182 Items (typed unbound pages with solid wood covers)
Container:
Box 1, Folder 9
Type:
Archival materials
Diaries
Place:
China
Beijing (China)
China -- Description and Travel
Date:
1925-1926
Scope and Contents note:
Binding removed, 9 ½" x 6". 182 pages. First entry, 30 June 1925. Last entry, 13 March 1926. Inscribed, "The Memoirs of MA". Wood cover. In the introduction, March wrote, "Chronicles of Benjamin" had, for three years, served as a journal, notebook, and record for himself of places he visited. Said that since he's now not alone that it is fitting to rename his notes, "Memoirs of MA." (Chinese name of his family). ["Chronicles of Benjamin" may be found in Series V, subseries B, photo albums.]
Scope and Contents:
A diary typed by the young Chinese art scholar Benjamin March from June 1925 to March 1926 describing his life in China. Events include March's marriage to the author Dorothy Rowe (1898-1969) in Nanjing, their honeymoon in Hangzhou and Suzhou, and their subsequent life in Beijing. March describes hikes through scenic areas in Hangzhou and Beijing; his acquaintance with scholars such as John Calvin Ferguson and Alan Priest; attending performances by Ruth St. Denis and Mei Lanfang, and his work at Yenching University.
The Memoirs of Ma
Biographical / Historical:
East Asian art historian, curator and lecturer, Benjamin Franklin March Jr., was born in Chicago on July 4, 1899 to Benjamin and Isabel March. He studied, lectured, and wrote in the United States and China and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. March was East Asian art lecturer at the University of Michigan, and curator of Asian art at the Detroit Institute of Art. Although he lived only thirty-five years, Benjamin March was a respected and influential scholar of Asian art.
Benjamin March Papers, FSA.A.1995.10. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Judith March Davis, 1995
Scrapbook compiled by Greenbaum relating to various artists; and untranscribed interviews, including two of Herman Somberg conducted by Greenbaum, ca. 1965; two of Greenbaum conducted by Vivienne Wechter, 1961 and 1978; and one of Greenbaum conducted by Hilda Weltman, 1968.
The scrapbook contains photographs of Greenbaum and artists George Segal, Miles Forst, and Willem de Kooning; photographs of works of art by Franz Kline, Willem de Kooning, Chryssa, Isamu Noguchi, Will Barnet, Barbara Hepworth, and Ilya Bolotowsky; sketches by Herman Somberg and Henry Pearson; a sketch of Greenbaum by Hugo Weber; a catalog, "The 30's -- Painting in New York"; clippings; and printed miscellany.
The interviews of Somberg conducted by Greenbaum include one (5 5" tapes) in which Somberg discusses Pop and Op movements; artist's motivations; realism vs. reality and tradition vs. modern art; the elements of structure, texture, composition and pigment in modern art; social commentary in painting; "pure painting"; Jackson Pollock, Franz Kline, and Willem de Kooning; happenings; and Somberg's disdain for art history. In the second interview (1 5" tape), painter Raymond Hendler is also present; they discuss their favorite television shows, an Op exhibition at the Museum of Modern Art, and the meanings of the words "good," "like," "taste," and opinion" in relation to contemporary art.
The interviews of Greenbaum, include: one (on 2 5" tapes), conducted by Hilda Weltman, July 13 & 20, 1968 in which Greenbaum speaks of the conflicts and opportunities of American artists and his views on Pop art, strobe lights, civil rights, religion, existentialism, the Catholic Church, Vietnam, technology, hippies, and demonstrations at Columbia University; one (on 1 7"tape) conducted by Viviene Wechter, 1961 wherein Greenbaum speaks of collecting, art and affordability, abstract art, the arrangement of paintings on walls, his collection, and artists as personalities independent of their aesthetic; and the third, conducted in 1978, also by Wechter (on 1 cassette) for a radio program entitled "Today's World" on FM radio station WFUV.
Biographical / Historical:
Jack Greenbaum: collector and dentist; New York, N.Y. and an intimate friend of Willem de Kooning, Franz Kline, and Hugo Weber. He did their dental work and was given their paintings in payment.
Provenance:
Donated 1978 by Dr. Jack Greenbaum.
Restrictions:
Microfilmed portion (scrapbook) must be consulted on microfilm. Use of untranscribed interviews requires an appointment and is limited to AAA; Washington, D.C. office.
Occupation:
Painters -- New York (State) -- New York Search this
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
This collection is open for research. Access to original papers requires an appointment, and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Laurie Lisle research material on Georgia O'Keeffe and Louise Nevelson, 1902-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
The unprocessed addtion to this collection is currently closed for processing and digitization. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beatrice Wood papers, 1906-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Patterson, Frederick D. (Frederick Douglass), 1901-1988 Search this
Patterson, Wilhelmina Bessie, 1888-1962 Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:
Series 1: Dale-Patterson Family papers
Series 2: Charles Qualls papers
Series 3: Community Organizations
Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Permission to publish, quote, or reproduce must be secured from the repository.
Collection Citation:
Charles Lang Freer Papers. FSA A.01. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Collection is open for research. Access to collection materials requires an appointment.
Collection Rights:
The NMAAHC Media Preservation team can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Collection Citation:
Pearl Bowser Collection, National Museum of African American History and Culture
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Early Aeronautical Newsclippings (Alexander Graham Bell) Collection, Acc. NASM.XXXX.0086, National Air and Space Museum, Smithsonian Institution.
The Quince Años Documentation is a collection of liturgical publications, handbooks, and audiovisual materials created by Sister Angela Erevia, Missionary of Cathecists of Divine Providence and Director of Hispanic Ministry for the Diocese of Dodge City, Kansas. The materials were formulated in order to be shared with the surrounding Catholic community and used as preparatory tools for youth, their families, and religious staff who would be partaking in the Quince Años celebration.
Scope and Contents:
The collection consists of liturgical materials, audiovisual aids, and hymnals developed by Sister Angela Erevia, MCDP, intended for use during the religious observance portion of the Quince Años (fifteenth birthday) celebration. The handbooks and booklets included in the collection are intended to prepare quinceañera/quinceañero youth, their families, and religious staff for the Quince Años celebration while also centering the Catholic faith.
Arrangement:
Collection is arranged into one series. Materials are arranged topically.
Historical Note:
The celebration of Quince Años is a social, coming-of-age event that is held when US Latino and Latin American youth (usually young women) turn fifteen years old to celebrate their societal debut into adulthood. Quince Años are celebrated throughout Latin America and in parts of the United States. Young women celebrating their Quince Años are referred to as quinceañeras, while young men are called quinceañeros. While Quince Años celebrations are not meant to be religious, families of Catholic quinceañeras and quinceañeros who wished to center their Catholic faith as part of the celebration have worked with religious staff to incorporate Catholic elements and practices. Sister Angela Erevia, part of the Missionary Catechists of Divine Providence and current Director of Hispanic Ministry through the Diocese of Dodge City, developed pamphlets and videos to help quinceañera and quinceañero youth, their families, and religious staff prepare for the religious part of the Quince Años celebration.
Separated Materials:
Natalia Flores donated artifacts to the Division of Home and Community Life (now Division of Cultural and Community Life) in 2009. See accession #: 2009.0169.001 (Quinceanera dress worn by Natalia Flores); 2009.0169.002 (Quinceanera shoes worn with the dress); 2009.0169.003 (tiara worn with the Quinceanera dress); and 2009.0169.004 (bouquet (not flowers or dried) carried with the dress).
Provenance:
Donated to the Archives Center by Sister Angela Erevia in 2009.
Restrictions:
Collection is open for research.
Rights:
Copyright for these materials remains the property of the Missionary Catechists of Divine Providence, 2318 Castroville Road, San Antonio, Texas 78237.
Alyhabet [i.e. alphabet] yakama, contenant les prières, les cantiques et le catéchisme dans la même langue à l'usage des enfants de la tribu des Yakamas, sous le patronage des R.R.P.P. Jésuites par L.N. St. Onge prêtre, ex-missionnaire des Yakamas
Title:
Alphabet yakama, contenant les prières, les cantiques et le catéchisme dans la même langue
Sapsikuatpama timash mamachatumki
Author:
St. Onge, L. N (Louis Napoléon) 1842-1901 Search this
Exiles in America: Cuban Pedro Pans and Balseros was an oral history project designed to research and document the journeys and experiences of two distinct immigration/migration experiences of the Cuban diaspora. Steve Valesquez of the National Museum of American History Division of Home and Community Life conducted twelve oral history interviews between 2014-2015. The project was funded by the Consortium for the American Experience. Correspondence written by the interviewees (as children) was transferred, processed, and digitized in 2020 through funds awarded by the Smithsonian Institution's Latino Initiatives Pool.
Scope and Contents:
Exiles in America: Cuban Pedro Pans and Balseros consists of eleven born digital oral history interviews about the journeys and experiences of Cubans who came to the United States as unaccompanied children via Operation Pedro Pan in the early 1960s, and of those who fled the island as balseros—rafters—beginning in the mid-1990s.
There is also supporting documentation in the form of interview transcripts and summaries.
In 2020, correspondence written by some of the interviewees (as children) was transferred from the Division of Cultural and Community Life and digitized.
Arrangement:
The collection is arranged in three series.
Series 1: Oral History Interviews, 2014-2015
Series 2: Supporting Documentation, 2014
Series 3: Correspondence, 1960-1969, undated
Biographical / Historical:
Exiles in America: Memory and the Lived Experiences of Cuban Pedro Pans and Balseros was a collecting initiative that looks at the journeys and experiences of Cubans who came to the United States as unaccompanied children via Operation Pedro Pan in the early 1960s, and of those who fled the island as balseros—rafters—beginning in the mid-1990s. Building on relationships already established with former Pedro Pan children, universities, archives, and museums in Miami, the project conducted research, recorded oral histories, and acquired collections to document the legacy of Cuban migration to the United States. This project was funded by the Consortium for the American Experience in 2014 and was part of the Smithsonian-wide Immigration Initiative and the National Museum of American History exhibit project, Many Voices, One Nation.
Following the Cuban Revolution of 1959, many Cubans became wary of their country's new leader, Fidel Castro, and his Communist regime. Those who opposed the revolution sought ways to keep their family together and "save" their children from Communist indoctrination. This growing sentiment prompted underground forces in Cuba and the Catholic Church in Miami—with later assistance from the State Department—to establish Operation Pedro Pan, an underground exodus of approximately 14,000 unaccompanied Cuban children to the United States, beginning in 1960 and ending in 1962. By 1961, the U.S. government waived all visa requirements for Cuban children and set aside federal money for their care. Under the auspices of Catholic Charities and the Catholic Welfare Bureau, the Miami diocese processed the Cuban children and placed them in shelters (foster care, orphanages, or with family) in forty-seven dioceses in thirty states. In 1962, the Missile Crisis severed all ties between the U.S. and Cuba, halting Operation Pedro Pan; some children waited years to reunite with their parents, others never saw their parents again.
In addition to the State Department's endorsement of Operation Pedro Pan, the federal government enacted policies such as the Cuban Adjustment Act of 1966 that provided federal aid and resources to help Cubans resettle in the United States and become permanent residents. Many scholars, such as Lillian Guerra, argue that these anti-Communist/Cold War policies ultimately influenced Cubans to embrace "Cuban exceptionality" as fundamental to their identities in the U.S.
In the summer of 2014 the project set out to collect stories and objects, via "collecting days" in collaboration with HistoryMiami. The project invited the community members to participate, record their stories, and collect objects (material culture) related to Operation Pedro Pan and balseros, respectively.
The goal was to research and document the journeys and experiences of Pedro Pans and balseros to understand how two distinct immigration/migration experiences of the Cuban diaspora have shaped the larger American and U.S. Latino experiences, affected the identity-formation of Cuban Americans, and how Latinos have shaped the nation.
Three interviews were collected prior to the collecting days (see Family of Voices (AC1365)) in Miami. Three were recorded in Miami. Four were collected in Washington D.C. and two over the phone. Collected by Steve Velasquez, Division of Home and Community Life.
Steve Velasquez
Separated Materials:
The Division of Home and Community Life (now Division of Cultural and Community Life) National Museum of American History, Smithsonian Institution holds artifacts related to this collection.
Provenance:
Made by Steve Velasquez, curator, for the National Museum of American History, Smithsonian Institution in 2014-2015.
Restrictions:
Collection is open for research. Interviews and supporting documentation available only in the Smithsonian Institution Digital Asset Management System (DAMS). Correspondence is available for access (physically and digitally).
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Exiles in America: Cuban Pedro Pans and Balseros, Archives Center, National Museum of American History, Smithsonian Institution.
Sponsor:
The project was funded by the Consortium for the American Experience. The digitization of the addendum materials (Series 3) was made possible through a grant from the Smithsonian Latino Center's Latino Initiatives Pool (2020).
An interview of Walter Nottingham conducted 2002 July 14-18, by Carol Owen, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the studios of Idyllwild Arts, in Idyllwild, California. Nottingham speaks of his enthusiasm for basketball; being an altar boy and, as such, surrounded by beautiful fabrics at an early age; attending St. Cloud State University on the GI Bill; his teachers Jim Crane and Pauline Penning; serving as an art consultant for public schools in Jackson, Michigan; the lasting influence of an exhibition of battle flags at the Metropolitan Museum; articulating aging and decay through self-taught weaving; developing a fiber art program at University of Wisconsin, River Falls; attending Cranbrook Academy of Art and working with Glen Kaufman and Meda Johnson. He discusses specific works including his "Yahooties", that combine both his grandmother's and mother's crochet work; his trip to Mexico City on a National Endowment for the Arts grant in 1974; forming the company Off the Wall with his eldest daughter Karron and their decorative design commissions; the influence of his Catholic upbringing, oriental philosophy, and spirituality in his work; and techniques and materials. Nottingham recalls Shelly Ross, Helen Drutt, Francis Merritt, Don Miller, Lois Moran, Jack Lenor Larsen, Marianne Strengell, Mildred Constantine, Gerhardt Knodel, Lee Nordness, Ed Rossbach, and others.
Biographical / Historical:
Walter Nottingham (1930-2012) is a fiber artist from Hilo, Hawaii. Carol Owen is a fiber artist from Pittsboro, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
