Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arthur Espenet Carpenter, 2001 June 20-2001 September 4. Archives of American Art, Smithsonian Institution.
Topic:
Woodworkers -- California -- Interviews. Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Extent:
40 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 June 20-2001 September 4
Scope and Contents:
An interview of Arthur Espenet Carpenter conducted 2001 June 20-September 4, by Kathleen Hanna, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Carpenter's home and shop, in Bolinas, California.
Carpenter speaks of his childhood in Brooklyn, New York; his parents' divorce and moving to Oregon, going to high school there and then attending college at Dartmouth; studying economics as a fallback; spending four years in the Navy; seeing his first bowl by James Prestini, and a slide of Robert Maillart's bridges, which became inspiration for him; taking up the opportunities of the GI Bill to start up his own business in woodworking; using the money he made from the Navy, which he sent home to his father to invest, to buy his own acreage and build a house and workshop; the street fairs in San Francisco; how he gets design ideas from everywhere; being on the Bolinas school board while his children were in school; an apprentice of his, Tom d'Onofrio, and creating the Bolinas Craft Guild in 1972; his numerous other apprentices and "on lookers;" his first exhibition with the Renwick Museum, called, "Out of the Blue," which included other craftsmen, such as Sam Maloof, Wendell Castle, George Nakashima, and others; periodicals such as, "Fine Woodworking;" his big commissions including, the Mill Valley Library, in Marin County, California and the Mountain View Council Chamber in San Francisco; his techniques with wood; the difficulty for beginning craftspeople today; craft couples, including Gary and Sylvia Bennett and Sam and Freda Maloof; how he used exhibitions as advertising campaigns; what it was like to attend conferences on craft; the book he's working on; the where and when he began to include the name Espenet, from his grandmother's maiden name; the beginnings of a shop called Local Color at 1414 Grant Avenue; the Upper Grant Avenue Fair; and his two children. Carpenter also recalls Bob Stocksdale, Dr. John Kassay, Arthur Danto, John Kelsey, Delores Richards, Gretchen McAllister, Michael Stone, and others.
Biographical / Historical:
Arthur Espenet Carpenter (1920-2006) was a wood worker from Bolinas, California. Kathleen Hanna (1943- ) is a ceramist and teacher at San Francisco State University, Petaluma, California.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Woodworkers -- California -- Interviews. Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Extent:
6 Items
Type:
Collection descriptions
Archival materials
Date:
2003
Scope and Contents:
Draft of an incomplete, unpublished autobiography by Carpenter with handwritten notes in the margins.
Biographical / Historical:
Woodworker; educator; Bolinas, Calif.; b. 1920, New York, N.Y.; d. Bolinas, Calif., June 4, 2006.
Provenance:
Donated 2003 by Arthur Espenet Carpenter. The papers were collected as part of the Nanette L. Laitman Documentation Project For Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Woodenworks : furniture objects by five contemporary craftsmen: George Nakashima, Sam Maloof, Wharton Esherick, Arthur Espenet Carpenter, Wendell Castle