuba

Haiti

Date:

1908-2002, bulk 1948-1965

Summary:

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Scope and Contents note:

There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Arrangement note:

Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings

Biographical/Historical note:

Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

COOK RECORDINGS - NUMERICAL LISTING:

001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303

Provenance:

The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Popular music -- 20th century -- United States  Search this

Wit and humor  Search this

Calypso (Music)  Search this

Folk music -- Caribbean Area  Search this

Folk music  Search this

Sounds  Search this

Music -- 18th century  Search this

Folk music -- United States  Search this

Jazz -- Louisiana -- New Orleans  Search this

Jazz  Search this

Accordion music  Search this

Airplane sounds  Search this

Animal sounds  Search this

Audio equipment industry  Search this

Blues (Music)  Search this

Bonfá, Luiz  Search this

Calypso (Music)  Search this

Burlesque (Theater)  Search this

Calliope music  Search this

Calypso (Music)--Trinidad and Tobago  Search this

Campos Parsi, Héctor, 1922-  Search this

Catholicism  Search this

Christianity  Search this

Christmas  Search this

Cimbalom and zither music  Search this

Clavichord  Search this

Clemendore, Rupert  Search this

Drum  Search this

Genre/Form:

Audiotapes

Photographic prints

Business records

Artifacts

Contracts

Phonograph records

Correspondence

Christmas music

Citation:

Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.COOK

See more items in:

Cook Labs records

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk50980aef1-30c4-4f77-9de4-97337007b9f0

EDAN-URL:

ead_collection:sova-cfch-cook

Creator:

Smithsonian Institution. Festival of American Folklife. Rio Grande/Rio Bravo Program 1998 Washington, D.C.  Search this

Pfeifer, Brian (recorder)  Search this

Recorder:

Arze-Bravo, C. (recorder)  Search this

Performer:

Venegas, Dolores  Search this

Quiroz Garcia, Jose Isabel  Search this

Morales Alvarez, Rita  Search this

Herrera, Arnold  Search this

Aguilar, Charles J., 1946-  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Mexicans  Search this

Americans  Search this

Hispanic Americans  Search this

Pueblo  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Mexico

Coahuila

Saltillo (Coahuila, Mexico)

Matamoros (Coahuila, Mexico)

Ro̕ Bravo (Tamaulipas, Mexico)

New Mexico

Bernalillo (N.M.)

Cochiti (N.M.)

Date:

1998 July 1

1998

Track Information:

101 Crafts and Natural, Found and Industrial Materials / Dolores Venegas, Jose Isabel Quiroz Garcia, Rita Morales Alvarez.

102 Fiesta Traditions / Arnold Herrera, Charles J. Aguilar.

Local Numbers:

FP-1998-CT-0222-7

Publication, Distribution, Etc. (Imprint):

United States 1998

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, July 1, 1998.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Natural resources  Search this

Basket making  Search this

Rope  Search this

Recycling (Waste, etc.)  Search this

Crafts & decorating  Search this

Catholicism  Search this

Fiestas  Search this

Function:

Festivals

Collection Citation:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1998, Item FP-1998-CT-0222

See more items in:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival / Series 4: The Río Grande/Río Bravo Basin / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e0b61b18-d060-407a-9526-c0d7421ae487

EDAN-URL:

ead_component:sova-cfch-sff-1998-ref785

Creator:

Smithsonian Institution. Festival of American Folklife. Rio Grande/Rio Bravo Program 1998 Washington, D.C.  Search this

Nativsky, Amy (recorder)  Search this

Recorder:

Allen, Vickie (recorder)  Search this

Performer:

Herrera, Arnold  Search this

Aguilar, Charles J., 1946-  Search this

Bautista, Jose Guadalupe Aleja  Search this

Amadeo Flores y su Conjunto  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Americans  Search this

Hispanic Americans  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Durango

New Mexico

Mexico

Ciudad Juar̀ez (Durango, Mexico)

Cochiti (N.M.)

Texas

Alice (Tex.)

Bernalillo (N.M.)

Date:

1998 June 28

Track Information:

101 Saint's Day Fiesta / Arnold Herrera, Charles J. Aguilar, Jose Guadalupe Aleja Bautista.

102 Conjunto Music / Flores, Amadeo y su Conjunto. Accordion,Bajo sexto.

103 Rio Conversations / Charles J. Aguilar.

Local Numbers:

FP-1998-CT-0221-7

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 28, 1998.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Conjunto music  Search this

Tejano music  Search this

Accordion  Search this

Bajo sexto  Search this

Matachines (Dance)  Search this

Dance  Search this

Shrines  Search this

Catholicism  Search this

Fiestas  Search this

Water rights  Search this

Tourism  Search this

Natural resources  Search this

Agriculture  Search this

Function:

Festivals

Collection Citation:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1998, Item FP-1998-CT-0221

See more items in:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival / Series 4: The Río Grande/Río Bravo Basin / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5631a7090-08f7-40de-97e0-2d0473415ef5

EDAN-URL:

ead_component:sova-cfch-sff-1998-ref784

Creator:

Smithsonian Institution. Festival of American Folklife. Rio Grande/Rio Bravo Program 1998 Washington, D.C.  Search this

Dennie, David (recorder)  Search this

Recorder:

Braunschwig, Fran (recorder)  Search this

Performer:

Amadeo Flores y su Conjunto  Search this

Herrera, Arnold  Search this

Aguilar, Charles J., 1946-  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Americans  Search this

Hispanic Americans  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Texas

Alice (Tex.)

New Mexico

Cochiti (N.M.)

Bernalillo (N.M.)

Date:

1998 July 5

Track Information:

101 Conjunto Music / Flores, Amadeo y su Conjunto. Accordion,Bajo sexto.

102 Saint's Day Fiesta / Arnold Herrera, Charles J. Aguilar. Violin.

103 Conjunto Music / Flores, Amadeo y su Conjunto. Accordion,Bajo sexto.

Local Numbers:

FP-1998-CT-0238-7

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, July 5, 1998.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Conjunto music  Search this

Tejano music  Search this

Oral history  Search this

Accordion  Search this

Bajo sexto  Search this

Violin  Search this

Catholicism  Search this

Christianity  Search this

Matachines (Dance)  Search this

Pueblo Indians  Search this

Fiestas  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1998, Item FP-1998-CT-0238

See more items in:

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival

Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival / Series 4: The Río Grande/Río Bravo Basin / 4.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk58ae8427e-9de1-4cb4-aebd-f8349310a1ef

EDAN-URL:

ead_component:sova-cfch-sff-1998-ref801

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2011-01-28T19:01:13.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_AStOGFopWC4

Creator:

Smithsonian Institution. Festival of American Folklife. Cape Verde Program 1995 Washington, D.C.  Search this

Okubo, Stephanie (recorder)  Search this

Place, Janet L. (recorder)  Search this

Performer:

Perry, Cleofas  Search this

Chantre, Luciano  Search this

Cardoza, Lydia  Search this

Lopes, Jose Gabriel  Search this

Lopes, Manuel de Jesus  Search this

Gonçalves, Manuel Nacimento  Search this

da Graca, Alcides  Search this

Pires, Ivo  Search this

Brito, Protazio  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Cape Verdeans  Search this

Americans  Search this

Cape Verdean Americans  Search this

Type:

Archival materials

Sound cassettes

Place:

United States

Washington (D.C.)

Rhode Island

Cape Verde

Santo Antô Island (Cape Verde)

Providence (R.I.)

Sô Vicente Island (Cape Verde)

Massachusetts

New Bedford (Mass.)

Date:

1995 June 25

Track Information:

101 Feast Days in Cape Verde / Cleofas Perry, Luciano Chantre, Lydia Cardoza.

102 History and Styles of Morna / Jose Gabriel Lopes, Manuel de Jesus Lopes, Manuel Nacimento Gonçalves. Guitar,Cavaquinho.

103 Social Dance Styles / Alcides da Graca, Ivo Pires, Protazio Brito. Guitar,Cavaquinho,Violin.

Local Numbers:

FP-1995-CT-0328

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 25, 1995.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Morna  Search this

Guitar  Search this

Cavaquinho  Search this

Violin  Search this

Catholicism  Search this

Holidays  Search this

Religion  Search this

Fasts and feasts  Search this

language  Search this

Names  Search this

Celebrations  Search this

New Year  Search this

Dance  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1995, Item FP-1995-CT-0328

See more items in:

Smithsonian Folklife Festival records: 1995 Festival of American Folklife

Smithsonian Folklife Festival records: 1995 Festival of American Folklife / Series 2: The Cape Verdean Connection / 2.3: Audio

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5435a2d68-24df-4280-8240-a1634e601c1f

EDAN-URL:

ead_component:sova-cfch-sff-1995-ref586

Created by:

Brooks B. Robinson Ph.D., American  Search this

Subject of:

Saint Kateri Tekakwitha, Mohawk, 1656 - 1680  Search this

David Walker, American, ca. 1796 - 1830  Search this

Reies Tijerina, Mexican American, 1926 - 2015  Search this

Patsy Tijerina, American, born ca. 1948  Search this

Henry Garnet, American, 1815 - 1882  Search this

Directed by:

Robert Cham  Search this

Medium:

tape and plastic

Dimensions:

H x W: 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)

Duration: 00:27:26

Type:

audiotapes

Place made:

Wisconsin, United States, North and Central America

Place depicted:

New York, United States, North and Central America

New Mexico, United States, North and Central America

Date:

February 1, 1981

Topic:

African American  Search this

Activism  Search this

American West  Search this

Antislavery  Search this

Catholicism  Search this

Literature  Search this

Poetry  Search this

Radio  Search this

Religion  Search this

United States History  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.

Object number:

2010.17.2

Restrictions & Rights:

© Brooks B. Robinson

Permission required for use. Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Audio Recordings

Movement:

BAM (Black Arts Movement 1965-1976)

Abolitionist movement

Chicano Movement / El Movimiento

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5ca3f378a-98ea-43aa-9696-bad0bedb4134

EDAN-URL:

edanmdm:nmaahc_2010.17.2

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Introduction:

Three programs at the 1980 Festival focused attention on immigrant communities, two of which involved what was called the "New Immigration", subsequent to passage of the 1965 Immigration and Naturalization Act. The 1965 Act represented an effort to equalize opportunity for immigrants to the United States without favoring the traditional Western-Northern European or Western Hemispheric source countries. The new immigrants tended to be largely urban located and oriented. Because of their visibility and the discrimination against visible minorities, they often suffered multiple levels of disregard by the larger population. The life styles, cultures, and languages of the new immigrants were perceived to be little known, appreciated, or regarded by the general American public as the decade began.

American cities were seen as the frontiers of the new immigrants; the arenas where the wills, interests, and cultures of each group came into contest with those of other ethnic groups; and the settings where competition or coalescence took place among them. It was cities that saw scenes of confrontation between traditions and of adjustments from both sides - natives and immigrants. The cities were also the sites of the celebrations and the contributions of most new immigrants. This was true both for the Southeast Asian Americans program and for the Caribbean Americans program.

Many factors, including the growing acceptance of "cultural pluralism" rather than "Anglo-conformity" as a model for the United States, imbued the contemporary Caribbean immigrant community with the confidence to proclaim and practice openly their Caribbean heritage. An obvious example was the proliferation in many North American cities of the Caribbean festival of Carnival that had been featured in the 1979 Festival. In Boston, Hartford, New York, Montreal, Toronto, and Los Angeles, this festival has emerged as a full-scale annual community celebration, while in Philadelphia, Washington, D.C., Miami, and other cities, some aspects of Carnival can be seen on a smaller scale. One function of these carnivals was the impetus they give to the internal unification of the Caribbean communities themselves. Considerations of class and island origin have tended to divide members of the American Caribbean community from each other, but the carnivals have emerged as Caribbean, and their acceptance by the community as such held the potential for even greater unification in the future.

In addition to Carnival, the Caribbean immigrant community contributed to the American scene in sports, religion, music, dance, literature, and the arts. Cricket, once considered an elite British game, is the sport that every child is introduced to in the Caribbean. West Indians have been credited with bringing to a game that was once considered stylish but stuffy a spirit of fun and fete that can now be enjoyed any Saturday or Sunday afternoon in West Indian communities in such cities as Hartford, Boston, and New York.

In Miami, New York, and Washington, the distindly Caribbean religions of Santeria, the worship of Vodun (Voodoo), and Rastafarianism can be found. Santeria, practiced by many Cubans, is a synthesis of Catholicism with the Yoruba religion of West Africa. Vodun, a Haitian religion, is a similar blend of Christianity and the religious worship of ancient Dahomey. Rastafarianism, however, is a modern religion that originated in Jamaica in the 1930s based on belief in the divinity of the former Emperor of Ethiopia, Haile Selassie, and the perception of Ethiopia as the original homeland to which Black people in the Western Hemisphere should repatriate. Caribbean music was part of the sound of many an American city - whether the Yoruba drumming of Santeria, the reggae rhythms that originated with the Rastafarians, or the rumba, the samba, and the calypso - and likewise part of the 1980 Festival. Syncretism between these Caribbean rhythms and the rhythm-and-blues beat of the United States was demonstrated in such new dance beats as the "salsa" and "soca" (soul-calypso).

Caribbean contributions to American community life featured at the 1980 Festival thus included an impressive record of achievement and an infusion of cultural forms adding to the vitality and diversity of American life through the contributions of immigrant communities.

Katherine Williams was Caribbean Americans Program Coordinator, and Roy Bryce-LaPorte was Special Consultant

Participants:

Miguel Alpizar, Santero, Silver Spring, Maryland

George Andre, 1946-, Brazilian music discussant, Washington, D.C.

Ruthven John Blake, 1947-, publicist & M.C., Silver Hill, Maryland

Elliott P. Boisdore, Mardi Gras discussant, New Orleans, Louisiana

Brightwood Elementary School, Hispanic American games, Washington, D.C.

Marie Brooks & Claude Brooks, dancer and drummer, New York, New York

William Brown, Umbanda discussant leader, Brazilian costumed band, Washington, D.C.

Selwyn Callendar, stick fighter, Washington, D.C.

Isolina Campbell, Botanica, Washington, D.C.

Caribbean American Carnival Day Association (Edward Harry, leader), costume band, Boston, Massachusetts

Carifolk Singers (Augustus Howell, 1944-, leader), Caribbean folk singers, Washington, D.C.

Lucy Carvajal, 1923-2002, craftsperson, Washington, D.C.

Mildred Catuy, Cornelia Cotillion Square Dance Club, New York, New York

Byron Chambers, Cricket discussant, Teaneck, New Jersey

Hector Corporan, 1945-, presenter, Washington, D.C.

Ruben O. Davis, Cornelia Cotillion Square Dance Club, New York, New York

Joan Dupigny, 1941-, Ole Mas & Kiddies costume band, Washington, D.C.

Camboy Estevez, Dominican costume band, Washington, D.C.

Sylvia Fisher, Cornelia Cotillion Square Dance Club, New York, New York

Winston T. Fleary, 1943-, leader, Afro-Caribbean Dancers, Big Drum Nation, Brooklyn, New York

Iona Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Randolph Forbes, Cornelia Cotillion Square Dance Club, New York, New York

Henry Frank, Vodun discussant, New York, New York

Paul Greenhall, kite flyer, Washington, D.C.

Marjorie Hall, 1955-, Rastafari discussant, Washington, D.C.

Errol Hosein, 1936-, Cricket discussant, Bloomfield, Connecticut

Oscar Anstey Hunte, 1942-, fire, eater, Montreal, Quebec

Image (John Roseman, leader), Calypso Band, Rockville, Maryland

Lucille Jacob, costume band, Hartford, Connecticut

Edgar King, 1909-1993, Cornelia Cotillion Square Dance Club, New York, New York

Allen Labertis, costumed individual (Moko Jumbie), Baltimore, Maryland

Urban Lane, costume band, Washington, D.C.

Steve LaRoche, costumed individual (bat), Washington, D.C.

Hollis Lashley, Master of Ceremonies, Washington, D.C.

Sylvie S. Lee Kin, 1945-1995, kite flyer, Silver Spring, Maryland

Vernon Lee Kin, kite flyer, Silver Spring, Maryland

Elliott Mannette, 1929-, steelpan tuner, Long Island, New York

Godfrey Marchand, 1940-, costume designer, Miami, Florida

Dianne Marshall, dancer, Washington, D.C.

Von Martin, publicist & M.C., Seabrook, Maryland

Maryland Pacesetters (Pasley Graham, 1937-, agent), steelband, Baltimore, Maryland

Sandra Mendoza, Cuban costume band dancer, Washington, D.C.

Stephenson Michael, 1952-, leader, Duro Ladipo Theatre Ensemble, costume band, Silver Spring, Maryland

Will Morris, 1948-, stick fighter, Washington, D.C.

Loline F. Payne, 1918-1990, Cornelia Cotillion Square Dance Club, New York, New York

Winston Peters ("Gypsy"), 1952-, extemporaneous calypsonian, Brooklyn, New York

James Porter, Cornelia Cotillion Square Dance Club, New York, New York

Premier International (Nadine Howell, leader), Reggae band, Silver Spring, Maryland

Rosalie Roman, Puerto Rican costume band, Washington, D.C.

Ralph Roper, Cornelia Cotillion Square Dance Club, New York, New York

Samba Batucada Group (William Brown, leader), Samba workshop, Washington, D.C.

Silver Stars Steel Orchestra (Kelvin Griffith, captain), steel band, Boston, Massachusetts

Sons of His Majesty (Satta Blue, 1954-, leader), Nyabingi drummers, Rastafari discussants, Washington, D.C.

Triangle Systems (Linda Phifer, leader), kiddies and costume band, Washington, D.C.

The Trinidad and Tobago Baltimore Steel Orchestra (Paul Gervais, 1941-, leader), steelband, Baltimore, Maryland

The Trinidad and Tobago Steelband of Washington, D.C. (Franklin Harding, 1941-, leader), steelband, Washington, D.C.

Brian Walker, 1957-, dancer, costume band, Washington, D.C.

Levi Warren, Cornelia Cotillion Square Dance Club, New York, New York

Reginald Warren, Cornelia Cotillion Square Dance Club, New York, New York

The West Indian American Labor Day Association (Carlos Lezama, 1923-, leader), carnival organizer, New York, New York

Peter Whiteman, 1944-, costume designer, costume band leader, Washington, D.C.

The Wild Tchoupitoulas (Jason Berry, agent), Mardi Gras krewe, New Orleans, Louisiana

Connie Williams, cook, Brooklyn, New York

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1980, Series 3

See more items in:

Smithsonian Folklife Festival records: 1980 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk51e991f8c-e944-4f8c-b8ab-4399b82cc006

EDAN-URL:

ead_component:sova-cfch-sff-1980-ref25

Artist:

Vivian Cherry, 27 Jul 1920 - 4 Mar 2019  Search this

Sitter:

Dorothy Day, 8 Nov 1897 - 29 Nov 1980  Search this

Medium:

Gelatin silver print

Dimensions:

Image: 16 x 23.7cm (6 5/16 x 9 5/16")

Sheet: 27.7 x 35.5cm (10 7/8 x 14")

Mat: 35.6 x 45.7cm (14 x 18")

Type:

Photograph

Date:

1955

Topic:

Interior  Search this

Printed Material\Book  Search this

Artwork\Photograph  Search this

Artwork\Sculpture\Statue  Search this

Architecture\Fireplace  Search this

Costume\Jewelry\Watch\Wrist watch  Search this

Dorothy Day: Female  Search this

Dorothy Day: Society and Social Change\Reformer  Search this

Dorothy Day: Society and Social Change\Reformer\Social reformer  Search this

Dorothy Day: Journalism and Media\Journalist  Search this

Dorothy Day: Society and Social Change\Administrator\Charity administrator\Charity founder  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.93.346

Restrictions & Rights:

Usage conditions apply

Copyright:

© Vivian Cherry

See more items in:

National Portrait Gallery Collection

Exhibition:

The Struggle for Justice Refresh

On View:

NPG, West Gallery 220

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4e31c2fa9-12c4-45de-bd74-07b7af825d21

EDAN-URL:

edanmdm:npg_NPG.93.346

Sculptor:

Lee, William D.  Search this

Architect:

Thompson, Fletcher  Search this

Fabricator:

Milford Concrete Company  Search this

Medium:

Cast concrete, painted white

Culture:

British  Search this

Type:

Sculptures-Outdoor Sculpture

Sculptures-Relief

Sculptures-Architectural component

Sculptures

Owner/Location:

Administered by Fairfield University Physical Plant Maintenance Route 135 Fairfield Connecticut 06430

Located Fairfield University Campion Hall Fairfield Connecticut

Date:

1962

Topic:

Religion--Saint--St. Edmund  Search this

Religion--Martyr  Search this

Ethnic  Search this

State of Being--Other--Imprisonment  Search this

State of Being--Death--Execution  Search this

Allegory--Element--Fire  Search this

Architecture--Detail--Tower  Search this

Dress--Accessory--Cane  Search this

Object--Furniture--Desk  Search this

Object--Musical Instrument--Harp  Search this

Object--Other--Chalice  Search this

Object--Other--Key  Search this

Control number:

IAS CT000242

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_330647

Maker:

Wanzenried, Elyse  Search this

Physical Description:

paper (overall material)

Measurements:

overall: 12 in x 9 in; 30.48 cm x 22.86 cm

Object Name:

poster

Place made:

United States: District of Columbia, Washington

Date made:

2022

Subject:

Supreme Court of the United States  Search this

Abortion  Search this

Women  Search this

Physicians  Search this

Obstetrics  Search this

Gynecology  Search this

Women's Health  Search this

Catholicism  Search this

Pregnancy  Search this

Birth Control/Contraception  Search this

Activism  Search this

Supreme Court of the United States  Search this

Protest march  Search this

Related event:

Roe v. Wade  Search this

Credit Line:

Elyse Wanzenried

ID Number:

2022.0213.01

Catalog number:

2022.0213.01

Accession number:

2022.0213

See more items in:

Medicine and Science: Medicine

Religion

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng4b2c5cdbe-b98b-44e7-a0b0-efd1bf9ea73c

EDAN-URL:

edanmdm:nmah_2021787

Written by:

Henri Gre´goire, French, 1750 - 1831  Search this

Phillis Wheatley Peters, American, ca. 1753 - 1784  Search this

Subject of:

Phillis Wheatley Peters, American, ca. 1753 - 1784  Search this

Medium:

ink on paper with leather and cardboard

Dimensions:

H x W x D: 8 1/8 × 5 1/4 × 13/16 in. (20.6 × 13.4 × 2.1 cm)

Type:

hardcover books

Place printed:

Paris, France, Europe

Date:

1808

Topic:

African American  Search this

Catholicism  Search this

Literature  Search this

Poetry  Search this

Slavery  Search this

Women  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture

Object number:

A2021.113.1.16

Restrictions & Rights:

Public domain

Proper usage is the responsibility of the user.

See more items in:

National Museum of African American History and Culture Collection

Collection title:

Phillis Wheatley Peters Collection

Classification:

Documents and Published Materials-Published Works

Movement:

Anti-slavery movements

Abolitionist movement

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5901506ec-38c6-4c0e-9a1c-ac0f2a7a1274

EDAN-URL:

edanmdm:nmaahc_A2021.113.1.16

Collection Creator:

Thompson, Laura, 1905-2000  Search this

Container:

Box 39

Type:

Archival materials

Collection Restrictions:

Portions of the collection, in particular materials from the Indian Personality, Education and Administration Research Project, are restricted in use.

Access to the Laura Thompson papers requires an appointment.

Collection Rights:

Contact repository for terms of use.

Collection Citation:

Laura Thompson papers, National Anthropological Archives, Smithsonian Institution

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Laura Thompson papers

Laura Thompson papers / Series 7: MANUSCRIPTS AND RESEARCH / 7.3: C: SUBJECT FILES. 1940-1993

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3b4744f57-6661-433d-991c-cc671210a181

EDAN-URL:

ead_component:sova-naa-1983-51-ref895

Collection Creator:

Nakashima, George, 1905-1990  Search this

Container:

Box 1, Folder 9

Type:

Archival materials

Date:

1982 June-December

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

George Nakashima papers, 1950-1991. Archives of American Art, Smithsonian Institution.

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George Nakashima papers

George Nakashima papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97b410418-515a-41c6-bb15-d09f2b99aebf

EDAN-URL:

ead_component:sova-aaa-nakageor-ref32

Creator:

Erevia, Angela (Sister)  Search this

Names:

Catholic Church  Search this

Extent:

0.3 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Compact discs

Videocassettes

Hymnals

Liturgical texts

Hymns

Date:

1985-2000

Summary:

The Quince Años Documentation is a collection of liturgical publications, handbooks, and audiovisual materials created by Sister Angela Erevia, Missionary of Cathecists of Divine Providence and Director of Hispanic Ministry for the Diocese of Dodge City, Kansas. The materials were formulated in order to be shared with the surrounding Catholic community and used as preparatory tools for youth, their families, and religious staff who would be partaking in the Quince Años celebration.

Scope and Contents:

The collection consists of liturgical materials, audiovisual aids, and hymnals developed by Sister Angela Erevia, MCDP, intended for use during the religious observance portion of the Quince Años (fifteenth birthday) celebration. The handbooks and booklets included in the collection are intended to prepare quinceañera/quinceañero youth, their families, and religious staff for the Quince Años celebration while also centering the Catholic faith.

Arrangement:

Collection is arranged into one series. Materials are arranged topically.

Historical Note:

The celebration of Quince Años is a social, coming-of-age event that is held when US Latino and Latin American youth (usually young women) turn fifteen years old to celebrate their societal debut into adulthood. Quince Años are celebrated throughout Latin America and in parts of the United States. Young women celebrating their Quince Años are referred to as quinceañeras, while young men are called quinceañeros. While Quince Años celebrations are not meant to be religious, families of Catholic quinceañeras and quinceañeros who wished to center their Catholic faith as part of the celebration have worked with religious staff to incorporate Catholic elements and practices. Sister Angela Erevia, part of the Missionary Catechists of Divine Providence and current Director of Hispanic Ministry through the Diocese of Dodge City, developed pamphlets and videos to help quinceañera and quinceañero youth, their families, and religious staff prepare for the religious part of the Quince Años celebration.

Separated Materials:

Natalia Flores donated artifacts to the Division of Home and Community Life (now Division of Cultural and Community Life) in 2009. See accession #: 2009.0169.001 (Quinceanera dress worn by Natalia Flores); 2009.0169.002 (Quinceanera shoes worn with the dress); 2009.0169.003 (tiara worn with the Quinceanera dress); and 2009.0169.004 (bouquet (not flowers or dried) carried with the dress).

Provenance:

Donated to the Archives Center by Sister Angela Erevia in 2009.

Restrictions:

Collection is open for research.

Rights:

Copyright for these materials remains the property of the Missionary Catechists of Divine Providence, 2318 Castroville Road, San Antonio, Texas 78237.

Topic:

Catholicism  Search this

Catholic Church -- Liturgy  Search this

Latinos in American society and culture  Search this

Quinceañera (Social custom)  Search this

Genre/Form:

Compact discs

Videocassettes

Hymnals

Liturgical texts

Hymns

Citation:

Quince Años Documentation, 1985-2000, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1163

See more items in:

Quince Años Documentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84728f364-abdd-4e0b-8722-c87592cce797

EDAN-URL:

ead_collection:sova-nmah-ac-1163

Artist:

Cristina Córdova, born Boston, MA 1976  Search this

Medium:

hand built clay and stains

Dimensions:

overall: 27 1/4 × 15 1/8 × 9 3/8 in. (69.2 × 38.4 × 23.8 cm)

Type:

Decorative Arts-Ceramic

Crafts

Date:

2004

Topic:

Figure  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Lorne E. Lassiter and Gary P. Ferraro

Object number:

2021.59

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Renwick Gallery

On View:

Renwick Gallery, 2nd Floor, Room 202

Renwick Gallery, 2nd Floor

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk73796a4a2-e163-4229-9219-cabfa7e635ae

EDAN-URL:

edanmdm:saam_2021.59

Creator:

Takhalov, Suleiman  Search this

Nyabingi Elders  Search this

Performer:

Sukri, Uking  Search this

Sukarna, Ono  Search this

Ibrahim, Lim  Search this

Salilath, Theo  Search this

Manh, Ba  Search this

Van, Tu  Search this

Ma, Son  Search this

Tich, Van  Search this

Zhantsanchoy, D.  Search this

Blanchard, Jean  Search this

Mendoza, Mario  Search this

Khan, Asad Ali, 1937-2011  Search this

Das, Gopal  Search this

Sakalain, Mohamed  Search this

Yadav, Hiralal  Search this

Mansurov, Bahra.m, 1911-1984  Search this

Erguner, Kudsi  Search this

Jrifani, Muhammed  Search this

O-Suwa-Daiko (Musical group)  Search this

Bolonyen Orchestra  Search this

Sabri Brothers  Search this

Mullah Adnan Ensemble  Search this

Collection Creator:

UNESCO  Search this

Extent:

1 Sound disc (digital, 4 3/4 in.)

Culture:

Côte d'Ivoire  Search this

Indonesian  Search this

Laotians  Search this

Vietnamese  Search this

Chinese  Search this

Japanese  Search this

Cameroon  Search this

Côte d'Ivoire  Search this

Africans  Search this

Swiss  Search this

Italians  Search this

French  Search this

Ukrainians  Search this

Argentines  Search this

Brazilians  Search this

Indians of North America  Search this

Canadians  Search this

Pakistanis  Search this

Tibetans  Search this

Azerbaijanis  Search this

Turks  Search this

Iraqis  Search this

Syrians  Search this

Egyptians  Search this

Algerians  Search this

Australians  Search this

Baka (West African people)  Search this

Pygmies  Search this

Senufo (African people)  Search this

Banda (African people)  Search this

Inuit  Search this

Muslims  Search this

Aboriginal Australians  Search this

Type:

Archival materials

Sound discs

Place:

Indonesia -- Songs and music

Java (Indonesia)

Indonesia

Laos

Vietnam

Hong Kong

China

Mongolia

Japan

Cameroon

Africa

Central African Republic

Switzerland

Sicily (Italy)

Italy

France

Ukraine

Argentina

Brazil

Canada

Nunavut

Pakistan

India

Tibet (China)

Azerbaijan

Turkey

Iraq

Syria

Egypt

Algeria

Solomon Islands

Australia

Date:

1971

Contents:

Indonesia : music from west Java -- Laos : traditional music of the south -- Viet Nam : Ca Tru & Quan Ho, traditional music -- Hong Kong : instrumental music -- China : Chuida wind and percussive ensembles -- Mongolia : traditional music -- Japan : Shomyo Buddhist ritual ; O-Suwa-Daiko drums -- Cameroon : Baka pygmy music -- Côte d'Ivoire : a Senufo-Fodonon funerary vigil -- Central African Republic : Banda polyphony -- Switzerland : Zäuerli, yodel of Appenzell -- Sicily : music for the Holy Week -- France : bagpipes of central France -- Ukraine : traditional music -- Argentina : tritonic music of the north-west -- Brazil : the Bororo world of sound -- Canada : Inuit games and songs. (cont) Pakistan : the music of the Qawal -- North India : instrumental music of mediaeval India -- India : North Indian folk music -- Tibetan ritual -- Azerbaijan : Azerbaijani Mugam -- Turkey : the Turkish ney -- Iraq : Iqa'at, traditional rhythmic structures -- Syrian Orthodox Church : Antioch liturgy -- Egypt : Taqāsīm & Layālī, Cairo tradition -- Algeria : Sahara, music of Gourara -- Solomon Islands : Fataleka and Baegu music from Malaita -- Australia : aboriginal music.

Track Information:

101 Kacapi Suling: Semarang and Banjapan / Uking Sukri, Ono Sukarna, Lim Ibrahim. Kacapi (Lute),Suling (Musical instrument),Zither.

102 Lot Fay Tay Lang / Theo Salilath. Khene-Calebass.

103 Coi-Gau / Ba Manh, Tu Van, Son Ma, Van Tich. Flute,Violin. Vietnamese language.

104 Pu Pu Chiao.

105 Taizi You / Chinese language.

106 Music for the Horse-Veile / D. Zhantsanchoy.

107 Dai Hannaya Tendoku E / Japanese language.

108 Suwa-Ikazuchi / O-Suwa-Daiko (Musical group). Japanese language.

109 The Water Drum / Water-drum.

110 Li Fugo Nyige / Bolonyen Orchestra.

111 Eci Ameya.

112 Zauerli: Sung in the Inn / Swahili language.

113 La Quarta Spada / Italian language.

114 Le Retour du Jardinier / Jean Blanchard. Bagpipe. French language.

115 Arcan, The Lasso / Ukrainian language.

116 Toque Abrapampeno / Mario Mendoza. Clarinet.

117 The Bororo World of Sound / Portuguese language.

118 Inuit Games and Songs.

119 Ghazal / Sabri Brothers.

120 Raga Darbari Kanada / Asad Ali Khan, Gopal Das, Mohamed Sakalain. Vina,Pakhavaj (Drum),Lute.

121 Kajri / Hiralal Yadav.

122 Part II / Nyabingi Elders.

123 Mugam Humayun / Bahra.m Mansurov. Tar (Lute).

124 Makam Usshak / Kudsi Erguner. Nea. Turkish language.

101 Mukhalif- Maqam Iraqi / Muhammed Jrifani, Mullah Adnan Ensemble.

126 Communion Chant.

127 Sama'I El Aryan / Suleiman Takhalov.

128 Song of the Meherza with Tebel Drum / Drum.

129 Faa Ta Gwouna.

130 Morning Star/ Pigeon and Rain Songs / Didjeridu.

Local Numbers:

UN-COMM-CD-08100-7

UNESCO.8100

Publication, Distribution, Etc. (Imprint):

Paris, France Audivis 1971

General:

Commercial

"This compact-disc proposes a selection of 10 new recordings and extracts from 20 reissues [in] the collection, in three series: "Music and Musicians of the world", "Anthology of Traditional Music" and "Traditional Music of Today"--Insert. Compact disc. Description of the Unesco collection with discography (32 p.: ill.) inserted in container.

Restrictions:

Restrictions on access. Listening only. No Duplication Allowed.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

World music anthologies  Search this

World music  Search this

Gamelan  Search this

Laos -- Songs and music  Search this

Vietnam -- Songs and music  Search this

Music -- China  Search this

Operas, Chinese  Search this

Music -- Japan  Search this

Africa -- Songs and music  Search this

Yodels  Search this

Italy -- Songs and music  Search this

Religious  Search this

Music -- France  Search this

Brazil -- Songs and music  Search this

Canada -- Songs and music  Search this

American Indian  Search this

Pakistan -- Songs and music  Search this

Qawwālī.  Search this

Music -- India  Search this

Tibet (China) -- Songs and music  Search this

Maqām  Search this

Turkey -- Songs and music  Search this

Chants  Search this

Australia -- Songs and music  Search this

Kacapi (Lute)  Search this

Suling (Musical instrument)  Search this

Zither  Search this

Khene-Calebass  Search this

Flute  Search this

Violin  Search this

Water-drum  Search this

Bagpipe  Search this

Clarinet  Search this

Vina  Search this

Pakhavaj (Drum)  Search this

Lute  Search this

Tar (Lute)  Search this

Nea  Search this

Drum  Search this

Didjeridu  Search this

Shingon (Sect)  Search this

Funeral rites and ceremonies  Search this

Catholicism  Search this

Religion  Search this

Christianity  Search this

Islam  Search this

Buddhism  Search this

World music -- Syria.  Search this

World music -- Pakistan  Search this

Argentina. -- Songs and music  Search this

Indians  Search this

Collection Citation:

UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.UNES, Item UNESCO.8100

See more items in:

UNESCO Collection of Traditional Music of the World records

UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e5375756-e171-4ca0-a04c-8d06871fd13d

EDAN-URL:

ead_component:sova-cfch-unes-ref2094

Creator:

Smithsonian Institution. Festival of American Folklife. Iowa Program 1996 Washington, D.C.  Search this

Flanigan, Sheri (field worker)  Search this

Performer:

Bata, Victoria, 1924-  Search this

Paz, Marcos, 1945-  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

compact audio cassette

1 Sound cassette (analog.)

Culture:

Americans  Search this

Hispanic Americans  Search this

Type:

Archival materials

Sound cassettes

Place:

Iowa

United States

Sioux City (Iowa)

Mexico

Honduras

Date:

1995 December 6

Track Information:

101 Victoria Bata Interview / Victoria Bata.

101 Marco Paz Interview / Marcos Paz.

Local Numbers:

FP-1996-CT-0654-7

Date/Time and Place of an Event Note:

Recorded in: Sioux City (Iowa), United States, Iowa, December 6, 1995.

Restrictions:

Restrictions on access. SI Permission.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Religion  Search this

Catholicism  Search this

Christmas  Search this

Community  Search this

Emigration and immigration  Search this

Sexism  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1996, Item FP-1996-CT-0654

See more items in:

Smithsonian Folklife Festival records: 1996 Festival of American Folklife

Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 3: Iowa - Community Style / Fieldwork

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5d3917386-a844-4750-9e05-08468d79b8e7

EDAN-URL:

ead_component:sova-cfch-sff-1996-ref3229

Creator:

Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this

Schweitzer, E. (field worker)  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

1 Sound recording (compact audio cassette)

analog.

Culture:

Americans  Search this

Type:

Archival materials

Sound recordings

Place:

United States

Washington (D.C.)

Date:

1988 June 24

1988

Local Numbers:

FP-1988-CT-0511

Publication, Distribution, Etc. (Imprint):

United States 1988

General:

MURRAY FESHBACH, MURIEL FESHBACH (EASTERN EUROPE, JUDIAISM, NEW YORK); THERESE DONOHUE (IRELAND, CATHOLICISM, CANADA, NOVA SCOTIA, MICHIGAN) EASTERN EUROPE, JUDIAISM, NEW YORK; IRELAND, CATHOLICISM, CANADA, NOVA SCOTIA, MICHIGAN; TAPE 14

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, June 24, 1988.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Migration  Search this

Emigration and immigration  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1988, Item FP-1988-CT-0511

See more items in:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Fieldwork

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5bb732dde-e404-4664-85f3-766f93157386

EDAN-URL:

ead_component:sova-cfch-sff-1988-ref1758

Creator:

Smithsonian Institution. Festival of American Folklife. Metropolitan Washington Program 1988 Washington, D.C.  Search this

Maloof, P.J. (field worker)  Search this

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Extent:

1 Sound recording (compact audio cassette)

analog.

Culture:

Americans  Search this

Type:

Archival materials

Sound recordings

Place:

United States

Washington (D.C.)

Date:

1988 July 3

1988

Contents:

GLADYS JACKSON BRYANT-LEWIS; SHEILA B. COATES; FRANCES KEENAN ORIG.TAPE #129

Local Numbers:

FP-1988-CT-0642

Publication, Distribution, Etc. (Imprint):

United States 1988

General:

ORAL HISTORY;MIGRATION;AFRO-AMERICAN;VIRGINIA;ANGLO-AMERICAN;CATHOLICISM

Date/Time and Place of an Event Note:

Recorded in: Washington (D.C.), United States, July 3, 1988.

Restrictions:

Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Oral history  Search this

Migration  Search this

Emigration and immigration  Search this

Collection Citation:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1988, Item FP-1988-CT-0642

See more items in:

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 5: Migration to Metropolitan Washington: Making a New Place Home / Fieldwork

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk555991e1f-117e-4071-9bc1-fc122c1e72d1

EDAN-URL:

ead_component:sova-cfch-sff-1988-ref1873