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Cartoon for a Woven Carpet

Medium:
Brush and gouache on heavy paper, lined
Type:
textile designs
Drawing
Object Name:
Drawing
Made in:
France
Date:
ca. 1848
Credit Line:
Gift of John Judkyn
Accession Number:
1954-23-11
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1954-23-11

Bill Clinton and Bob Dole

Alternate Title:
Daddy Dole
Artist:
Patrick Oliphant, born 1935  Search this
Sitter:
William Jefferson Clinton, born 19 Aug 1946  Search this
Robert Joseph Dole, born 22 Jul 1923  Search this
Medium:
India ink over graphite with white correction fluid on paper
Dimensions:
Sheet: 29.1 x 43.1cm (11 7/16 x 16 15/16")
Type:
Drawing
Date:
1993
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Headgear\Hat\Cap  Search this
Printed Material\Newspaper  Search this
Caricature  Search this
Cartoon  Search this
Cartoon\Political  Search this
William Jefferson Clinton: Male  Search this
William Jefferson Clinton: Law and Law Enforcement\Lawyer  Search this
William Jefferson Clinton: Education\Educator\Professor\University  Search this
William Jefferson Clinton: Politics and Government\President of US  Search this
William Jefferson Clinton: Politics and Government\Governor\Arkansas  Search this
William Jefferson Clinton: Politics and Government\State Attorney General\Arkansas  Search this
William Jefferson Clinton: Presidential Medal of Freedom  Search this
Robert Joseph Dole: Male  Search this
Robert Joseph Dole: Politics and Government\Presidential Candidate  Search this
Robert Joseph Dole: Politics and Government\US Senator\Majority Leader  Search this
Robert Joseph Dole: Politics and Government\US Senator\Kansas  Search this
Robert Joseph Dole: Military\Officer  Search this
Robert Joseph Dole: Politics and Government\US Congressman\Kansas  Search this
Robert Joseph Dole: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Susan Conway Gallery, in honor of the artist, Patrick Oliphant
Object number:
NPG.2005.152
Restrictions & Rights:
Usage conditions apply
Copyright:
© Pat Oliphant
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm45c0f393b-ecc4-4d94-9bcd-3bdb8a358f06
EDAN-URL:
edanmdm:npg_NPG.2005.152
Online Media:

Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
P.H. Polk, 1898-1984  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-074
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Dale-Patterson Family collection digital asset number 1
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Jane Wade papers regarding Curt Valentin

Creator:
Wade, Jane, 1925-  Search this
Names:
Buchholz Gallery (New York, N.Y.)  Search this
Curt Valentin Gallery (New York, N.Y.)  Search this
Fine Arts Associates  Search this
Universität Hamburg  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Ben-Zion  Search this
Butler, Reg, 1913-1981  Search this
Calder, Alexander, 1898-1976  Search this
Cox, Jan, 1919-1980  Search this
Feininger, Lyonel, 1871-1956  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Gerson, Otto  Search this
Hepworth, Barbara, Dame, 1903-1975  Search this
Kahnweiler, Daniel Henry, 1884-  Search this
Knaths, Karl, 1891-1971  Search this
Kolbe, Georg, 1877-1947  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marcks, Gerhard  Search this
Marini, Marino, 1901-1980  Search this
Masson, André, 1896-1987  Search this
Moore, Henry, 1898-1986  Search this
Odets, Clifford, 1906-1963  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Picasso, Pablo, 1881-1973  Search this
Pickens, Alton  Search this
Pickhardt, Carl E.  Search this
Piper, John, 1903-  Search this
Roesch, Kurt, 1905-  Search this
Smith, David, 1906-1965  Search this
Sutherland, Graham Vivian, 1903-  Search this
Valentin, Curt, 1902-1954  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Sketches
Date:
1903-1971
Summary:
The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.
Scope and Contents:
The Jane Wade papers regarding art dealer and New York gallery owner Curt Valentin, measure 0.6 linear feet and date from 1903-1971. This small collection consists of papers donated by former Curt Valentin Gallery employee Jane Wade, which provide scattered documentation of Valentin's life and exhibitions at the Buchholz Gallery (renamed Curt Valentin Gallery in 1951) including biographical material, correspondence from artists Valentin represented, writings and notes, lists documenting clients, exhibitions held, and artwork by Picasso sold by the gallery, clippings of obituaries for Valentin, and a complete set of Buchholz Gallery exhibition catalogs from 1937-1948.

Valentin's biographical material is in German and includes his baptismal certificate, a report book from Hamburg University, a letter of recommendation from Commetersche Kunsthandlung, a 1937 permit authorizing Valentin to buy and sell the work of German artists outside Germany, and his 1950 passport.

Valentin's correspondence is primarily with artists and includes letters from Ben-Zion, Reg Butler, Alexander Calder, Jan Cox, Lyonel Feininger, John Flannagan, Barbara Hepworth, Karl Knaths, Gerhard Marcks, André Masson, Henry Moore, Clifford Odets, Carl Pickhardt, Alton Pickens, John Piper, Kurt Roesch, and Graham Sutherland. There are also photocopies of three letters in German from Georg Kolbe. Many of the letters are substantial and provide details about the artists and their work. Also found are a letter vouching for Valentin's loyalty to the United States from Alfred Barr, and two 1942 letters from France from art dealer Henry Kahnweiler, containing news of European artists including Picasso and André Masson.

Jane Wade's correspondence extends to her time working for Otto Gerson at Fine Arts Associates, and includes letters from some of the artists whose work was handled by Curt Valentin, including Alexander Calder, Lois Dailey, and Henry Moore. There are also thirteen letters and telegrams from David Smith, with some responses from Jane Wade and Otto Gerson, which document exhibitions and details of his artist-dealer relationship with Gerson and include sketches of his sculpture with information about prices. Also found in Wade's correspondence are letters from Gertrude Lennart and Marino Marini. Lennart describes the last days of Valentin's life as she accompanied him on a visit to Marini in Italy in August 1954.

There are three folders of condolence letters written upon Valentin's death, from artists, museum and gallery professionals, and other colleagues and friends.

Writings and notes include two appreciations of Valentin written after his death by André Masson and Henry Moore, and a sheet of notes written by John Flannagan with an accompanying note entitled "Some of Johns' thoughts...."

Printed material is comprised of news clippings of obituaries and reviews of a memorial exhibition for Valentin, in addition to a complete set of bound exhibition catalogs for Buchholz Gallery from 1937-1948. Also found is a bound collection of 1929 exhibition catalogs for Galerie Alfred Flechtheim.

Artwork includes a Christmas card from Valentin designed by an artist whose name is illegible; a print by Gerhard Marcks; and a colored pencil sketch of "127 Evil Eye II" on Curt Valentin letter head, with an address on the Rue de Seine written beside it.

Photographs include two of Valentin in his gallery and two of an unidentified woman, possibly Jane Wade, in the gallery; a folder of photographs of Valentin's apartment showing his art collection; a photo of a Robert Osborn cartoon about Valentin; and a photo of "Portrait of Curt Valentin" by Jacques Lipchitz.
Arrangement:
The collection is arranged as a single series.

Series 1: Jane Wade Papers Regarding Curt Valentin, 1903-1971 (0.6 linear feet; Boxes 1-2)
Biographical / Historical:
Born in Germany in 1902, modern art dealer Curt Valentin immigrated to the United States in 1937 where he opened the Buchholz Gallery on West Forty-sixth Street in New York city. After two years he moved the gallery to West Fifty-seventh Street and in 1951 it was renamed the Curt Valentin Gallery.

Valentin's first job was with Alfred Flechtheim, the leading dealer in modern art in Berlin at that time. In 1934 he began working with Karl Buchholz in Hamburg, selling modern art classified as degenerate by the Nazi government from the rear of Buchholz's bookstore. In 1937 Valentin was granted a permit from the Reichskammer der bildenden Kunste in Berlin to purchase and sell German artwork outside of Germany. He left Germany that same year with a number of pictures and came to the United States.

Valentin was a widely respected dealer who specialized in modern paintings, sculpture, and prints, and handled the work of major artists including Alexander Calder, John Flannagan, Gerhard Marcks, Marino Marini, and Henry Moore.

Valentin died suddenly of a heart attack at the age of 52, while visiting Mario Marini in Italy in 1954.

Jane Wade was employed as Valentin's assistant and continued to help run the Curt Valentin Gallery after his death, until it closed in 1955. She then worked for Otto Gerson at Fine Arts Associates, where she helped to handle the works of some of the artists previously represented by Valentin.
Related Materials:
The bulk of Curt Valentin's papers are held by the Museum of Modern Art Archives.
Provenance:
The Jane Wade papers were donated by Jane Wade in 1976. The catalogs of exhibitions organized by Curt Valentin were donated in 1977 by Jane Wade. In 2018 the two collections were merged and named the Jane Wade papers regarding Curt Valentin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Gallery owners -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century  Search this
Genre/Form:
Photographs
Prints
Sketches
Citation:
Jane Wade papers regarding Curt Valentin, 1903-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wadejane
See more items in:
Jane Wade papers regarding Curt Valentin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wadejane
Online Media:

Jane Wade Papers Regarding Curt Valentin

Collection Creator:
Wade, Jane, 1925-  Search this
Extent:
0.6 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1903-1971
Scope and Contents:
Valentin's biographical material is in German and includes his baptismal certificate, a report book from Hamburg University, a letter of recommendation from Commetersche Kunsthandlung, a 1937 permit authorizing Valentin to buy and sell the work of German artists outside Germany, and his 1950 passport.

Valentin's correspondence is primarily with artists and includes letters from Ben-Zion, Reg Butler, Alexander Calder, Jan Cox, Lyonel Feininger, John Flannagan, Barbara Hepworth, Karl Knaths, Gerhard Marcks, André Masson, Henry Moore, Clifford Odets, Carl Pickhardt, Alton Pickens, John Piper, Kurt Roesch, and Graham Sutherland. There are also photocopies of three letters in German from Georg Kolbe. Many of the letters are substantial and provide details about the artists and their work. Also found are a letter vouching for Valentin's loyalty to the United States from Alfred Barr, and two 1942 letters from France from art dealer Henry Kahnweiler, containing news of European artists including Picasso and André Masson.

Jane Wade's correspondence extends to her time working for Otto Gerson at Fine Arts Associates, and includes letters from some of the artists whose work was handled by Curt Valentin, including Alexander Calder, Lois Dailey, and Henry Moore. There are also thirteen letters and telegrams from David Smith, with some responses from Jane Wade and Otto Gerson, which document exhibitions and details of his artist-dealer relationship with Gerson and include sketches of his sculpture with information about prices. Also found in Wade's correspondence are letters from Gertrude Lennart and Marino Marini. Lennart describes the last days of Valentin's life as she accompanied him on a visit to Marini in Italy in August 1954.

There are three folders of condolence letters written upon Valentin's death, from artists, museum and gallery professionals, and other colleagues and friends.

Writings and notes include two appreciations of Valentin written after his death by André Masson and Henry Moore, and a sheet of notes written by John Flannagan with an accompanying note entitled "Some of Johns' thoughts...."

Printed material is comprised of news clippings of obituaries and reviews of a memorial exhibition for Valentin, in addition to a complete set of bound exhibition catalogs for Buchholz Gallery from 1937-1948. Also found is a bound collection of 1929 exhibition catalogs for Galerie Alfred Flechtheim.

Artwork includes a Christmas card from Valentin designed by an artist whose name is illegible; a print by Gerhard Marcks; and a colored pencil sketch of "127 Evil Eye II" on Curt Valentin letter head, with an address on the Rue de Seine written beside it.

Photographs include two of Valentin in his gallery and two of an unidentified woman, possibly Jane Wade, in the gallery; a folder of photographs of Valentin's apartment showing his art collection; a photo of a Robert Osborn cartoon about Valentin; and a photo of "Portrait of Curt Valentin" by Jacques Lipchitz.
Arrangement:
Papers are grouped by type. Correspondence is arranged alphabetically and includes notes at the folder level of correspondents found in each folder.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jane Wade papers regarding Curt Valentin, 1903-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wadejane, Series 1
See more items in:
Jane Wade papers regarding Curt Valentin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wadejane-ref226

Printed Materials

Collection Creator:
Parsons, Betty  Search this
Type:
Archival materials
Date:
circa 1920-1991
Scope and Contents note:
Printed Material includes catalogs and announcements for exhibitions at Betty Parsons Gallery and other galleries, offsets of articles, magazines, clippings from newspapers and magazines.

Announcements and catalogs files include printed material from the Wakefield Gallery, Mortimer Brandt Gallery, Betty Parsons Gallery, as well as other galleries. Much of this material is duplicated in other series including Artists Files and Other Gallery Records.

The bulk of magazine and newspaper clippings feature Betty Parsons in her role as artist, art dealer, or collector. The file of the 1967 House and Garden feature on her Long Island Studio includes photographs, some of which appear to have been used in the article. This subseries also includes clippings on artists, particularly those whom Parsons represented, general art and architecture files, files of clippings and cartoons on miscellaneous subjects, presumably of interest to Parsons, and a video recording about the I Ching.
Series Restrictions:
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parsbett, Subseries 7.7
See more items in:
Betty Parsons Gallery records and personal papers
Betty Parsons Gallery records and personal papers / Series 7: Betty Parsons Personal Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref1659

Harry Salpeter papers

Creator:
Salpeter, Harry  Search this
Names:
Harry Salpeter Gallery  Search this
Burliuk, David, 1882-1967  Search this
Extent:
5.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1934-1967
Scope and Contents:
Diaries, correspondence, photographs, writings, scrapbook, exhibition materials, and printed materials.
UNMICROFILMED: Two stock books of the Harry Salpeter Gallery, Inc.; 13 bound copies of articles by Salpeter; a drawing; a manuscript of DR. JOHNSON AND MR. BOSWELL; 11 cartoons by Herb Kruckman; correspondence with artists and friends, including 8 postcards and 2 letters from David Burliuk, 1946-1957; photographs; writings, including articles for magazines; a scrapbook; exhibition catalogs; clippings; and books.
REEL 690-691: Diaries, January 1956-November 1967.
Biographical / Historical:
Writer, art critic, gallery owner; New York, N.Y.; b. 1895; d. 1967; owner of the Harry Salpeter Gallery; New York, N.Y.
Provenance:
Donated 1960-1973 by Salpeter and, after his death in 1967, by his widow, Rebecca Salpeter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Gallery owners  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art criticism -- New York (State) -- New York  Search this
Identifier:
AAA.salpharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salpharr

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Drawing--Study and teaching  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Women painters  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Anna Walinska papers digital asset number 1
  • View Anna Walinska papers digital asset number 2
Online Media:

[Early Russian Military Balloons]

Author:
Postnikov, F. A.  Search this
Alexandrov, Andrei  Search this
Smirnov, Alexander  Search this
Roduych, Alex. A.  Search this
Collection Creator:
Hardesty, Von, 1939-  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Text
Date:
1904-1992
Scope and Contents:
Multiple articles (photocopies):

F. A. Postnikov, "A Military Reconnaissance in a Balloon During the Russo-Japanese War," -- Aeronautics -- 2, May 1908, pp.18-19.

Alexander Alexandrov and A. Smirnov, "Russian Balloons in the Russo-Japanese War," -- W.W.I Aero -- 136, April 1992, pp.43-47.

Alex. A. Roduych, "Kurzer Abriß der Geschichte der russischen Luftschiffahrt," -- Österreichische Flug-Zeitschrift -- , May 17, 1912, pp.209-210; reprinted from -- Topograph. Geodät. Journal -- 5 (1911).

"You're too much for us on land and sea, but just wait until we get you up in the air" [cartoon] -- Life -- 43, June 23, 1904, p.611.

F. A. Postnikov, "Notes of a Russian Military Aeronaut on the Application of Ballooning to Land and Naval Warfare," -- American Magazine of Aeronautics -- 1, November 1907, pp.25-27 (2 copies).

"Napoleon and an Airship," -- Times -- (Buffalo, NY), June 17, 1908.

"Count 'Took' Austrian's Ideas for His Zeppelins," unidentified newspaper article, February 20, 1915.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Russian Aeronautical Collection, ACC. 2006-0034, National Air and Space Museum, Smithsonian Institution.
See more items in:
Russian Aeronautical Collection
Russian Aeronautical Collection / Series 1: Imperial Russia (1885-1917)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2006-0034-ref113

What a Fellowship, a cartoon collection, Gralley, Jean

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 179, Folder 15
Type:
Archival materials
Date:
1993
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 24: Universal Fellowship of Metropolitan Community Churches (UFMCC)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2956

"Mother", photographic print and cartoon strip

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 101, Folder 34
Type:
Archival materials
Prints
Date:
undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York / 15.1: Photographs, Photographic Negatives, and Slides
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1387

Warrenton -- Warrenton Country School

Former owner:
Bouligny, Lea Marie  Search this
Landscape architect:
Williams, Bradford  Search this
Provenance:
The Warrenton Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Digital images
Lantern slides
Photographic prints
Place:
Warrenton Country School (Warrenton, Virginia)
United States of America -- Virginia -- Fauquier County -- Warrenton
Scope and Contents:
The folder includes articles and 7 reference prints of the digital images.
General:
Warrenton Country School was a private academy for female students that operated between the years 1915 and 1950. Originally the site was a 13-acre parcel with a clubhouse and tennis court. By the time the site was sold it had grown to 16.5 acres through the additions of small land purchases. There were eleven buildings described as having characteristics of Tudor revival, Colonial revival, Craftsman and French eclectic styles. Boston landscape architect Bradford Williams was engaged to design the landscape, and the owner and headmistress of the school was a gardening enthusiast. The grounds included borders with boxwood, daisies and roses, a small stone cottage, probably a staff member's residence, with clipped tree standards and window boxes, and ornate cast iron furniture in the grape pattern. A waterway could have been the Rappahannock River or a creek in the Potomac River watershed. The grounds were open to the public during the school's operational years, but the property was closed after it was sold to the federal government and became a CIA campus.
Students at the school were required to speak in French and ride horses. The school's logo was a cartoon figure in a hooded cape known as Le Capuchon. A student was photographed as Le Capuchon and the community has been trying to uncover her identity.
Persons associated with the garden include: Lea Marie Bouligny (former owner, 1907-1950); Bradford Williams (landscape architect, 1930-1935).
Related Materials:
Warrenton Country School related holdings consist of 1 folder (19 glass lantern slides (autochromes); 19 digital images (copies))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Virginia -- Warrenton  Search this
Genre/Form:
Digital images
Lantern slides
Photographic prints
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA473
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref18923

Hide/Seek: "Unfinished Painting" by Keith Haring - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2011-04-08T14:54:25.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_qx1aIEm3Pko

Smashing (paper) cars with Jimmie Durham

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-10-19T12:15:02.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_RUDfsNFZEOw

Chinamania - Behind the Scenes

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-10-06T13:36:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_T_M6G5pdaIg

Why These Conferedate Cartoons Were Kept Hidden

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2013-10-15T04:00:01.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_6HyC9zT0OC0

Wayne Thiebaud: Beyond the Cakes

Creator:
Smithsonian Magazine  Search this
Type:
YouTube Videos
Uploaded:
2011-01-19T19:11:29.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianMagazine
Data Source:
Smithsonian Magazine
YouTube Channel:
SmithsonianMagazine
EDAN-URL:
edanmdm:yt_4I6dOfM0lkk

James Dicke Contemporary Artist Lecture with Inka Essenhigh

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2013-03-08T01:09:54.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_jgn-atHxR3k

The Invention of Thanksgiving

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-01-18T21:19:56.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_yPEuQNp0nII

Oxygen Theatre

Creator:
National Museum of Natural History  Search this
Type:
YouTube Videos
Uploaded:
2008-04-21T20:54:34.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Natural History  Search this
See more by:
smithsonianNMNH
Data Source:
National Museum of Natural History
YouTube Channel:
smithsonianNMNH
EDAN-URL:
edanmdm:yt_bC-ZG6mAVpc

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