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Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 4

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01600112

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

Arizona -- Tubac

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 4

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3e3cc7d17-ac31-4003-b6fc-3876becb3f60

EDAN-URL:

ead_component:sova-naa-ms4605-ref652

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2017-04-07T11:00:00.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_8EjszVALQW0

Artist:

Rolinda Sharples, 1793? - 1838  Search this

Sitter:

John Smyth, Baronet, 1776 - 1849  Search this

Medium:

Oil on canvas

Dimensions:

110.5cm x 157.5cm (43 1/2" x 62"), Estimate

Type:

Painting

Date:

1836

Topic:

Nature & Environment\Clouds  Search this

Nature & Environment\Plant\Tree  Search this

Nature & Environment\Animal\Horse  Search this

Architecture\Building\Tent  Search this

Vehicle\Carriage  Search this

Exterior\Sports arena\Racetrack  Search this

John Smyth, Baronet: Male  Search this

John Smyth, Baronet: Law and Law Enforcement\Police\Police officer  Search this

Portrait  Search this

Credit Line:

Owner: City of Bristol Museum and Art Gallery

Object number:

K1073

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm463d5f60c-99de-4c90-9e8a-e435216c65c3

EDAN-URL:

edanmdm:npg_K1073

Artist:

Unidentified Artist  Search this

Sitter:

James Abram Garfield, 19 Nov 1831 - 19 Sep 1881  Search this

Medium:

Wood engraving on paper

Dimensions:

Image/Sheet: 40.5 × 55.4 cm (15 15/16 × 21 13/16")

Type:

Print

Date:

1880

Topic:

Interior  Search this

Music\Musical instrument\Piano  Search this

Home Furnishings\Furniture\Seating\Chair  Search this

Costume\Headgear\Hat  Search this

Exterior  Search this

Architecture\Building\Church  Search this

Home Furnishings\Furniture\Table  Search this

Nature & Environment\Animal\Dog  Search this

Home Furnishings\Furniture\Desk  Search this

Home Furnishings\Lighting Devices\Lamp  Search this

Artwork\Portrait  Search this

Architecture\Building\House  Search this

Architecture\Fireplace  Search this

Vehicle\Carriage  Search this

Artist's Effects\Frame  Search this

Home Furnishings\Stove  Search this

James Abram Garfield: Male  Search this

James Abram Garfield: Law and Law Enforcement\Lawyer  Search this

James Abram Garfield: Natural Resource Occupations\Agriculturist\Farmer  Search this

James Abram Garfield: Military and Intelligence\Army\Officer\General  Search this

James Abram Garfield: Education and Scholarship\Educator\Teacher  Search this

James Abram Garfield: Education and Scholarship\Educator\Professor\College  Search this

James Abram Garfield: Politics and Government\President of US  Search this

James Abram Garfield: Politics and Government\US Congressman\Ohio  Search this

James Abram Garfield: Education and Scholarship\Administrator\College administrator\President  Search this

James Abram Garfield: Politics and Government\State Senator\Ohio  Search this

James Abram Garfield: Military and Intelligence\Army\Officer\Major General  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.85.160

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm480149bc0-dbd3-4588-84cf-f616abc610ad

EDAN-URL:

edanmdm:npg_NPG.85.160

Artist:

John Cameron, active 1848 - 1872  Search this

Lithographer:

Currier & Ives Lithography Company, active 1857 - 1907  Search this

Sitter:

August Belmont, 8 Dec 1816 - 24 Nov 1890  Search this

Horace Greeley, 3 Feb 1811 - 29 Nov 1872  Search this

Theodore Tilton, 02 Oct 1835 - 29 May 1907  Search this

Victoria Claflin Woodhull, 23 Sep 1838 - 9 Jun 1927  Search this

Medium:

Lithograph on paper

Dimensions:

Image: 22.4 x 34.1cm (8 13/16 x 13 7/16")

Sheet: 34.5 x 44.9cm (13 9/16 x 17 11/16")

Type:

Print

Date:

1872

Topic:

Caricature  Search this

Tool\Axe  Search this

Vehicle\Carriage\Baby carriage  Search this

Horace Greeley: Male  Search this

Horace Greeley: Politics and Government\Presidential candidate  Search this

Horace Greeley: Journalism and Media\Magazine publisher  Search this

Horace Greeley: Journalism and Media\Newspaper publisher  Search this

Horace Greeley: Journalism and Media\Journalist\Reporter\Newspaper  Search this

Horace Greeley: Society and Social Change\Reformer\Abolitionist  Search this

Theodore Tilton: Male  Search this

Theodore Tilton: Journalism and Media\Journalist  Search this

August Belmont: Male  Search this

August Belmont: Business and Finance\Financier  Search this

August Belmont: Business and Finance\Banker  Search this

August Belmont: Visual Arts\Art collector  Search this

August Belmont: Politics and Government\Diplomat\Minister  Search this

Victoria Claflin Woodhull: Female  Search this

Victoria Claflin Woodhull: Politics and Government\Presidential candidate  Search this

Victoria Claflin Woodhull: Journalism and Media\Editor  Search this

Victoria Claflin Woodhull: Society and Social Change\Reformer\Activist\Civil rights activist\Suffragist  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.86.74

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm461f0e0bc-5e55-44d5-a3cc-9e746a46b583

EDAN-URL:

edanmdm:npg_NPG.86.74

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (002 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 87

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01604305

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

Kansas -- Ellsworth

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 87

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw304facba5-dd9b-451a-a621-fb64e3db348f

EDAN-URL:

ead_component:sova-naa-ms4605-ref1242

Creator:

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Names:

American Ambulance Field Hospital (Juilly, France)  Search this

Greenwich House (New York, N.Y.)  Search this

Whitney Museum of American Art  Search this

Whitney Studio Club  Search this

Cushing, Howard Gardiner, 1869-1916  Search this

De Meyer, Adolf, Baron, 1868-1949  Search this

Miller, Flora Whitney  Search this

Strelecki, Jean de, count  Search this

Watson, Forbes, 1880-1960  Search this

Whitney, Harry Payne, 1872-1930  Search this

Extent:

36.1 Linear feet

Type:

Collection descriptions

Archival materials

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Date:

1851-1975

bulk 1888-1942

Summary:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Scope and Content Note:

The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).

Arrangement:

The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)

Biographical/Historical note:

New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.

Related Archival Materials note:

Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.

Provenance:

The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Philanthropists -- New York (State) -- New York  Search this

Topic:

Art patrons -- New York (State) -- New York  Search this

Women artists  Search this

Women sculptors  Search this

World War, 1914-1918  Search this

Genre/Form:

Lithographs

Photographs

Interviews

Sketchbooks

Diaries

Scrapbooks

Blueprints

Sketches

Citation:

Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.whitgert

See more items in:

Gertrude Vanderbilt Whitney papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e

EDAN-URL:

ead_collection:sova-aaa-whitgert

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 61

Culture:

Mexicans of the Southwest  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01603004

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

Arizona

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 61

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39326a8a4-fea2-47ff-af16-63af5a334607

EDAN-URL:

ead_component:sova-naa-ms4605-ref1126

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 61

Culture:

Mexicans of the Southwest ?  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01603006

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

Arizona ?

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 61

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw337220426-1472-41a6-be6c-5690db0c68fe

EDAN-URL:

ead_component:sova-naa-ms4605-ref1128

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 42

Culture:

Spanish  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602004

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Albuquerque

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 42

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a620f378-9609-40a7-9362-d4f9b73e1627

EDAN-URL:

ead_component:sova-naa-ms4605-ref971

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 42

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602005

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Albuquerque

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 42

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3c50f6a98-fba0-4e14-99a4-b140fc484d5d

EDAN-URL:

ead_component:sova-naa-ms4605-ref972

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 42

Culture:

Pecos  Search this

Spanish  Search this

Indians of North America -- Southwest, New  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602007

NAA MS.MS 4605

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Pecos Pueblo

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 42

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34f150646-ade1-4306-8c34-0206b5dcf5ff

EDAN-URL:

ead_component:sova-naa-ms4605-ref974

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

1 Cubic foot (consisting of 2 boxes, 1 folder, 2 oversize folders, 2 map case folders, plus digital images of some collection material. )

Type:

Collection descriptions

Archival materials

Ephemera

Business ephemera

Date:

undated

1880-1903

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Chairs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

This material consists primarily of scattered correspondence on letterhead stationery, bills/receipts, postcards, illustrated catalogs, price lists, printed advertisements, images, patents and trademarks, freight line papers, circulars and testimonials from manufacturers and dealers of chairs.

There is also some materials from cabinet makers and upholsterers. The chairs are manufactured for a variety of buildings including homes, churches, schools, halls, opera, auditorium, bank, office, library, cottage, lawn, hotels and porches. The companies also tended to manufacture a number of other products including bureaus, sofa, book cases, bank and office furniture, cradles, cribs, carriage chairs, folding beds, surgical tables, church pews, lumber dry kilns, piano stools, bedroom suites, side-boards, armoire, hamper chairs, hamper stools walkers and wash stands. The different types of chairs include lounges, reception, folding, rockers, ottomans, invalid, physicians, wheelchairs, settees, camp chairs, pushover car seats, dining chairs, sewing chairs, Grecian, puritan, and coach.

Chairs are made of cane, wood, metal, rattan and steel. There are some business cards from companies that repaired items: re-caned chairs, umbrellas mended, keys fitted and clocks cleaned.

The material is organized alphabetically by name of company.

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Chairs is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Genre/Form:

Ephemera

Business ephemera

Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Chairs

See more items in:

Warshaw Collection of Business Americana Subject Categories: Chairs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep833aa9023-aebf-40a2-9dbe-6a23358c804d

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-chairs

Artist:

Mori Yoshitoshi 森義利 (1898-1992)  Search this

Medium:

Stencil print

Dimensions:

H x W (Image): 24.8 × 31.7 cm (9 3/4 × 12 1/2 in)

Type:

Print

Origin:

Japan

Date:

1959

Period:

Showa era

Topic:

Showa era (1926 - 1989)  Search this

Japan  Search this

Japanese Art  Search this

The Kenneth and Kiyo Hitch Collection of Modern and Contemporary Japanese Prints  Search this

Credit Line:

Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment

Accession Number:

S2019.3.1217

Restrictions & Rights:

Usage conditions apply

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye339e21c15-baf3-450d-86ee-2740ed0cd3e1

EDAN-URL:

edanmdm:fsg_S2019.3.1217

Collection Collector:

Robinson, Franklin A., Jr., 1959- (actor)  Search this

Container:

Box 39, Folder 11

Type:

Archival materials

Date:

1950

Collection Restrictions:

Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The Robinson and Via Family Papers, Archives Center, National Museum of American History

Sponsor:

Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.

See more items in:

Robinson and Via Family Papers

Robinson and Via Family Papers / Series 2: Robinson Family / 2.6: Robinson, Franklin A.

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c69fd212-5fa6-426e-8f82-ac71a4266346

EDAN-URL:

ead_component:sova-nmah-ac-0475-ref167

Manufacturer:

Terre Haute Carriage & Buggy Company  Search this

Medium:

wood; paint

Dimensions:

Height x Width x Depth: 36 x 7/8 x 5/8 in. (91.44 x 2.22 x 1.59 cm)

Type:

Transportation Equipment & Models

Place:

United States of America

Date:

1870-1920

Object number:

0.052985.277.2

See more items in:

National Postal Museum Collection

Data Source:

National Postal Museum

GUID:

http://n2t.net/ark:/65665/hm8569c4a53-e9dd-4593-9061-31d280fc657d

EDAN-URL:

edanmdm:npm_0.052985.277.2

Maker:

Heywood Brothers and Wakefield Company  Search this

Physical Description:

paper (overall material)

Measurements:

overall: 8 in x 5 1/4 in; 20.32 cm x 13.335 cm

Object Name:

booklet, infant products

booklet, infant products

Place made:

United States: Pennsylvania, Philadelphia

Date made:

1933

Subject:

Infant & Children's Products - Pediatrics  Search this

Credit Line:

Gift of Sara Jean Binder

ID Number:

2017.3025.003

Nonaccession number:

2017.3025

Catalog number:

2017.3025.003

See more items in:

Medicine and Science: Medicine

Health & Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b3-5070-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1843933

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Subject of:

Universal Network Television, American, founded 1950  Search this

Alex Haley, American, 1921 - 1992  Search this

Percy Ellis Sutton, American, 1920 - 2009  Search this

Columbia Records, American, founded 1888  Search this

Brown & Williamson, American, born 1894  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Ancient and Accepted Scottish Rite of Freemasonry  Search this

National Association of Market Developers, American, founded 1953  Search this

National Medical Association, American, founded 1895  Search this

Prince Hall Freemasonry, founded 1784  Search this

Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Roy Wilkins, American, 1901 - 1981  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

National Association of Black Social Workers, American, founded 1968  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

Chi Eta Phi Sorority, Inc., American, founded 1932  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Medical Association, American, founded 1895  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this

National Urban League, American, founded 1910  Search this

National Dental Association, American, founded 1913  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Eta Phi Beta Sorority, Inc., American, founded 1943  Search this

National Medical Association, American, founded 1895  Search this

Delta Sigma Theta Sorority, American, founded 1913  Search this

President Jimmy Carter, American, born 1924  Search this

Shriners International, American, founded 1870  Search this

Daughters of Isis, American, founded 1910  Search this

Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

National Urban League Guild, American, founded 1946  Search this

Tuskegee Airmen, 1941 - 1946  Search this

Congressional Black Caucus, American, founded 1971  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

National Council of Negro Women, founded 1935  Search this

Muhammad Ali, American, 1942 - 2016  Search this

369th Veterans Association, American  Search this

Southern Christian Leadership Conference, American, founded 1957  Search this

Prince Hall Freemasonry, founded 1784  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Northside Center for Child Development, Inc., founded 1946  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 10 13/16 × 8 7/16 × 5/16 in. (27.5 × 21.4 × 0.8 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1977

Topic:

African American  Search this

Advertising  Search this

Aeronautics  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Social life and customs  Search this

Sororities  Search this

Sports  Search this

Tennis  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.11

Restrictions & Rights:

Public domain

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5a191f832-64ab-4d62-81fe-a2bc53493bea

EDAN-URL:

edanmdm:nmaahc_2012.167.11

Compiled by:

Lewis Curtis Smith, American, 1921 - 1997  Search this

Subject of:

Tuskegee Airmen, 1941 - 1946  Search this

Medium:

paper, adhesive, silver and photographic gelatin on photographic paper

Dimensions:

H x W (2015.272.10a image): 2 1/8 × 3 3/8 in. (5.4 × 8.5 cm)

H x W (2015.272.10a sheet): 2 5/16 × 3 9/16 in. (5.9 × 9.1 cm)

H x W (2015.272.10b image): 2 5/16 × 3 7/16 in. (5.9 × 8.8 cm)

H x W (2015.272.10b sheet): 2 9/16 × 3 3/4 in. (6.5 × 9.5 cm)

H x W (2015.272.10c image): 2 5/16 × 3 1/2 in. (5.9 × 8.9 cm)

H x W (2015.272.10c sheet): 2 9/16 × 3 3/4 in. (6.5 × 9.6 cm)

H x W (2015.272.10d image): 2 1/16 × 3 1/16 in. (5.3 × 7.8 cm)

H x W (2015.272.10d sheet): 2 3/8 × 3 3/8 in. (6 × 8.5 cm)

H x W (2015.272.10e image): 2 1/8 × 3 3/8 in. (5.4 × 8.5 cm)

H x W (2015.272.10e sheet): 2 3/8 × 3 9/16 in. (6 × 9.1 cm)

H x W (page): 8 7/16 × 10 13/16 in. (21.5 × 27.5 cm)

Type:

gelatin silver prints

photograph albums

Place captured:

Naples, Campania, Napoli, italy, Europe

Date:

1943-1944

Topic:

African American  Search this

Aeronautics  Search this

Military  Search this

Tuskegee Airmen  Search this

World War II  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Victoria L.Thornton and Family

Object number:

2015.272.10a-e

Restrictions & Rights:

Unknown - Restrictions Possible

See more items in:

National Museum of African American History and Culture Collection

Classification:

Media Arts-Photography

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd5155dd5b1-58bd-4436-8234-1e92dd0ac6d6

EDAN-URL:

edanmdm:nmaahc_2015.272.10a-e

Author:

Garrett, John W. (John Work), 1820-1884  Search this

Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this

Creator:

Baltimore and Ohio Railroad Company  Search this

Collector:

National Museum of American History (U.S.). Division of History of Technology  Search this

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

Extent:

33 Cubic feet (76 boxes, 46 map-folders)

Type:

Collection descriptions

Archival materials

Tracings

Correspondence

Drawings

Date:

1827-1987

Summary:

The collection consists of correspondence, invoices, drawings, photographs, and negatives and other printed literature documenting the Baltimore and Ohio Railroad from its inception in 1827 to its merger with the Chesapeake and Ohio Railroad in the 1960s.

Scope and Contents:

The collection consists of correspondence, engineering drawings, notes, photographs, transparencies, negatives, glass plate negatives, printed materials, and newspaper clippings documenting the Baltimore and Ohio railroad from its inception in 1827 to its merger with the Chesapeake and Ohio in the 1960s.

Arrangement:

The records are arranged into ten series.

Series 1, Historical Background, 1827-1987

Series 2, Bridge Histories, 1867-1966

Series 3, President's Office, 1826-1880

Series 4, Correspondence, 1826-1859

Series 5, Business Records, 1894-1914, and undated

Series 6, Agreement, 1870

Series 7, Drawings, 1858-1957, and undated

Subseries 7.1, Indices and Lists, 1924-1943, undated

Subseries 7.2, Bailey's Station, 1887; 1899; 1901

Subseries 7.3, Baltimore Belt Railroad, 1895, undated

Subseries 7.4, Bay View and Canton Bridges, 1884-1885

Subseries 7.5, Big Seneca Creek Viaduct, 1905

Subseries 7.6, Bollman Bridges, undated

Subseries 7.7, Boyds, Maryland Station, 1886; 1927

Subseries 7.8, Bridewell Station, undated

Subseries 7.9, Bridges (general), 1893-1917

Subseries 7.10, Brunswick, Maryland, 1890-1907

Subseries 7.11, Building Materials List, undated

Subseries 7.12, Building Signs, 1911-1912

Subseries 7.13, Camden Station, 1881-1942 (not inclusive)

Subseries 7.14, Camden Station (related), 1881-1915

Subseries 7.15, Centenary Bridge Models, 1927

Subseries 7.16, Central Office Building, undated

Subseries 7.17, Chestnut Street Station, 1925-1952

Subseries 7.18, Coaling facilities, water tanks, turntables, and miscellaneous structures, 1888-1912

Subseries 7.19, Cumberland Station, 1910-1955

Subseries 7.20, Curtis Bay Branch, 1900-1911

Subseries 7.21, Frederick Station, 1908-1915

Subseries 7.22, Hyattsville Station, 1913

Subseries 7.23, Keedysville Station, undated

Subseries 7.24, Laurel Station, undated

Subseries 7.25, Ledger, undated

Subseries 7.26, Lieperville Station, 1889

Subseries 7.27, Locust Point, 1881-1957

Subseries 7.28, Maps, 1862; 1918

Subseries 7.29, Martinsburg, West Virginia, 1913-1927

Subseries 7.30, Miscellaneous Buildings, 1875-1956

Subseries 7.31, Miscellaneous Large Photographs, undated

Subseries 7.32, Miscellaneous Structures, 1890-1916

Subseries 7.33: Mt. Clare (general)

Subseries 7.34, Mt. Clare New Blue Line Stable, 1899; 1905

Subseries 7.35, Mt. Clare New Car Shops, undated

Subseries 7.36, Mt. Royal Station, undated

Subseries 7.37, Newton Falls and Fairpoint, Ohio, 1909

Subseries 7.38, Patapsco River Bridge, 1883

Subseries 7.39, Plans for house no. 1846 (N. Gay Street, Baltimore, Maryland), undated

Subseries 7.40, Point of Rocks Station, 1951

Subseries 7.41, Scales, 1903

Subseries 7.42, Signal towers, 1900-1908

Subseries 7.43, Stations (general), 1866-1907

Subseries 7.44, Sykesville Station, undated

Subseries 7.45, Untitled, undated

Subseries 7.46, Warnings, 1894-1911

Subseries 7.47, Woodstock Station, undated

Subseries 7.48, Miscellaneous (rolled), 1858-1930 (not inclusive)

Series 8, Photographs and Copy Prints, 1872-1980s (not inclusive)

Subseries 8.1, Photographs, 1872-1980s

Subseries 8.2, Copy prints, 1901-1931, undated

Subseries 8.3, Indices and Lists, 1909-1920

Series 9, Negatives, 1850-1983 (bulk 1920s-1930s)

Subseries 9.1, Glass plate negatives (unidentified), undated

Subseries 9.2, Glass plate negatives (numbered), 1850-1957 (bulk 1920s-1930s)

Subseries 9.3, Negatives by number, undated

Subseries 9.4, Negatives by location, 1870; 1978-1983

Subseries 9.5, Negatives by subject, 1922-1930s, undated

Series 10, Stations and Buildings, 1884-1982

Biographical / Historical:

The Baltimore and Ohio Railroad (B&O) was the nation's first extensive steam powered railroad. It was founded by Baltimore merchants in 1827 as a means of promoting trade and making Baltimore competitive with other east coast ports. The original intent of the founders was to provide direct and fast access to the Ohio River, and the markets that the river reached. The railroad, however, went beyond the Ohio River and its lines went as far west as St. Louis and Chicago. The B&O was also known for its use of an electric locomotive in the mid 1890s. It also had a completely air conditioned train, and it was a forerunner in the use of diesel-electric locomotives. Company activities paralleled those of other American railroads and over the course of its life included expansion, near bankruptcy, innovations, regulations, and finally buy out. In February 1963, the Chesapeake and Ohio (C&O) completed its purchase of the B&O. Today, B&O is part of the CSX Transportation (CSX) network.

John Work Garrett president of the Baltimore and Ohio Railroad 1858-1884, was born in Baltimore, Maryland July 31, 1820. He was the second son of Elizabeth Stouffer and Robert Garrett. He married Rachel Ann Harrison, the daughter of Thomas Harrison, a Baltimore merchant. They had one daughter, Mary and two sons Robert and Thomas Harrison Garrett.

After attending Lafayette College (Pennsylvania) for two years John W. Garrett left in 1836 to become associated with his father's commission business in Baltimore. The commission house which dealt in wholesale groceries, produce, forwarding and a commission business expanded to establish direct connections with Latin America, seek outlets in Europe and develop its own banking operations. In time its financial operations overshadowed the commission and shipping business.

When John W. Garrett began to invest heavily in Baltimore and Ohio Railroad stock, the road was in competition with the Chesapeake and Ohio Canal and the stock was not popular. Its value rose steadily over the years. Mr. Garrett was elected a director of the railroad in 1855. His report as chairman of a subcommittee on the need for additional funds to complete the line to the Ohio River led to his election to the presidency of the road on November 17, 1858, a position he held for 26 years. New policies with emphasis on economy, personal supervision and gradual expansion were inaugurated and consistently maintained, in spite of a general financial crisis, Mr. Garrett's first year in office showed a net gain in earnings.

Sympathetic to his southern friends during the Civil War, Mr. Garrett nevertheless supported the Union. He recognized the inevitability of Confederate defeat by superior northern resources. Confederate leaders blamed him for their inability to seize Washington and he received warm appreciation for his services to the Union cause from President Lincoln. The railroad stretched along the theater of war and twice crossed Confederate territory. It was, therefore, a main objective for southern attack. Branches were frequently damaged by Confederate raids, but the main line to Washington became important for the transport of troops and supplies. The Baltimore and Ohio carried out the first military rail transport in history and the transfer of 20,000 men from the Potomac to Chattanooga in 1863 was a major triumph for its president.

With the advent of peace Mr. Garrett turned to rebuilding and strengthening the railroad. He replaced equipment and track damaged by the war, then extended the system by securing direct routes to Pittsburgh and Chicago and arranging an independent line into New York. Wharves were built at Locust Point for ocean liners and a system of elevators erected. The B&O. built its own sleeping and dining cars, established hotels in the mountains and created its own express company. By 1880, after battles over rates with other trunk lines, a costly rivalry with the Pennsylvania Railroad over the eastern route and charges of discrimination against local shippers Mr. Garrett was at the height of his success. He cooperated in establishing the B. and 0. Employees Relief Association for accident and life insurance, a hospital system, saving and building funds, and arrangements for improving sanitation in the work place. He was on friendly terms with Johns Hopkins, a trustee of John Hopkins Hospital, and with George Peabody, founder of the Peabody institute of which he was also a trustee. Garrett County, Maryland was named in his honor.

John W. Garrett died on September 26, 1884 within a year of his wife's death in a carriage accident. During his connection with the railroad the stock increased from $57 to $200; at the outbreak of the Civil War the railroad was operating 514 miles of rail, gross earnings were $4,000,097 and net per mile was $4246.1 By 1864 gross earnings were $10,138,876 and net per mile, $7113.2 By the end of his presidency mileage had increased to 1711 miles and net earnings were $4535 per mile.3

References

1 -- National Cyclopedia of American Biography -- Vol. 18:3

2 -- National Cyclopedia of American Biography -- Vol. 18:3

3 -- National Cyclopedia of American Biography -- Vol. 18:3

Related Materials:

Materials at Other Organizations

Maryland Historical Society

Baltimore and Ohio Museum

Provenance:

This collection was donated to the National Museum of American History by the Baltimore and Ohio Railroad in the 1960s.

Restrictions:

The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Railroads  Search this

Engineering -- 19th century  Search this

Repairing -- Railroads  Search this

Railway engineering -- 1860-1890  Search this

Bridges  Search this

Construction  Search this

Genre/Form:

Tracings

Correspondence -- 19th century

Drawings -- 1860-1890

Citation:

Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History

Identifier:

NMAH.AC.1086

See more items in:

Baltimore and Ohio Railroad Records

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e652d903-bb57-46a8-a205-c7cbfe89f444

EDAN-URL:

ead_collection:sova-nmah-ac-1086