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Cooper-Hewitt - Pop-up book: Popeye with the Hag of the Seven Seas

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2008-12-12T21:16:49.000Z
YouTube Category:
Nonprofits & Activism  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_qxRhg1s2JN8

Daniel Koerner papers

Creator:
Koerner, Daniel, 1909-1977  Search this
Names:
Artists League of America  Search this
Artists' Conference of the Americas (1939 : New York, N.Y.)  Search this
Artists' Union (New York, N.Y.)  Search this
Federal Art Project  Search this
Federal Arts Bill  Search this
International Artists Organization  Search this
United American Artists  Search this
United States. Work Projects Administration  Search this
Barr, Norman, 1908-  Search this
Kent, Rockwell, 1882-1971  Search this
Koerner, Daniel, 1909-1977  Search this
Merrill, Lewis  Search this
Watson, Morris, d. 1972  Search this
Extent:
1.6 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1902-1972
Scope and Contents:
Correspondence; material relating to government support for the arts and to artists' unions and international organizations; cartoons and illustrations; writings; notes; legal documents; clippings; and printed material.
REEL N70-40: Correspondence, 1939-ca. 1948, mostly about alleged government suppression of the arts. Included are 5 letters from Rockwell Kent and 2 from Morris Watson. In addition, there are printed items such as newsletters and bulletins.
REEL 1337: Letters, notes, minutes, address lists, speeches, manuscripts, and printed matter regarding dismissals of WPA-FAP artists, the Woodrum relief bill, support for the Federal Arts Bill (1937-1938), Artists' Union, United American Artists, Artists League of America (and in particular its disaffiliation from the United Office and Professional Workers of America), Artists' Conference of the Americas (1939), and the International Artists Organization (1946-1948). Correspondents include Norman Barr, Lewis Merrill, and Rockwell Kent.
UNMICROFILMED: Original cartoons and illustrations; correspondence; legal documents; writings; notes; clippings; and miscellany.
Biographical / Historical:
Cartoonist, painter; New York, N.Y. Also known as Danotto.
Provenance:
Material on reels N70-40 & 1337 donated 1970-1975 by Daniel Koerner. Unmicrofilmed material donated 1978 by Natalie Nolan and Dr. Cassandra L. Smith, long time friends of Koerner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Cartoonists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Caricatures and cartoons  Search this
Art and state  Search this
Trade unions and the arts -- United States  Search this
Federal aid to the arts  Search this
Function:
Arts organizations
Identifier:
AAA.koerdani
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-koerdani

Denys Wortman papers

Creator:
Wortman, Denys, 1887-1958  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Illustrators
Interviews
Photographs
Date:
1887-1980
Summary:
The papers of cartoonist Denys Wortman measure 2.0 linear feet and date from 1887 to 1980. The collection includes biographical material, correspondence, personal business records, writings, interviews, artwork, printed material, and photographs.
Scope and Contents:
The papers of cartoonist Denys Wortman measure 2.0 linear feet and date from 1887 to 1980. The collection includes biographical material, correspondence, personal business records, writings, interviews, artwork, printed material, and photographs.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1913-1958

Series 2: Correspondence, circa 1911-1980

Series 3: Personal Business Records, 1921-1954

Series 4: Writings, undated, 1918-1927

Series 5: Interviews, undated, circa 1952

Series 6: Artwork, undated, 1919

Series 7: Printed Material, circa 1903-1978

Series 8: Photographs, circa 1887-1956
Biographical / Historical:
Denys Wortman (1887-1958) was an American cartoonist in New York, New York. Born in Saugerties, New York, Wortman studied engineering at Stevens Institute of Technology and at Rutgers College. From 1906-1909, he attended the Chase School of Art in New York City with Kenneth Hayes Miller and classmates George Bellows, Edward Hopper, and Rockwell Kent. Beginning as a landscape painter from the "Gloucester School," Wortman's career changed when his drawings of life as a sailor in World War I were published in the New York Tribune. From 1924-1954, his daily cartoons "Metropolitan Movies" and "Mopey Dick and the Duke" mirrored New York life in the New York World-Tribune.
Separated Materials:
Thirty-five letters to Wortman from friends and colleagues (1910-1957) were microfilmed on reel 3014 and returned to Hilda R. Wortman after microfilming. Letters are from Gifford Beal, James Cagney, Stuart Davis, Guy Pène du Bois, Juliet and Pier Hamilton, Edward and Jo Hopper, Kenneth Hayes Miller, Herbert Satterlee, John Sloan, Austin Strong, Frank Sullivan, William Sulzer, Gluyas Williams, and Mahonri Young. Microfilm reel 3014 is available at Archives of American Art offices and for interlibrary loan, but is not further described in the container listing of this finding aid.
Provenance:
The Denys Wortman papers were donated by Hilda Wortman, Wortman's widow in 1979-1983. Denys Wortman Jr., Wortman's son, donated the Craven interview tape in 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Unfilmed: Authorization to publish, quote or reproduce requires written permission from Denys Wortman, Jr.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Cartoonists -- New York (State) -- New York  Search this
Topic:
Cartooning--New York (State)--New York  Search this
Genre/Form:
Illustrators
Interviews
Photographs
Citation:
Denys Wortman papers, 1887-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortdeny
See more items in:
Denys Wortman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wortdeny

Walt Kuhn Family papers and Armory Show records

Creator:
Kuhn, Walt, 1877-1949  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
International Exhibition of Modern Art  Search this
Kit Kat Club (New York, N.Y.)  Search this
Penguin Club (New York, N.Y.)  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Kuhn, Brenda, 1911-  Search this
Kuhn, Vera, d. 1961  Search this
Oldfield, Otis, 1890-1969  Search this
Pach, Walter, 1883-1958  Search this
Quinn, John, 1870-1924  Search this
Sheeler, Charles, 1883-1965  Search this
Photographer:
Rainford, Percy  Search this
Weston, Edward, 1886-1958  Search this
Extent:
31 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Scrapbooks
Sound recordings
Date:
1859-1984
bulk 1900-1949
Summary:
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.
Scope and Contents note:
The Walt Kuhn Family papers and Armory Show records measure 31 linear feet and date from 1859 to 1984, with the bulk of material dating from 1900 to 1949. Papers contain records of the legendary Armory Show of 1913, also known as the International Exhibition of Modern Art, which introduced modern European painting and sculpture to the American public. Papers also contain records of the Association of American Painters and Sculptors (AAPS), the artist-run organization that mounted the Armory Show; records of the New York artists' clubs the Kit Kat Club (founded 1881) and the Penguin Club (founded 1917); and the personal and family papers of New York artist Walt Kuhn (1877-1949), one of the primary organizers of the Armory Show.

As Secretary for the AAPS, Kuhn retained the bulk of existing records of that organization and of the Armory Show. Minutes and correspondence make up most of the AAPS records (Series 2), as well as documents related to John Quinn's legal brief against a tariff on imported works of living artists. Armory Show Records (Series 1) include personal letters, voluminous business correspondence, a record book, miscellaneous notes, inventories and shipping records, two large scrapbooks, printed materials, a small number of photographs, and retrospective accounts of the show. The printed materials and photographs in Kit Kat Club and Penguin Club Records reflect Kuhn's deep involvement in those clubs.

The Walt Kuhn Family Papers (Series 4) contain records of his artwork, career, travels, personal and professional associations, family members, and work in vaudeville, film, and interior design. Notable among the family papers are illustrated letters and other cartoons; sketches, drawings, watercolors, and prints; candid letters from Walt to Vera Kuhn discussing art scene politics and personalities in New York, Paris, Chicago, Los Angeles, San Francisco, Florida, and the Midwest; general correspondence with artists, dealers, collectors, journalists, writers, models, and fans; notes in index card files containing biographical anecdotes of the Kuhns' many contacts; provenance files that document the origin and fate of Kuhn's paintings, sculptures, and prints; papers relating to Kuhn's exhibitions and his relationships with the Marie Harriman Gallery and Durand-Ruel Gallery; and photographs and drawings depicting Kuhn's early years in Munich, Germany and Fort Lee, New Jersey; trips to Nova Scotia, New England, the Western United States, and Europe; New York and summer studios, among other subjects.
Arrangement:
This collection has been arranged into 4 series, with multiple subseries in Series 1 and 4.

Series 1: Armory Show Records, 1912-1963 (Boxes 1-2, 27-31, 56, OV 36; 3.6 linear feet)

Series 2: Association of American Painters and Sculptors (AAPS) Records, 1911-1914, undated (Box 3; 0.2 linear feet)

Series 3: Kit Kat Club and Penguin Club Records, 1909-1923, undated (Box 3, 32, 56, OVs 37-38; 0.5 linear feet)

Series 4: Walt Kuhn Family Papers, 1859-1984, undated (Box 3-26, 32-35, 56-57, OVs 39-55, 58; 26.7 linear feet)

In general, documents are arranged chronologically, alphabetically, or by type of material. Copy negatives and copy prints made from documents in this collection have been filed separately from originals, in a folder marked "copy." Duplicates of original records made or obtained by the Kuhns have been filed separately as well.

Existing envelopes are filed in front of correspondence and enclosures directly after. Correspondence in the Armory Show Records and AAPS Records is arranged alphabetically, and correspondents are listed in the box inventory following series descriptions below.
Biographical/Historical note:
Walt Kuhn (1877-1949) was an etcher, lithographer, and watercolorist, as well as being a teacher, an advisor to art collectors, an organizer, and a promoter of modern art. He played a key role in the art scene of New York City in the early 20th century, and was among the small group that organized the infamous Armory Show of 1913, officially known as the International Exhibition of Modern Art, held at the 69th Regiment Armory building in New York City. After the Armory Show, Kuhn went on to a distinguished career as a painter. He was best known for his sober oil portraits of show people, clowns, acrobats, and circus performers, but was equally prolific in landscapes, still lifes, and figure and genre drawings.

Walt Kuhn was born in Brooklyn, NY in 1877. After a brief career as a bicycle shop owner in downtown Brooklyn, Kuhn traveled West in 1899 to San Francisco, CA and earned his living as a cartoonist for newspapers such as Wasp. After two years in California, he moved back East and then on to Europe to pursue further art training. He briefly attended the Académie Colarossi studio in Paris, but quickly moved to Munich where he joined the class of Heinrich von Zügel in the Royal Academy.

Kuhn returned to New York City in 1904 and took up an active role in the art scene there, participating in the Salmagundi Club and the Kit Kat Club, teaching at the New York School of Art, and cartooning for Life, Judge, Puck, and other publications. In 1910, he participated in an exhibition of Independent Artists on 35th St. with Robert Henri and met artist Arthur B. Davies.

In 1911, when the National Academy of Design opened their annual exhibition, Kuhn, Henry Fitch Taylor, Elmer MacRae, and Jerome Myers were exhibiting at Clara Potter Davidge's Madison Gallery. To these four young artists, the Academy exhibition was typically lackluster, and the attention it received was unwarranted. Sensing that they were not alone in their attitude, they decided to organize. They invited a dozen other artists to join them, thus forming the Association of American Painters and Sculptors (AAPS). The group elected Kuhn Secretary and Arthur B. Davies President, and with the help of attorney and art collector John Quinn, they incorporated and began raising funds for an independent exhibition the following year.

In September of 1912, at Davies' suggestion, Kuhn traveled to Cologne, Germany to view the Sonderbund Internationale Kunst-Austellung. There he saw presented, in overwhelming volume, the work of his European contemporaries and their modern antecedents, the post-impressionists. He immediately began selecting and securing artwork for the upcoming AAPS exhibition. Kuhn traveled through Germany, Holland, France, and England, visiting private collectors, dealers, and artists. In Paris, Kuhn was joined by Davies and American artist and art agent Walter Pach. Kuhn and Davies sailed for New York in November, leaving the details of European arrangements to Pach.

The resulting Armory Show exhibition opened in New York in February 1913, and a selection of the foreign works traveled to Chicago and Boston in March and April. It included approximately 1300 American and European works of art, arranged in the exhibition space to advance the notion that the roots of modernism could be seen in the works of the old masters, from which the dramatically new art of living artists had evolved. Savvy and sensational publicity, combined with strategic word-of-mouth, resulted in attendance figures over 200,000 and over $44 thousand in sales. The Armory Show had demonstrated that modern art had a place in the public taste, that there was a market for it and legitimate critical support as well.

During the first World War, Kuhn stayed in NY and was active in the Kit Kat Club, an artists' club founded in 1881, which provided its members with collective studio space, live models, exhibitions, and an annual costume ball. In 1917, Kuhn founded another group called the Penguin Club, which had similar objectives to the Kit Kat Club, but with Kuhn himself as the gatekeeper. In addition to exhibitions and costume balls, the Penguin Club held summer outings and stag dinners, and maintained collective studio and exhibition space on East 15th Street in Manhattan. Its members included Americans and European artists displaced by the war in Europe. In the 1920s, Kuhn expanded a few sketches he had written for Penguin Balls into full-blown vaudeville productions, some of which were incorporated into larger musical revues such as The Merry Go Round and The 49ers and traveled around the country. Kuhn's theater work continued until 1928, and his fascination with show business continued to influence him throughout his life.

In the 1920s and 1930s, Kuhn gradually achieved recognition for his artwork, with sales to private collectors and dealers including Edith Halpert, Merritt Cutler, Lillie Bliss, John Quinn, and Marie Harriman. Kuhn also promoted other young painters whose work he liked, including Otis Oldfield, Lily Emmet Cushing, John Laurent, Frank di Gioia, and the self-taught Vermont artist Patsy Santo. Sometimes artists would contact him by mail, asking for lessons or advice. His lengthy letters to students offer coaching in technique and subject matter, as well as in the overall problem of success in art.

In 1929, Kuhn moved into the 18th St. studio that he would keep until the end of his life. He kept a rack of costumes in the studio, mostly made by Vera Kuhn, and his models, many of them stage and circus performers, would come and sit for Kuhn's portraits. The same year his painting The White Clown was exhibited at the newly established Museum of Modern Art in New York, bringing intense publicity and sales interest. Around this time, Kuhn began to receive the support of collector Duncan Phillips and curator Juliana Force of the Whitney Museum of American Art, both of whom made purchases and consistently exhibited his work.

Marie Norton Whitney Harriman, second wife of railroad magnate and diplomat W. Averell Harriman, shared a professional liaison with Kuhn that would take many forms and last until his death. Soon after the success of The White Clown, Kuhn established a relationship with the Marie Harriman Gallery, where he participated in group and solo shows during the height of his career. Kuhn also traveled with the Harrimans to Europe in 1931, where the three visited important private collections and acquired many valuable modern paintings for the Harrimans. Their collection, so heavily influenced by Kuhn's ideas about art, would eventually go to the National Gallery of Art.

Kuhn was an artist who understood the art business and never shied away from it. For Kuhn, promoting the ideas and practitioners of a certain brand of modernism was an expression of both aesthetic ideology and pragmatic self-interest. His contribution to the public discourse on modernism situated his own work at the heart of art history and the marketplace. Regardless of his motivations, he was indisputably a key player at a pivotal time in American art, when academic art was riotoulsy overturned to make way for modernism. His paintings are now held in major museum collections around the country, where most of them arrived with bequests from the collectors Kuhn had cultivated so carefully in his lifetime.

Sources consulted for this biography include The Story of the Armory Show (1988) by Milton W. Brown, Walt Kuhn, Painter: His Life and Work (1978) by Philip Rhys Adams, and "Walt Kuhn" by Frank Getlein, in the 1967 catalog of the Kennedy Galleries, Inc.
Related Archival Materials note:
The Archives of American Art holds the papers of Walter Pach, the European representative of the Armory Show.
Provenance:
The Walt Kuhn Family papers and Armory Show records were loaned for microfilming and later donated to the Archives of American Art by Walt Kuhn's daughter Brenda Kuhn in several installments between 1962 and 1979. An additional accession of letters, photographs, and an artifact was purchased by the Archives in 2000. Another addition was donated by Terry DeLapp, Kuhn's dealer, in 2015.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Etchers -- New York (State) -- New York  Search this
Watercolorists -- New York (State) -- New York  Search this
Lithographers -- New York (State) -- New York  Search this
Topic:
New York school of art  Search this
Modernism (Art)  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Drawings
Diaries
Scrapbooks
Sound recordings
Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kuhnwalt
See more items in:
Walt Kuhn Family papers and Armory Show records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuhnwalt
Online Media:

Emily Nathan papers, circa 1943-1985

Creator:
Nathan, Emily S., 1907-1999  Search this
De Creeft, José, 1884-1982  Search this
Nathan, Emily S., 1907-1999  Search this
Subject:
Spyropoulous, Jannis  Search this
Johns, Jasper  Search this
Rothko, Mark  Search this
Smith, Tony  Search this
Namuth, Hans  Search this
McLanathan, Richard B. K.  Search this
Woolfenden, William E. (William Edward)  Search this
De Creeft, José  Search this
Hirshhorn, Joseph H.  Search this
Towle Mfg. Company  Search this
Smithsonian Institution  Search this
Archives of American Art  Search this
Type:
Sound recordings
Interviews
Topic:
Roosters -- Pictorial works  Search this
Roosters -- Anecdotes  Search this
Caricatures and cartoons  Search this
Art, American  Search this
Inventors -- Interviews  Search this
Archives -- Public relations  Search this
Museums -- Public relations  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Art and industry  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)8071
(DSI-AAA_SIRISBib)210242
AAA_collcode_nathemil2
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210242

Oral history interview with Saul Steinberg, 1973 March 27

Interviewee:
Steinberg, Saul, 1914-1999  Search this
Steinberg, Saul, 1914-1999  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painting, Modern -- New York (State) -- New York  Search this
Cartooning -- New York (State) -- New York  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12730
(DSI-AAA_SIRISBib)213135
AAA_collcode_steinb73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213135

Oral history interview with Saul Steinberg, 1971

Interviewee:
Steinberg, Saul, 1914-1999  Search this
Steinberg, Saul, 1914-1999  Search this
Interviewer:
Glueck, Grace  Search this
Type:
Interviews
Topic:
Art, American  Search this
Painting, Modern -- 20th century -- History -- New York (State) -- New York  Search this
Cartooning -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)12966
(DSI-AAA_SIRISBib)213137
AAA_collcode_steinb71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213137

Oral history interview with Hananiah Harari, 1992 Sept. 24-Oct. 15

Interviewee:
Harari, Hananiah, 1912-2000  Search this
Harari, Hananiah, 1912-2000  Search this
Interviewer:
Stavitsky, Gail, 1954-  Search this
Subject:
Davis, Stuart  Search this
Emanuel, Herzl  Search this
Type:
Sound recordings
Interviews
Topic:
Political cartoons  Search this
Commercial art  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)12622
(DSI-AAA_SIRISBib)214897
AAA_collcode_harari92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214897
Online Media:

Oral history interview with Fritz Eichenberg, 1964 December 3

Interviewee:
Eichenberg, Fritz, 1901-1990  Search this
Eichenberg, Fritz, 1901-1990  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Grosz, George  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Illustrators -- Rhode Island -- Interviews  Search this
Printmakers -- Rhode Island -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12479
(DSI-AAA_SIRISBib)213440
AAA_collcode_eichen64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213440

Oral history interview with William Gropper, 1965 June 12

Interviewee:
Gropper, William, 1897-1977  Search this
Gropper, William, 1897-1977  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12374
(DSI-AAA_SIRISBib)214197
AAA_collcode_groppe65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214197

Denys Wortman papers, 1887-1980

Creator:
Wortman, Denys, 1887-1958  Search this
Wortman, Denys, 1887-1958  Search this
Type:
Illustrators
Interviews
Photographs
Topic:
Cartooning--New York (State)--New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9370
(DSI-AAA_SIRISBib)211566
AAA_collcode_wortdeny
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211566

Stuyvesant Van Veen papers, circa 1926-1988

Creator:
Van Veen, Stuyvesant, 1910-1988  Search this
Van Veen, Stuyvesant, 1910-1988  Search this
Subject:
Avery, Frances  Search this
United States Information Agency  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Caricatures and cartoons -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9250
(DSI-AAA_SIRISBib)211445
AAA_collcode_vanveen
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211445

Jack Tworkov papers, circa 1926-1993

Creator:
Tworkov, Jack, 1900-1982  Search this
Tworkov, Jack, 1900-1982  Search this
Subject:
Forge, Andrew  Search this
Dickinson, Edwin Walter  Search this
Demarco, Ricky  Search this
Knaths, Karl  Search this
Katz, Paul  Search this
Herzbrun, Helene  Search this
Hartigan, Grace  Search this
Bartlett, Jennifer  Search this
Ashton, Dore  Search this
Ashbury, John  Search this
Cézanne, Paul  Search this
Cavallon, Giorgio  Search this
Calfee, William H. (William Howard)  Search this
Blinken, Donald M.  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Westenberger, Theo  Search this
Summerford, Joe  Search this
Thorne, Joan  Search this
Matter, Herbert  Search this
Lindeberg, Linda  Search this
Osborn, Robert Chesley  Search this
Newman, Arnold  Search this
Newman, Michael  Search this
Wise, Howard  Search this
Wheeler, Dennis  Search this
Yunkers, Adja  Search this
Rothko, Mark  Search this
Egan Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Nancy Hoffman Gallery  Search this
Leo Castelli Gallery  Search this
Poindexter Gallery  Search this
Zabriskie Gallery  Search this
Type:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)13402
(DSI-AAA_SIRISBib)211452
AAA_collcode_tworjack2
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211452
Online Media:

Ad Reinhardt papers, 1927-1968

Creator:
Reinhardt, Ad, 1913-1967  Search this
Reinhardt, Ad, 1913-1967  Search this
Subject:
Brooklyn College  Search this
United States. Works Progress Administration  Search this
Type:
Scrapbooks
Topic:
Works of art  Search this
Art, Modern  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)5659
(DSI-AAA_SIRISBib)208493
AAA_collcode_reinad
Theme:
Diaries
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208493
Online Media:

William Gropper letter to Jane SoRelle, 1964

Creator:
Gropper, William, 1897-1977  Search this
Gropper, William, 1897-1977  Search this
Subject:
SoRelle, Jane  Search this
Topic:
Art -- Political aspects  Search this
Painting -- Social conditions -- New York (State)  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5711
(DSI-AAA_SIRISBib)208549
AAA_collcode_gropwill2
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208549

Margarita Gibbons papers, 1938-1975

Creator:
Gibbons, Margarita, 1900 or 6-1976  Search this
Gibbons, Margarita, 1900 or 6-1976  Search this
Subject:
Getz, Arthur  Search this
Type:
Scrapbooks
Sketchbooks
Topic:
Women painters -- New York (State) -- New York  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8968
(DSI-AAA_SIRISBib)211155
AAA_collcode_gibbmarg
Theme:
Sketches & Sketchbooks
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211155

Reginald Marsh papers, 1897-1955

Creator:
Marsh, Reginald, 1898-1954  Search this
Marsh, Reginald, 1898-1954  Search this
Subject:
Marsh, Felicia Meyer  Search this
Kuniyoshi, Yasuo  Search this
Benton, William  Search this
Woodhouse, Betty Burroughs  Search this
Schmidt, Katherine  Search this
Powys, Llewelyn  Search this
Marsh, Fred Dana  Search this
Type:
Photographs
Diaries
Sketchbooks
Topic:
Etchers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Painting, American  Search this
Painting -- Technique  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9072
(DSI-AAA_SIRISBib)211265
AAA_collcode_marsregi
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211265
Online Media:

Fred Nankivel papers, 1899-1973

Creator:
Nankivel, Fred, 1876-1950  Search this
Nankivel, Fred, 1876-1950  Search this
Subject:
Newell, Peter  Search this
Cooke, Claudine Nankivel  Search this
Topic:
Artists as authors -- New York (State) -- New York  Search this
Artists' illustrated books -- New York (State) -- New York  Search this
Caricatures and cartoons -- New York (State) -- New York  Search this
Illustrated books, Children's  Search this
Painting, Modern -- 20th century -- New England  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9078
(DSI-AAA_SIRISBib)211271
AAA_collcode_nankfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211271

Thomas Nast drawings, [ca. 1864-1902]

Creator:
Nast, Thomas, 1840-1902  Search this
Nast, Thomas, 1840-1902  Search this
Type:
Drawings
Topic:
Caricatures and cartoons -- New York (State) -- New York  Search this
Political cartoons -- New York (State) -- New York  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)9079
(DSI-AAA_SIRISBib)211272
AAA_collcode_nastthod
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211272

George Benjamin Luks papers, 1902-1961

Creator:
Luks, George Benjamin, 1866-1933  Search this
Luks, George Benjamin, 1866-1933  Search this
Subject:
Huneker, James  Search this
Topic:
Painting, Modern -- New York (State) -- New York  Search this
Caricatures and cartoons -- Pennsylvania -- Philadelphia  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)9186
(DSI-AAA_SIRISBib)211381
AAA_collcode_luksgeor
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211381

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